| Photos (see all 14 | slideshow) | Videos (see all 3) |
| John Jarratt | ... | Mick Taylor | |
| Cassandra Magrath | ... | Liz Hunter | |
| Kestie Morassi | ... | Kristy Earl | |
| Nathan Phillips | ... | Ben Mitchell | |
| Gordon Poole | ... | Old Man | |
| Guy O'Donnell | ... | Car Salesman | |
| Phil Stevenson | ... | Mechanic | |
| Geoff Revell | ... | Petrol Attendant | |
| Andy McPhee | ... | Bazza | |
| Aaron Sterns | ... | Bazza's Mate | |
| Michael Moody | ... | Bazza's Old Mate | |
| Andrew Reimer | ... | Flashback Dad | |
| Vicki Reimer | ... | Flashback Mum | |
| Isabella Reimer | ... | Flashback Girl | |
| David Rock | ... | Irish Backpacker | |
| Jenny Starvall | ... | Swedish Backpacker | |
| Guy Petersen | ... | Swedish Backpacker | |
| Paul Curran | ... | Pool Party People | |
| Christian McMillan | ... | Pool Party People | |
| Sean Gannon | ... | Pool Party People | |
| Aaron March | ... | Pool Party People | |
| Eddie White | ... | Pool Party People | |
| Geoffrey Yu | ... | Pool Party People | |
| Amy Schapel | ... | Pool Party People | |
| Teresa Palmer | ... | Pool Party People | |
| Bow Vayne | ... | Pool Party People | |
| Renee Chomel | ... | Pool Party People | |
| Simone Duntone | ... | Pool Party People | |
| John Henry Duncan | ... | Pool Party People | |
| Chloe Gardner | ... | Pool Party People | |
| Greg Sara | ... | Pool Party People | |
| Renee Luna | ... | Pool Party People | |
| Michael Soang | ... | Pool Party People | |
| Niesha de Jong | ... | Pool Party People | |
| Leesa Millhouse | ... | Pool Party People | |
| Alex De Rosa | ... | Pool Party People | |
| Darren Humphreys | ... | Detective | |
| Peter Alchin | ... | Police Officer | |
| Rory Walker | ... | Roadhouse Guy | |
| Jon Blaikie | ... | Roadhouse Guy (as John Blaike) | |
| rest of cast listed alphabetically: | |||
| Greg Mclean | ... | Old Man's Body / Police Officer (uncredited) | |
Directed by | |||
| Greg Mclean | |||
Writing credits | ||
| Greg Mclean | (written by) | |
Produced by | |||
| George Adams | .... | executive producer | |
| Martin Fabinyi | .... | executive producer | |
| Michael Gudinski | .... | executive producer | |
| Gary Hamilton | .... | executive producer | |
| Matt Hearn | .... | co-producer | |
| Matt Hearn | .... | executive producer | |
| Simon Hewitt | .... | executive producer | |
| David Lightfoot | .... | line producer | |
| David Lightfoot | .... | producer | |
| Greg Mclean | .... | producer | |
| Dale Roberts | .... | post-production producer | |
Original Music by | |||
| Frank Tetaz | (original score composer) (as François Tétaz) | ||
Cinematography by | |||
| Will Gibson | (director of photography) | ||
Film Editing by | |||
| Jason Ballantine | |||
Casting by | |||
| Angela Heesom | |||
Production Design by | |||
| Robert Webb | |||
Costume Design by | |||
| Nicola Dunn | |||
Makeup Department | |||
| Charmaine Connelly | .... | special effects prosthetics supervisor: Connelly Make-up FX Team | |
| Charmaine Connelly | .... | special makeup effects supervisor: Connelly Make-up FX Team | |
| Rick Connelly | .... | special effects prosthetics supervisor: Connelly Make-up FX Team | |
| Rick Connelly | .... | special makeup effects supervisor: Connelly Make-up FX Team | |
| Jennifer Lamphee | .... | hair stylist supervisor (as Jen Lampree) | |
| Jennifer Lamphee | .... | makeup supervisor (as Jen Lampree) | |
| Fiona Rees-Jones | .... | hair stylist | |
| Fiona Rees-Jones | .... | makeup artist | |
| Coralie Ryan | .... | makeup effects assistant: Connelly Make-up FX Team | |
| Sarah Smith | .... | makeup effects assistant: Connelly Make-up FX Team | |
| Danielle Snashall | .... | makeup effects assistant: Connelly Make-up FX Team | |
Production Management | |||
| Jason Ballantine | .... | post-production supervisor | |
