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How to Lose Friends & Alienate People (2008)
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Overview
User Rating:
Director:
Writers:
Release Date:
3 October 2008 (USA)
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Tagline:
Brace yourselves, America. more
Plot:
A British writer struggles to fit in at a high-profile magazine in New York. Based on Toby Young's memoir "How to Lose Friends & Alienate People". full summary | full synopsis
NewsDesk:
(11 articles)
DVD Playhouse--March 2009
(From The Hollywood Interview. 10 March 2009, 11:25 PM, PDT)
Huston's Sister-in-Law In Suicide Jump
(From WENN. 28 October 2008, 5:10 AM, PDT)
(From The Hollywood Interview. 10 March 2009, 11:25 PM, PDT)
Huston's Sister-in-Law In Suicide Jump
(From WENN. 28 October 2008, 5:10 AM, PDT)
User Comments:
Should have been better but is still a reasonable enough comedy
more (69 total)
Cast
(Cast overview, first billed only) | Kelan Pannell | ... | Young Sidney Young |
| Janette Scott | ... | Mrs. Young |
 | Simon Pegg | ... | Sidney Young |
 | Megan Fox | ... | Sophie Maes |
 | Gillian Anderson | ... | Eleanor Johnson |
| Kelly Jo Charge | ... | Apollo Awards Presenter |
| Christian Smith | ... | Apollo Awards Guest |
| Katherine Parkinson | ... | PR Woman |
| Felicity Montagu | ... | Clipboard Nazi |
 | Thandie Newton | ... | Apollo Awards Guest |
| John Lightbody | ... | Assistant Hotel Manager |
| Ian Bonar | ... | Post Modern Review Staff #1 |
| James Corden | ... | Post Modern Review Staff #2 |
| Fenella Woolgar | ... | Post Modern Review Staff #3 |
 | Chris O'Dowd | ... | Post Modern Review Staff #4 |
Additional Details
MPAA:
Rated R for language, some graphic nudity and brief drug material.
Parents Guide:
Runtime:
110 min
Country:
Language:
Color:
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Certification:
Filming Locations:
Company:
Fun Stuff
Trivia:
Clayton Harding is a fictionalization of Graydon Carter.
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Goofs:
Continuity: At the stately home, when Sydney says, 'Do you want another drink?' and she says, 'Yeah, I'll have a half of lager,' he gets up and touches her on the shoulder, with his fingers pointing down the front of her dress. In the next shot, with his hand still on her shoulder, his fingers are now pointing down her back.
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Quotes:
Sidney Young:
[to his father] You thought Brad Pitt was a cave in Yorkshire.
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Soundtrack:
Drinks Taste Better When They're Free
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FAQ
How much sex, violence, and profanity are in this movie?Is it based on actual events?
A Note Regarding Spoilers
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more (69 total)
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Sidney Young runs a small alternative culture magazine in London dedicated to popping the bubble of celebrity. He hits the big time when he gets a call from Clayton Harding, the editor of Sharps magazine – a glossy celebrity magazine based in New York City. Sidney goes into the job thinking he can be different from the puff pieces the magazine is famous for and somehow has been employed as part of Harding's darker streak and longer for more. Sadly this instinct is dead wrong and Sidney finds himself a joke within the office and a failure within the world of celebrity and movie stars that he needs to work.
HTLF&AP (it's easier) is in the mould of The Devil Wears Prada as it is written as an insider's exposé of celebrity culture from someone who discovered it firsthand. Like that film, this one also struggles to tell this tale within a narrative structure that engages. It is helped though by having the central character be a major part of his own discovery, ie not only do we see the world of superficiality that is the celebrity scene but Sidney is more than a pair of eyes as he fails so impressively to assimilate himself into it. The problem is though that it is not savage enough on the celebrity culture and instead tries to draw a lot more humour from Sidney's various pratfalls and failures. This produces some moments of amusement but at the same time it robs the material of the teeth it really should have had. What is left is a reasonably funny comedy that goes where you expect it to, right down to the pat ending that was always going to be there.
Pegg has enough about his performance to be funny even though this is far below the films he has made with Wright. He makes it work better than it should at times but then he cannot bring out an edge that isn't there in the script. The starry supporting cast may be part of the reason that it doesn't tear at the hand that feeds it and indeed there are some solid turns here. Bridges, Anderson, Fox, Huston and others all do reasonably good work around Pegg. Dunst is at her best when in the "hate" part of her "love/hate" relationship with Pegg and I liked her until the film gradually started to use her character to turn the way we all knew it would go.
Not a brilliant film by any means then but still one that is amusing as it treads familiar paths to a weak ending. Should have been better but is still just about good enough to distract as a comedy.