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Alex Garland (written by)
27 July 2007 (USA) more
If the sun dies, so do we. more
A team of astronauts are sent to re-ignite the dying sun 50 years into the future. full summary | full synopsis
1 win & 7 nominations more
10 Most Fascinating 'End of the World' Movies
(From The Movie Fanatic. 8 November 2009, 4:59 AM, PST)
10 Most Fascinating 'End of the World' Movies
(From The Movie Fanatic. 8 November 2009, 4:59 AM, PST)
Sunshine - rather good.. more (649 total)
| Cliff Curtis | ... | Searle | |
| Chipo Chung | ... | Icarus (voice) | |
| Cillian Murphy | ... | Capa | |
| Michelle Yeoh | ... | Corazon | |
| Hiroyuki Sanada | ... | Kaneda | |
| Rose Byrne | ... | Cassie | |
| Benedict Wong | ... | Trey | |
| Chris Evans | ... | Mace | |
| Troy Garity | ... | Harvey | |
| Mark Strong | ... | Pinbacker | |
| Paloma Baeza | ... | Capa's Sister | |
| Archie Macdonald | ... | Child | |
| Sylvie Macdonald | ... | Child |
Directed by | |||
| Danny Boyle | |||
Writing credits | ||
| Alex Garland | (written by) | |
Produced by | |||
| Bernard Bellew | .... | co-producer | |
| Andrew Macdonald | .... | producer | |
Original Music by | |||
| John Murphy | |||
Cinematography by | |||
| Alwin H. Kuchler | (director of photography) (as Alwin Küchler) | ||
Film Editing by | |||
| Chris Gill | |||
Casting by | |||
| Donna Isaacson | |||
| Gail Stevens | |||
Production Design by | |||
| Mark Tildesley | |||
Art Direction by | |||
| Gary Freeman | |||
| Stephen Morahan | |||
| Denis Schnegg | |||
| David Warren | (supervising art director) | ||
Set Decoration by | |||
| Michelle Day | |||
Costume Design by | |||
| Suttirat Anne Larlarb | |||
Makeup Department | |||
| Christine Blundell | .... | chief hair designer | |
| Christine Blundell | .... | chief makeup designer | |
| Mark Coulier | .... | makeup designer: Pinbacker | |
| Louise Day | .... | assistant fabricator | |
| Martha Fein | .... | prosthetics painter | |
| Barry Fowler | .... | mold designer | |
| Claire Green | .... | assistant moldmaker | |
| Shaune Harrison | .... | key prosthetic makeup artist | |
| Duncan Jarman | .... | key prosthetic makeup artist | |
| Kristyan Mallett | .... | assistant prosthetic makeup artist | |
| Nuria Mbomio | .... | makeup artist | |
| Stephen Murphy | .... | assistant fabricator | |
| Elizabeth Murray | .... | key fabricator | |
| Matthew Smith | .... | prosthetic makeup artist | |
| Lesa Warrener | .... | makeup artist | |
| Simon Webber | .... | prosthetics painter | |
| Waldo Mason | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Bernard Bellew | .... | unit production manager | |
| Clare St. John | .... | post-production supervisor | |
Art Department | |||
| David Abbott | .... | chargehand carpenter (as Dave Abbott) | |
| Jess Alexander | .... | art department runner | |
| Jonathan Ash | .... | wood machinist | |
| Rachel Aulton | .... | art department trainee: FT2 | |
| Dave Ball | .... | chargehand carpenter | |
| Ken Barley | .... | head of department plasterer | |
| Jim Barr | .... | prop modeler | |
| Colin Bayliss | .... | dressing props | |
| Hannah Biggs | .... | assistant modeler | |
| Kevin Biggs | .... | painter | |
| Pierre Bohanna | .... | head of department modeler | |
| Alex Boswell | .... | dressing props | |
| Guy Bradley | .... | assistant art director | |
| Andrew Brogan | .... | laborer: painters | |
| John Butler | .... | painter | |
| James Buxton | .... | carpenter | |
| Dominic Capon | .... | production buyer | |
| Steve Clarke | .... | stand-by painter (as Steven Clark) | |
| Hester Clark | .... | model maker | |
| Graham Cole | .... | carpenter | |
| Steve Court | .... | plasterer (as Stephen Court) | |
| Quentin Davies | .... | chargehand dressing prop | |
| John Daynes | .... | painter | |
| Steve Deahl | .... | prop modeler | |
| Anita Dhillon | .... | graphic designer | |
| David Dickinson | .... | carpenter | |
| Edmund Dimbleby | .... | junior modeler | |
| Peter Dorme | .... | draughtsman | |
| Paul Duff | .... | carpenter | |
| Dean Dunham | .... | chargehand painter | |
| Arwel Evans | .... | stand-by propman | |
| Glyn Evans | .... | painter | |
| Trevor Eve | .... | painter | |
| Gary Faulkner | .... | prop modeler | |
| Gavin Fitch | .... | stand-by art director | |
| Robert Flint | .... | stagehand | |
| Michael Gardiner | .... | plasterer | |
