| Photos (see all 2 | slideshow) |
| Samantha Jane Polay | ... | Bonnie | |
| Paul Gordon | ... | Duncan | |
| Amber Crawford | ... | Marquez | |
| Derek Evans | ... | Christian | |
| Tony Gomez | ... | Gabriel | |
| Jose Luis Navas | ... | Snake | |
| Danilo Begovic | ... | Pinball | |
| Stephan Morris | ... | Shamon | |
| Ruben Gomez | ... | Penance | |
| Ken Robkin | ... | Ukyo | |
| Eric Townsend | ... | Kangol Guy | |
| Howard Dobinsky | ... | Doctor | |
| Deidre Washington | ... | Nurse | |
| Toby Burge | ... | Orderly #1 | |
| Jorge Carcases | ... | Orderly #2 | |
| Jorge F. Rodriguez | ... | Male Nurse | |
| Lawrence Johansen | ... | Male nurse | |
| Venezza Leon | ... | Mental Patient #1 | |
| Augustin Kennady | ... | Mental Patient | |
| Mona Giraud | ... | Mental Patient | |
| Roger Giraud | ... | Mental Patient | |
| Patricia Perry | ... | Mental Patient | |
| Maggie Phillips | ... | Mental Patient | |
| rest of cast listed alphabetically: | |||
| Latanya Taylor | ... | Mental Patient | |
Directed by | |||
| Alex Ferrari | |||
Writing credits(in alphabetical order) | ||
| Alex Ferrari | story & screenplay | |
| Jorge F. Rodriguez | screenplay | |
Produced by | |||
| Michelle Clayton | .... | executive producer | |
| Alex Ferrari | .... | producer | |
| Jorge F. Rodriguez | .... | producer | |
Original Music by | |||
| Mark Roumelis | |||
Cinematography by | |||
| Angel Barroeta | |||
Film Editing by | |||
| Alex Ferrari | |||
Production Design by | |||
| Alex Ferrari | |||
| Jorge F. Rodriguez | |||
Set Decoration by | |||
| Alex Ferrari | |||
Costume Design by | |||
| Sofia Amadi | |||
Makeup Department | |||
| Alexandria Furst | .... | assistant makeup artist | |
| Megan Graham | .... | key makeup artist | |
Production Management | |||
| Jorge F. Rodriguez | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Yaniv Fituci | .... | second assistant director | |
| Caroline O'Brien | .... | first assistant director | |
Art Department | |||
| Toby Burge | .... | property master | |
| Dan Cregan | .... | conceptual art | |
| Dan Cregan | .... | storyboard artist | |
| Ken Robkin | .... | additional storyboard artist | |
| Randy Savarese | .... | construction coordinator | |
Sound Department | |||
| Eric M. Moorman | .... | production sound mixer | |
| Mark Roumelis | .... | sound designer | |
| Tim Rousseau | .... | boom operator | |
Special Effects by | |||
| Dan Cregan | .... | conceptual artist | |
| Jorge F. Rodriguez | .... | practical special effects | |
| Randy Savarese | .... | practical special effects | |
| Randy Savarese | .... | special effects crew | |
Visual Effects by | |||
| Dan Cregan | .... | digital effects artist | |
| Dan Cregan | .... | storyboard artist | |
| Sean Falcon | .... | visual effects supervisor | |
| Alex Ferrari | .... | colorist | |
| Jon Krummel | .... | modeler | |
Stunts | |||
| Alex Ferrari | .... | stunt coordinator | |
| Jorge F. Rodriguez | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Rob Baker | .... | assistant camera | |
| Angel Barroeta | .... | camera operator | |
| Dan Cregan | .... | set videographer | |
| Alex Ferrari | .... | camera operator | |
| Mike L. Germaine | .... | key grip | |
| Carlos Gomez | .... | gaffer | |
| Chris Hill | .... | grip | |
| Juan Linares | .... | gaffer | |
| Nick Monaco | .... | still photographer | |
| Jorge Parra | .... | gaffer | |
| Randy Savarese | .... | set videographer | |
| Carla Sosa | .... | first assistant camera | |
| Matthew Thiemann | .... | best boy electric | |
Costume and Wardrobe Department | |||
| Ken Robkin | .... | wardrobe designer | |
Editorial Department | |||
| Ricky Pierre-Louis | .... | post-production intern | |
| Tim Rousseau | .... | assistant editor | |
Other crew | |||
| Armen Arisian | .... | production assistant | |
| Ryan Carr | .... | production assistant | |
| Michael Conforti | .... | weapons advisor | |
| Tony Gomez | .... | technical advisor | |
| Lawrence Johansen | .... | production assistant | |
| Sarah Peterson | .... | script supervisor | |
Thanks | |||
| Maricruz Buendia | .... | very special thanks | |
| Cory Dolling | .... | very special thanks | |
| Robert Rodriguez | .... | special thanks | |
| Quentin Tarantino | .... | special thanks | |
| Recent Posts (updated daily) | User |
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| BROKEN as a feature film...what's the deal? What should be changed? | Jaktenor |
| B R O K E N hits Sundance | ftp-3 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Short section | IMDb USA section |
| Add this title to MyMovies |
So begins Alex Ferrari's directorial debut, Broken. What is special about Broken is that it is designed to push all boundaries about what you can do with "no money". The visual look of this film is gorgeous. The director made sure he sat down with his graphic designers and artists and had this film storyboarded beautifully and completely costume designed. The music in Broken is strangely chilling and compelling, decidedly off-putting with just a touch of an industrial bondage effect. The sound effects are quite good for virtually all the film, with excellent gunfire sounds throughout. The use of budget in this film is simply phenomenal. From my understanding, much of the budget of this film didn't go to light rental, camera rental, effects, gun purchasing, or costumes, rather much of the film's budget went to food and beverages.
Nearly three hours of how-to information for $19.99 is pretty darn impressive. For the amount of stuff that you will undoubtedly try based on this DVD, it's one of the simplest investments you can make.
The DVD for Broken is so dichotomous that it had to be reviewed in two separate places. On one hand, it's a very impressive first action/horror short film. On the other hand, it's a very in-depth DVD manual on how to make realistic special effects and gunfights with virtually no money, with the final short working as an example of all the different elements in the film. While some of the training in this DVD should have been broken down to a more step-by- step approach for true newcomers to film-making and effects, the things that Ferrari and Rodriguez bring to the table are truly impressive and inspiring. If you can watch through all the features in this DVD and not get ideas for how to make your own films even better, then you might not be alive.
I've seen this short over ten times and I notice something new each time. While it does not answer almost any of the questions it raises, it definitely makes you appreciate what these young filmmakers accomplished for our art and makes you look forward to seeing a full- length feature.
An excellent first film, this short breaks down the barriers of what can be accomplished in the realm of action and suspense at the micro-budget level. As other filmmakers build on the work of Mr. Ferrari, Mr. Rodriguez, Mr. Falcon, and all the other folks that made this film possible, this may prove to be one of the most inspirational short films for our cause in quite some time!