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Directed by | |||
| Roger Donaldson | |||
Writing credits(in alphabetical order) | ||
| Roger Donaldson | written by | |
Original Music by | |||
| J. Peter Robinson | |||
Cinematography by | |||
| David Gribble | |||
Film Editing by | |||
| John Gilbert | |||
Casting by | |||
| Dianne Crittenden | |||
| Jeff Johnson | |||
| Diana Rowan | |||
Production Design by | |||
| Robert Gillies | |||
| J. Dennis Washington | |||
Art Direction by | |||
| Roger Guise | |||
| Mark Hofeling | |||
Set Decoration by | |||
| Jackie Gilmore | |||
| Ken Kirchner | |||
Costume Design by | |||
| Nancy Cavallaro | |||
| Jane Holland | |||
Makeup Department | |||
| Hayley Atherton | .... | hair stylist: New Zealand | |
| Hayley Atherton | .... | makeup artist: New Zealand | |
| Debra East | .... | makeup supervisor: New Zealand | |
| Jenna Kilgrow | .... | assistant hair stylist: New Zealand | |
| Anne Neilson | .... | key makeup artist: New Zealand | |
| Robin Michelle Patrick | .... | hair designer: Utah | |
| Robin Michelle Patrick | .... | makeup designer: Utah | |
| Claire Rutledge | .... | crowd makeup artist: New Zealand | |
| Lisa Shearer | .... | assistant makeup artist: New Zealand | |
| Paula Shepherd | .... | key hair stylist: Utah | |
| Tara Starling | .... | assistant makeup artist: Utah (as Tara St. Farling) | |
Production Management | |||
| Nikki Baigent | .... | production manager | |
| Rosemary Dority | .... | post-production supervisor | |
| John J. Kelly | .... | unit production manager | |
Sound Department | |||
| Ray Beentjes | .... | supervising dialogue editor | |
| Douglas Cameron | .... | production sound mixer | |
| Gethin Creagh | .... | sound re-recording mixer | |
| Fred Enholmer | .... | boom operator | |
| Joseph L. Garrard | .... | boom operator | |
| Melanie Graham | .... | sound effects editor | |
| Michael Hedges | .... | sound re-recording mixer | |
| Gilbert Lake | .... | assistant sound re-recording mixer | |
| Matthew Lambourn | .... | sound effects editor | |
| Robyn McFarlane | .... | foley recordist | |
| Polly McKinnon | .... | dialogue editor | |
| Carolyn McLaughlin | .... | foley artist | |
| Tim Prebble | .... | supervising sound editor | |
| John Simpson | .... | foley artist | |
| Tom Smythe | .... | sound trainee | |
| Chris Todd | .... | dialogue editor | |
| Justin Webster | .... | assistant dialogue editor | |
| Mike Westgate | .... | sound mixer | |
| Dave Whitehead | .... | sound effects editor | |
Special Effects by | |||
| John Cluff | .... | special effects crew | |
| Phil Cory | .... | special effects coordinator (as Philip Cory) | |
| Ged Slaven | .... | special effects assistant | |
| Grant van Hide | .... | special effects assistant | |
Visual Effects by | |||
| Dan Ashton | .... | scanning and recording technician: Weta Digital | |
| Nick Booth | .... | scanning and recording supervisor: Weta Digital | |
| Adam Bradley | .... | digital artist: Weta Digital | |
| Enid Dalkoff | .... | digital artist | |
| David Hampton | .... | scanning and recording technician: Weta Digital | |
| G.G. Heitmann Demers | .... | digital compositor: Weta Digital | |
| Quentin Hema | .... | paint & rotoscoping supervisor | |
| Kent Houston | .... | visual effects supervisor | |
| Wolfgang Niedermeier | .... | matchmover | |
| Terron Pratt | .... | visual effects coordinator: Digiscope | |
| Hamish Schumacher | .... | senior paint artist: Weta Digital LTD | |
| Christopher Stack | .... | colorist: Digiscope | |
| Mary Stuart-Welch | .... | visual effects producer | |
| Pete Williams | .... | digital imaging manager: Weta Digital | |
| Travis Baumann | .... | lead Inferno artist (uncredited) | |
Stunts | |||
| Ted Barba | .... | stunts | |
| Kathy Jarvis | .... | stunt driver | |
| Myke Schwartz | .... | stunt camera vehicles | |
| Myke Schwartz | .... | stunt double | |
| Paul E. Short | .... | stunts | |
| Lou Simon | .... | stunt double | |
Casting Department | |||
| Katherine Coffield | .... | extras casting assistant | |
| Riwia Fox | .... | casting assistant | |
| Shawn Mehling | .... | extras casting coordinator | |
| Michael V. Nicolo | .... | casting associate | |
Costume and Wardrobe Department | |||
| Cecile Bridgford | .... | costume stand-by assistant | |
| Sian Evans | .... | costume supervisor | |
| Amy Fegely | .... | costume supervisor | |
| Barbara Nelson | .... | costumer | |
| Melody Newton | .... | assistant costume stand-by | |
| Natalie Pascual | .... | costume assistant | |
| Amy Jean Roberts | .... | costumer | |
| Kacie Seamons | .... | costumer | |
| Brooke Westberg | .... | costumer | |
| Joan Wilson | .... | costume stand-by | |
Editorial Department | |||
| Bridgette Fahey-Goldsmith | .... | first assistant editor | |
| Colin Harrison | .... | digital intermediate colorist | |
| Shanon Moratti | .... | digital intermediate on-line editor | |
| Shanon Moratti | .... | editor: IQ | |
| Cara Poulson | .... | assistant editor | |
| Jon Rush | .... | telecine colourist: dailies | |
| Peter Skarratt | .... | assistant editor | |
| Simon Ward | .... | telecine assistant | |
| Billy Wychgel | .... | digital intermediate support | |
Music Department | |||
| Paul Buckmaster | .... | orchestrator | |
| Robert Fernandez | .... | scoring mixer | |
| Jon Kull | .... | orchestrator | |
| Dennis McCarthy | .... | orchestrator | |
| Larry Rench | .... | additional orchestrator | |
| Lise Richardson | .... | music editor | |
| J. Peter Robinson | .... | conductor | |
| J. Peter Robinson | .... | orchestrator | |
| J. Peter Robinson | .... | score producer | |
| Peter Tomashek | .... | additional orchestrator | |
| Peter Tomashek | .... | orchestrator | |
Transportation Department | |||
| Mike Law | .... | driver | |
| Stephen Rippey | .... | driver: maxi-van | |
| Glenn Shaw | .... | transportation manager | |
Thanks | |||
| Peter Jackson | .... | thanks | |
| Company credits | Box office and business | Technical specifications |
| Soundtrack listing | Main details |