| Nick Goodall | .... | carpenter | |
| Oliver Goodier | .... | junior draughtsman | |
| Luke Goodman | .... | painter | |
| Mark Goodman | .... | stand-by stagehand | |
| Chris Greenwood | .... | plasterer | |
| Kate Grimble | .... | art director: model unit | |
| David Haberfield | .... | head of department painter (as Dave Haberfield) | |
| Catherine Haugh | .... | draughtsman | |
| Toby Hawkes | .... | supervising modeler | |
| Gary Hayes | .... | junior modeler | |
| Victoria Hayes | .... | junior modeler | |
| David Haynes | .... | apprentice painter | |
| John Heayn | .... | carpenter | |
| Brian Henry | .... | stand-by propman: second unit (as Brian P. Henry) | |
| Chris Hepple | .... | prop modeler | |
| Brendan Houghton | .... | storyboard artist | |
| Chris 'Flimsy' Howes | .... | prop modeler | |
| Jonathan Jackson | .... | prop modeler | |
| Ben Johnson | .... | dressing props | |
| Barry Jones | .... | prop modeler | |
| Murray Jones | .... | glazer | |
| Terry Jones | .... | glazer | |
| Alex King | .... | assistant stand-by propman | |
| Charley Kingan | .... | junior modeler | |
| Paul King | .... | plasterer | |
| Stan Lattimore | .... | chargehand painter | |
| Amanda Leggatt | .... | art department assistant | |
| Glenn Lewis | .... | chargehand stagehand (as Glen Lewis) | |
| Kevin Lloyd | .... | stagehand | |
| Katie Lodge | .... | prop modeler | |
| David Lowery | .... | supervising carpenter (as Dave Lowery) | |
| Catriona Maccann | .... | junior modeler (as Catriona MacCann) | |
| Charlie Malik | .... | prop storeman | |
| Bradley Malin | .... | stagehand (as Brad Malin) | |
| Gary Martin | .... | dressing props | |
| John Martin | .... | stagehand | |
| Thomas Martin | .... | construction manager | |
| Bernie Mayor | .... | chargehand carpenter (as Bernie Mayer) | |
| John McGee | .... | stand-by carpenter | |
| Ant McGrath | .... | graphic animator: Mere Mortals Ltd. | |
| Eamon McLoughlin | .... | supervising carpenter | |
| Stuart Meridew | .... | buyer | |
| Steve Mitchell | .... | scenic painter | |
| Joe Monks | .... | painter | |
| Helen Morgan | .... | art department trainee: FT2 | |
| Barry O'Brien | .... | carpenter | |
| Jack O'Brien | .... | stagehand trainee | |
| John O'Brien | .... | head of department carpenter | |
| Roy O'Brien | .... | carpenter | |
| Greg O'Donnell | .... | painter | |
| Daniel O'Regan | .... | carpenter (as Danny O'Regan Snr.) | |
| Danny O'Regan Jr. | .... | supervising carpenter (as Danny O'Regan) | |
| Dave Pearce | .... | chargehand carpenter | |
| Steve Pearce | .... | trainee carpenter | |
| Ben Philips | .... | prop modeler (as Ben Phillips) | |
| Adrian Platt | .... | dressing props | |
| Kathryn Pyle | .... | assistant set decorator | |
| Zoe Robertson | .... | construction buyer (as Zoë Robertson) | |
| Matthew Robinson | .... | draughtsman (as Matt Robinson) | |
| Steve Sibley | .... | painter | |
| Richard Skelly | .... | prop modeler | |
| Dave Smith | .... | stagehand | |
| Nick Thomas | .... | property master | |
| Richard Thomas | .... | prop modeler | |
| Remo Tozzi | .... | stand-by art director: second unit | |
| Matthew Turner | .... | stagehand trainee | |
| Emma Vane | .... | draughtsman | |
| Paul Waller | .... | prop modeler | |
| Paul Webb | .... | stand-by carpenter: second unit | |
| John Weller | .... | prop manufacturing coordinator | |
| Steve Weston Jr. | .... | wood machinist | |
| Mark Weston | .... | carpenter | |
| Stephen Weston | .... | wood machinist (as Steve Weston Snr.) | |
| William West | .... | carpenter | |
| Matt Whelan | .... | carpenter | |
| Su Whitaker | .... | assistant art director (as Susan Whitaker) | |
| Clive Whitbread | .... | painter | |
| Barry White | .... | plasterer laborer | |
| Terry Whitehouse | .... | prop modeler | |
| Derek Whorlow | .... | head of department stagehand | |
| Julie Whorlow | .... | apprentice painter | |
| Stuart Willis | .... | stagehand | |
| Dennis Wilson | .... | carpenter | |
| Paul Wiltshire | .... | chargehand painter | |
| Paul Wolstencroft | .... | stagehand | |
| Mark Woollard | .... | prop modeler | |
| Steve Wotherspoon | .... | assistant modeler | |
| Ravi Bansal | .... | concept illustrator (uncredited) | |
| Chris Clarke | .... | prop mechanics (uncredited) | |
| Glenn Marsh | .... | props (uncredited) | |
