| Jomari Yllana | ... | Bert | |
| Richard Gutierrez | ... | Marvin | |
| Iza Calzado | ... | Anna | |
| Angel Locsin | ... | Pinky | |
| James Blanco | ... | Jude | |
| Ella Guevara | ... | Lara | |
| Lui Manansala | ... | Marvin's Mother | |
| Tessie Villarama | ... | Pinky's Mother | |
| Pocholo Montes | ... | Pinky's Father | |
| rest of cast listed alphabetically: | |||
| Geric Albero | |||
| Ronnie Lazaro | ... | Caretaker | |
Directed by | |||
| Yam Laranas | |||
Writing credits | ||
| Roy C. Iglesias | (story and screenplay) (as Roy Iglesias) and | |
| Yam Laranas | (story and screenplay) | |
Produced by | |||
| Jocelyn D. Bracamonte | .... | associate producer | |
| William Lao | .... | executive producer | |
| Roselle Monteverde-Teo | .... | producer | |
Original Music by | |||
| Jesse Lucas | |||
Cinematography by | |||
| Yam Laranas | (director of photography) | ||
Film Editing by | |||
| Manet A. Dayrit | |||
Production Design by | |||
| Sammy Aranzamendez | (as Sammy Arranzamendez) | ||
Art Direction by | |||
| Greg Lipit | |||
Makeup Department | |||
| Lilia Benoza | .... | makeup artist | |
| Edel Mercado | .... | makeup artist | |
Production Management | |||
| Nieva Paz Eraña | .... | general manager: LVN Pictures (as Nieva Paz Erana) | |
| Grace Monteverde | .... | general manager | |
| Edmundo Sol | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jay Abello | .... | assistant director | |
Art Department | |||
| Arnel Capistrano | .... | props/sets | |
| Anacieto 'Clay' Dapula | .... | props/sets (as Cleto Dapula) | |
| Henry Dela Rosa | .... | props/sets | |
| Ronnie Jakosalem | .... | props/sets | |
| Rex Javier | .... | props/sets | |
| Ben Lipit | .... | props/sets | |
| Aimee Paycana | .... | poster design and layout | |
Sound Department | |||
| Aurel Claro Bilbao | .... | adr editor | |
| Aurel Claro Bilbao | .... | sfx/foley editor | |
| Lamberto Casas Jr. | .... | adr editor (as Bebet Casas) | |
| Lamberto Casas Jr. | .... | sfx/foley editor (as Bebet Casas) | |
| Ross Diaz | .... | adr editor | |
| Ross Diaz | .... | sfx/foley editor | |
| Arnel S. Francia | .... | adr editor (as Arnel Francia) | |
| Arnel S. Francia | .... | sfx/foley editor (as Arnel Francia) | |
| Hilario 'Buboy' Gatdula | .... | boom operator: Cineforce (as Boboy Gatdula) | |
| Albert Michael Idioma | .... | sound | |
| Arnel Labayo | .... | adr editor | |
| Arnel Labayo | .... | sfx/foley editor | |
| Rick Loresto Jr. | .... | adr editor (as Ric Loresto) | |
| Rick Loresto Jr. | .... | sfx/foley editor (as Ric Loresto) | |
| Lucy Quinto | .... | dubbing supervisor | |
| Arnold Reodica | .... | sound | |
| Carmen Serafin | .... | dubbing supervisor | |
| Addiss Tabong | .... | adr editor | |
| Addiss Tabong | .... | sfx/foley editor | |
Visual Effects by | |||
| Indoy Austria | .... | optical printer operator: LVN Pictures | |
| Andrew Jayson Coo | .... | compositor | |
| Dayan M. Enriquez | .... | compositor (as Dayan Enriquez) | |
| Richard Francia | .... | compositor | |
| Richard Francia | .... | digital scanning and recording | |
| Ryan Grimarez | .... | compositor (as Ryan 'Hamaring' Grimarez) | |
| Ryan Grimarez | .... | digital scanning and recording (as Ryan 'Hamaring' Grimarez) | |
| Reg Gutierrez | .... | compositor | |
| Ian Hontanosas | .... | compositor | |
| Arthur Jarlego | .... | optical printer operator: LVN Pictures (as Arturo Jarlego) | |
| Noel F. Lim | .... | compositor (as Noel Lim) | |
| Mary Vivien Madelo | .... | compositor (as Vivian Madelo) | |
| Aseneth Jane C. Miquiabas | .... | compositor (as Aseneth Miquiabas) | |
| Aylmer Alfred Ong Velez | .... | compositor (as Aylmer Alfred 'A' Velez) | |
| Aylmer Alfred Ong Velez | .... | digital scanning and recording (as Aylmer Alfred 'A' Velez) | |
| Fel Rodolfo | .... | visual effects supervisor | |
| Roimee Salandaman | .... | visual effects producer: Roadrunner Network (as Roimee G. Salandanan) | |
Camera and Electrical Department | |||
| Nonito Cesario | .... | second assistant camera | |
| Sanny Chua | .... | still photographer (as Sany Chua) | |
| Henry Martinez | .... | still photographer | |
| Jun Muro | .... | video assist operator: Cineforce (as Jun Murro) | |
| Jojo Rivera | .... | clapper loader: Cineforce | |
| Carlito Salonoy | .... | camera operator (as Charlito Salunoy) | |
| Romeo Villanueva | .... | gaffer | |
Costume and Wardrobe Department | |||
| Mario Lipit | .... | wardrobe | |
Editorial Department | |||
| Evalyn T. Canapi | .... | assistant film editor (as Evalyn Canapi) | |
| Ely Carangian | .... | telecine operator | |
| Dansel Cruz | .... | post-production producer: Roadrunner Network | |
