| Photos (see all 3 | slideshow) |
| Naveen Andrews | ... | Menerith | |
| Ashley Artus | ... | Sichem | |
| Claire Bloom | ... | Rani | |
| Silas Carson | ... | Jered | |
| Paschal Friel | ... | Amon | |
| Peter Gevisser | ... | Reuven | |
| Patrick Gordon | ... | Balaam | |
| Ben Hammersley | ... | Young Moses | |
| Greg Hicks | ... | Jekuthiel | |
| Louis Hilyer | ... | Amram | |
| Lisa Jacobs | ... | Jochebed | |
| Tom Keller | ... | Yitzchak | |
| Padma Lakshmi | ... | Princess Bithia | |
| Susan Lynch | ... | Miriam | |
| Mía Maestro | ... | Zipporah | |
| Marina Morgan | ... | Leah | |
| Richard O'Brien | ... | Tutor | |
| Paul Rhys | ... | Ramses | |
| Linus Roache | ... | Aaron | |
| Rudy Ruggiero | ... | Tribes Guard #1 | |
| Karim Saleh | ... | Joshua | |
| Adrian Schiller | ... | Shemaiah | |
| David Schneider | ... | Tobia | |
| Dougray Scott | ... | Moses | |
| Omar Sharif | ... | Jethro | |
| Matthew Sim | ... | Sorcerer | |
| Hannah Taylor-Gordon | ... | Rachel (as Hannah Taylor Gordon) | |
| John Wark | ... | Laban |
Directed by | |||
| Robert Dornhelm | |||
Writing credits(WGA) | ||
| Ron Hutchinson | (written by) | |
Produced by | |||
| Bernard Dudek | .... | producer | |
| Robert Halmi Sr. | .... | producer | |
| Laura Julian | .... | line producer | |
| Paul Lowin | .... | producer | |
Original Music by | |||
| Randy Edelman | |||
Cinematography by | |||
| Edward J. Pei | |||
Film Editing by | |||
| Mark Conte | |||
| Victor Du Bois | |||
| Klaus Hundsbichler | |||
| Ingrid Koller | |||
Casting by | |||
| Joyce Gallie | |||
| Lynn Kressel | |||
| Sally Osoba | |||
Production Design by | |||
| Keith Wilson | |||
Art Direction by | |||
| Alistair Kay | |||
Set Decoration by | |||
| Luca Tranchino | |||
Costume Design by | |||
| Ann Hollowood | |||
Makeup Department | |||
| Sonia Akouz | .... | makeup artist | |
| Khalid Alami | .... | key makeup artist | |
| Michele Baylis | .... | makeup department head | |
| Michele Baylis | .... | makeup designer | |
| Zineb Bendoula | .... | hair stylist | |
| Zhor Bennani | .... | makeup artist | |
| Jennifer Harty | .... | makeup artist | |
| Vicki Lang | .... | makeup artist | |
| Angie Mudge | .... | makeup artist | |
Art Department | |||
| Alessandro Alberti | .... | assistant art director | |
| Abdellah Baadil | .... | art department runner | |
| Elhoussaine Baouzine | .... | construction secretary | |
| Harold Burst | .... | head of department plasterer | |
| Bryn Court | .... | sculptor | |
| Warren Flanagan | .... | concept illustrator | |
| Mike Fowlie | .... | property master | |
| Marco Furbatto | .... | draughtsman | |
| Alan Harvey | .... | props | |
| Abdenabi Izlaguen | .... | art department assistant | |
| Hanane Jabir | .... | draughtswoman | |
| Mickey Law | .... | construction coordinator | |
| Terry Law | .... | head carpenter | |
| Aziz Mhand | .... | props | |
| Philip Murphy | .... | props | |
| Rachid Quiat | .... | assistant art director | |
| Amin Rharda | .... | props buyer | |
| Gianpaolo Rifino | .... | draughtsman | |
| Zhivko Zhelyazkov | .... | storyboard artist | |
| Abdenabi Izlaguen | .... | props buyer (uncredited) | |
Sound Department | |||
| Brahim Ait Belkas | .... | boom operator: second unit | |
| Sean Byrne | .... | sound editor | |
| Tim Chilton | .... | foley artist | |
| Bob Costanza | .... | sound effects editor | |
| Alistair Crocker | .... | sound mixer | |
| Kevin Fisher | .... | sound effects editor | |
| James Harbour | .... | sound recordist: second unit | |
| Adam Margetts | .... | boom operator | |
| Stacey Michaels | .... | adr foley mixer | |
| Stacey Michaels | .... | adr mixer | |
| Terry O'Bright | .... | sound re-recording mixer | |
| Alex Raspa | .... | adr mixer: New York | |
| Jonathan Rimas | .... | adr mixer | |
| Keith Rogers | .... | sound re-recording mixer | |
| David Torres | .... | foley mixer | |
| Colin Wood | .... | boom operator | |
