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Directed by | |||
| Douglas McGrath | |||
Writing credits(WGA) | ||
| Douglas McGrath | (screenplay) | |
| George Plimpton | (book "Truman Capote: In Which Various Friends, Enemies, Acquaintances and Detractors Recall His Turbulent Career") | |
Original Music by | |||
| Rachel Portman | |||
Cinematography by | |||
| Bruno Delbonnel | |||
Film Editing by | |||
| Camilla Toniolo | |||
Casting by | |||
| Ellen Lewis | |||
| Beth Sepko | |||
Production Design by | |||
| Judy Becker | |||
Art Direction by | |||
| Laura Ballinger | |||
Set Decoration by | |||
| Gene Serdena | |||
Costume Design by | |||
| Ruth Myers | |||
Makeup Department | |||
| Troy Breeding | .... | makeup department head | |
| Jacenda Burkett | .... | makeup artist | |
| Bridget Cook | .... | department head hair | |
| Linda DeVetta | .... | makeup researcher | |
| Becki Drake | .... | makeup artist | |
| Terri Ewton | .... | hair stylist | |
| Wayne Herndon | .... | hair stylist: Ms. Weaver and Ms. Rossellini | |
| Darylin Nagy | .... | key makeup artist | |
| Leola Perez | .... | hair stylist (as Leola L. Perez) | |
| Janine Rath | .... | hair stylist: Ms. Bullock (as Janine Rath-Thompson) | |
| Charmaine Richards | .... | hair stylist | |
| Melizah Schmidt | .... | key hair stylist | |
| Pamela S. Westmore | .... | key makeup artist: New York (as Pamela Westmore) | |
| Pamela S. Westmore | .... | makeup artist: Ms. Bullock (as Pamela Westmore) | |
Production Management | |||
| Susan Kirr | .... | unit production manager | |
| Ravi D. Mehta | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Meg Beatty | .... | second second assistant director | |
| Louis Guerra | .... | second assistant director: New York (as Louis J. Guerra) | |
| Patrick Mangan | .... | second second assistant director: New York | |
| Daniel J. Shaw | .... | first assistant director | |
| Katie Tull | .... | second assistant director (as Kathleen M. Tull) | |
Sound Department | |||
| Ethan Andrus | .... | sound | |
| John Carbonara | .... | assistant sound editor | |
| Benjamin Cheah | .... | sound designer | |
| Benjamin Cheah | .... | sound re-recording mixer | |
| Ryan Collison | .... | foley engineer | |
| Kenton Jakub | .... | adr editor | |
| Bobby Johanson | .... | adr mixer | |
| Tony Martinez | .... | dialogue editor | |
| Eric McAllister | .... | supervising assistant sound editor | |
| Eliza Paley | .... | supervising sound editor | |
| Scott Snyder | .... | sound department intern | |
| Wyatt Sprague | .... | sound effects editor | |
| Tom Sturgis | .... | boom operator | |
| Dominick Tavella | .... | sound re-recording mixer | |
| John Werner | .... | foley supervisor | |
Special Effects by | |||
| Craig Byrom | .... | special effects foreman | |
| Everett Byrom III | .... | special effects coordinator | |
| Marc McCord | .... | special effects | |
Visual Effects by | |||
| Ryan Beadle | .... | digital I/O | |
| Mark Dornfeld | .... | visual effects supervisor | |
| Michele Ferrone | .... | visual effects producer | |
| R.J. Harbour | .... | digital compositor | |
| Shaina Holmes | .... | digital compositor | |
| Shaina Holmes | .... | digital coordinator | |
| Jeremy Lang | .... | head of information technology: Custom Film Effects | |
| Lori C. Miller | .... | digital compositor | |
| Amani Williams | .... | digital compositor | |
| Michael Ventresco | .... | title designer: Redscare Inc. (uncredited) | |
Stunts | |||
| Jeff Schwan | .... | stunt coordinator (as Jeffrey Schwan) | |
| Bryon Weiss | .... | stunt double: Lee Pace | |
Camera and Electrical Department | |||
| Marc Andrus | .... | key grip | |
| Patrick B. Coate | .... | film loader | |
| Peter Colavito | .... | best boy electric: New York | |
| Sharon Courtney | .... | video assist: second unit | |
| Matt Cowan | .... | grip | |
| John W. DeBlau | .... | gaffer | |
| Wes Dixon | .... | electric intern | |
| John Eschberger | .... | electrician | |
| Robert Hicks | .... | grip | |
| Donald R. Howe Jr. | .... | second assistant camera: "b" camera | |
| Chip Huntington | .... | grip | |
| Eric Leigh | .... | electrician: New York | |
| Todd McMullen | .... | camera operator | |
