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Richard Shepard (written by)
Scott Anderson (article)
14 September 2007 (USA) more
How can they find the world's most wanted war criminal when the C.I.A. can't? [by actually looking]
A young journalist, a seasoned cameraman and a discredited war correspondent embark on an unauthorized mission to find the no... more | full synopsis
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Enjoy Sarajevo The Hunting Party more (71 total)
| Terrence Howard | ... | Duck | |
| Richard Gere | ... | Simon Hunt | |
| Gordana Vukres | ... | Girl at Awards Ceremony | |
| James Brolin | ... | Franklin Harris | |
| Sanela Seferagic | ... | Sexy Assistant | |
| Damir Saban | ... | Gert | |
| Aleksandra Grdic | ... | TriBeCa Loft Girl | |
| Jesse Eisenberg | ... | Benjamin Strauss | |
| John W. Falk | ... | Journalist #1 | |
| Scott Anderson | ... | Journalist #2 | |
| Harald Doornbos | ... | Journalist #3 | |
| Philippe Deprez | ... | Journalist #4 | |
| Erich Rathfelder | ... | Journalist #5 | |
| Zan Marolt | ... | Journalist #6 | |
| Ljubomir Kerekes | ... | The Fox | |
| Kristina Krepela | ... | Marda | |
| Snezana Markovic | ... | Una | |
| Joy Bryant | ... | Ducks Girlfriend | |
| Goran Kostic | ... | Srdjan | |
| Branko Smiljanic | ... | Nine Fingered Man | |
| Semir Krivic | ... | Roadhouse Waiter | |
| Nitin Ganatra | ... | Indian Officer | |
| R. Mahalakshmi Devaraj | ... | Miriam | |
| Mark Ivanir | ... | Boris | |
| Lucio Slama | ... | Man with Scar | |
| Damir Kukulj | ... | Solitary Man | |
| Kata Ivkovcic | ... | Old Lady Gardening | |
| Srecko Franovic | ... | Young Boy | |
| Sasa Dodik | ... | Bar Patron #1 | |
| Amer Isanovic | ... | Bar Patron #2 | |
| Miraj Grbic | ... | Thug #1 - Goran | |
| Mladen Vulic | ... | Thug #2 | |
| Zdravko Kocevar | ... | Sascha | |
| Diane Kruger | ... | Mirjana | |
| Marinko Prga | ... | Fox's Man with Gun | |
| Luka Peros | ... | Commando #1 | |
| Dylan Baker | ... | CIA Operative | |
| Arif Alaibegovic | ... | Old Man with Guitar | |
| rest of cast listed alphabetically: | |||
| Lejla Hadzimuratovic | ... | Bosnian Woman (voice) (uncredited) | |
| Matija Tomsic | ... | UN Soldier (uncredited) | |
Directed by | |||
| Richard Shepard | |||
Writing credits(WGA) | ||
| Richard Shepard | (written by) | |
| Scott Anderson | (article "How I Spent My Summer Vacation") | |
Produced by | |||
| Bill Block | .... | producer | |
| Alejandra Cárdenas | .... | line producer: Mexico (as Alexandra Cárdenas) | |
| Paul Hanson | .... | executive producer | |
| Bo Hyde | .... | executive producer | |
| Mark Johnson | .... | producer | |
| Sascha Konzack | .... | co-producer | |
| Scott Kroopf | .... | producer | |
| Alex Litvak | .... | co-producer | |
| Adam Merims | .... | executive producer | |
| Kendall Morgan | .... | co-executive producer (as Kendall Morgan Rhodes) | |
| Martin Schuermann | .... | executive producer | |
| Philip Schulz-Deyle | .... | line producer: Germany | |
Original Music by | |||
| Rolfe Kent | |||
Cinematography by | |||
| David Tattersall | |||
Film Editing by | |||
| Carole Kravetz | |||
Casting by | |||
| Stephanie Corsalini | |||
| Joyce Nettles | |||
Production Design by | |||
| Jan Roelfs | |||
Art Direction by | |||
| Mario Ivezic | |||
Set Decoration by | |||
| Anuradha Mehta | |||
Costume Design by | |||
| Beatrix Aruna Pasztor | |||
Makeup Department | |||
| Jolanda Buhin | .... | additional hair stylist | |
| Ana Bulajic-Crcek | .... | additional makeup artist (as Ana Bulajic) | |
| Vincenzo Mastrantonio | .... | key makeup artist | |