Special Effects by | |||
| Stuart Brisdon | .... | special effects supervisor | |
| Ferenc Deák | .... | special effects coordinator | |
| Szilard Gergely | .... | special effects technician | |
| Mark Haddenham | .... | special effects senior technician | |
| Ian Lowe | .... | senior special effects technician | |
| Lawrence Michael | .... | special effects floor supervisor: second unit | |
| Attila Sarkadi | .... | special effects technician | |
| Nigel Wilkinson | .... | special effects technician | |
Visual Effects by | |||
| Kris Anderson | .... | digital compositor | |
| Hassan Elsayed Ashraf | .... | CG lead effect animator | |
| László Aszalós | .... | 3D painter | |
| András Miklós Balogh | .... | CG effects artist | |
| Dave Bannister | .... | digital compositor: Rushes | |
| Daniel Barrow | .... | visual effects producer: post production | |
| Paul Beard | .... | visual effects line producer: Men From Mars | |
| Zoltán Benyó | .... | CG supervisor | |
| Gary J. Brown | .... | digital effects artist | |
| Péter Bujdosó | .... | concept artist | |
| Melanie Byrne | .... | assistant visual effects producer: Rushes | |
| Graham Cristie | .... | digital artist | |
| Harriet Donington | .... | visual effects producer | |
| Hozelito Duric | .... | CG crowd simulation | |
| Chris Elson | .... | digital compositor: Rushes | |
| Guy Elson | .... | digital compositor: Rushes | |
| Péter Farkas | .... | CG roto artist | |
| Ádám Fiers | .... | assistant compositor | |
| James Foster | .... | digital artist | |
| Shuna Frood | .... | visual effects producer: Men From Mars | |
| Katie Goodwin | .... | visual effects artist | |
| Tom Hocking | .... | digital effects artist | |
| György Horváth | .... | CG workflow manager | |
| Louise Hussey | .... | digital effects producer | |
| Veress Kovács István | .... | matte painter | |
| Matthew Jacques | .... | digital artist | |
| Hayden Jones | .... | lead digital artist | |
| Lehel Karsa | .... | CG effects animator | |
| Pál Klemm | .... | compositor | |
| Isaac Layish | .... | digital effects artist | |
| Andras Liptak | .... | visual effects assistant | |
| Alex Llewellyn | .... | digital compositor | |
| Imre Lovász | .... | framework & technical manager | |
| Victoria McDowell | .... | visual effects line producer | |
| Alexandra C. Mende | .... | visual effects editor | |
| Károly Mesterházy | .... | 3D lead effects artist | |
| Miklós Mesterházy | .... | 3D effects artist | |
| Sándor Molnár | .... | CG character modeler | |
| Marcell Nagy | .... | 3D matte painter | |
| András Ónódi | .... | CG effects artist | |
| Tom Pegg | .... | digital effects artist | |
| Ágoston Princz | .... | 3D effects animator | |
| Jonathan Privett | .... | digital effects supervisor: Rushes | |
| Veljko Radenkovic | .... | CG crowd simulation | |
| Jackie Rowson | .... | digital effects artist | |
| László Sebõ | .... | CG effects supervisor | |
| David Sjodin | .... | digital compositor: Rushes | |
| Peter Sved | .... | CG artist | |
| Péter Svéd | .... | CG artist | |
| Mátyás Szabó | .... | 3D animator | |
| Miklós Szabó | .... | compositor | |
| Zoltán Szegedi | .... | CG artist | |
| Gábor Székely | .... | technical assistant | |
| Ria Tamok | .... | compositor | |
| Gábor Tóth | .... | compositor | |
| Jenõ Udvardi | .... | visual effects supervisor | |
| Gábor Vaszkun | .... | lead character animator | |
| Péter Zavorszky | .... | visual effects production manager | |
| Jez Tucker | .... | senior systems administrator (uncredited) | |
Stunts | |||
| Rachid Abbad | .... | stunts | |
| Joseph Beddelem | .... | stunt performer | |
| Othman Ilyassa | .... | stunt performer (as Othman Il Yassa) | |
| Philippe Losson | .... | stunt performer | |
| Abdellah Oukseh | .... | stunts | |
| Francois Poirier | .... | stunt performer | |
| Cedric Proust | .... | stunt arranger | |
| Cedric Proust | .... | stunt coordinator | |