| Martin 'Marty' McLaughlin | .... | set dresser: Frost and Dust effects (uncredited) | |
| Libby Uppington | .... | props (uncredited) | |
| Richard Van Den Bergh | .... | propmaker (uncredited) | |
| Lloyd Vincent | .... | dressing props (uncredited) | |
Special Effects by | |||
| Jon Bates | .... | special effects trainee | |
| Barry Best | .... | mould maker | |
| Terry Bridle | .... | senior special effects technician | |
| Mark Bullimore | .... | senior special effects technician: model unit | |
| Richard Conway | .... | special effects supervisor | |
| Sam Conway | .... | senior special effects technician | |
| John Cramman | .... | special effects technician | |
| Jonas Cullum | .... | special effects runner | |
| Neil Davis | .... | special effects technician (as Neil Davies) | |
| Dean Ford | .... | special effects technician: steam effects | |
| Mark Holdcroft | .... | special effects technician | |
| Peter Seymour Howell | .... | special effects technician: model unit (as Peter Seymour-Howell) | |
| David Johns | .... | special effects | |
| Andrew Kelly | .... | senior special effects technician | |
| Sophie Leduc | .... | silicone technician | |
| Jason Leinster | .... | senior special effects technician | |
| Catherine Mumford | .... | special effects trainee | |
| Neil Murray | .... | senior wire operator (as Neal Murray) | |
| Ceri Nicholls | .... | standby special effects technician | |
| Nigel Nixon | .... | senior special effects technician (as Nigel Stanley Nixon) | |
| Stephen Onions | .... | senior special effects technician: model unit (as Steve Onions) | |
| Stephen Paton | .... | special effects technician (as Steve Paton) | |
| Alan Perez | .... | senior wire operator | |
| Robbie Scott | .... | special effects coordinator: model unit | |
| Steven Scott | .... | special effects technician: model unit | |
| Pete Sellers | .... | special effects technician: model unit | |
| Paul Stephenson | .... | senior special effects technician | |
| Karl Wardle | .... | special effects technician: model unit | |
| David Watson | .... | senior special effects technician (as Dave Watson) | |
| Kevin Welch | .... | wire effects coordinator | |
| Mark White | .... | senior standby special effects technician | |
| Jonathan Barrass | .... | special effects technician (uncredited) | |
| Dan Martin | .... | special effects makeup research (uncredited) | |
Visual Effects by | |||
| Paul Alexiou | .... | visual effects film editorial: MPC | |
| Terence Alvares | .... | digital compositor | |
| Rob Andrews | .... | CG lighting artist | |
| Rob Andrews | .... | digital effects artist | |
| Christopher Anthony | .... | effects technical director | |
| Chris Armsden | .... | rendering technical director: MPC | |
| Henry Badgett | .... | digital compositor | |
| Andrew Baggarley | .... | 3D artist | |
| Andrew Baggarley | .... | layout artist | |
| Andrew Baggarley | .... | previsualization artist | |
| Richard Baillie | .... | roto/prep artist | |
| Richard Baker | .... | senior compositor: MPC | |
| Mark Barber | .... | digital compositor: MPC | |
| Reuben Barkataki | .... | roto/prep supervisor | |
| Tim Barter | .... | roto/prep supervisor: escape pod | |
| David Basalla | .... | CG lighting artist | |
| David Basalla | .... | texture artist: MPC | |
| Oliver Shyal Beardsley | .... | research & development engineer | |
| Stephen Bearman | .... | scanning supervisor | |
| Alistair Bell | .... | modeller | |
| Matthew Benns | .... | systems support | |
| Nic Birmingham | .... | lighting technical director: MPC | |
| Nigel Blake | .... | senior modeler: model unit | |
| Christina Boon | .... | digital artist: MPC | |
| Paul Brannan | .... | CG artist: MPC | |
| Jessica Braun | .... | color & lighting technical director | |
| Jessica Braun | .... | previsualization artist | |
| Matthew Bristowe | .... | digital lab producer: MPC | |
| Stuart Bullen | .... | roto/prep artist | |
| Andrew Bunday | .... | rendering technical director: MPC | |
| Delphine Buratti | .... | digital compositor | |
| Nick Cannon | .... | head of technology: MPC | |
| Jon Capleton | .... | lead matchmover | |
| Dave Child | .... | CG lighting artist | |
| Evangelos Christopoulos | .... | effects technical director: MPC | |
| Helen Clare | .... | data operator | |
| Isabel Cody | .... | CG modeler | |
| Alfonso Cottier | .... | 3D Modeller: MPC | |