| Vincenzo Mastrantonio | .... | makeup artist: Mr. Gere | |
| Ferdinando Merolla | .... | hair stylist: Mr. Gere | |
| Ferdinando Merolla | .... | key hair stylist | |
| Salvatore Placenti | .... | prosthetics | |
| Charles Gregory Ross | .... | hair stylist: Mr. Howard | |
| Alexandra Rouse | .... | wig maker | |
| Katia Sisto | .... | additional makeup artist (as Caterina Sisto) | |
| Snjezana Tomljenovic | .... | additional makeup artist (as Snjezana 'Buba' Tomljenovic) | |
Production Management | |||
| Alejandra Cárdenas | .... | production manager: Mexico | |
| Ricardo Del Río | .... | unit production supervisor: Mexico | |
| Elliot Ferwerda | .... | executive in charge of production | |
| Asen Kanchev | .... | music production manager | |
| Milan Stanisic | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Alison Banks | .... | second assistant director | |
| Vanja Cernjul | .... | second unit director | |
| Tom Delmar | .... | second unit director | |
| Igor Filipovic-Fila | .... | first assistant director: second unit (as Igor 'Fila' Filipovic) | |
| Richard L. Fox | .... | first assistant director | |
| Tina Fratnik | .... | additional second assistant director | |
| Daniella Jovanovic | .... | second assistant director | |
| Elmir Jukic | .... | second assistant director: Sarajevo (as Elmir 'Juka' Jukic) | |
| Arsen A. Ostojic | .... | second unit director | |
| Tomo Palikovic | .... | third assistant director (as Tomislav Palikovic) | |
| Zoran Sudar | .... | first assistant director: Hungary | |
Art Department | |||
| Ivan Bajt | .... | draftsman | |
| Robert Capan | .... | props | |
| Mijo Debanic | .... | property master | |
| Dubravko Djuran | .... | assistant property master | |
| Igor Dropucic | .... | props | |
| Damir Gabelica | .... | construction manager | |
| Roland Gambiroza | .... | storyboard artist | |
| Tiha Gudac | .... | art department coordinator | |
| Denis Lukacin | .... | on-set dresser | |
| Ladislav Markic | .... | assistant art director | |
| Ivana Rubelj | .... | graphic designer | |
| Ivana Skrabalo | .... | draftsman | |
| Diego Suárez Groult | .... | set dresser: Mexico | |
| Gordana Spanic | .... | art department accountant (uncredited) | |
Special Effects by | |||
| Vlado Celizic | .... | special effects technician | |
| Garth Inns | .... | special effects supervisor | |
| Marijan Karoglan | .... | special effects coordinator: Hungary | |
| Josip Lipovac | .... | special effects assistant | |
| Darko Luksic | .... | special effects assistant | |
| Igor Mandic | .... | special effects assistant | |
| Branko Repalust | .... | armourer | |
| Kristijan Repalust | .... | assistant armorer | |
| Tim Willis | .... | special effects technician (as Timothy Willis) | |
| Stjepan Zupancic | .... | special effects technician | |
Visual Effects by | |||
| Greg Astles | .... | 2D department lead: Intelligent Creatures Inc. | |
| Travis Baumann | .... | digital compositor: Digiscope | |
| Travis Baumann | .... | digital supervisor: Digiscope | |
| Darren A. Bell | .... | visual effects producer: Intelligent Creatures Inc. (as Darren Bell) | |
| Dominic Cheung | .... | 3D artist: Intelligent Creatures Inc. | |
| Mike Dalzell | .... | 3D department lead: Intelligent Creatures Inc. | |
| Amy Daye | .... | digital compositing artist: Intelligent Creatures Inc. (as Amy Spencer) | |
| Ashley Farber | .... | digital intermediate data manager | |
| Raymond Gieringer | .... | visual effects production executive: Intelligent Creatures Inc. | |
| Scott Gregory | .... | digital film colorist | |