| Deana Newcomb | .... | still photographer | |
| Heather Page | .... | camera operator: "b" camera | |
| Frank Parrish | .... | second assistant camera | |
| Tom Percarpio | .... | gaffer: New York | |
| Jeff Peterson | .... | electrician | |
| Eric Pickett | .... | video assist operator | |
| Peter D. Roome | .... | additional first assistant camera | |
| Adam Drew Schwartz | .... | assistant camera | |
| Pierson Silver | .... | assistant camera: New York | |
| Peter Simonite | .... | key first assistant camera | |
| Jesse Wolter | .... | grip | |
Casting Department | |||
| Kristen Paladino | .... | extras casting: New York | |
| Julie Schubert | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Stephany Baskin | .... | set costumer | |
| Melanie Armstrong Fletcher | .... | costumer | |
| Rhonney Greene | .... | set costumer: New York | |
| Nyima Johnston | .... | set costumer | |
| Kathy Kiatta | .... | costume supervisor | |
| Leeann Radeka | .... | set costumer | |
| Tara Reimers | .... | assistant to costume designer | |
| Autumn Saville | .... | assistant costume designer: New York | |
| Joel Voorhies | .... | costumer: Ms. Bullock | |
| Yvonne Wilburn | .... | costumer | |
| Stephanie A. Steel | .... | set costumer (uncredited) | |
Editorial Department | |||
| Joe Hobeck | .... | associate editor | |
| Eric Lorenz | .... | assistant editor | |
| Sandra Nash | .... | assistant editor | |
| Chris Patterson | .... | assistant editor | |
| Noëlle Penraat | .... | negative cutter | |
| Tim Stipan | .... | digital colorist | |
Music Department | |||
| Jeff Atmajian | .... | orchestrator | |
| Chris Cozens | .... | auricle control systems | |
| Tony Finno | .... | music preparation | |
| Richard King | .... | music scoring engineer | |
| Michael Kosarin | .... | conductor | |
| Suzana Peric | .... | music editor | |
| Rachel Portman | .... | orchestrator | |
| Mark Rubin | .... | music consultant | |
| Rob Schwimmer | .... | music arranger | |
| Rob Schwimmer | .... | musician: piano | |
Transportation Department | |||
| Monica Allen | .... | van driver | |
| Sara Aronson | .... | driver: douglas mcgrath | |
| Charles Coulter | .... | honeymoon driver | |
| Greg Faucett | .... | transportation coordinator | |
| Russell E. Scott | .... | picture car coordinator | |
| Steven Willhoite | .... | driver: production van | |
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| The Night of the Hunter | El diputado | Boy A | My Own Private Idaho | La hija del caníbal |
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It could be a work of fiction. Just like the factual novel of Truman Capote. For maximum enjoyment one should forget last years "Capote". Like so many other things in modern pop culture the same stories can be told countless times, the versions vary but at its center there is a truth that its stranger than fiction. Truman Capote is like an alien visiting our planet, his intellect allows him to see beyond our limitations and his need to belong to be accepted transforms him into one of the greatest manipulators of all time. Toby Jones is extraordinary. There is no performance other that Capote's own daily performance to charm and seduce everyone who has anything he needs. He seems him quiver when his rapport with Perry King takes unexpected erotic turns. There is real sexual tension in their scenes together. I believed it, Perry King I mean, I believe that he felt compelled and attracted by this tiny,famous,alien celebrity. Daniel Craig is superb and his character has the power to get under our skin without betraying the brutal side of his nature. What Capote felt is another story. He lies so blatantly, so beautifully that it's impossible to tell, maybe even Capote himself couldn't tell. Doug McGrath's version of the events is funnier, more entertaining and certainly more theatrical that last year's version that I've advised you to forget - The advise is heartfelt but difficult to put into practice - Sandra Bullock, Juliet Stevenson, Sigourney Weaver and Isabella Rossellini contribute to the fun and to the theatrical feel of "Infamous" If you're a sucker for pop culture and who isn't? Run to see it.