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Woody Allen (written by)
15 September 2006 (Iceland) more
The perfect man. The perfect story. The perfect murder.
An American journalism student in London scoops a big story, and begins an affair with an aristocrat as the incident unfurls. full summary | add synopsis
1 nomination more
Woody Allen's Tall Dark Stranger
(From EmpireOnline. 26 October 2009, 11:46 PM, PDT)
Elegantly Bubbly
(From FilmInk.com.au. 26 October 2009, 1:01 AM, PDT)
Worthy addition to Woody Allen's filmography more (206 total)
Directed by | |||
| Woody Allen | |||
Writing credits(WGA) | ||
| Woody Allen | (written by) | |
Produced by | |||
| Letty Aronson | .... | producer | |
| Nicky Kentish Barnes | .... | co-producer | |
| Charles H. Joffe | .... | co-executive producer | |
| Duncan Reid | .... | executive producer: Ingenious Film Partners | |
| Helen Robin | .... | co-producer | |
| Jack Rollins | .... | co-executive producer | |
| Stephen Tenenbaum | .... | executive producer | |
| David M. Thompson | .... | executive producer: BBC Films | |
| Peter Touche | .... | executive producer: Ingenious Film Partners | |
| Gareth Wiley | .... | producer | |
Cinematography by | |||
| Remi Adefarasin | |||
Film Editing by | |||
| Alisa Lepselter | |||
Casting by | |||
| Patricia Kerrigan DiCerto | |||
| Gail Stevens | |||
| Juliet Taylor | |||
Production Design by | |||
| Maria Djurkovic | |||
Art Direction by | |||
| Nick Palmer | |||
Set Decoration by | |||
| Philippa Hart | |||
Costume Design by | |||
| Jill Taylor | |||
Makeup Department | |||
| Polly Earnshaw | .... | makeup artist | |
| Charlotte Hayward | .... | makeup trainee | |
| Sallie Jaye | .... | hair designer | |
| Sallie Jaye | .... | makeup designer | |
| Tracy Smith | .... | hairdresser (as Tracey Smith) | |
| Lisa Tomblin | .... | hairdresser | |
Production Management | |||
| Tori Parry | .... | unit production manager | |
| Finlay Pile | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Tamana Bleasdale | .... | second assistant director | |
| Dan Channing-Williams | .... | crowd assistant director | |
| Chris Croucher | .... | crowd assistant director | |
| Michael Elliott | .... | first assistant director (as Mike Elliott) | |
| Samar Pollitt | .... | third assistant director | |
Art Department | |||
| Louise Begbie | .... | art department assistant | |
| Mat Bergel | .... | stand-by props | |
| Hannah Capron | .... | graphic artist: newspapers | |
| David Creed | .... | construction manager | |
| Chris Cull | .... | property master | |
| Gill Farr | .... | production buyer | |
| Martin Kane | .... | props | |
| Simon Riley | .... | stand-by props | |
| Sarah Stuart | .... | stand-by art director | |
| Ian Taylor | .... | set carpenter | |
| Stephen Thomson | .... | dressing propman | |
| Billy Wilson | .... | dressing prophand | |
Sound Department | |||
| Coll Anderson | .... | foley editor | |
| Esther Asiedu-Ofei | .... | sound trainee | |
| Carlos M. Cano | .... | apprentice sound editor | |
| Ryan Collison | .... | foley engineer | |
| Lee Dichter | .... | sound re-recording mixer | |
| Peter Glossop | .... | sound mixer | |
| Robert Hein | .... | supervising sound editor | |
| Stephane Malenfant | .... | sound assistant | |
| Sylvia Menno | .... | dialogue editor | |
| Shaun Mills | .... | boom operator | |
| Eytan Mirsky | .... | assistant sound editor | |
| Glenfield Payne | .... | sound effects editor | |
| Jay Peck | .... | foley artist | |
| David Wahnon | .... | foley editor | |
| David Wahnon | .... | sound editor | |
Visual Effects by | |||
| Paul Alexiou | .... | visual effects film editorial: MPC | |
| Matthew Bristowe | .... | digital lab producer: MPC | |
| Michelle Corney | .... | visual effects producer | |
| Adam Gascoyne | .... | digital compositor: MPC | |
| Tim Hey | .... | digital compositor: MPC | |
| Martin Hobbs | .... | executive producer: MPC | |
| Gemma James | .... | visual effects coordinator | |
| Tom Kimberley | .... | digital compositor: MPC | |
| Begoña Lopez | .... | digital lab producer: MPC | |