| Mark 'Sharky' Johnson | .... | unit manager | |
| Anna Molyneaux | .... | production manager | |
| Steve Russell | .... | assistant unit manager | |
Art Department | |||
| James Calvert | .... | pre-visualization: The Peoples Republic of Animation | |
| Nick DeBoar | .... | pre-visualization: The Peoples Republic of Animation | |
| John Kruger | .... | graphic designer | |
| John Kruger | .... | signage | |
| Xan Lamphee | .... | props coordinator | |
| Xan Lamphee | .... | set dresser | |
| Chris Landreth | .... | construction manager | |
| Brodie McCrossin | .... | pre-visualization: The Peoples Republic of Animation | |
| Patch Moore | .... | construction: mine | |
| Obie O'Brien | .... | props buyer | |
| Obie O'Brien | .... | set dresser | |
| Geoff Robertson | .... | artist: conceptual poster art | |
| Tom Sheridan | .... | art department assistant | |
| Andrew Stephens | .... | art department assistant | |
| Geoffrey Tarr | .... | stand-by props (as Geoff Tarr) | |
Sound Department | |||
| Marco Arlotta | .... | boom operator | |
| Mike Bakaloff | .... | boom operator (as Michael Bakaloff) | |
| Pete Best | .... | adr recordist | |
| Pete Best | .... | sound effects editor | |
| Pete Best | .... | sound mixer | |
| Tom Heuzenroeder | .... | sound effects editor | |
| Des Keneally | .... | sound recordist (as Des Kenneally) | |
| John Simpson | .... | foley artist | |
| Peter D. Smith | .... | dialogue editor (as Peter Smith) | |
| Peter D. Smith | .... | sound mixer (as Peter Smith) | |
| Adrian Medhurst | .... | foley artist (uncredited) | |
Visual Effects by | |||
| Mark Chataway | .... | visual effects | |
| Don Dixon | .... | digital liaison: Atlab | |
| Marty Pepper | .... | flame visual effects | |
| Marty Pepper | .... | hi-def colourist | |
| Marty Pepper | .... | visual effects editor | |
| Robert Sandeman | .... | digital supervisor: Atlab | |
Stunts | |||
| John Gauci | .... | action vehicle driver | |
| Bernard Ledger | .... | precision driver (as Bernie Ledger) | |
| Bernard Ledger | .... | stunt coordinator (as Bernie Ledger) | |
| Bernard Ledger | .... | stunts (as Bernie Ledger) | |
| Paul Lightfoot | .... | precision driver | |
| Paul Lightfoot | .... | stunts | |
| Inge Sildnik | .... | precision driver | |
| Inge Sildnik | .... | stunts | |
Camera and Electrical Department | |||
| Marcus Bosisto | .... | supplier: lighting and grip equipment | |
| James Calvert | .... | still photographer | |
| Tony D'Antonio | .... | camera assistant | |
| Daniel Guerra | .... | still photographer (as Daniel 'Gulio' Guerra) | |
| Paul Lightfoot | .... | assistant grip | |
| Paul Lightfoot | .... | assistant lighting | |
| Jason Munn | .... | camera assistant | |
| Jody Muston | .... | focus puller | |
| Jody Muston | .... | second camera operator | |
| Hugh O'Sullivan | .... | assistant grip | |
| Hugh O'Sullivan | .... | assistant lighting | |
| Kent Smith | .... | additional cinematographer | |
| Darcy Sullivan | .... | camera assistant | |
| Todd Telford | .... | key grip | |
| Todd Telford | .... | key lighting | |
| Richard Trayling | .... | grip | |
| Richard Trayling | .... | lighting | |
| Brandon Trost | .... | additional photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Paula Buckland | .... | wardrobe assistant | |
| Nicola Dunn | .... | stand-by wardrobe | |
| Marriott Kerr | .... | costume supervisor (as Mariot Kerr) | |
Editorial Department | |||
| Mo Henry | .... | negative cutter (uncredited) | |
Music Department | |||
| Justin Astbury | .... | composer: dance music | |
| Rob Biancetti | .... | composer: dance music | |
| Dave Brown | .... | musician: guitar prepared and lap top guitars | |
| Oscar Carlos | .... | musical score treatments | |
| Brett Dean | .... | musician: viola | |
| Rosanne Hunt | .... | musician: cello | |
| Andrea Keable | .... | musician: violin | |