| Jun H. De Guzman | .... | dailies editor (as Jun De Guzman) | |
| Jun Enriquez | .... | laboratory negative processing supervisor | |
| Ma. Tatiana Escarcha | .... | post-production producer: Roadrunner Network (as Tana Escarcha) | |
| Nonoy Flojo | .... | post-production coordinator | |
| Julie Galino | .... | post-production secretary: LVN Pictures | |
| Sheryl Lopez | .... | assistant editor: AVID (as Sheryll Lopez) | |
| Annabel W. Magalona | .... | assistant film editor (as Anabel Magalona) | |
| Rocky Magsino | .... | color grader: LVN Pictures | |
| Rachel Mañalac | .... | post-production producer: Roadrunner Network | |
| Nestor Mutia | .... | post-production technician: LVN Pictures | |
| Roberto Q. Nicolas | .... | telecine operator (as Oveth Nicolas) | |
| Sol Quindoyos | .... | assistant film editor | |
| Cheryl Rivera | .... | post-production producer: Roadrunner Network | |
| Joseph Samala | .... | assistant editor: AVID | |
| Armen Teh | .... | color grader: LVN Pictures (as Armen The) | |
| Che Ventura | .... | color grader: LVN Pictures | |
Transportation Department | |||
| Hazel De Leon | .... | traffic coordinator | |
Other crew | |||
| Ida Arcaina | .... | production secretary | |
| Patrick Benitez | .... | utility man | |
| Elmer Buencamino | .... | film specialist | |
| Rey Cabanauan | .... | crew: Cineforce | |
| Nelson Cammaga | .... | schedule master | |
| Billy Capulong | .... | crew: Cineforce | |
| Manuel Chavez | .... | booking staff: Regal Entertainment | |
| Frank Chico | .... | technical operations engineer | |
| Ronald Constantino | .... | publicist | |
| Rolando Cruz | .... | positive film checker: LVN Pictures | |
| Paul Daza | .... | creative consultant | |
| Ernesto Decena | .... | booking staff: Regal Entertainment | |
| Hazel De Leon | .... | traffic coordinator | |
| Jun De Leon | .... | technical operations engineer | |
| Cristy Dizon | .... | continuity supervisor | |
| Francesca Dizon | .... | positive film checker: LVN Pictures (as Fransisca Dizon) | |
| Gay Ace Domingo | .... | publicist | |
| Uriah Dypuekeng | .... | technical operations engineer | |
| Jose Romar Galang | .... | project coordinator: LVN Pictures (as Jomar Galang) | |
| Henry Gambol | .... | project coordinator: LVN Pictures | |
| Joey Gosiengfiao | .... | publicist | |
| Dolor Guevarra | .... | publicist | |
| Chuck Gutierrez | .... | web master | |
| Stephanie Holinski | .... | production assistant | |
| Jojo Jamito | .... | crew: Cineforce | |
| Willy Jardinazo | .... | printing department supervisor: LVN Pictures (as Wilfredo Jardinazo) | |
| Nancy Jubac | .... | booking staff: Regal Entertainment | |
| Efren C. Lopera | .... | laboratory projectionist: LVN Pictures (as Efren Lopera) | |
| Jaime Lumangaya | .... | utility man | |
| Rachelle Malapitan | .... | project coordinator: LVN Pictures | |
| Marivic Manguiat | .... | project coordinator: LVN Pictures | |
| Peter Manibo | .... | crew: Cineforce | |
| Christopher Manjares | .... | crew: Cineforce (as Cris Manjares) | |
| Darlino Marquez | .... | crew: Cineforce | |
| Ofelia Merto | .... | booking staff: Regal Entertainment | |
| Jynett Monteverde | .... | comptroller (as Jyn Monteverde) | |
| Daye Moralita | .... | technical operations engineer | |
| Gina Elba Murro | .... | production secretary (as Gina Elba-Murro) | |
| Edna M. Pacardo | .... | production secretary (as Edna Pacardo) | |
| Odie Pacheco | .... | crew: Cineforce | |
| Jun Poblador | .... | creative consultant | |
| Pablo Portes | .... | crew: Cineforce | |
| Florentino Rivera | .... | positive film checker: LVN Pictures | |
| Gorgy Ruta | .... | advertising and promotions | |
| Siony Sipin | .... | booking staff: Regal Entertainment | |
| Ligaya Tan | .... | booking staff: Regal Entertainment | |
| Melody Tolentino | .... | advertising and promotions | |
| George Toralba | .... | assistant technical operations manager: LVN Pictures (as George Torralba) | |
| Imelda Ulaso | .... | post-production accountant: LVN Pictures | |
| Nar Umali | .... | technical operations engineer | |
| Rosalyn Valeza | .... | project coordinator: LVN Pictures | |
| Luz Veras | .... | production accountant | |
| Helen Villamar | .... | cashier | |
| Buenaventura Yambot | .... | laboratory projectionist: LVN Pictures | |
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| Chello hongmijoo ilga salinsagan | Halloween | Caché | Basic Instinct | Bhoot |
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During the opening scenes the dark, decrepit apartment block provided plenty of claustrophobia and paranoia and set me at unease before the titles had even finished.