| Tom Cowland | .... | render technical director | |
| Mark Curtis | .... | compositor: MPC | |
| Christophe Damiano | .... | lighting techical director | |
| Charles Darby | .... | matte paintings | |
| Emanuele D'Arrigo | .... | effects technical director: MPC | |
| Haslina Dasley | .... | CG lighting artist | |
| Rupert Davies | .... | roto/prep artist: MPC | |
| Luan Davis | .... | roto/prep artist: MPC | |
| Martin R. Davison | .... | digital compositor: MPC (as Martin Davison) | |
| Amit Desai | .... | wrangler | |
| Gavin Digby | .... | lead digital compositor | |
| Candace Di Talamo | .... | color and lighting technical director | |
| Paul Driver | .... | visual effects coordinator | |
| Stefan Drury | .... | visual effects producer | |
| Jonathan East | .... | render wrangler: MPC | |
| Mark Eckersley | .... | visual effects editor | |
| Yasmine El-Ghamrawy | .... | digital compositor | |
| Michael Elson | .... | visual effects executive producer | |
| James D. Etherington | .... | digital compositor: MPC (as James Etherington) | |
| Joe Eveleigh | .... | lighting technical director | |
| Ian Fallon | .... | render wrangler: MPC | |
| Niall Flinn | .... | effects technical director | |
| Matt Foster | .... | prep artist: MPC | |
| Richard Fox | .... | roto/prep artist | |
| Ron Ganbar | .... | digital compositor | |
| Christoph Gaudl | .... | matchmove artist | |
| Philippe Gaulier | .... | texture artist | |
| Miles Glyn | .... | CG lighting artist | |
| Julian Gnass | .... | digital compositor: MPC | |
| Richard Gomes | .... | CG effects artist: MPC | |
| Lisa Gonzalez | .... | matchmove artist: MPC | |
| Jessica Groom | .... | CG lighting artist | |
| Lewis Guarniere | .... | data wrangler: MPC | |
| Alexis Hall | .... | CG effects artist | |
| Qian Han | .... | digital compositor | |
| John Hardwick | .... | digital compositor | |
| Michael Harrison | .... | digital compositor | |
| Lionel Heath | .... | roto/prep artist: MPC | |
| Adrian Hedgecock | .... | visual effects production assistant | |
| Kieron Helsdon | .... | CG supervisor | |
| Kieron Helsdon | .... | lead lighting technical director | |
| Jennifer Herbert | .... | digital compositor: MPC | |
| Sean Heuston | .... | lead compositor | |
| Jeremy Hey | .... | digital compositor | |
| Martin Hobbs | .... | visual effects executive producer | |
| Robin Hollander | .... | digital compositor | |
| Henrik Holmberg | .... | matte painter | |
| Vlad Holst | .... | lighting technical director | |
| Greg Howe-Davies | .... | roto/prep artist (as Greg Howe-Davis) | |
| Roberto Hradec | .... | lead shader writer | |
| Marc Hutchings | .... | roto/prep artist: MPC | |
| Ryan Hutchings | .... | roto/prep artist: MPC | |
| Christian Irles | .... | digital compositor: MPC | |
| Keith Jones | .... | roto/prep artist | |
| Owen Jones | .... | matchmove artist | |
| Helen Judd | .... | visual effects coordinator | |
| Tomi Keeling | .... | motion control assistant: model unit (as Tommy Kneeling) | |
| Peng Ke | .... | on-set visual effects | |
| Uzma Khalid | .... | CG lighting artist: MPC | |
| Tom Kimberley | .... | digital compositor: MPC | |
| Greg King | .... | effects lead | |
| Alec Knox | .... | senior lighting technical director: MPC | |
| Philip Koch | .... | lead modeler | |
| Arek Komorowski | .... | digital compositor | |
| Sylvia Kratzsch | .... | render wrangler | |
| Paul Kulikowski | .... | digital compositor | |
| Douglas Larmour | .... | digital compositor (as Doug Larmour) | |
| Stuart Lashley | .... | lead compositor | |
| Jesus Lavin | .... | digital compositor | |
| Simon Lewis | .... | CG effects artist | |
| Bjorn Liljequist | .... | lighting technical director | |
| Jarrod Linton | .... | previs | |
| Bryan Litson | .... | modeller: MPC | |
| Richard Little | .... | digital compositor | |
| Begoña Lopez | .... | digital lab producer: MPC | |
| Jennifer Loughnan | .... | visual effects production assistant | |
| Nelson Lowry | .... | digital matte painter | |
| Hugh Macdonald | .... | digital compositor: MPC | |
| Angela Magrath | .... | character rigger | |
| Tony Man | .... | digital compositor | |
| Vaibhav Marathe | .... | digital compositor | |
| Howard Margolius | .... | visual effects technical director: MPC (as Howard 'Sparky' Margolius) | |
| Scott Marriott | .... | lead digital compositor | |
| Sean Mathiesen | .... | previs supervisor | |