| Tom O'Dwyer | .... | musician: bass clarinet (as Tim O'Dwyer) | |
| Anthony Pateras | .... | musician: piano preparation and additional piano frame | |
| Byron Joel Scullin | .... | musician: vital ancillary | |
| Frank Tetaz | .... | music producer (as François Tétaz) | |
| Frank Tetaz | .... | musician: piano frame, rhodes, pedal steel and ukelyn (as François Tétaz) | |
| David Thrussell | .... | music score treatments | |
| Miki Tsunoda | .... | musician: violin | |
| Vlademar Valarian | .... | musician: percussion | |
| David Vodicka | .... | music clearances | |
| David Vodicka | .... | music contractor: Screen Services | |
| Emma Wiking | .... | music clearances | |
| Emma Wiking | .... | music contractor: Screen Services | |
Transportation Department | |||
| Jon Blaikie | .... | action vehicle coordinator (as Jon Blaike) | |
| Urch Shreiner | .... | action vehicle assistant | |
| Tom Tomney | .... | operator: 4 wheel drive | |
| Geoffrey Wastall | .... | operator: 4 wheel drive | |
Other crew | |||
| George Adams | .... | completion guarantor: Cinefinance | |
| Michael Clarkin | .... | location manager | |
| John Coory | .... | armorer and pyrotechnics | |
| Sally Corooran | .... | liason: South Australian Film Corporation studios | |
| Mason Curtis | .... | location consultant | |
| Davids Darzins | .... | legal | |
| Andrew Davies | .... | caterer: Crew Food | |
| Nick Davies | .... | caterer: Crew Food | |
| Annie Dovey | .... | unit nurse | |
| Dennis Dovey | .... | production assistant | |
| Bob Fisher | .... | completion guarantor: Cinefinance | |
| Benjamin Garland | .... | unit runner (as Ben Garland) | |
| Mac Gudgeon | .... | script editor | |
| Foster Hart | .... | legal | |
| Richard Hyde | .... | insurance | |
| Jenny Lalor | .... | legal | |
| Alan Lamb | .... | wire recordings | |
| Bernard Ledger | .... | safety supervisor (as Bernie Ledger) | |
| Paul Lightfoot | .... | unit runner | |
| Merrilyn Mensforth | .... | accounts assistant | |
| Merrilyn Mensforth | .... | production assistant | |
| Anna Molyneaux | .... | production coordinator | |
| Jain Moralee | .... | location manager | |
| Amanda Palmai | .... | caterer: Crew Food | |
| Alison Parker | .... | production coordinator | |
| Byron Joel Scullin | .... | wire recordings | |
| Lisa Simons | .... | accounts assistant | |
| Greg Sitch | .... | legal | |
| Corrie Soeterboek | .... | completion guarantor: Cinefinance | |
| Gillian Stiene | .... | continuity (as Gillian Stein) | |
| Trudy Talbot | .... | financial controller | |
| Trudy Talbot | .... | production accountant | |
| Helen Tiller | .... | accent coach | |
| Helen Tiller | .... | dialogue coach | |
| Sam White | .... | assistant to director | |
| Erryn Worth | .... | post-production script supervisor | |
Thanks | |||
| Tennyson Andrew | .... | the producers would like to thank | |
| Andrew Andreyev | .... | the producers wish to thank | |
| Christine Baillie | .... | the producers would like to thank | |
| Elene Balaskas | .... | the producers would like to thank | |
| Michael Bau | .... | acknowledgment: for the South Australian Film Corporation | |
| Mark Broomhead | .... | acknowledgment: for the Film Finance Corporation Australia | |
| Judith Crombie | .... | acknowledgment: for the South Australian Film Corporation | |
| Sandra Di Iulio | .... | the producers wish to thank | |
| Sean Evans | .... | the producers would like to thank (as Senior Constable Sean Evans) | |
| Jamie Guerra | .... | the producers wish to thank | |
| Simon Hewitt | .... | the producers wish to thank | |
| Dan Hogan | .... | acknowledgment: for the South Australian Film Corporation | |
| Terry Jennings | .... | acknowledgment: for the South Australian Film Corporation | |
| Helen Leake | .... | acknowledgment: for the South Australian Film Corporation | |
