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Directed by | |||
| Chris Carter | |||
Writing credits(WGA) | ||
| Frank Spotnitz | (written by) and | |
| Chris Carter | (written by) | |
| Chris Carter | (television series "The X-Files") | |
Produced by | |||
| Chris Carter | .... | producer | |
| Brent O'Connor | .... | executive producer | |
| Frank Spotnitz | .... | producer | |
Cinematography by | |||
| Bill Roe | |||
Film Editing by | |||
| Richard A. Harris | (as Richard Harris) | ||
Casting by | |||
| Heike Brandstatter | |||
| Mindy Marin | |||
| Coreen Mayrs | |||
Production Design by | |||
| Mark S. Freeborn | (as Mark Freeborn) | ||
Art Direction by | |||
| Tony Wohlgemuth | |||
Set Decoration by | |||
| Shirley Inget | |||
Costume Design by | |||
| Lisa Tomczeszyn | |||
Makeup Department | |||
| Gitte Axen | .... | makeup artist | |
| Victoria Down | .... | key makeup artist | |
| Sherry Linder-Gygli | .... | key hair stylist | |
| Christopher Mark Pinhey | .... | special makeup effects artist | |
| Bill Terezakis | .... | special makeup effects designer | |
Production Management | |||
| Simon Abbott | .... | production manager | |
| Wayne Bennett | .... | production manager | |
| Ron McLeod | .... | production manager: second unit | |
| Paul Rabwin | .... | post-production supervisor | |
Art Department | |||
| John Chaschowy | .... | greensman | |
| Mark Francis | .... | prop buyer | |
| David Hadaway | .... | set designer | |
| Scott Holburn | .... | set dresser | |
| Mike Lilley | .... | graphic designer | |
| Cheryl Marion | .... | assistant art director | |
| Marta McLaughlin | .... | assistant property master | |
| Wayne McLaughlin | .... | property master | |
| Eric Partridge | .... | assistant property master | |
| Sabine Schoppel | .... | art department coordinator | |
| Adrien Van Viersen | .... | illustrator | |
| Loree Wershler | .... | graphic designer | |
Sound Department | |||
| Gloria D'Alessandro | .... | dialogue editor | |
| David Giammarco | .... | sound re-recording mixer | |
| Tim Gomillion | .... | sound recordist | |
| David Grimaldi | .... | sound effects editor | |
| Randall Guth | .... | first assistant sound editor | |
| Mildred Iatrou | .... | adr editor | |
| R.J. Kizer | .... | adr supervisor | |
| Martin Lacroix | .... | boom operator | |
| Helen Luttrell | .... | dialogue supervisor | |
| Todd R. Mason | .... | sound effects recordist | |
| Paul Massey | .... | sound re-recording mixer | |
| Charleen Richards | .... | adr mixer (as Charleen Steeves) | |
| Dennis Rogers | .... | sound recordist | |
| William Stein | .... | re-recording engineer | |
| William Unrau | .... | sound assistant | |
| Derek Vanderhorst | .... | sound designer | |
| Derek Vanderhorst | .... | supervising sound editor | |
| Michael T. Williamson | .... | sound mixer | |
| Wendy Czajkowsky | .... | adr mixer (uncredited) | |
| Evan Daum | .... | adr mixer (uncredited) | |
| Peter Gleaves | .... | adr mixer (uncredited) | |
| Bobby Johanson | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Colin Decker | .... | special effects assistant | |
| David Gauthier | .... | special effects coordinator | |
| Attila Vaski | .... | special effects technician | |
Visual Effects by | |||
| David Alexander | .... | supervisor | |
| Rodrigo Armendariz | .... | compositor | |
| Steve Au | .... | digital effects artist | |
| Pharoah Barrett | .... | 3D artist | |
| Geeta Basantani | .... | visual effects set assistant | |
| Mat Beck | .... | senior visual effects supervisor | |
| Darren Borrowman | .... | visual effects on-set technician | |
| Bryce Brecheisen | .... | visual effects coordinator | |
| Jonathan Butchard | .... | visual effects coordinator: Frantic Films | |
| Charles Collyer | .... | digital compositor | |
| Jon Cowley | .... | digital supervisor | |
| Glenn Curry | .... | digital effects artist: EntityFX | |
| Todd Daugherty | .... | head of technology | |
| Linda Drake | .... | visual effects editor | |
| Jason Dunn | .... | compositor | |
| Andrew Edwards | .... | compositor | |
| Ryan Epp | .... | compositor | |
| Thomas F. Ford IV | .... | visual effects producer | |
| Mark Goldberg | .... | compositor | |
| Don Greenberg | .... | compositor | |
| Junji Hirano | .... | visual effects artist | |
| Graham Houston | .... | digital effects artist | |
| Nathan Ilejay | .... | video I/O | |
| Brenda Ilic | .... | visual effects producer: Entity FX North | |
| Joni Jacobson | .... | visual effects producer | |
| Eli Jarra | .... | digital supervisor | |
| Aaron N. Leichter | .... | video I/O | |
| Andrew Lema | .... | digital effects artist | |
| Matthias Lowry | .... | compositor | |
| Jack Noriaki Matsumoto | .... | digital effects artist | |
| Steve J. McLeod | .... | compositor | |
| Vinay Mehta | .... | digital compositor | |
| Tena Montoya | .... | visual effects producer | |
| Brian Moylan | .... | visual effects set supervisor | |
| Viet Nguyen | .... | systems engineer | |
| Eugene Paluso | .... | digital effects artist | |
| Rod Park | .... | visual effects producer | |
| Shane Paugh | .... | visual effects coordinator | |
| Brian Petras | .... | compositor | |
| Lee Roderick | .... | visual effects | |
| Dan Rucinski | .... | production supervisor | |
| Brian Sales | .... | compositor | |
| Andrea Shear | .... | digital effects artist | |
| Randal Shore | .... | visual effects producer: Frantic Films | |