| Marian Mavrovic | .... | compositing supervisor | |
| David Mayhew | .... | CG modeler | |
| Steve McGee | .... | compositor | |
| Marlin McGlone | .... | data operative | |
| Nakia McGlynn | .... | lighting technical director: MPC | |
| Kevin McGowan | .... | lighting technical director: MPC | |
| Alasdair McNeill | .... | roto/prep supervisor | |
| Paul McWilliams | .... | matchmove Artist: MPC | |
| Naveen Medaram | .... | roto/prep artist: MPC | |
| Ian Menzies | .... | motion control operator: model unit | |
| Andy Middleton | .... | texture artist | |
| Ellen E. Miki | .... | roto/prep artist: MPC (as Ellen Miki) | |
| Rafael Morant | .... | lead CG lighting artist | |
| Rafael Morant | .... | sequence supervisor: MPC | |
| Andrew Morley | .... | CG supervisor | |
| Richard Morris | .... | senior technical director: lighting | |
| David Antonin Mucci | .... | senior technical director: lighting | |
| Ryan Mullany | .... | roto/prep artist | |
| Martin Newcombe | .... | matchmove artist | |
| Mark Newport | .... | CG effects artist | |
| Mark Newport | .... | effects technical director | |
| Joanna Nodwell | .... | visual effects producer | |
| Rich Nosworthy | .... | lighting technical director: MPC (as Richard Nosworthy) | |
| Mike O'Neill | .... | digital lighting artist | |
| Matthew Packham | .... | digital compositor | |
| Clare Pakeman | .... | CG lighting artist | |
| Puja Parikh | .... | tracking artist | |
| Simon Payne | .... | matchmove Artist: MPC | |
| Arnaud Pecqueur | .... | texture artist | |
| Geoff Pedder | .... | lead CG lighting | |
| Ben Perrott | .... | digital compositor | |
| David Phillips | .... | lead digital compositor: MPC (as Dave Phillips) | |
| Tom Phillips | .... | effects technical director | |
| Teresa Alvarez Pino | .... | CG effects artist | |
| George Plakides | .... | lighting technical director: MPC | |
| Gareth Repton | .... | digital artist | |
| Mark Richardson | .... | digital compositor: MPC | |
| Martin Riedel | .... | lead compositor: MPC | |
| Tim Riley | .... | effects technical director: MPC | |
| Becky Roberts | .... | roto/prep/matchmove coordinator: MPC | |
| Guillaume Rocheron | .... | CG effects artist | |
| Steve J. Sanchez | .... | digital compositor: MPC (as Steve Sanchez) | |
| Carlo Scaduto | .... | digital compositor: MPC | |
| Claude Schitter | .... | effects animator | |
| David Scott | .... | digital compositor | |
| Shaun Scott | .... | previsualization artist | |
| Liz Scully | .... | senior lighting technical director: MPC | |
| Haure Sebastien | .... | senior character modeler: MPC | |
| Paul Shore | .... | scanning supervisor | |
| John Slattery | .... | digital compositor | |
| Daniel Smollan | .... | lighting technical director: MPC | |
| Malcolm Souter | .... | compositor support: MPC | |
| Sally Spencer | .... | visual effects production manager | |
| Anthony Stadler | .... | wire/rig removal | |
| Kim Stevenson | .... | digital compositor | |
| Paul Venn Stirling | .... | prep artist: MPC (as Paul Stirling) | |
| Paul Venn Stirling | .... | roto artist: MPC (as Paul Stirling) | |
| Julien Stuart-Smith | .... | lighting technical director: MPC | |
| David Sudd | .... | matchmove artist | |
| David Swift | .... | digital matte artist: MPC | |
| Giuseppe Tagliavini | .... | digital compositor: MPC | |
| Andrew Myles Thompson | .... | matchmove Artist: MPC (as Andrew Thompson) | |
| Gemma Thompson | .... | visual effects coordinator | |
| Chris Thunig | .... | digital matte artist: MPC | |
| Steve Tizzard | .... | digital compositor | |
| Jensen Toms | .... | on-set previs | |
| Mark Tremble | .... | roto/prep artist | |
| Miquel Ubeda | .... | digital compositor: MPC London | |
| Thomas Urbye | .... | online film editor | |
| Sander van der Steen | .... | research and development | |
| Daniel Walton | .... | previs artist | |
| Martin Weaver | .... | systems | |
| Robert A. Willis | .... | visual effects production assistant (as Robert Willis) | |
| Chris Wilson | .... | render wrangler: MPC | |
| Pat Wintersgill | .... | on-line editor | |
| Oliver Winwood | .... | assistant digital resource manager: MPC | |
| Christine Wong | .... | digital compositor | |
| Melody Woodford | .... | match move supervisor: coordinator & on-set supervisor: MPC | |
| Max Wood | .... | CG modeler | |
| Tom Wood | .... | visual effects supervisor | |
