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Directed by | |||
| Cory Edwards | |||
| Todd Edwards | (co-director) | ||
| Tony Leech | (co-director) | ||
Writing credits | ||
| Cory Edwards | (screenplay) & | |
| Todd Edwards | (screenplay) and | |
| Tony Leech | (screenplay) | |
| Todd Edwards | (story) & | |
| Cory Edwards | (story) | |
Produced by | |||
| Katie Hooten | .... | associate producer | |
| Maurice Kanbar | .... | producer | |
| David Lovegren | .... | producer (as David K. Lovegren) | |
| Sue Bea Montgomery | .... | producer | |
| Preston Stutzman | .... | producer | |
Original Music by | |||
| John Mark Painter | |||
| Kristin Wilkinson | |||
Film Editing by | |||
| Tony Leech | |||
Production Management | |||
| Dan Malvin | .... | production supervisor | |
Visual Effects by | |||
| Rahul Deshprabhu | .... | visual effects | |
| Glenn Neufeld | .... | 3D and CG supervisor | |
| Stuart Neumann | .... | executive production manager: Digital Eye Candy Studio | |
| Lawrence Pasion | .... | digital artist | |
| Nachiket Pujari | .... | hair / fur lead | |
| Nachiket Pujari | .... | visual effects | |
| G.K. Raghunandan | .... | lighter | |
| Patel Ravindra | .... | lighting artist | |
| Ramsai Rayanapati | .... | senior lighting artist | |
| David Rosenthal | .... | digital film I/O supervisor: Fotokem Film & Video | |
| Robert Schajer | .... | visual effects producer (uncredited) | |
Animation Department | |||
| Peter Bedgood | .... | character designer | |
| Dennis Leech | .... | character designer | |
Editorial Department | |||
| Mo Henry | .... | negative cutter | |
| John Nicolard | .... | digital intermediate supervisor | |
| Bill Schultz | .... | digital intermediate executive | |
| Walter Volpatto | .... | digital intermediate colorist | |
| Chris DeLaGuardia | .... | color timer (uncredited) | |
Music Department | |||
| Todd Edwards | .... | composer: original music | |
| Joshua J. Greene | .... | composer: song "Runaway" | |
| Tom Maydeck | .... | music editor | |
| Daniel Rogers | .... | composer: song "Little Boat" | |
Other crew | |||
| Cassandra Barbour | .... | rights and clearances | |
| David Booth | .... | laser film recording | |
| Mike Lane | .... | client services | |
| Dennis Leech | .... | digital review supervisor | |
| Gordon Ng | .... | client services | |
| Eva Porter | .... | client services | |
| Melissa Ray | .... | production office coordinator | |
| Laura Sevier | .... | rights and clearances | |
| Megan Tompkins | .... | client services | |
Thanks | |||
| Daniel Beahm | .... | special thanks | |
| Chana Keefer | .... | special thanks | |
| Matt Steele | .... | special thanks | |
| Bob Weinstein | .... | thanks | |
| Harvey Weinstein | .... | thanks | |
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| Shrek the Third | Freeway | Woman in Distress | Who Framed Roger Rabbit | The Dancer Upstairs |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Animation section | IMDb USA section |
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Lots of people bitch about the animation being pretty stone age in this film, and for a reason. Technically, "Hoodwinked" is far behind "Finding Nemo" or "Incredibles". However, if you look past the unpretty exterior, there is plenty of goodies to found inside. Hilarious punchlines and a clever script by far makes up for the lack of jaw-dropping animation. Actually, I found the outdated CGI to add another layer of quirkiness to this little flick! When comparing "Hoodwinked" to other recent releases in the genre, it comes out with flying colors. Where "Chicken Little" and "Valiant" fail, this one really excels! Dialogues are well written and full of treats that makes this one a movie to see more than once. And for once, I even enjoyed the musical numbers, catchy and well performed. It doesn't have any scenes that - like "Shark Tale" - fell plastic or numb, instead it's an 80 minute, twisting and turning roller-coaster that doesn't stop until the credits start rolling. All you have to to is buckle up, and enjoy the ride