The story is a strong and very visual one, and at times does seem to borrow from Asian horror, a fact that Laranas disputes in the audio commentary, but it never feels wrong. The characters are quite identifiable, even from such a different culture, and the actors are surprisingly good. They have their moments though, and the beautiful Locsinplays a few moments awkwardly, while Gutierrez has a few lines where his dialogue feels wrong for his character. The other male leads Yllana and Blanco provide very convincing performances, and as for Calzado, well she has some truly terrifying moments.
Calzado and Yllana manage to give such a believable performance as the abused wife and abusing husband respectively. This is done with suggestion and intent, and no actual violence. It's the looks in their faces and their utterly convincing tone that captures this, and I suspect that many will find these scenes very uncomfortable without them actually having any violence. This shows the strength of the script and Director.
By far the creepiest moments are with the child . When the apartment door opens without warning it's enough to scare you, but when the child runs in and hides under the bed, and with a blood red face, I admit Laranas had me freaked out. This feeling is reinforced when it occurs again and there is no child, just the camera hinting at the movements of someone. An excellent method of building unease in the audience.
Laranas knows the tricks of the trade when it comes to horror, the scares, screams and tension building is done very well, and even without the child moments there are some very scary moments...The scenes in the cinema and the toilet cubicle are superbly filmed. There's great use of the camera throughout, and the understanding that less actually more and subtlety is a wonderful trait.
The cinematography and sound are very strong aspects of the movie, perhaps the strongest, and there are some superbly visualised and filmed scenes. The sound effects and score are very complimentary to the movie and provide for excellent tension building.
However all is not great, there is a short section of the film where the characters leave the confines of the buildings that they inhabit, both home and work, and this feels slightly out of place in the movie. Suddenly the world is opened up and it feels as though they could just leave and the tension is temporarily halted. As soon as they return to the confines of the apartment though, the tension returns and builds back.
The story builds to good climax, where you genuinely are unsure what's about to happen. Indeed I wasn't sure as the final scenes played out, and I was quite surprised at the ending.
Picture: 1.85:1 Unfortunately this is the failing of the DVD. The picture is extremely harsh in white balance, bright areas very over exposed and at times far too bright, with dark areas being very dark, but not overly. It gives a good feeling for most of the movie but there are some scenes where it's very distracting.
At first I thought this was down to the style of filming, and I found it was starting to annoy me more and more, however when I watched the trailers in the Extras afterwards I discovered that it wasn't the filming, it was the picture on the DVD. Since then I've read another review that says this very same thing. The picture on the DVD heavily let's the movie down, and that's indeed a shame.
Sound: Dolby Digital 5.1 \ 2.0 Subtitles: English The sound is one of the strongest features in this movie, with a good use made of the DD5.1 available to it. Effects happen around the scene, and it's not overly used so you're hearing sounds all around you, but it is used enough to provide depth to the scenes.
The score stands out and is a major contribution to the tension of the movie. It's very haunting and keeps itself in the background, slowly building and gently tapping at your shoulder. During key scenes it provides the weight to let you know the seriousness of the moment, but it never overpowers the movie.
Extras: Commentary, Behind the Scenes Featurette and Trailers Laranas is perhaps being one of the most mellow Directors I've ever heard. However he provides some good insight to the movie, the actors and some of the problems they faced. I actually found I enjoyed watching the movie a second time with his commentary, and it felt like it added more to the experience.
The Featurette provides direct footage of some of the scenes being filmed, but with no commentary it's not very interesting.
I was slightly disappointed that the trailers didn't carry subtitles. There are a number of trailers for other movies alongside all the trailers for Sigaw, and it is here that you see the picture was not filmed with this harsh contrast.
Overall This is a simple, and very effective story made so by excellent film making techniques in editing, cinematography and sound. This combination is what makes the movie effective in tension building and scare delivery. It's almost a traditional horror, a scary movie without the slasher and special effects that have been employed in the modern horror film.
The acting is strong, and provided a surprise for me in the quality of talent available to the Philippines. There are some weak moments, but nothing that distracts from the story which is kept going at an ever increasing pace.
This is a scary movie with some excellently filmed moments and superb soundtrack that will keep you tense and jumpy. A very enjoyable horror showing subtlety over slashing.