| Photos (see all 9 | slideshow) | Videos (see all 19) |
| Robin Williams | ... | Gabriel Noone | |
| Toni Collette | ... | Donna D. Logand | |
| Joe Morton | ... | Ashe | |
| Bobby Cannavale | ... | Jess | |
| Rory Culkin | ... | Pete D. Logand | |
| Sandra Oh | ... | Anna | |
| Rodrigo Lopresti | ... | Young Man at Party | |
| John Cullum | ... | Pap Noone | |
| Lisa Emery | ... | Darlie Noone | |
| Guenia Lemos | ... | Female Neighbor | |
| Marcia Haufrecht | ... | Pant Suited Woman (as Marcia Halfrecht) | |
| Nick Gregory | ... | Flight Attendant | |
| Ed Jewett | ... | Mail Clerk | |
| Becky Ann Baker | ... | Waitress | |
| Billy Vann | ... | Taxi Driver | |
| E.J. Carroll | ... | Hospital Security Guard | |
| James Stankunas | ... | Boy in Hospital | |
| Marceline Hugot | ... | Nurse | |
| Joel Garland | ... | Officer (as Joel Marsh Garland) | |
| Hal Robinson | ... | Male Friend #1 | |
| Keith Reddin | ... | Male Friend #2 | |
| Meg Gibson | ... | Female Friend | |
| Maryann Plunkett | ... | Alice - Female Realtor | |
| Mark Jacoby | ... | Male Realtor (credit only) | |
| Kelly | ... | German Shepherd Dog | |
| Riley | ... | Hugo |
Directed by | |||
| Patrick Stettner | |||
Writing credits(WGA) | ||
| Armistead Maupin | (screenplay) & | |
| Terry Anderson | (screenplay) and | |
| Patrick Stettner | (screenplay) | |
| Armistead Maupin | (novel) | |
Produced by | |||
| Terry Anderson | .... | executive producer | |
| Wouter Barendrecht | .... | co-producer | |
| Daniel Feiner | .... | co-executive producer | |
| Jill Footlick | .... | producer | |
| John Hart | .... | producer (as John N. Hart Jr.) | |
| Michael Hogan | .... | executive producer | |
| Caroline Kaplan | .... | executive producer | |
| Robert Kessel | .... | producer | |
| Armistead Maupin | .... | executive producer | |
| Jonathan Sehring | .... | executive producer | |
| Jeff Sharp | .... | producer (as Jeffrey Sharp) | |
| Michael J. Werner | .... | co-producer | |
| Brett Williams | .... | associate producer | |
| Nina Wolarsky | .... | associate producer | |
| Jamie H. Zelermyer | .... | line producer | |
Original Music by | |||
| Peter Nashel | |||
Cinematography by | |||
| Lisa Rinzler | (director of photography) | ||
Film Editing by | |||
| Andy Keir | |||
Casting by | |||
| Kerry Barden | |||
| Billy Hopkins | |||
| Suzanne Smith | (as Suzanne Crowley) | ||
Production Design by | |||
| Michael Shaw | |||
Art Direction by | |||
| Eva Radke | |||
Set Decoration by | |||
| Rich Devine | (as Richard Devine) | ||
Costume Design by | |||
| Marina Draghici | |||
Makeup Department | |||
| Cheri Minns | .... | hair stylist: Mr. Williams | |
| Cheri Minns | .... | makeup artist: Mr. Williams | |
| Evelyne Noraz | .... | key makeup artist | |
| Jeffrey Rebelo | .... | key hair stylist | |
Production Management | |||
| David Bausch | .... | unit production manager | |
| Christopher Kenneally | .... | post-production supervisor (as Chris Kenneally) | |
| Seth I. Shire | .... | additional post-production supervisor (as Seth Shire) | |
| Sean Cooney | .... | post-production executive (uncredited) | |
Second Unit Director or Assistant Director | |||
| Carrie Fix | .... | first assistant director | |
| Lauren Guilmartin | .... | second assistant director (as Lauren Kells Guilmartin) | |
| Justin Ritson | .... | second second assistant director | |
Art Department | |||
| Rise Abramson | .... | scenic artist | |
| Jill Alexander | .... | prop master | |
| Jeremy L. Balon | .... | on-set dresser | |
| Krzysztof J. Bratun | .... | scenic artist (as Krzysztof Bratun) | |
| Peter Bundrick | .... | head carpenter | |
| Anna Butwell | .... | additional props | |
| Steve Cascarelli | .... | dresser | |
| Dominick Cocuzzo | .... | key construction grip (as Dominick Coluzzo) | |
| William Depaolo | .... | scenic artist (as Bill DePaolo) | |
| Katy Dilkes | .... | scenic artist | |
| Isaac Gabaeff | .... | additional props | |
| Emily Gaunt | .... | charge scenic | |
| Willie Groom | .... | shop man | |
| Richard Hebrank | .... | construction coordinator | |
| T.W. John House | .... | construction grip | |
| Robert Keller | .... | carpenter (as Bob Keller) | |
| Katie Kemsley | .... | camera scenic | |
| Erin Manigault | .... | dresser | |
| Elizabeth Minot | .... | additional on-set dresser (as Elizabeth D. Minot) | |
| Julio Palma | .... | dresser (as Julio D. Palma) | |
| Paul Pitalo | .... | dresser | |
| Joseph Proscia | .... | leadman | |
| Kevin L. Raper | .... | graphic designer (as Kevin Raper) | |