| Bobby Silman | .... | digital compositor: Frantic Films | |
| Nate Smalley | .... | video I/O | |
| Trent Smith | .... | senior visual effects producer | |
| Christina Spring | .... | compositor | |
| Mike Spring | .... | compositor | |
| Marty Taylor | .... | compositor | |
| Patrick Thompson | .... | compositor | |
| Donald Tse | .... | compositor | |
| Dmitry Vinnik | .... | digital effects artist | |
| John C. Wash | .... | visual effects set supervisor | |
| Dave Williams | .... | compositor | |
| Ian Wilson | .... | digital effects artist | |
| Doug Witsken | .... | digital compositor | |
Stunts | |||
| Guy Bews | .... | stunt driver | |
| Tony Morelli | .... | stunt coordinator | |
| Jeff Sanca | .... | stunt driver | |
Camera and Electrical Department | |||
| John S. Bartley | .... | director of photography: second unit | |
| Justin Bergler | .... | second assistant camera: "b" camera, second unit | |
| Hans Bjerno | .... | aerial director of photography | |
| Eric Dvorsky | .... | Wescam technician | |
| Eric Dvorsky | .... | assistant camera: aerial unit | |
| Lee Gibeau | .... | camera crane technician | |
| Lee Gibeau | .... | grip | |
| Russ Hawkes | .... | dolly grip: second unit | |
| Norbert Kaluza | .... | camera operator: "a" camera, second unit | |
| Jeremy Lundstrom | .... | camera trainee | |
| Sean Oxenbury | .... | rigging gaffer | |
| Rob Parisien | .... | digital video assist operator | |
| Andrew Pereszlenyi | .... | best boy: lighting | |
| David Tickell | .... | gaffer | |
| Tony Whiteside | .... | key grip: second unit | |
| Carrie Wilson | .... | camera loader | |
Casting Department | |||
| Kara Lipson | .... | casting associate | |
| Meagan Lopez | .... | casting assistant | |
| Tiffany Mak | .... | casting department | |
Costume and Wardrobe Department | |||
| Carolyn Bentley | .... | set costumer | |
| Dawn Climie | .... | on-set costume supervisor | |
| Nancy Collini | .... | costumer | |
| Brodie Davison | .... | costumer | |
| Janice Devries | .... | costume coordinator | |
| Kevin Harrison | .... | set costumer | |
| Michelle Hunter | .... | costumer | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Ryan Chavez | .... | assistant editor | |
| Geofrey Hildrew | .... | assistant editor | |
| Harry Muller | .... | color timer | |
| Devin Sterling | .... | digital intermediate producer | |
Music Department | |||
| Pete Anthony | .... | conductor | |
| Jeff Charbonneau | .... | music editor | |
| Kevin Globerman | .... | digital score recordist | |
| Benoit Grey | .... | midi score programmer | |
| Randy Kerber | .... | orchestrator | |
| Katia Lewin Palomo | .... | score mixing assistant | |
| Alan Meyerson | .... | music scoring mixer | |
| Jonathan Sacks | .... | orchestrator | |
| Mark Snow | .... | conductor | |
| John Ashton Thomas | .... | orchestrator | |
| Gina Zimmitti | .... | music contractor | |
Transportation Department | |||
| James Perenseff | .... | transportation coordinator | |
Other crew | |||
| Portia Belmont | .... | script supervisor | |
| Deborah D. Bose | .... | location manager | |
| Suzie Bruce | .... | assistant accountant | |
| Mandy Butler | .... | production accountant | |
| Brett Davies | .... | assistant production coordinator | |
| Katie Forss | .... | first assistant accountant | |
| Evan Godfrey | .... | assistant to director | |
| Elspeth Grafton | .... | script supervisor: second unit | |
| Lauren Henry | .... | animal provider | |
| Paul Jasper | .... | animal coordinator | |
| Lee Jeffrey | .... | stand-in | |
| Marcie Larson | .... | assistant: producer | |
| Gemma Levinson | .... | production assistant | |
| Jennifer Metcalf | .... | production coordinator | |
| Nadine Moser | .... | production assistant | |
| Brieann Rich | .... | craft service | |
| Michael Rich | .... | production assistant | |
| Nicholas Rich | .... | set medic | |
| Mick Rochon | .... | production assistant | |
| Carmen Siegers | .... | second assistant production coordinator | |
| Roland Sonnenburg | .... | animal provider | |
| Matthew Tingey | .... | production assistant | |
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| The X Files | The Saint | Star Trek: First Contact | Star Trek IV: The Voyage Home | Mystery Science Theater 3000: The Movie |
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Before I went to see this movie, I had seen 3 episodes of the TV show, despite having grown up with the series. One episode I saw when I was 9, and 2 just this week, when I decided to try the show out to see if I liked it. The first two episodes drew me in, and even though I thought I would be confused by the movie, I went to see it anyway.
Needless to say, I was not confused that much at all. The story was great, and I found myself drawn right into the characters despite not having seen much of their interaction previously. There was enough action and suspense to keep the story moving, and everyone in the cinema seemed to enjoy it.
When I left the cinema, all I wanted to do was go home and watch more episodes of the TV show, which was probably the intention of the producers of the film; to draw interest back into the series, which is what they achieved.
So, for me, as someone who hadn't watched the television show, I enjoyed the movie, as did my sister who had never seen an episode in her life. I definitely recommend it! Two thumbs up!