| Florian Robin | .... | stunts | |
Camera and Electrical Department | |||
| Alessandro Bolognesi | .... | Steadicam operator | |
| Alessio Bramucci | .... | best boy electric | |
| Patrick Bramucci | .... | gaffer | |
| Dai Evans | .... | grip: second unit | |
| Christopher Haifley | .... | clapper loader: "a" camera (as Chris Haifley) | |
| Jeroen Hendriks | .... | camera technician | |
| Rupert Lloyd-Parry | .... | grip: second unit | |
| Ermanno Lubich | .... | focus puller: "b" camera | |
| Josef Mittendorfer | .... | first assistant camera: second unit | |
| Michael Nassuato | .... | clapper loader: "b" camera | |
| Pal Paluch | .... | key dolly grip | |
| Michael Riebl | .... | director of photography: second unit | |
| Michael Rintoul | .... | camera operator: "a" camera | |
| James Sprattley | .... | focus puller: "a" camera (as James Spratley) | |
| Gerry Vasbenter | .... | Steadicam operator | |
| Gerry Vasbenter | .... | camera operator: "b" camera | |
| Derek Walker | .... | Steadicam operator | |
| Derek Walker | .... | camera operator: "b" camera | |
| Ken Woroner | .... | still photographer | |
Casting Department | |||
| Mohamed Essaghir Aabach | .... | casting assistant | |
| Lois J. Drabkin | .... | casting associate | |
| Lynn Kressel | .... | casting: USA | |
| Omar Tisli | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Abdelkrim Akallach | .... | crowd wardrobe supervisor | |
| Daryl Bristow | .... | wardrobe supervisor | |
| Jirina Eisenhamerova | .... | wardrobe | |
| Otmane Khammari | .... | wardrobe assistant | |
| Edwin Francis | .... | costume coordinator: Rome (uncredited) | |
Editorial Department | |||
| Phillip Dawe | .... | post-production assistant | |
| Richard Glazerman | .... | assistant editor | |
| Alexandra C. Mende | .... | first assistant editor | |
Music Department | |||
| Elton Ahi | .... | score engineer | |
| David Bondelevitch | .... | music editor | |
Transportation Department | |||
| Khalid Ameskane | .... | transportation coordinator | |
| Ali Bakkioui | .... | transportation captain | |
| Tim Earl | .... | driver: camera car | |
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| The Prince of Egypt | The Ten Commandments | Moses | Ben-Hur | Solomon and Sheba |
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Despite being a nonbeliever I find religion very interesting. So I thought I would give this film a shot. It's not actually worth the rating I gave it, but I thought I would try to offset all the one star ratings it's been given by angry religious people. Anyway, to fully enjoy this movie I suggest doing what I did, namely read all the reviews of it while watching it. It's very interesting how the ratings range from top to bottom. Also the reason I'm writing this review is that it seem most if not all the other reviews are written by religious people who all compare it to the bible. Thats all good but viewing it as fiction, which the bible obviously is to me, might enable one to enjoy it differently. Well here it is: The acting range from laughable to pretty good 5 or 6 times. The special effects are nothing special these days, but acceptable, since they aren't really the drive of the movie. I quite liked the sets and the costumes, but I honestly don't know what they are supposed to look like historically so they might not be authentic. Overall what carried this movie was the story. Now the story was had a lot going for it interesting twists and turns. But unfortunately thats not enough. A really good story needs to not only have interesting exiting plots going on, it also needs to be believable. In case you don't know the story already I won't mention anything, I'll just say that having studied psychology and sociology for many years I found the behavior of many of the characters less realistic and the plot seems quite naive. So there... . enjoy 4 stars from me because I actually learned something.