| Annette Wullems | .... | visual effects executive producer | |
| Anna Yamazoe | .... | matchmove Artist: MPC | |
| Phil Young | .... | texture artist | |
| Patrick Zentis | .... | digital matte artist: MPC | |
| Richard Bain | .... | digital compositor: BainVFX (uncredited) | |
| Julian Blom | .... | animation coordinator: MPC (uncredited) | |
| Emma Clifton | .... | roto/prep artist: MPC (uncredited) | |
| Hayley Collins | .... | roto/prep artist: MPC (uncredited) | |
| Martyn Drake | .... | systems: MPC (uncredited) | |
| Sukh Gill | .... | roto/prep coordinator: escape pod (uncredited) | |
Stunts | |||
| Nicholas Daines | .... | stunt player | |
| Glenn Foster | .... | stunt player | |
| Tim Halloran | .... | stunt player | |
| Kim McGarrity | .... | stunt player | |
| Justin Pearson | .... | stunt double | |
| Julian Spencer | .... | stunt coordinator | |
| Arran Topham | .... | stunt player (as Arran Topher) | |
| Maxine Whittaker | .... | stunt player | |
| Rick English | .... | stunt double: Pinbacker (uncredited) | |
Animation Department | |||
| Tracey Curtis | .... | senior modeler | |
| Adrian Getley | .... | senior modeler | |
Casting Department | |||
| William Davies | .... | casting assistant (as Will Davies) | |
| David Wheal | .... | casting assistant | |
| PoPing AuYeung | .... | casting: Asia (uncredited) | |
Costume and Wardrobe Department | |||
| David Bethell | .... | costume prop: specialty costumes | |
| Jim Buchan | .... | special costume fabricator | |
| Laura Davison | .... | costume fabrication buyer | |
| James Enright | .... | costume fabrication supervisor | |
| Sarah Humphrey | .... | pattern cutter | |
| Catherine Jordan | .... | costume department trainee: FT2 | |
| James McKeown | .... | costume fabricator | |
| Calandra Meredith | .... | costume assistant | |
| Michael Mooney | .... | costume supervisor | |
| Leigh Nicol | .... | daily wardrobe assistant | |
| Lee Oliver | .... | costume concepts | |
| Josie Pledge | .... | costume maker (as Jo Carter) | |
| Zoe Skinner | .... | costume painter | |
| Joanna Wright | .... | costume assistant | |
| Nicole Young | .... | assistant costume designer | |
Editorial Department | |||
| Greg Barrett | .... | scanning producer | |
| Matthew Bristowe | .... | digital film mastering producer: MPC | |
| Lorene Dewett | .... | apprentice assistant editor: FT2 | |
| Alec Gibson | .... | color timer | |
| Emanuele Giraldo | .... | first assistant editor | |
| Steve Harrow | .... | post-production consultant | |
| Begoña Lopez | .... | digital film mastering producer: MPC | |
| Steve Petrie | .... | video/computer assistant | |
| Tina Richardson | .... | second assistant editor | |
| Richard B. Shean | .... | video/computer assistant (as Richard Shean) | |
| Royce Smith | .... | color timer | |
| Jean-Clement Soret | .... | colorist | |
| Mark Wright | .... | negative cutter | |
Music Department | |||
| Brent Arrowood | .... | additional music engineer | |
| Tyler Barton | .... | additional music engineer | |
| Gustavo Borner | .... | music mixer | |
| Gustavo Borner | .... | music recordist | |
| Malcolm Corbitt | .... | music assistant: Underworld (as Malcolm Corbett) | |
| Matt Dunkley | .... | conductor | |
| Simon James | .... | music contractor | |
| Mike Knobloch | .... | music executive | |
| Darren Price | .... | music assistant: Underworld | |
| Robert Puff | .... | music preparation | |
| David Sabee | .... | music contractor | |
| Andrew Wilkinson | .... | music editor | |
| Stephen Coleman | .... | orchestrator (uncredited) | |
Transportation Department | |||
| Mike Beaven | .... | unit driver | |
| Allan Bradshaw | .... | unit driver | |
| Roy Clarke | .... | transportation captain | |
| Simon Hudnott | .... | unit driver | |
| Bob McGovern | .... | driver: construction department | |
Other crew | |||
| Jason Adams | .... | accounts trainee | |
| Nwachukwu 'Chucks' Aghanya | .... | production guild trainee (as Nwachukwu Aghanya) | |
| Neil Andrews | .... | runner: DNA Films | |
| Susan Chika Anisiobi | .... | assistant accountant | |
| Lucy Anthony | .... | unit nurse | |
| Dan Arnold | .... | runner | |
| Dan Arnold | .... | stand-in | |
| Paul Beesley | .... | craft service assistant | |
| Carey Berlin | .... | assistant to producer | |
| Linda Bowen | .... | assistant accountant: post-production | |
