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13 out of 13 people found the following comment useful :-
Great cinematography, strong acting and script, and a very subtle horror., 20 September 2005
7/10
Author: Richard Brunton (imdb-update@brunton.org.uk) from Edinburgh, Scotland

During the opening scenes the dark, decrepit apartment block provided plenty of claustrophobia and paranoia and set me at unease before the titles had even finished.

The story is a strong and very visual one, and at times does seem to borrow from Asian horror, a fact that Laranas disputes in the audio commentary, but it never feels wrong. The characters are quite identifiable, even from such a different culture, and the actors are surprisingly good. They have their moments though, and the beautiful Locsinplays a few moments awkwardly, while Gutierrez has a few lines where his dialogue feels wrong for his character. The other male leads Yllana and Blanco provide very convincing performances, and as for Calzado, well she has some truly terrifying moments.

Calzado and Yllana manage to give such a believable performance as the abused wife and abusing husband respectively. This is done with suggestion and intent, and no actual violence. It's the looks in their faces and their utterly convincing tone that captures this, and I suspect that many will find these scenes very uncomfortable without them actually having any violence. This shows the strength of the script and Director.

By far the creepiest moments are with the child . When the apartment door opens without warning it's enough to scare you, but when the child runs in and hides under the bed, and with a blood red face, I admit Laranas had me freaked out. This feeling is reinforced when it occurs again and there is no child, just the camera hinting at the movements of someone. An excellent method of building unease in the audience.

Laranas knows the tricks of the trade when it comes to horror, the scares, screams and tension building is done very well, and even without the child moments there are some very scary moments...The scenes in the cinema and the toilet cubicle are superbly filmed. There's great use of the camera throughout, and the understanding that less actually more and subtlety is a wonderful trait.

The cinematography and sound are very strong aspects of the movie, perhaps the strongest, and there are some superbly visualised and filmed scenes. The sound effects and score are very complimentary to the movie and provide for excellent tension building.

However all is not great, there is a short section of the film where the characters leave the confines of the buildings that they inhabit, both home and work, and this feels slightly out of place in the movie. Suddenly the world is opened up and it feels as though they could just leave and the tension is temporarily halted. As soon as they return to the confines of the apartment though, the tension returns and builds back.

The story builds to good climax, where you genuinely are unsure what's about to happen. Indeed I wasn't sure as the final scenes played out, and I was quite surprised at the ending.

Picture: 1.85:1 Unfortunately this is the failing of the DVD. The picture is extremely harsh in white balance, bright areas very over exposed and at times far too bright, with dark areas being very dark, but not overly. It gives a good feeling for most of the movie but there are some scenes where it's very distracting.

At first I thought this was down to the style of filming, and I found it was starting to annoy me more and more, however when I watched the trailers in the Extras afterwards I discovered that it wasn't the filming, it was the picture on the DVD. Since then I've read another review that says this very same thing. The picture on the DVD heavily let's the movie down, and that's indeed a shame.

Sound: Dolby Digital 5.1 \ 2.0 Subtitles: English The sound is one of the strongest features in this movie, with a good use made of the DD5.1 available to it. Effects happen around the scene, and it's not overly used so you're hearing sounds all around you, but it is used enough to provide depth to the scenes.

The score stands out and is a major contribution to the tension of the movie. It's very haunting and keeps itself in the background, slowly building and gently tapping at your shoulder. During key scenes it provides the weight to let you know the seriousness of the moment, but it never overpowers the movie.

Extras: Commentary, Behind the Scenes Featurette and Trailers Laranas is perhaps being one of the most mellow Directors I've ever heard. However he provides some good insight to the movie, the actors and some of the problems they faced. I actually found I enjoyed watching the movie a second time with his commentary, and it felt like it added more to the experience.

The Featurette provides direct footage of some of the scenes being filmed, but with no commentary it's not very interesting.

I was slightly disappointed that the trailers didn't carry subtitles. There are a number of trailers for other movies alongside all the trailers for Sigaw, and it is here that you see the picture was not filmed with this harsh contrast.

Overall This is a simple, and very effective story made so by excellent film making techniques in editing, cinematography and sound. This combination is what makes the movie effective in tension building and scare delivery. It's almost a traditional horror, a scary movie without the slasher and special effects that have been employed in the modern horror film.

The acting is strong, and provided a surprise for me in the quality of talent available to the Philippines. There are some weak moments, but nothing that distracts from the story which is kept going at an ever increasing pace.

This is a scary movie with some excellently filmed moments and superb soundtrack that will keep you tense and jumpy. A very enjoyable horror showing subtlety over slashing.

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10 out of 10 people found the following comment useful :-
Wow!, 26 March 2006
9/10
Author: KMeister1 from New England (VT, MA, NH...)

I sat down and watched this movie at first not expecting much. I've seen a few Philippine films before and considered them about on par with American TV movies due to their low budget. "Sigaw" shows the viewer that an impressive movie can be made when a quality script, quality director and quality actors get together.