| Lindsay Lipson | .... | acknowledgment: for the Film Finance Corporation Australia | |
| John Maiolo | .... | the producers would like to thank | |
| Ross Matthews | .... | acknowledgment: for the Film Finance Corporation Australia | |
| Adrian Murray | .... | the producers would like to thank | |
| Andrew Neil | .... | the producers wish to thank (as Andrew Neal) | |
| Bree Nevin | .... | the producers would like to thank | |
| Heather Oxenham | .... | the producers would like to thank | |
| Bronwyn Poole | .... | the producers would like to thank | |
| Craig Shute | .... | the producers wish to thank | |
| George Sibenala | .... | the producers would like to thank | |
| Lyn Sibenala | .... | the producers would like to thank | |
| Anthos Simon | .... | the producers would like to thank | |
| Stephen F. Smith | .... | the producers would like to thank | |
| John Teague | .... | the producers would like to thank | |
| John Tobin | .... | the producers would like to thank | |
| Mark Vatuli | .... | the producers wish to thank | |
| Geoffrey Wastall | .... | the producers would like to thank: Partacoona Station (as Geoff Wastall) | |
| Tracey Wastall | .... | the producers would like to thank: Partacoona Station | |
| Steve Whitham | .... | the producers would like to thank | |
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I'm a bored horror film fan. I didn't bother going to any this year. They all starred wanna-be blonde pop stars (and one wanna-be porn star), and most were PG 13. Three weeks later the flick is followed by a salacious "unrated" DVD release, but the movie is still bad.
That's why I'm thankful we got Wolf Creek. It's serious, it's beautifully crafted on every level, and best of all, it stuck with me for days. I was shaken by the first act of violence in the film and it was a great rush. I loved the rest of it, too. Cassandra Magrath gives one of the best performance of the year. It is burned in my memory, and so is the empathy she made me feel. She is unforgettable. As for John Jarratt, little needs to be said right now because people will be talking about his work in this movie for a long, long time.
I also loved the pacing which is the aspect of the film that gets criticized the most. It's slow at the beginning, but it's slow the way Psycho, or Texas Chainsaw were slow. It is so deliberate, it's actually one of the movie's tricks, and it's not surprising it flies right over the head of our young ADDult population. It also doesn't help that the violence is so realistic, you can miss it all if you're talking on your cell phone.
My idea of a good time at a horror film is to feel queasy and feel my heart skip a few beats. I like walking out of the theater asking myself "why did I just watch that?" And "am I a sick monkey for enjoying it?" I also like wanting to see it again just to understand how it was done. I like riding roller coasters over and over again for the same reason.
If you're a horror fan, go see Greg Mclean's movie. He doesn't turn his camera away when the moment comes. He gives us all the shocking suffering we've come to see. There aren't any cheap tricks none at all, actually it's all editing and acting, folks!
I'm going back just to see how it was done.
DVD edition note: I reviewed the unrated version of the film, and there are a few additions, but everything you've seen in theaters is exactly the same. The extra scenes are good stuff however, especially the one that happens in the killer's camp. Let's just say that if you were wondering where all those victims ended up, this scene is for you, and it's gory! This unrated edition is actually what it says it is, unlike the Hostel-type double dippers. This cut of the film delivers more horror. The making of is also top-notch.
Highly recommended for any fan of disturbing and scary material.