| Bob Bridges | .... | video and computer supervisor | |
| Colin Burrows | .... | electronic press kit | |
| Dougal Cadiou | .... | assistant accountant | |
| Leah Clarke | .... | producer's assistant: DNA Films | |
| Sarah Clark | .... | unit publicist | |
| Brian Cox | .... | scientific consultant | |
| Clare Cunningham | .... | first assistant accountant | |
| Matt Curtis | .... | title designer: end titles | |
| Rob Done | .... | electronic press kit (as Robb Done) | |
| Wendy Ellerker | .... | production accountant | |
| Penny Frost | .... | production runner | |
| Daniel Gill | .... | floor runner (as Dan Gill) | |
| Tarn Harper | .... | post-production accountant | |
| Gavin Hewson | .... | construction nurse | |
| Sean Hill | .... | electronic press kit | |
| Mick Hurrell | .... | health and safety advisor | |
| Amy Irvine | .... | stand in: Rose Byrne | |
| Andrew Jack | .... | dialect coach | |
| Michael Johnstone | .... | craft service manager (as Mike Johnstone) | |
| Tammy Lowman | .... | unit nurse | |
| Tess Malone | .... | script supervisor: model unit | |
| Sharon Mansfield | .... | script supervisor: second unit | |
| Stephen Mathie | .... | desk operator | |
| James McKeown | .... | modeller | |
| Jacob Melton | .... | runner: DNA Films | |
| Gia Milinovich | .... | web site designer | |
| Alan Milne | .... | double: Pinbacker | |
| Dave Morley | .... | construction nurse | |
| Clive Noakes | .... | laboratory contact | |
| Kate Penlington | .... | production coordinator | |
| Tanya Phegan | .... | development assistant: DNA Films | |
| Allon Reich | .... | executive: DNA Films | |
| Andy Robb | .... | chef | |
| Marie Sayej | .... | production guild trainee | |
| Anna Sheldrake | .... | runner | |
| Anna Sheldrake | .... | stand-in | |
| Joanne Smith | .... | business affairs: DNA Films | |
| Phil Stoole | .... | web video director | |
| Alice Syed | .... | production trainee: FT2 | |
| Alex Warder | .... | assistant production coordinator | |
| Damien Wasylkiw | .... | web video editor | |
| Verity Wislocki | .... | assistant production coordinator | |
| Anna Worley | .... | script supervisor | |
| Carla Bartley | .... | set production assistant: FT2 (uncredited) | |
| Kate Bone | .... | production trainee: FT2 (uncredited) | |
| Ben Gladstone | .... | location manager (uncredited) | |
| Clare Glass | .... | set runner: additional photography (uncredited) | |
| Paula Jack | .... | dialect coach: adr (uncredited) | |
| Richard Rowntree | .... | assistant: Steve Harrow (uncredited) | |
| Andy Weller | .... | wire rigger (uncredited) | |
Thanks | |||
| Michael Dovey | .... | thanks | |
| Richard Seymour | .... | thanks | |
Rated R for violent content and language.
107 min
2.35 : 1 more
Dolby Digital | SDDS | DTS
UK:15 | Finland:K-13 | Singapore:PG | Ireland:15A | Hong Kong:IIB | Netherlands:16 | Switzerland:14 (canton of Vaud) | Switzerland:14 (canton of Geneva) | Germany:12 | Malaysia:U | Australia:M | New Zealand:M | France:U (with warning) | Argentina:13 | Sweden:11 | Brazil:14 | Portugal:M/12 | Canada:13+ (Quebec) | Canada:14A (Alberta/British Columbia/Manitoba/Ontario) | South Korea:15 | Norway:15 | USA:R (certificate #43132) | Singapore:NC-16 (DVD rating) | Australia:MA (DVD rating) | Peru:14 | Philippines:PG-13
On the DVD commentary, the Science Adviser Brian Cox bets the viewer £10 that they (CERN) will not discover the Q-ball particle that disables the Sun in this film's plot. He invites an email to claim the bet. That claim is due in 2017. (In the same commentary, Dr Cox also says that scientists do not gamble!) more
Factual errors: As pointed out by one of the characters, the ship enters the "blackout" area around the sun (and loses contact with Earth) anomalously early, before Mercury's orbit in fact. Communications from this close to the sun are not a problem in reality (and were possible with 1970s technology), but the writer and director took deliberate creative license to improve the tension. more
[first lines]
Capa:
Our sun is dying. Mankind faces extinction. Seven years ago the Icarus project sent a mission to restart the sun but that mission was lost before it reached the star. Sixteen months ago, I, Robert Capa, and a crew of seven left earth frozen in a solar winter. Our payload a stellar bomb with a mass equivalent to Manhattan Island. Our purpose to create a star within a star.