| Brian Hanable | .... | digital effects compositor: Pacific Title | |
| Michael Hatton | .... | visual effects consultant: Intelligent Creatures | |
| Michael Hatton | .... | visual effects production executive: Intelligent Creatures Inc. | |
| Phillip Hoffman | .... | visual effects coordinator: Pacific Title and Art Studio | |
| John Kearns | .... | digital restoration | |
| Jeffrey Klug | .... | systems administrator: Intelligent Creatures Inc. | |
| Lev Kolobov | .... | on-set visual effects supervisor: Intelligent Creatures Inc. | |
| Wendy Lanning | .... | executive visual effects producer: Intelligent Creatures Inc. | |
| Corey Mayne | .... | production assistant: Intelligent Creatures Inc. | |
| Alison Middaugh | .... | 3D artist: Intelligent Creatures Inc. | |
| Todd Mitchell | .... | imaging technician: TDI | |
| Lon Molnar | .... | visual effects supervisor: Intelligent Creatures Inc. | |
| Robert Montgomery | .... | digital compositor: Pacific Title and Art Studio | |
| Erin L. Nelson | .... | digital restoration | |
| Heather Neville | .... | visual effects production coordinator: Intelligent Creatures Inc. | |
| Chris Nokes | .... | visual effects production supervisor: Intelligent Creatures Inc. | |
| Scott Parker | .... | systems administrator: Intelligent Creatures Inc. | |
| César Romero | .... | digital compositor: Pacific Title and Art Studio | |
| Kenneth Sales | .... | digital compositing artist: Intelligent Creatures Inc. | |
| Laurel Lyn Schulman | .... | digital producer: Digiscope (as Laurel Schulman) | |
| David Sosalla | .... | visual effects supervisor: Pacific Title and Art Studio | |
| Rick Sparr | .... | visual effects producer: Pacific Title and Art Studio | |
| Christopher Stack | .... | imaging supervisor: Digiscope | |
| Mitchell Stuart | .... | 3D artist: Intelligent Creatures Inc. | |
| Brad Sutton | .... | restoration artist | |
| Wilson Tang | .... | digital restoration | |
| Mike Tosti | .... | head of production technology | |
| Tim Warnock | .... | concept artist and lead digital matte painter: Intelligent Creatures Inc. | |
| Kai Zhang | .... | digital compositing artist: Intelligent Creatures Inc. | |
Stunts | |||
| Pavel Cajzl | .... | stunt coordinator: Sarajevo | |
| Tom Delmar | .... | stunt coordinator | |
| Evangelos Grecos | .... | stunts | |
| Sime Jagarinac | .... | stunts | |
| Charles Jarman | .... | stunt performer | |
| Ivo Kristof | .... | stunt coordinator | |
| Ivo Kristof | .... | stunts | |
| Aldo Toncic | .... | stunt double | |
Camera and Electrical Department | |||
| Ron Bahara | .... | first assistant camera: "b" camera, second unit | |
| Karen Ballard | .... | still photographer | |
| Jeremy Braben | .... | aerial director of photography | |
| Dean Brkic | .... | gaffer: second unit | |
| Václav Cermak | .... | gaffer | |
| Vanja Cernjul | .... | cinematographer: second unit | |
| Jasmin Fazlic | .... | grip | |
| Sascia Ippoliti | .... | Steadicam operator | |
| Samir Kadric | .... | electrician | |
| Branko Knez | .... | first assistant camera | |
| Marin Marsic | .... | second assistant camera | |
| Sinisa Sabljic | .... | lighting technician | |
| Mario Vargovic | .... | second assistant camera: "b" camera, second unit | |
| Zeljko Vrscak | .... | rigging gaffer | |
| Oliver Ward | .... | camera technician: Wescam camera | |
| Zeljko Zupan | .... | camera loader | |
Animation Department | |||
| Dan Williams | .... | digital color assistant | |
Casting Department | |||
| Sara Bachelder | .... | extras casting: Mexico | |
| Jure Busic | .... | extras casting | |