| Jennifer Loughnan | .... | visual effects coordinator (as Jen Loughnan) | |
| Alasdair McNeill | .... | roto/prep supervisor: MPC | |
| Andy Middleton | .... | texture artist: MPC | |
| Adrian Pinder | .... | 3D artist: MPC | |
| Scott Pritchard | .... | digital compositor: MPC | |
| John Roberts-Cox | .... | 3D artist: MPC (as John Roberts Cox) | |
| John Roberts-Cox | .... | lead lighting technical director: MPC | |
| Aled Robinson | .... | visual effects editor: MPC | |
| Richard Stammers | .... | visual effects supervisor | |
| Miquel Ubeda | .... | digtial compositor: MPC London | |
| Sheila Wickens | .... | digital compositor: MPC (as Sheila Gorman) | |
| Martyn Drake | .... | systems: MPC (uncredited) | |
Camera and Electrical Department | |||
| Ben Adefarasin | .... | camera trainee | |
| John Adefarasin | .... | clapper loader | |
| John Arnold | .... | key grip | |
| Chris Bain | .... | daily focus puller | |
| Chris Clarke | .... | clapper loader: dailies | |
| Clive Coote | .... | still photographer | |
| David Cozens | .... | focus puller | |
| Ian Franklin | .... | rigging gaffer | |
| Mark Funnell | .... | best boy | |
| Chris Hammond | .... | electrician | |
| Tobias Marshall | .... | camera trainee | |
| Paul Molloy | .... | electrician | |
| Llewellyn Thomas | .... | camera car | |
| Alf Tramontin | .... | Steadicam operator | |
| David Wall | .... | chief rigging electrician | |
| Ben Wilson | .... | additional camera operator | |
| Jimmy Wilson | .... | gaffer | |
Casting Department | |||
| Peter Bevan | .... | casting assistant | |
| William Davies | .... | casting associate | |
| Julie Dunne | .... | additional casting | |
| Julie Schubert | .... | casting assistant | |
| David Wheal | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Karen Beale | .... | wardrobe assistant | |
| Tracey Millar | .... | costume assistant | |
| Charlotte Sewell | .... | assistant costume designer | |
Editorial Department | |||
| Lisa Clifford-Owen | .... | assistant editor | |
| Kate Rose Itzkowitz | .... | apprentice editor | |
| Scott Kordish | .... | post-production coordinator | |
| Morgan Neville | .... | first assistant editor | |
| James Nichols Jr. | .... | assistant editor | |
| Tina Pacheco | .... | assistant editor | |
| Lawrence Howard Williams | .... | post digital media operator | |
| Phil Ashton | .... | color grader (uncredited) | |
Transportation Department | |||
| Lawrence Duncan | .... | facilities captain | |
| Richard Eksteen | .... | facilities driver | |
| Lee Isgar | .... | driver: Scarlett Johansson | |
| Gary Mavor | .... | facilities driver | |
Other crew | |||
| Sarah Allentuch | .... | assistant: Mr. Allen | |
| Kim Armitage | .... | script supervisor | |
| Carrie-Ann Banner | .... | assistant production coordinator | |
| Menna Bevan | .... | floor runner: dailies | |
| Matthew Bristowe | .... | title producer | |
| Bruno Cassoni | .... | location assistant | |
| Leah Chalk | .... | health and safety | |
| Francesca Dowd | .... | production coordinator | |
| Jake Edmonds | .... | health and safety advisor | |
| Richard Etchells | .... | title designer (as Dickie Etchells) | |
| Lucy Foulds | .... | location coordinator | |
| Flax Glor | .... | publicist | |
| Max Greenhalgh | .... | production runner | |
| Michael J. Harker | .... | completion bond company representative | |
| Michael Harm | .... | location manager | |
| Lisa Heathcote | .... | food stylist | |
| Natalie Kavanagh | .... | floor runner: dailies | |
| Begoña Lopez | .... | title producer | |
| Pietro Lorino Jr. | .... | post-production accountant | |
| Reel Meals | .... | caterer | |
| Louise O'Malley | .... | production accountant | |
| Scott Penrose | .... | magic consultant | |
| Dave Shaw | .... | diving advisor | |
| Cassandra Sigsgaard | .... | clearances coordinator | |
| Kerry Smith | .... | assistant accountant | |
| Aurelia Thomas | .... | assistant location manager | |
| David Wilcock | .... | cashier | |
| David Joy | .... | location runner (uncredited) | |
Untitled Woody Allen Fall Project 2006 (USA) (working title)
more
Rated PG-13 for some sexual content.