| Kyle Salvatore | .... | dresser (as Kyle J. Salvatore) | |
| Malinda Savio | .... | intern | |
| Jill Stern | .... | scenic artist | |
| Sylvia Trapanese | .... | foreman | |
| Jonathan Unger | .... | assistant prop master | |
| Brianne Zulauf | .... | product placement | |
| James Bednark | .... | art department production assistant (uncredited) | |
| Gabu Camilo | .... | additional props (uncredited) | |
| Terrell Long | .... | art production assistant (uncredited) | |
| Justin Rosen | .... | set dresser (uncredited) | |
| Heather Wellik | .... | art department production assistant (uncredited) | |
Sound Department | |||
| Laura Civiello | .... | dialogue editor | |
| Marko A. Costanzo | .... | foley artist (as Marko Costanzo) | |
| Dan Edelstein | .... | additional sound editor | |
| Eugene Gearty | .... | supervising sound designer | |
| Eugene Gearty | .... | supervising sound editor | |
| Anguibe Guindo | .... | boom operator | |
| Paul Hsu | .... | sound re-recording mixer | |
| George A. Lara | .... | foley editor (as George Lara) | |
| George A. Lara | .... | foley recordist (as George Lara) | |
| Marissa Littlefield | .... | adr editor | |
| Eytan Mirsky | .... | additional assistant sound editor | |
| Sara Stern | .... | sound intern | |
| Noah Timan | .... | sound mixer (as Noah Vivekanand Titman) | |
| Larry Wineland | .... | assistant sound editor | |
| Joseph Adorisio II | .... | sound (uncredited) | |
| Leslie Bloom | .... | foley artist (uncredited) | |
| Phil Jeffers | .... | adr recordist (uncredited) | |
| Paul Pouthier | .... | second boom operator (uncredited) | |
Visual Effects by | |||
| Janos Pilenyi | .... | optical supervisor: Cineric, Inc. (as János O. Pilenyi) | |
| Ariel Enriquez Saulog | .... | digital supervisor: Cineric, Inc. | |
Stunts | |||
| Bill Anagnos | .... | stunt driver (as Billy Anagnos) | |
| Jeffrey Lee Gibson | .... | stunt double: Gabriel (as Jeff Gibson) | |
| Janet Paparazzo | .... | stunt double: Donna | |
| Manny Siverio | .... | stunt coordinator | |
Casting Department | |||
| Paul Schnee | .... | casting associate | |
| Ashley Springer | .... | casting assistant | |
| David M. Waldron | .... | background casting associate (as David Waldron) | |
| Luis Garcia | .... | casting assistant (uncredited) | |
| Grant Wilfley | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Arlynn Abseck | .... | assistant wardrobe supervisor | |
| Ariel Bowman | .... | costume department assistant | |
| Amanda Ford | .... | assistant costume designer | |
| Jacqueline Jones | .... | costume intern | |
| Roseann Milano | .... | wardrobe supervisor | |
| Robin Sprance | .... | costume department assistant | |
| Mikaela Wohl | .... | costume intern (as Kaela Wohl) | |
Editorial Department | |||
| Fred Heid | .... | color timer | |
| Allyson C. Johnson | .... | additional editor | |
| Misako Shimizu | .... | assistant editor | |
| David A. Smith | .... | additional assistant editor | |
| Joe Violante | .... | dailies advisor | |
| Steve Calalang | .... | mastering colorist (uncredited) | |
| Chris Gennarelli | .... | colorist: dailies (uncredited) | |
Music Department | |||
| Linda Cohen | .... | music supervisor | |
| Brian Deming | .... | score mixer | |
| Brian Deming | .... | score recordist | |
| Andy Farber | .... | conductor | |
| Andy Farber | .... | orchestrator | |
| Lawrence Manchester | .... | score recordist | |
| Peter Nashel | .... | score producer | |
| Tony Volante | .... | score mixer | |
Transportation Department | |||
| Bobby Alberga | .... | driver (as Robert T. Alberga) | |
| Keith Bunce | .... | driver | |
| Charlie Fay | .... | driver | |
| Michael Fennimore | .... | transportation captain (as Mike Fennimore) | |
| Parrish McLean | .... | driver: cast | |
| John Riggins | .... | driver | |
| Matt Schneider | .... | driver: cast | |
| Gabe Turiello | .... | driver | |
Other crew | |||
| Tobin Addington | .... | assistant: Patrick Stettner | |
| Matthew Amenta | .... | office production assistant | |
| Barbara Austin | .... | animal wrangler: Dawn Animal Agency | |
| John Baker | .... | office intern | |
| Michele Baker | .... | assistant location manager: upstate New York | |
| Randall Balsmeyer | .... | main title designer: Big Film Design | |
| Joanie Bauret | .... | insurance: England Insurance Brokerages Ltd. (as Joanie Bauert) | |
| James Berkery | .... | set production assistant | |
| Adam Bernard | .... | set production assistant | |
| Brette Billow | .... | office production assistant | |