| Ángel de la Peña García | .... | extras casting assistant: Mexico | |
| Rebecca Gushin | .... | casting associate | |
| Charley Medigovich | .... | casting associate | |
| Lenka Stefankovicova | .... | extras casting | |
| Jorge Valdés García | .... | extras casting: Mexico | |
| Snjezana Vukmirovic | .... | extras casting | |
Costume and Wardrobe Department | |||
| Thomas Scott Boyer | .... | dresser: Mr. Gere | |
| Blanka Budak | .... | assistant costume designer | |
| Lejla Graho | .... | assistant costume designer | |
Editorial Department | |||
| Jada Budrick | .... | digital intermediate color assist | |
| Scott Gregory | .... | digital film colorist | |
| Mo Henry | .... | negative cutter | |
| Esther Lee | .... | digital intermediate producer | |
| Jennifer Lee | .... | assistant digital intermediate editor | |
| Ron Leidelmeijer | .... | digital intermediate color assist | |
| Drew MacDonald | .... | editorial production assistant | |
| Mike Mertens | .... | color timer | |
| Jason Solberg | .... | first assistant editor | |
| Matthew Walsh | .... | post-production coordinator | |
| Everette Webber | .... | digital intermediate editor | |
| Dan Williams | .... | digital intermediate color assist | |
| JoAnne Yarrow | .... | assistant editor (uncredited) | |
Music Department | |||
| Susie Bench | .... | midi preparation | |
| Tony Blondal | .... | orchestrator | |
| Vladislav Boyadjiev | .... | protools engineer | |
| Richard Bronskill | .... | copyist | |
| Valida Carroll | .... | music consultant | |
| Elena Chouchkova | .... | orchestra manager | |
| Stephen Coleman | .... | music programmer | |
| Dimitar Danchev | .... | concert master | |
| Trevor Gilchrist | .... | music programmer: score | |
| Asen Kanchev | .... | music production manager | |
| Rolfe Kent | .... | conductor | |
| Rolfe Kent | .... | score producer | |
| Julie Pearce | .... | music editor: Temp | |
| Liza Richardson | .... | music supervisor | |
| Nick South | .... | music editor | |
| Sean Stolper | .... | music clearance | |
| Greg Townley | .... | score producer | |
| Greg Townley | .... | scoring mixer | |
| Nick Wollage | .... | music recordist (as Nick Woolage) | |
| Alice Wood | .... | assistant music editor | |
| Alice Wood | .... | scoring coordinator | |
Transportation Department | |||
| Mladen Cernjak | .... | transportation supervisor | |
| Zdravko Plese | .... | transportation coordinator | |
Other crew | |||
| Cassandra Barbour | .... | rights and clearances | |
| Jeanette Barrozo | .... | assistant: Mr. Schuermann | |
| Linda Benjamin | .... | executive | |
| Christopher Berg | .... | dailies supervisor | |
| Vladislav Boyadjiev | .... | tracking engineer | |
| Hrvoje Cernjak | .... | production assistant | |
| Mark Ceryak | .... | assistant: Mr. Johnson | |
| Jessica Clothier | .... | script supervisor | |
| Martin Corkidi | .... | location manager: mexico | |
| Philippe Deprez | .... | technical advisor | |
| Michal Engrth | .... | assistant accountant | |
| Jenny Fitzgibbons | .... | financial controller | |
| Michael J. Harker | .... | completion bond company representative | |
| Zoltan Horkai | .... | head animal trainer | |
| Zoltan Horkai | .... | head animal wrangler: fox | |
| Zeljko Hren | .... | caterer | |
| Dino Hrustanovic | .... | production assistant | |
| Igor Ilic | .... | advisor: hunting | |
| Peter Ivanyi | .... | head animal trainer | |
| Zarko Ivkovic | .... | location manager | |
| Nino Josipovic | .... | assistant location manager | |
| Igor Koceic | .... | key set production assistant | |
| Nikolina Koceic | .... | assistant: Mr. Gere | |
