| Photos (see all 29 | slideshow) | Videos (see all 10) |
| Shauna Macdonald | ... | Sarah | |
| Natalie Jackson Mendoza | ... | Juno (as Natalie Mendoza) | |
| Alex Reid | ... | Beth | |
| Saskia Mulder | ... | Rebecca | |
| MyAnna Buring | ... | Sam | |
| Nora-Jane Noone | ... | Holly | |
| Oliver Milburn | ... | Paul | |
| Molly Kayll | ... | Jessica | |
| Craig Conway | ... | Crawler - Scar | |
| Leslie Simpson | ... | Crawler | |
| Mark Cronfield | ... | Crawler | |
| Stephen Lamb | ... | Crawler (as Steve Lamb) | |
| Catherine Dyson | ... | Crawler | |
| Julie Ellis | ... | Crawler | |
| Sophie Trott | ... | Crawler | |
| Tristan Matthiae | ... | Crawler | |
| Stuart Luis | ... | Crawler | |
| Justin Hackney | ... | Crawler |
Directed by | |||
| Neil Marshall | |||
Writing credits(in alphabetical order) | ||
| Neil Marshall | writer | |
Original Music by | |||
| David Julyan | |||
Cinematography by | |||
| Sam McCurdy | |||
Film Editing by | |||
| Jon Harris | |||
Casting by | |||
| William Davies | |||
| Gail Stevens | |||
Production Design by | |||
| Simon Bowles | |||
Art Direction by | |||
| Jason Knox-Johnston | |||
Costume Design by | |||
| Nancy Thompson | |||
Makeup Department | |||
| James Adams | .... | prosthetics assistant | |
| Jo Budden | .... | prosthetics assistant (as Joanna Budden) | |
| Stuart Conran | .... | senior prosthetic makeup artist | |
| Jacqueline Fowler | .... | prosthetic makeup effects artist (as Jackie Fowler) | |
| Jo Hannford | .... | hair stylist: MyAnna Buring | |
| Jennifer Harty | .... | makeup supervisor | |
| Paul Hyett | .... | special makeup effects designer | |
| Vicki Lang | .... | makeup supervisor (as Vickie Lang) | |
| Tanya Lodge | .... | makeup designer | |
| Neil Morrill | .... | special makeup effects artist (as Neil Morille) | |
| Sandrine Mugglestone | .... | makeup trainee: FT2 | |
| Conal Palmer | .... | senior prosthetic makeup effects artist | |
| Robin Pritchard | .... | senior prosthetic makeup effects artist | |
| Stuart Sewell | .... | prosthetic makeup effects artist | |
| Dawn Stewart | .... | prosthetics assistant | |
| Daniel Vidal | .... | trainee sculptor | |
| Simon Webber | .... | lead sculptor | |
| Samia Wood | .... | prosthetics technician | |
Production Management | |||
| Jeanette Haley | .... | post-production supervisor | |
| Jennifer Wynne | .... | production manager | |
Art Department | |||
| David Abbott | .... | stand-by carpenter | |
| Barry Amos-Yeo | .... | greens assistant | |
| Kevin Amos-Yeo | .... | greens assistant | |
| Graham Baker | .... | stand-by rigger | |
| Paul Bradburn | .... | dressing props | |
| Alfie Burgess | .... | stand-by props | |
| Dean Clegg | .... | stand-by art director | |
| Jim Cornish | .... | storyboard artist | |
| Billy Edwards | .... | stand-by props | |
| Michael Kelm | .... | props | |
| Armordillo Design & Construction Ltd | .... | set building in foam and resin | |
| Johnny Mann | .... | sculptor supervisor | |
| Jon Marson | .... | head greensman | |
| Jono Moles | .... | construction manager | |
| Lucy Moles | .... | construction coordinator | |
| Helen Morgan | .... | art department trainee | |
| Harry Pain | .... | art department assistant | |
| Barnaby Papworth | .... | carpenter | |
| Jo Sansom | .... | art department runner | |
| Zoe Smith | .... | production buyer | |
| Terry Stinson | .... | dressing props | |
| Terry Wood | .... | property master | |
Sound Department | |||
| Stuart Bagshaw | .... | foley recordist | |
| Oliver Brierley | .... | assistant sound re-recording mixer | |
| Wayne Brooks | .... | adr editor | |
| Paul Carter | .... | foley editor | |
| Matthew Collinge | .... | supervising sound editor | |
| Ed Evers-Swindell | .... | additional crawler sound effects | |
| Robert Farr | .... | adr recordist | |
| Colin Gregory | .... | boom operator | |
| Nigel Heath | .... | sound re-recording mixer | |
| David Hoskins | .... | additional sound designer | |
| Claire Mahoney | .... | foley artist | |
| Michael Maroussas | .... | sound effects editor | |
| Joseph Paines | .... | FT2 sound trainee | |
| Rob Prynne | .... | adr editor | |
| Jamie Roden | .... | adr mixer | |
| Danny Sheehan | .... | supervising sound editor | |
| Nick Thermes | .... | sound mixer | |
Special Effects by | |||
| Paul Hyett | .... | special effects makeup designer | |
| Clive R. Kay | .... | special effects contact lenses | |
| Richard Magrin | .... | special effects crew | |
| Neil Morrill | .... | special effects makeup | |
| Christine Overs | .... | fabricator: animals | |
| Robin Pritchard | .... | makeup effects artist | |
| John Rafique | .... | special effects supervisor (as Johnny Rafique) | |
| Nick Rideout | .... | special effects supervisor | |
| Nick Smith | .... | senior special effects technician | |
| Mark Vanstone | .... | senior special effects technician | |
| Simon Webber | .... | lead sculptor | |
| Stuart Wishart | .... | animatronics designer | |
Visual Effects by | |||
| Bob Ballan | .... | senior model maker | |
| James Ballan | .... | model maker | |
| Ritchie Beacham-Paterson | .... | post production manager: Lipsync Post | |
| Lee Clappison | .... | colourist | |
| Ivan Cornell | .... | digital lab systems support: Lipsync Post | |