[long pause]
Capa:
Eight astronauts strapped to the back of a bomb. My bomb. Welcome to the Icarus Two.
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Peggy Sussed more
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Sunshine cost £20 million. Jerry Bruckheimer and his Hollywood cohorts must be shaking their heads in disbelief. Danny Boyle and Alex Garland, British born and bred, have outdone America's effects laden finest, and at a mere fraction of the price. Armageddon ($140 million) and Pirates of The Caribbean 2 ($225 million) have nothing, nothing on the majestic visuals that Sunshine offers. From the jaw dropping opening sequence to the fantastically realised final moments, Boyle's latest is a mighty treat for the eyes.
But of course, effects do not make a film. You need only consider the two aforementioned Bruckheimer blowouts for proof. But happily, behind the blinding visuals, Sunshine has a violently beating heart. One that offers absolutely no let up, that gains speed and then gains a little more, before finally threatening cardiac arrest. You can't help but live and breath every moment of the crew's breathless existence.
The year is 2057 and a select group of astronauts are given that most trifling of tasks. The sun is dying. Drop a bomb in it. Save all of mankind. And to top it all, on a ship rather ominously named 'Icarus II'. Add inevitable inter crewmember tension and you have a rather heated situation. The sweaty crew are played wonderfully by a decidedly un-starry, but talented cast. Cilian Murphy, taking the lead role as the ship's resident physicist Cappa, the only member who has the wherewithal to actually drop the bomb, is coolly enigmatic as ever, the blue orbs of his eyes forming a nice counterpoint to the never far rather redder orb of the sun. You can't help but feel he isn't particularly challenged as an actor, but nevertheless he provides a suitably ambivalent, androgynous and faintly unsettling core to the proceedings.
Perhaps more impressive is Chris Evans. Recently seen in a similarly hot headed role in the undercooked comic book adaptation 'Fantastic Four', he consistently snatches scenes from Murphy as engineer Mace, about as volatile and fiery as Cappa is composed and cool. Without Evan's energetic performance, the film would sink into an anti-libidinal quag. Mace's emotive instability injects pace when it's needed and brings some welcome variety to the otherwise glum faces. Evans is surely on the brink of big things. A small quibble would be that there are perhaps a few too many characters; meaning that a fair share of the cast never really gets a chance for development, which is irritating, as one gets the feeling that there's a lot of wasted potential.
Another chink in Sunshine's spacesuit, is in many places, Alex Garland's screenplay. Whilst he has a remarkable talent for creating intense psychological tension, of which there is plenty in Sunshine, his philosophising is much less satisfactory. This is not to say he doesn't play with some fascinating ideas. With the crew circling so close to the Sun, to the giver of life, Garland begins ask the biggest of questions. Is there something, something inestimably greater than ourselves, something that could create such a magnificent star, or are we, like the sun, simply dust? It's a great idea, but for the larger part of the film, it seems oddly shoehorned into what is at base a sci-fi pot-boiler. In fact these ideas are better expressed in Boyle's imagery. Time and time again we see members of the crew staring aghast at the immensity of the burning ball of gas and dust in front of them. The relationship between giver and taker is better explored here than in any line of Garland's.
The structure of his screenplay is also a little unwieldy. The first hour and a half play as an intense psychological study - the pace at times painfully weighty as the tension is ratcheted up ever higher. The film works beautifully here - it may not introduce anything particularly new; claustrophobic stress is certainly nothing new in sci-fi, but it follows genre conventions with such panache and artistry that it's difficult to fault. However, come the final 20 minutes, Sunshine takes a rather abrupt and unwelcome turn. A pretty hammy (not to mention poorly explained) plot twist is ushered in and suddenly we find ourselves in a horror film - a clichéd one at that. To say much more would spoil things, but needless to say, had the filmmakers showed a little restraint in the closing moments, they would have had a real classic on their hands. When the film ditches pretensions, and sticks with the clammy, slow burn thrills it excels at, it's fantastic. When it descends into predictable melodrama, it's still alright, it's just disappointing considering what we know it's capable of. As such it's remarkably well shot, superbly rendered, occasionally poignant and occasionally flawed. Whatever the case, Sunshine is never far from entirely thrilling, and, all said and done, film recommendations don't come much higher than that.