| Sandor Konczwald | .... | animal trainer: fox | |
| Vedrana Korac | .... | assistant: Mr. Shepard & Mr. Merims | |
| József Kósa | .... | animal trainer: fox | |
| Djani Kosic | .... | assistant location manager | |
| Eric Ladd | .... | title designer | |
| Grace Ledding | .... | assistant: Mr. Kroopf | |
| Michael Lichtenegger | .... | production coordinator | |
| Sam Louie | .... | title designer | |
| Sara Marevic | .... | animal trainer | |
| Shaun M. McGovern | .... | accountant | |
| Heather Montgomery | .... | assistant: Mr. Block | |
| Samantha Quinn | .... | assistant accountant | |
| Branko Repalust | .... | armorer | |
| Laura Sevier | .... | rights and clearances | |
| Anita Sum | .... | production coordinator | |
| Gabor Toth | .... | animal trainer: fox | |
| Kevin Wigfall | .... | assistant: Mr. Howard (as Kevin 'Webb' Wigfall) | |
| Sandy Yep | .... | assistant: Mr. Kroopf | |
| Filip Zafran | .... | location scout | |
| Gordana Zivkovic | .... | first assistant accountant | |
| Zoran Zivkovic | .... | assistant accountant | |
| Ryon Lane | .... | business affairs coordinator (uncredited) | |
Thanks | |||
| Christopher J. Corabi | .... | special thanks | |
Lov u Bosni (Croatia)
Proljece u Bosni (Bosnia and Herzegovina: Croatian title) (working title)
Spring Break in Bosnia (USA) (working title)
more
Rated R for strong language and some violent content.
101 min
Color (Technicolor)
2.35 : 1 more
USA:R | Australia:MA (2007) | Germany:12 | Finland:K-15 | Argentina:13 | Singapore:M18 (cut) | Hong Kong:IIB | Brazil:14 | Iceland:12 (original rating) | Iceland:16 (video rating) | New Zealand:R16
The book named ''A Short History of the Bosnian Conflict'' which was thrown away in the bar scene, is a fake prop one. more
Incorrectly regarded as goofs: The UN mission ended in 20 December 1995 when NATO took over (IFOR/SFOR). In 2000 there should have been SFOR flags instead of the UN flags, SFOR patches, not UN and no blue berets. Military vehicles should have their national camouflage painting and SFOR markings. This is for NATO/SFOR details. The UN Mission (UNMIBH) was still active during the time this film depicts and the UNMIBH personnel and equipment are accurate - specifically the blue berets and UN vehicles for the UN International Police Task Force personnel in Foca. more
Features Missing in Action (1984) more
You Make Me Feel Brand New more
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Based on an article that was published in Esquire, The Hunting Party tells the story of three journalistsactually five as the end of the film will explain during its comical "what was true and what wasn't" montagewho took it upon themselves to find the most wanted war criminal in the world, Bosnia's "The Fox". Brought to screen by Richard Shepard, this is a movie that keeps you highly enthralled throughout. It may not be as solid a film as his previous effort, the underrated comedy The Matador, because it tries to push an agenda against all that was working for it. At its best, everything is absolutely pitch-perfect: taut thrills, suspenseful story, and great acting. As for the worst, it becomes a diatribe on how the world's governments care more about money than safety. Honestly, we all know this and don't need our entertainment to jam it into our skulls even more. Falling into a growing category for meone that includes Blood Diamondthe end result here is a great film that just can't stop from trying to be more than it is, stumbling on its misguided mission rather than allowing its natural momentum to carry it through to the finish.