"Sigaw" is the story of about a young man who moves into an apartment building and can't find peace because of the constant noise create by the domestic problems of his neighbors down the hall. The neighbor wife and daughter are being routinely terrorized and victimized by her jealous husband. The husband and wife engage in the same argument word for word every evening--literally! The new tenant begins to hear strange noises and see strange sights in the dark hallway and eventually in his apartment. He tells his girlfriend, who at first doesn't believe him and insists that he just move out, but she later discovers, much to her dismay, that there's something very strange going on at her boyfriend's place and that they both have been swept into a terrifying situation in which there is no apparent escape.

Sigaw reminded me of two other Asian scary gems--"Ringu" (later remade as "The Ring") and "The Eye." It's an excellent film that shouldn't be missed. One note: It is a foreign film, so there are subtitles, but much of the movie best scenes are, in fact unspoken.

I highly recommend it.

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12 out of 14 people found the following comment useful :-
Memento, The Sixth Sense, The Ring ...Sigaw?, 8 June 2005
8/10
Author: Ken Foreman from Sterling, VA (US)

To start with, I'm an American "mutt." I don't consider myself to belong to any culture unless "white bread" should start appearing on the US census. I speak almost no Tagalog (Filipino), and understand little. That said, I watched "Sigaw" on DVD with English subtitles.

"Sigaw" is an interesting movie. It lacks the visual cues to let an American audience know "This is the present..." "this is the past..." but it's a movie that shows the history of a haunted apartment building in parallel (past and present). We see a struggling restaurant owner trying to make sense of the noises and getting little sleep. We see another younger man trying not to get involved in a very loud domestic dispute.

The movie centers on the present-day man trying to make sense of it, and just trying to get by, hopefully by ignoring it. The movie is mostly atmospheric, with a few surprises, and little gore. Similar to the "The Others" and "Sixth Sense", most of the fun is trying to figure out what's the story, and what's the right solution.

American cinema often borrows from foreign. "The Birdcage" is a remake of a French play. "The Ring" and "The Grudge" are both remakes from Asia. Doing an American remake of "Sigaw" might be worthwhile for a director who values atmosphere and story over effects and gore. On the whole, I'd recommend "Sigaw" for Americans who enjoy wondering about what goes bump in the night...

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10 out of 12 people found the following comment useful :-
The First Filipino Horror Movie, 20 June 2005
8/10
Author: chuck_dgen from Manila, Philippines

Philippine cinema hasn't seen a horror movie with so much artistry and passion since the production of Sigaw. For the past 30 years or so, Filipinos only witnessed campy and hack horror films. Filipino producers could only produce 3-in-1 feature lengths or even worse, over used monster films based from Filipino folk tales like the Tikbalang or Tiyanak. These days, local movie studios are just contented doing hack films from Asia and America. The makers of Sigaw pulled all the strings in their power to create something different and original.

Forget about the depth of the story, Sigaw was not made to rip off awards. Sigaw was made simply to give its audience a good scare. In this regard, the movie succeeds all expectations. Director Yam Laranas implores all the necessary ingredients to deliver a high octane adrenaline rush flick. His visuals combined with Almbert Michael Idioma's sound then edited by Manet Dayrit made a bone chilling movie experience.

Sigaw is the comeback movie from Yam Laranas. After his last 2 films, Laranas finally went back to his forte, the suspense genre. This reemergence so to speak is similar to Gus Van Sant's return in doing his masterpiece, the Elephant. I am thankful for Laranas for going back to his roots and doing Sigaw. At long last, there is a Filipino horror film i could be proud of. Moreover, this could be the very first Filipino horror film to scare the entire world!

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6 out of 7 people found the following comment useful :-
To The Bones, 13 September 2005
10/10
Author: gypsy24

The Echo (Sigaw) has teeth and it sinks deep through your bones. Predictable in some scenes but very unique in storytelling and the "scare" factor. Cinematography is excellent as well as music/sound and editing. This film is so scary that it will frighten you even after you've seen it. Very eerie and very claustrophobic. It would be cool if Hollywood will pick this movie and do a remake...I just wish they won't mess the story up too much. The movie's simplicity is what makes it scary. The "realness" is what makes it unique in some sense. It's very frightening because of the way the director made the film effective even without any special effects. I think that what makes The Echo (Sigaw) a very scary film. Must watch!

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6 out of 9 people found the following comment useful :-
A genuinely creepy, scary film that doesn't go for cheap thrills., 19 October 2005
10/10
Author: miron1-3

Just when horror movies were becoming predictable, SIGAW and its director Yam Laranas came along to deliver the biggest scare of all.

And it's a scare that's not achieved with special effects and thick makeup and even thicker music -- but by going to the core of what really scares us.

That noise we can't explain. That thing that doesn't look right. That person who is there but should not be there. Something that seems to be following you.

Sigaw is genuinely, deeply creepy.

I don't know if Hollywood would see they've got a gem of a film here. Sigaw has its peculiar sense of timing. It certainly doesn't conform to a Hollywood formula of one scare per ten minutes. There is a long scene where the director keeps you in a state of simple nervous expectancy. And then are there are non stop scares where you're hardly allowed to breath. But that's exactly why fans of horror will need and want this one. It's a shot in the arm for the genre.

