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David Wolstencroft (screenplay)
Richard Alwyn (story) ...
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8 December 2005 (Portugal) more
1994, 800,000 killed in 100 days. Would you risk your life to make a difference? more
In April 1994, after the airplane of the Hutu President of Rwanda is shot down, the Hutu militias slaughter the Tutsi population... more | add synopsis
1 win & 3 nominations more
Hugh Dancy Talks Adam - Rt Interview
(From Rotten Tomatoes. 5 August 2009, 8:01 PM, PDT)
Casting bites: Colin Firth, Kevin Spacey
(From screeninglog. 19 May 2009, 11:38 PM, PDT)
Deeply moving more (43 total)
| John Hurt | ... | Christopher | |
| Hugh Dancy | ... | Joe Connor | |
| Dominique Horwitz | ... | Capitaine Charles Delon | |
| Louis Mahoney | ... | Sibomana | |
| Nicola Walker | ... | Rachel | |
| Steve Toussaint | ... | Roland | |
| David Gyasi | ... | François | |
| Susan Nalwoga | ... | Edda | |
| Victor Power | ... | Julius | |
| Jack Pierce | ... | Mark | |
| Musa Kasonka Jr. | ... | Boniface | |
| Kizito Ssentamu Kayiira | ... | Pierre | |
| Clare-Hope Ashitey | ... | Marie |
Directed by | |||
| Michael Caton-Jones | |||
Writing credits | ||
| David Wolstencroft | (screenplay) | |
| Richard Alwyn | (story) and | |
| David Belton | (story) | |
Produced by | |||
| Richard Alwyn | .... | executive producer | |
| David Belton | .... | producer | |
| Ruth Caleb | .... | executive producer | |
| Pippa Cross | .... | producer | |
| Jens Meurer | .... | producer | |
| Joe Oppenheimer | .... | development producer | |
| Michael Schmid-Ospach | .... | co-producer | |
| Karsten Stöter | .... | co-producer | |
| David M. Thompson | .... | executive producer | |
| Paul Trijbits | .... | executive producer | |
| Andrew Wood | .... | line producer | |
Original Music by | |||
| Dario Marianelli | |||
Cinematography by | |||
| Ivan Strasburg | |||
Film Editing by | |||
| Christian Lonk | |||
Casting by | |||
| Anja Dihrberg | |||
| Karen Lindsay-Stewart | |||
Production Design by | |||
| Bertram Strauß | |||
Art Direction by | |||
| Astrid Sieben | |||
Set Decoration by | |||
| Dagmar Wessel | |||
Costume Design by | |||
| Dinah Collin | |||
Makeup Department | |||
| Sarah Grundy | .... | makeup designer | |
Production Management | |||
| Jonathan Haren | .... | post-production supervisor | |
| Juvens Ntampuhwe | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Mark Goddard | .... | first assistant director | |
| Paul Morris | .... | second assistant director | |
Art Department | |||
| Thomas Cinamula | .... | set dresser | |
| Jean De La Paix Hategikimana | .... | assistant property master | |
| Theogene Kabalisa | .... | painter | |
| Eric Manirakiza | .... | props | |
| Sandra Münchenbach | .... | stand-by prop | |
| Eddy Munyabarenzi | .... | set dresser | |
| Hassan Munyemana | .... | set dresser | |
| Claudine Murenzi | .... | assistant art director | |
| Jean De Dieu Nsengimana | .... | painter | |
| Steve Ntasi | .... | props | |
| Koko Rurinda | .... | production buyer | |
| Raoul Rwasamirera | .... | props | |
Sound Department | |||
| Anthony Faust | .... | adr mixer | |
| Chris Gurney | .... | boom operator | |
| Daniel Iribarren | .... | dialogue editor | |
| Frank Kruse | .... | supervising sound editor | |
| Matthias Lempert | .... | sound re-recording mixer | |
| Christoph Oertel | .... | foley recordist | |
| Carsten Richter | .... | foley artist | |
| Jonathan Rimas | .... | assistant adr mixer | |
| Kai Schoormann | .... | foley editor | |
| Rosie Straker | .... | production sound mixer | |
| Hanse Warns | .... | additional crowd & sound effects editor | |
| Hanse Warns | .... | supervising foley editor | |
Visual Effects by | |||
| Matthias Albrecht | .... | digital film editor | |
Stunts | |||
| Jason White | .... | stunt coordinator | |
Casting Department | |||
| Abigail Barbier | .... | adr voice casting | |
| Sylvie Brocheré | .... | casting: France | |
| Louis Elman | .... | adr voice casting | |
| Carolyn McLeod | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Himani Dehlvi | .... | wardrobe supervisor | |
Music Department | |||
| Mikael Carlsson | .... | executive soundtrack producer | |
| Dario Marianelli | .... | conductor | |
| Dario Marianelli | .... | orchestrator | |
| Maggie Rodford | .... | music supervisor | |
| Hilary Skewes | .... | musician contractor | |
| Benjamin Wallfisch | .... | orchestrator | |
| Alison Wright | .... | music supervisor | |
Transportation Department | |||
| Jean Pierre Sagahutu | .... | transportation captain | |
Other crew | |||
| Sara Curran | .... | legal services | |
| Rachel James | .... | post-production accountant | |
| Chris Morgan | .... | location manager: UK | |
| Yahaya Muvunyi | .... | assistant location manager | |
| Lucy O'Driscoll | .... | legal assistant | |
| Pat Rambaut | .... | script supervisor | |
| Nick Slepko | .... | crowd coordinator | |
| Alysa Sun | .... | production assistant | |
| Nicole Volavka | .... | assistant to director | |
| Sarah Wheale | .... | production coordinator | |
Beyond the Gates (USA)
more
Rated R for strong violence, disturbing images and language.
115 min
2.35 : 1 more
Brazil:18 | Ireland:15A | Netherlands:16 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | Singapore:PG | Finland:K-15 | Portugal:M/12 | USA:R | Germany:12 | USA:Unrated (DVD) | Australia:MA | Argentina:16 | UK:15
The characters are fictional but the events are not. Parts of the film were shot at Ecole Technique Officielle (ETO), a high school in Kigali, where the actual events took place. The title of the film comes from the fact that UN peacekeepers used to shoot local dogs that fed on the decomposing bodies of the genocide victims. more
Factual errors: Throughout the movie, the Belgian Captain wears the insignia of a Sergeant (three white lines). more
Featured in "Siskel & Ebert & the Movies: (2007-03-10)" (2007) more
Nyirigira more
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| Sometimes in April | Hotel Rwanda | Die Blechtrommel | Daens | Joyeux Noël |
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It is rare to see a film that has as great an impact as Shooting Dogs. The shocking story of the massacres in Rwanda is told in a setting that is both personal and global.
Great acting, a fine script and good pace... a level of craftsmanship worthy of the magnitude of the subject of this film.
On rare occasions, a story is so shattering it needs only to be toned down for audiences to take it all in. This true story needed to be told, and for us to hear it. Hopefully, after seeing this movie, you will not be as pessimistic about the future of Central Africa as I've become.
The closing credits are well worth sticking around for.