Stylistically this thing is beautiful to look at. I enjoyed the use of freeze-frames during the exposition scenes and the moments in warzones come across as real, dangerous, and above all else exciting. The joy and genuine laughter emitting from our leads after they narrowly escape death over and over again adds to the code of living life to the fullest that they both follow. Shepard holds some cards close to his chest also, showing us events leading up to Simon Hunt's breakdown, all but killing his career, however not explaining the entire story until absolutely necessary. Each character's motives aren't exactly the same towards the end as they were in the beginning. What's first a quest for redemption (Hunt), youthful vibrancy (Duck), and an excuse to show his father that he is made of more than a cushy Harvard school lifestyle (Benjamin) soon becomes a mission to do the right thing. These men are fighting for civility and humanity, two things that have left that part of the world and is in desperate need for return.
One can't fault any of our journalistic trio for anything they may find wrong with the final product. Richard Gere is spectacular as the fallen reporter, who we will eventually find has lost more than just his career. The desperation is always true and his actions perfectly played against the more sane members of the troupe. Terrence Howard shows us how great he can be and makes us wonder why he still feels the need to choose some god-awful movies between his good ones. The transformation he takes, in just a few short cuts, is rather staggering while essential to his role's motives later on. Going from an adrenaline junkie cameraman to a stand-in executive whose field work entails setting up outside the White House and Capital Hill almost makes you wonder how he ever could have changed so much. Then you think about the money, the security, and the relaxation time and soon the concept seems too good for anyone to pass up. The taste of danger never left, however, and it is his wrestling with that, by using some nicely timed humor, that helps carry the story to its conclusion. As for the boss's son, on his first foreign correspondence, Jesse Eisenberg epitomizes the book-smartass attitude someone in that position would have. It is his willingness to learn and bullheaded mindset to not let these two guys do anything to make him out to be a wuss that lead him to becoming an integral part to the team and mission at hand.
Along with them, every character that is met with on the journey to find "The Fox" adds just the right amount of infused quirk needed to keep interest. While familiar faces like James Brolin and Diane Kruger play their parts well, it is a guy like Mark Ivanir as Boris the UN executive that shines. He is caught up in this imaginary scheme of CIA hit squads coming in to do that which he wishes he could. It appears he has watched too many American movies and the dream of being a real live Deepthroat seems to appeal to his sensibilities as he attempts to help the trio in their quest to find that which is never found. These bit parts bring much of the laughter and absurdity that counterbalances the abundance of drama and high emotional toll seen at every turn. The Hunting Party does not try and sugar-coat what is going on in the Balkans and pays much attention in showing the truth and not what is read in the history books, both figuratively and literallythe book in physical form during a nice scene of Howard opening the innocent eyes of Eisenberg in a bar, along with the help of four of the real-life reporters on which the film is based.
Shot with some wonderful compositions and blocking of actors to build a sense of suspense and fear, Shepard has crafted a winner. Besides a too-long scene that goes on and on about how the UN and people in power are only out to create good PR without any work going towards punishing the monsters running free, I have little to complain about. I was almost completely removed from enjoyment with the horribly trite and overused joke with the ending subtitled words, but was redeemed with the inventive "what was real" sequence. To see the humor that was bubbling under the surface for the duration stick to the screen even after the story was finished brought the smile back to my face and made me remember all that worked, letting the more wrong than right final act to dissolve into the background.