96 min
1.85 : 1 more
Dolby Digital (Mono)
USA:PG-13 | Canada:G (British Columbia) | Netherlands:AL | Philippines:PG-13 (MTRCB) | Singapore:PG | Malaysia:U | Switzerland:7 (canton of Geneva) | Switzerland:7 (canton of Vaud) | Sweden:7 | France:U | Germany:6 | Spain:13 | Hong Kong:IIA | Portugal:M/12 | Canada:PG (Ontario) | Australia:PG | Argentina:Atp | Finland:K-11 | South Korea:12 | Taiwan:PG-12 | Brazil:12
Dorchester Hotel, Park Lane, Mayfair, London, England, UK more
Woody Allen specifically wrote the script for Scarlett Johansson after working with her on Match Point (2005). more
Crew or equipment visible: There were several scenes where Johansson's lapel mike radio frequency transmitter strapped on her waist behind her is visible. more
[first lines]
Funeral Speaker:
Don't mourn Joe Strumble.
more
Featured in "Siskel & Ebert & the Movies: (2006-08-12)" (2006) more
The Nutcracker Ballet more
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I was lucky enough to get a free pass to an advance screening of 'Scoop' last night. Full house at the theatre and when the movie ended there was spontaneous applause. I didn't speak to anyone who disliked 'Scoop' although two teenagers sitting next to me sighed and fidgeted uncomfortably for most of the film. They were the exception though because everyone else including myself really enjoyed themselves.
'Scoop' is a quickly paced murder mystery. A young female journalism student is unwittingly maneuvered by forces beyond her control into trying to catch a serial killer on the loose. Plenty of hijinks ensue as she partners up with a traveling illusionist and falls in love with a frisky and charming young nobleman.
'Scoop' isn't a bad addition to the Woody Allen filmography. It isn't his best work but it is a very enjoyable and light hearted romp. I'd say it fits quite comfortably into being an average Woody Allen film, right in the middle of the pack. If you're a Woody Allen fan you'll probably enjoy yourself. If you're indifferent to his work then 'Scoop' might be enough to get you interested in seeing more. I don't think that anyone who dislikes his style of film-making and acting are going to change their mind. Woody plays the same kind of neurotic character we've grown so accustomed to although it borders dangerously close to forced and over the top in this film. While potentially aggravating for some who might find themselves wishing he'd hurry up and just spit out the words, Woody Allen fans know what to expect.
Very good performances all around in my opinion although I found myself missing Ian McShane who is excellent and not on camera nearly enough. Hugh Jackman is great as the charming nobleman and I think Woody Allen has found a new regular star to work with in Scarlett Johansson. I think that with 'Match Point' this is their second pairing and she's just magic with the material that Woody gives her. Could be the beginning of a beautiful relationship! I'm glad I saw the movie and definitely recommend it. More sophisticated comedy than movies like 'Scary Movie 4' so if your brand of comedy is the latter rather than the former, 'Scoop' probably isn't for you. If, on the other hand, you like a touch of class, sophistication and fun, 'Scoop' is for you. Probably not the Woody Allen film I'd introduce to a newcomer but all others should give it a try.