| Neil Damman | .... | digital compositor: Mattes & Miniatures | |
| William Foxwell | .... | digital lab operator: Lip Sync Post (as Will Foxwell) | |
| Scott Goulding | .... | digital lab operator | |
| David Hewitt | .... | model maker (as David Hewit) | |
| Katja Hollmann | .... | digital lab supervisor: Lipsync Post | |
| Sue Lin | .... | model maker | |
| Alasdair MacCuish | .... | digital grade producer: Lipsync Post | |
| James Manning | .... | model maker | |
| Adrian Oostergetel | .... | digital effects artist | |
| Mike Peel | .... | model maker | |
| Adrian Platt | .... | digital matte artist: Mattes & Miniatures | |
| Leigh Took | .... | visual effects supervisor | |
| Howard Watkins | .... | visual effects supervisor: Lip Sync Post | |
| Phillip West | .... | camera operator: miniature effects | |
| Julia Hall | .... | digital effects artist (uncredited) | |
| Angela Rose | .... | visual effects (uncredited) | |
Stunts | |||
| Claire Alderton | .... | stunt assistant | |
| George Cottle | .... | stunt performer | |
| Jim Dowdall | .... | stunt coordinator | |
| John Fell | .... | wire assistant | |
| Stephen Fell | .... | wire assistant | |
| Steve Griffin | .... | stunt coordinator (as Steve 'Street' Griffin) | |
| Paul Hornsby | .... | stunt assistant: additional photography | |
| Paul Hornsby | .... | stunt supervisor | |
| Robert Schofield | .... | wire supervisor (as Bob Schofield) | |
| Lee Sheward | .... | stunt driver | |
| Roy Weatherley | .... | wire effects | |
| David Williams | .... | wire effects | |
Camera and Electrical Department | |||
| Alex Bailey | .... | still photographer | |
| Rami Bartholdy | .... | camera trainee: second unit | |
| Sergio Bernuzzi | .... | key grip | |
| Ashley Bond | .... | focus puller: second unit | |
| Tim Driscoll | .... | best boy | |
| Warwick Drucker | .... | additional crane grip | |
| Dai Evans | .... | crane grip | |
| Tony Fabian | .... | grip: second unit | |
| Kate Filby | .... | clapper loader: second unit | |
| Jon Garwes | .... | focus puller | |
| Ross Grainger | .... | electrician | |
| Rodrigo Gutierrez | .... | director of photography: second unit | |
| John Heald | .... | grip: second unit | |
| Alice Hobden | .... | clapper loader: second unit | |
| Phil Humphries | .... | clapper loader | |
| Bob Milton | .... | electrician | |
| Ang Richards | .... | camera trainee: FT2 | |
| Andrew Robertson | .... | video assist operator | |
| Steve Slocombe | .... | best boy | |
| Andrew Taylor | .... | gaffer | |
| John Taylor | .... | Steadicam operator | |
| Amelia Troubridge | .... | still photographer | |
| Matthew Waving | .... | camera trainee | |
| Dave Wells | .... | trainee grip | |
| Gareth Williams | .... | electrician | |
Casting Department | |||
| David Wheal | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Helen Ingham | .... | costume supervisor | |
| Catherine Jordan | .... | costume trainee: FT2 | |
| Kate Laver | .... | costume assistant | |
Editorial Department | |||
| Ritchie Beacham-Paterson | .... | digital lab production manager: Lip Sync Post | |
| Siobhan Boyes | .... | post-production coordinator | |
| Lee Clappison | .... | colorist | |
| Alasdair MacCuish | .... | digital lab producer: Lip Sync Post | |
| Russell Pawson | .... | HD DVD conform editor | |
| Kevin Phelan | .... | digital lab head of post-production: Lip Sync Post | |
| Catriona Richardson | .... | assistant editor (as Tina Richardson) | |
| Jason Wheeler | .... | negative cutter | |
Music Department | |||
| Chris Barrett | .... | score assistant | |
| Terry Edwards | .... | choir conductor | |
| Andrew Glen | .... | music editor (as Andy Glen) | |
| Isobel Griffiths | .... | musicians contractor | |
| Martyn Harry | .... | music arranger: choral | |
| Nick Ingman | .... | conductor | |
| Dana Niu | .... | orchestrator | |
| Steve Orchard | .... | score mixer | |
| Steve Orchard | .... | score recordist | |
| Emily Rogers | .... | music editor | |
| Bill Silcock | .... | music preparation | |
| Ian Wood | .... | assistant scoring engineer | |
| Gavyn Wright | .... | orchestra leader | |
Transportation Department | |||
| Chris Mayhead | .... | driver: cast | |
| Colin Simmons | .... | driver | |
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| Dèmoni | Silent Hill | Night of the Demon | Beowulf | La coda dello scorpione |
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| News articles | IMDb Adventure section | IMDb UK section |
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With Dog Soldiers, Neil Marshall created a tight and claustrophobic atmosphere then added the scares to create a very good horror film. However, the tension was often released with humour and the audience were allowed to catch their breath and relax. At no point in The Descent are you allowed to relax as Marshall grabs your attention within the first few minutes and doesn't let go until the credits roll at the end.
With the film set almost entirely underground, the lack of light is used to wonderful effect and Marshall keeps you on edge for 100 minutes; if you liked Dog Soldiers, 28 Days Later and/or Haute Tension and are sick of the formulaic rubbish being pumped out of Hollywood then The Descent is likely to be right up your street.