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2 out of 2 people found the following comment useful :-
a pinoy horror films that DOSEN'T make people laugh, 23 February 2008
7/10
Author: mr_zombi from United States

but probably cry...

Truly i have seen plenty of Filipino horror films for the past decade (more noticeably the 90s era where most pinoy horror films where nothing more than laughed at shadows to it's former classic roots). But it's changed for the past few years, and this is one of them. Sigaw (trans title: THE SCREAM *or Hollywood title THE ECHO) sets around a man named Marvin who has bought a room (reffered as Unit) in a rundown apartment. Every night there has been shouting and loud banging of abuse from his neighbors. A Policman who suspects his wife having a lover hidden in the apartment enrages him. Soon the wife starts asking for help from him. Not till long that Marvin is caught up in all the mess that has been created. It will not only destroy his residential stay, but probably his life. Sigaw more than ranks up with one of Asia's most noted horror films. Though as usual, more dramatic than scary. It puts a mood of sadness through out the film. Making you actually care about what the characters have to go through. With it's moody plot, addicting characters, great scenery shots (trust me, if you've seen half of the filipino movies i have, this pretty much has the shooting budget of Star Wars), and so much atmosphere with a lot of nicely edited composed score. This is one film you should not pass up. Though it will be hard to find a copy of the DVD in the Us (though probably near you at a local Filipino Store, or at the Regal site). But already has been given a US Remake to boot. Surely this film will at least reach cult status.

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2 out of 2 people found the following comment useful :-
A must for horror fans, 27 February 2007
8/10
Author: freebird-64 from Philippines

I got to see this movie back when it was first shown as part of the annual Metro Manila Film Festival (when only local films are allowed to be shown in theaters). The audience reaction was overwhelmingly positive as we all screamed and gasped in the right places.

Admittedly, the film is hardly original but it still manages to create a personality of its own, distinct from the Japanese and other Asian horror films. The film's worst flaw is its use of similar looking actors for scenes taking place in the past and present. This creates some confusion in the audience as to what exactly is happening.

Otherwise, the film is laudable in the way it effectively marshals its limited resources (it takes place essentially in one setting) to create a very creepy and atmospheric film. This is a must for fans of horror movies.

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3 out of 4 people found the following comment useful :-
Great for the Philippines!!, 12 January 2007
Author: maxim3 from Canada

*** This comment may contain spoilers ***

Let's evaluate this for a second. I'm a non-Filipino and I am a huge fan of world cinema. Even though I would agree that some of the most talented performers are residing or undiscovered in the Philippines, the cinema usually leaves something to be desired - no offense. With the recent wave of Japanese horror rip offs, it is no surprise that the RP has followed suite. This is not a bad thing - in fact it is a breath of fresh air to see the recent wave of Filipino thrillers straying from the style that most other countries abandoned in the 60's. I do however think that the Philippines is not the place for this genre. Their cinema still requires that all actors be of model quality looks. For me, this takes away from the story. What so many other countries lack, that Japan offers is believable characters (looks and acting), a haunting score, a respect for the audience, drama first, and most importantly the sound scape - which I found missing in this film (an uncanny coincidence is that Sigaw won a big award for it's sound - case and point). On to the film: There are always certain elements that Filipinos include in their movies that no others can relate to. This is fine, but make it reasonable for us foreigners to relate or understand. Things like, how come everyone is beautiful and looks mestizo - explain, I've been to the Philippines and have never seen that. If they are so good looking, yet dirt poor, they would be in show business - not struggling in a crappy, haunted loft - hey you guys set this up - not me.

The thing that kills me is, the story was 'good', not great, but they have taken the obvious parts of the Japanese Juon Trilogy and poorly executed it in this film - leaving out any of the rich folklore in the Philippines. If you borrow a story, at least pout an original spin on it. Another bothersome factor **spoiler** is when the ghost follows the couple everywhere short of the toilet - tip - you don't have to use every single shot you filmed. In any case, I feel that this film is a huge achievement in Filipino cinema, pushing it one step closer to international recognition - but they still have a long way to go before it can be taken seriously. I am rating this while putting aside most of my international comparison. This film does not deserve a 1 and does not deserve a 10 - so for the benefits to Filipino Cinema I rate it at 7. Good job Lam - I am eager to see where you go next. Although I stress that an American remake is a bad idea capital BAD.

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4 out of 6 people found the following comment useful :-
A nice scary surprise, 23 March 2006
8/10
Author: Hector Alejandro Medina from Belgium

During the Brussels International Festival of Fantastic Film (www.bifff.org) we saw ECHO. We wanted to be scared and we were... We didn't expect to be that scared. That's why our vote is high. But, we must say the actors weren't that good. We saw easily that they were playing a role, they weren't realistic. The sounds made us make jumps from our seats. The story was revisited but all the stuff around made that movie watchable. The make up was well done. We really like that kind of film here. The Asian films are the best. But we only can see them during festivals or events. That's quite sad for us. Thanks to all the people who made all that events possible. We really appreciate that from here.

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