| Jason Block | .... | post-production accountant | |
| Shannon Bowen | .... | location manager | |
| Bambi Brook | .... | handler: German Shepherd Dog | |
| Adam Bryant | .... | stand-in: Robin Williams | |
| Tertius Bune | .... | office intern | |
| Brian Burkin | .... | production legal: Linowes & Burkin (as Brian L. Burkin Esq.) | |
| Kate Carcaterra | .... | set production assistant | |
| Betty Chin | .... | production coordinator | |
| Jennifer Cook | .... | office intern | |
| J. John Corbett | .... | main title designer: Big Film Design (as J.John Corbett) | |
| Ralph Costanza | .... | print coordinator | |
| Jacq Donegan | .... | production secretary | |
| Kathy England | .... | insurance: England Insurance Brokerages Ltd. | |
| Natsu Furuichi | .... | production assistant: HSE | |
| Jonathan Golfman | .... | production legal: Linowes & Burkin (as Jonathan S. Golfman Esq.) | |
| Louis Henley | .... | set production assistant | |
| Michael E. Hernandez | .... | caterer: Premiere Catering (as Michael Hernandez) | |
| Andrew Johnston | .... | office intern | |
| Phil Johnston | .... | assistant: Patrick Stettner | |
| Benjamin Jones | .... | set production assistant (as Benjamin C. Jones) | |
| Hollis McConnell Jones | .... | stand-in: Toni Collette (as Hollis M. Jones) | |
| Chris Leidy | .... | set production assistant | |
| Michael J. Linowes | .... | production legal: Linowes & Burkin (as Michael Linowes Esq.) | |
| Patrick Mahoney | .... | craft service (as Pat Mahoney) | |
| Hunter Marshall | .... | assistant chef: Premiere Catering | |
| Angela Matthews | .... | office intern | |
| Jason Michael Matthews | .... | office intern | |
| Tim Oakes | .... | production assistant: HSE | |
| Kory O'Donnell | .... | assistant production coordinator | |
| Luke Parker Bowles | .... | production associate: HSE | |
| Hyo Park | .... | location assistant | |
| Anthony Pettine | .... | script supervisor | |
| Phuong-Thuy Pham | .... | location assistant | |
| Alex Reinach | .... | office intern | |
| Joe Robinson | .... | office production assistant | |
| George Sheanshang | .... | finance: distribution and general counsel (as George Sheanshang Esq.) | |
| Michele Soddano | .... | assistant accountant (as Michele A. Soddano) | |
| Rebecca Erwin Spencer | .... | assistant: Mr. Williams | |
| Bill Stitt | .... | scout | |
| Pat Tetrault | .... | handler: 'Hugo' | |
| Clayton Thomas | .... | parking coordinator (as Clayton 'Massive' Thomas) | |
| Rob van de Laar | .... | craft service assistant (as Rob Van De Laar) | |
| Nick Vanderpool | .... | key set production assistant | |
| Michael J. Vitale Jr. | .... | chef: Premiere Catering | |
| Joe Wehmeyer | .... | set production assistant | |
| Derek Yip | .... | production accountant | |
| Teddy Yoon | .... | assistant location manager | |
| Brianne Zulauf | .... | assistant coordinator | |
| Louis Zuppardi | .... | scout | |
| Henry Fernaine | .... | production executive (uncredited) | |
| Joshua Huffman | .... | office production assistant (uncredited) | |
| John Perez | .... | location scout (uncredited) | |
| Michael A. Rizzo | .... | production assistant (uncredited) | |
| Jonathan Starch | .... | on-set consultant: New York (uncredited) | |
| Michael Yoon | .... | location scout (uncredited) | |
Thanks | |||
| Lauren Albright | .... | the producers wish to thank | |
| Erica Berg | .... | the director wishes to thank | |
| Andy Bienen | .... | the director wishes to thank | |
| Marty Bowen | .... | the director wishes to thank | |
| Jennifer Cox | .... | very special thanks | |
| Sarah Durham | .... | the director wishes to thank | |
| Kara Dusenbury | .... | the director wishes to thank | |
| Charles Ferraro | .... | the director wishes to thank | |
| Scott Fleischer | .... | the production wishes to thank: Panavision New York | |
| Julie Fontaine | .... | the producers wish to thank | |
| Dianne Orkin Footuck | .... | the producers wish to thank | |
| Jerry Footuck | .... | the producers wish to thank | |
| Anna Hall | .... | the director wishes to thank | |
| Tanya Hamilton | .... | the director wishes to thank | |
| Joanne Hogan | .... | the producers wish to thank | |
| Myles Hogan | .... | the producers wish to thank | |
| Quinn Hogan | .... | the producers wish to thank | |
| Anne Hubbell | .... | the production wishes to thank: Eastman Kodak | |
| Andrew Hurwitz | .... | the director wishes to thank | |
| Elaine Kessel | .... | the producers wish to thank | |
| Mark Kessel | .... | the producers wish to thank | |
