| Videos (see all 2) |
| Kristoffer Joner | ... | John | |
| Cecilie A. Mosli | ... | Anne (as Cecilie Mosli) | |
| Julia Schacht | ... | Kim | |
| Anna Bache-Wiig | ... | Ingrid | |
| Michael Nyqvist | ... | Åke | |
| Øystein Martinsen | ... | Peter | |
| Odd Arno Midtsjø | ... | Gammel Mand | |
| Magne Kipperrud | ... | Kollega |
Directed by | |||
| Pål Sletaune | |||
Writing credits(in alphabetical order) | ||
| Pål Sletaune | screenplay | |
Produced by | |||
| Anna Anthony | .... | co-producer | |
| Hans Bitsch | .... | co-producer | |
| Hugo Hagemann Føsker | .... | associate producer | |
| Marius Holst | .... | executive producer | |
| Peter Aalbæk Jensen | .... | co-executive producer | |
| Lars Jönsson | .... | co-executive producer | |
| Håkon Øverås | .... | executive producer | |
| Turid Øversveen | .... | producer: Spillefilmkompaniet 4 1/2 | |
| Bent Rognlien | .... | line producer | |
| Aagot Skjeldal | .... | associate producer | |
| Pål Sletaune | .... | producer | |
| Ib Tardini | .... | co-producer | |
Original Music by | |||
| Simon Boswell | |||
Cinematography by | |||
| John Andreas Andersen | |||
Film Editing by | |||
| John Andreas Andersen | |||
| Darek Hodor | |||
Casting by | |||
| Ellen Michelsen | |||
Production Design by | |||
| Jack Van Domburg | |||
Set Decoration by | |||
| André Henriksen | (decorator) | ||
| Olivier Marcouiller | (decorator) | ||
| Anne Karin Omsted | (decorator) | ||
| Karen Søndrol | |||
Costume Design by | |||
| Ingvild Eiring | |||
Makeup Department | |||
| Veslemøy Fosse Ree | .... | special makeup effects artist | |
| Stine Monsen | .... | hair stylist | |
| Linda Sande | .... | makeup supervisor | |
| Erik Thorsen | .... | hair stylist | |
Production Management | |||
| Bjørn Fjærestad | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Erik Settemsdal | .... | assistant director | |
Art Department | |||
| Øyvind Grev Møgster | .... | set dresser | |
| Bjørn Grønnerud | .... | carpenter | |
| Marius Haugan | .... | props | |
| Rolf Kise | .... | carpenter | |
| Kristian Lie | .... | carpenter | |
| Kjerand Nesvik | .... | graphic artist | |
| Geir Opheim | .... | construction manager | |
| Kari Skjolden | .... | property master | |
| Åsmund Stemme | .... | props | |
| Ann-Kristin Talleraas | .... | assistant decorator | |
| Pål Tohje | .... | carpenter | |
Sound Department | |||
| Hugo Ekornes | .... | foley editor | |
| Roy Fenstad | .... | dialogue editor | |
| Roy Fenstad | .... | foley artist | |
| Roderick Matte | .... | boom operator | |
| Gunnar W. Meidell | .... | foley recordist | |
| Hans Møller | .... | boom operator | |
| Christian Schaanning | .... | sound designer | |
| Ad Stoop | .... | sound | |
Stunts | |||
| Jeppe Laursen | .... | stunt coordinator | |
| Trine Sneisen | .... | stunts | |
Costume and Wardrobe Department | |||
| Cecilie Windt | .... | costume assistant | |
Editorial Department | |||
| Tor-Ole Aagedal | .... | negative cutter (as Thor-Ole Aagedal) | |
| Ann Karin Aasgaard | .... | negative cutter (as Ann-Karin Aasgård) | |
| Andrzej Kiwala | .... | color grader | |
| John Robert Mariani | .... | assistant editor | |
| John Robert Mariani | .... | post-production assistant | |
| Christian Siebenherz | .... | assistant editor | |
Music Department | |||
| Terry Davies | .... | conductor | |
| Geoff Foster | .... | music mixer | |
| Christian Schaanning | .... | music editor | |
Other crew | |||
| Eirik Kaasa Eliassen | .... | budget consultant | |
| Ingvild Evjemo | .... | production assistant | |
| Tone Belden Haver | .... | production assistant | |
| Aslaug Konradsdottir | .... | script supervisor | |
| Linn Landewall | .... | production assistant | |
| Karl Kristian Meidell | .... | assistant location manager | |
| Christian Siebenherz | .... | assistant to director | |
| Mette Waaberg | .... | production secretary | |
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| Basic Instinct | L'uccello dalle piume di cristallo | The Living and the Dead | A History of Violence | Heavenly Creatures |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Denmark section |
| Add this title to MyMovies |
John, who has recently been left by his girlfriend, is lured into his next door neighbors' apartment. Inside he finds two women (who claim to be attractive, but this is debatable), a seduction and some of the most bizarre mind-bending you'll see in a film (Norwegian or otherwise).
For some reason this film is translated as "Next Door" when the word "naboer" means "neighbor", but I guess literal translations aren't the thing. I mean, the movie "Mark of the Devil" is originally in German and means something like "Witches Bleeding, Tortured To Death"... so, hey, I guess Americans can call movies whatever they want.
"An homage to Roman Polanski with nods to David Lynch," says Variety. I don't know enough about Polanski's work to really comment on that, but the Lynch connection is clear. There are many occasions in this film where it is unclear whether the main character is delusional or sane. Although, the difference is this: in a Lynch film, you are left to come up with your own theory, while here the situation is cleared up satisfactorily.
I really enjoyed this movie. It played out really slow, but in such a way that the "Reveal" was well-paced and we were only given enough hints to keep going along while getting hungrier for more (like a carrot on a stick). Any slower and it would have lost me, any faster and it would be a short film.
Personally, I found certain scenes to be highly erotic and incredibly sexy. This might be just me, since the scenes also contain excessive violence. Should violence be sexy? I don't know, but in this case I was rather taken by the presentation. Like "Jenifer" which I just watched, the film blends the disgusting with the beautiful -- with surprising results.
This will not appeal to everyone. The film is certainly "bizarre" and the movie is subtitled, which some will not enjoy. But if you like David Lynch or have a craving for something you're not likely to find in your average film, this is the film for you. (Note: the film is considered "horror" and has horror elements, but I'd sooner put it under "suspense".)