| Raya Kessel | .... | the producers wish to thank | |
| Richard Klubeck | .... | the director wishes to thank | |
| Laura Linney | .... | the producers wish to thank | |
| Perry Lin | .... | the director wishes to thank | |
| Craig Marsden | .... | the director wishes to thank | |
| Peter Mattei | .... | the director wishes to thank | |
| Scott McGehee | .... | the director wishes to thank | |
| Robert H. Nathan | .... | the director wishes to thank (as Robert Nathan) | |
| Jamie Pallot | .... | the director wishes to thank | |
| Christine Rollet | .... | the director wishes to thank | |
| Gail Savarese | .... | the production wishes to thank: Panavision New York | |
| Owen Shaw | .... | the producers wish to thank | |
| Adam Shulman | .... | the director wishes to thank | |
| David Siegel | .... | the director wishes to thank | |
| Issar Smith | .... | the director wishes to thank | |
| Douglas Steinbrech | .... | the producers wish to thank | |
| Susan A. Stover | .... | the director wishes to thank (as Susan Stover) | |
| Sabin Streeter | .... | the director wishes to thank | |
| Alan Suna | .... | the production wishes to thank: Silvercup Studios | |
| Krista Whetstone | .... | the director wishes to thank | |
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| The Devil Wears Prada | The Hours | The Lost Language of Cranes | Single White Female | Paragraph 175 |
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When it comes to movies I can be pretty picky, and I'll complain about anything and everything that is done wrong. While every movie has its flaws, The Night Listener had an exceptionally low count.
If you read the last review (it was hard, since half of it was written in caps and it contained no actual information about the movie), you may have been led to believe that this movie was not too well done. Unfortunately, if you read more than 3 lines into that same review, you discovered the poster's reason for disdain: he/she does not like the fact that the director is gay (or that the production team smokes crack...apparently).
So, despite the fact that I have never written a review before, I thought this movie deserved one based on its merits, not the sexual orientation of its director. Let's go over a quick checklist first: 1. Great plot? Absolutely. I won't give a shred of it away, but the plot is highly compelling and definitely not what one would expect based on the commercials. This is a thriller, not a horror, and it should be approached as such. The story really will amaze you, even more so because it's true (and the plot did stay quite faithful to the actual events).
2. Wonderful Acting? Oh Yes. Robin Williams long ago broke free from the chains of the comedy type-cast, and he has since flourished in serious roles for which many people would have wrote him off just a decade ago. He once again achieves high form in his role in The Night Listener, playing a radio host who becomes increasingly troubled by and entangled in a case of...well, I'll let you see for yourself.
3. Excellent direction? Certainly. Now, unlike the other poster to which I referred, I actually know something about direction. I've been sutdying the art of direction at school now for 3 years. Of course I really don't think that makes a lick of difference (the only thing that matters is if YOU like the direction), but I thought I should simply establish once again that I'm basing my opinions here on something both substantial and relevant...for example: not the sexual orientation of the director (or the alleged drug habits of the production team, LOL).
Patrick Stettner's direction was moody and dark, and he allowed the angles and lighting to help create those so-sought-after feelings of "tension and release" rather than the messy, fast-paced camera-work and quick cuts we're so often subjected to today. Some people can truly show you a story through their camera, while other's feel as if they have to make the story with the camera. I really appreciate when someone these days has the courage to just use the camera as its supposed to be utilized, which is as an eyeball through which we all see.
4. Lighting, cinematography, and editing? Great all around. I've already wrote so much, and I could go on about these last three things for another ten paragraphs, so I'll just wrap it up.
In short, go see this movie. Don't listen to people who have alterior motives for trashing it, especially if they're so stupid that they unknowingly reveal that motive 1/4 of the way through their post. Enjoy the show! -Ben