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Jérôme Salle (writer)
27 April 2005 (Belgium) more
In Paris, the international police force and the Russian mafia are chasing Anthony Zimmer, an intelligent... more | add synopsis
1 nomination more
Johnny Depp enters the revolving door of The Tourist
(From The Geek Files. 7 November 2009, 4:05 PM, PST)
Alfonso Cuaron to Direct The Tourist Starring Johnny Depp
(From FilmJunk. 6 November 2009, 2:16 PM, PST)
I liked it more (18 total)
| Sophie Marceau | ... | Chiara | |
| Yvan Attal | ... | Francois Taillandier | |
| Sami Frey | ... | Akerman | |
| Gilles Lellouche | ... | Müller | |
| Daniel Olbrychski | ... | Nassaiev | |
| Samir Guesmi | ... | Driss | |
| Dimitri Rataud | ... | Perez | |
| Nicky Marbot | ... | Douanier 1 | |
| Olivier Chenevat | ... | Douanier 2 | |
| Alban Casterman | ... | Jeune Douanier | |
| Christophe Odent | ... | Président Commission | |
| Luc Chavy | ... | Membre Commission | |
| Richard Delestre | ... | Room Manager Carlton | |
| Yann de Monterno | ... | Serveur Carlton | |
| Laurent Klug | ... | Homme Discret | |
| José Fumanal | ... | Réceptionniste Negresco (as Jose Fumanal) | |
| Thierry Humbert | ... | Garçon de café Nice | |
| Marc Diabira | ... | Contrôleur Bus | |
| Alain Figlarz | ... | Douanier Taxi | |
| Yves Penay | ... | Réceptionniste Hotel | |
| Olivier Brocheriou | ... | Infirmier Scanner | |
| Frédéric Vaysse | ... | Contrôleur TGV (as Frederic Vaysse) | |
| Christophe Mahoudeaux | ... | Stewart TGV | |
| Arnaud Duléry | ... | Garçon Train Bleu (as Arnaud Dulery) | |
| Aurélien Jegou | ... | Jeune Garçon Train Bleu (as Aurelien Jegou) | |
| Gwenaël Clause | ... | Policier Civil (as Gwenael Clause) | |
| Pierre Rousselle | ... | Homme Nassaiev | |
| Patrick Jacquet | ... | Homme Nassaiev | |
| Valery Novikau | ... | Homme Nassaiev | |
| Nicolas Tarev | ... | Homme Nassaiev |
Directed by | |||
| Jérôme Salle | |||
Writing credits(in alphabetical order) | ||
| Jérôme Salle | writer | |
Produced by | |||
| Olivier Delbosc | .... | producer | |
| Eric Jehelmann | .... | associate producer | |
| Marc Missonnier | .... | producer | |
| Alain Terzian | .... | producer | |
Original Music by | |||
| Frédéric Talgorn | |||
Cinematography by | |||
| Denis Rouden | |||
Film Editing by | |||
| Richard Marizy | |||
Casting by | |||
| Brigitte Moidon | |||
Production Design by | |||
| Laurent Piron | |||
Set Decoration by | |||
| Yannick Heuveline | (set decor) | ||
| Serge Borgel | (uncredited) | ||
Costume Design by | |||
| Carine Sarfati | |||
Makeup Department | |||
| Nurith Barkan | .... | key makeup artist | |
| Guillaume Castagné | .... | special makeup effects artist | |
| Sylvie Greco | .... | assistant makeup artist | |
| Gérald Porcher | .... | hair stylist (as Gerald Porcher) | |
Production Management | |||
| Julie Léger | .... | post-production supervisor | |
| Thibault Mattel | .... | assistant production manager | |
| François Pascaud | .... | unit production manager | |
| Damien Saussol | .... | assistant general manager | |
| Eric Zaouali | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Euric Allaire | .... | first assistant director | |
| Gabriel Levy | .... | third assistant director | |
| Colombe Savignac | .... | second assistant director | |
Art Department | |||
| Serge Borgel | .... | field art | |
| Marine Cambon | .... | assistant set dresser | |
| Marie Desforge | .... | chief painter (as Marie Desforges) | |
| Marie-Beatrice Eynard | .... | storyboard artist (as Marie Eynard) | |
| Benoit Godde | .... | concept illustrator | |
| Patrice Golardelle | .... | construction coordinator | |
| Frédéric Jourdan | .... | carpenter | |
| Olivia Martin | .... | maquettiste | |
Sound Department | |||
| Charles Autrand | .... | dialogue editor | |
| Edouard d'Heucqueville | .... | sound mix technician | |
| Marc Doisne | .... | sound mixer | |
| Jean-Paul Hurier | .... | sound mixer | |
| Nikolas Javelle | .... | assistant sound editor | |
| Baptiste Kleitz | .... | assistant sound | |
| Michel Monier | .... | sound consultant: Dolby | |
| Hervé Roux | .... | sound consultant: DTS (as Herve Roux) | |
| Didier Saïn | .... | sound | |
| Anne-Cécile Vergnaud | .... | assistant dialogue editor (as Anne-Cecile Vignaud) | |
| Pascal Villard | .... | sound | |
Special Effects by | |||
| Georges Demétrau | .... | special effects supervisor (as Georges Demetreau) | |
| Sara Helminger | .... | special effects consultant (as Sarah Hemlinger) | |
| Christophe Messaoudi | .... | special effects | |
Visual Effects by | |||
| Alain Carsoux | .... | visual effects director | |
| Nicolas Daniel | .... | video operator: Duboi | |
| Séverine De Wever | .... | visual effects coordinator | |
| Abdel Ali Kassou | .... | I/O manager | |
Stunts | |||
| Laurent Alexandre | .... | stunt double: Yvan Attal (as Laurent 'Larry' Alexandre) | |
| Stéphane Boulay | .... | car stunt coordinator | |
| Oumar Diaoure | .... | stunts | |
| Alain Figlarz | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Didier Bourel | .... | electrician | |
| Eric Catelan | .... | Steadicam operator | |
| Emilie Colin | .... | second assistant camera | |
| Steven Desbrow | .... | helicopter camera operator | |
| Bruno Durand | .... | key grip | |
| David Frak-Lauer | .... | first assistant camera: second camera (as David Frak) | |
| Joël Germaneau | .... | generator operator | |
| Thibault Grabherr | .... | still photographer | |
| Jean-Baptiste Jay | .... | flight-head camera operator | |
| Olivier Mandrin | .... | gaffer | |
| Michel Rodas | .... | Steadicam operator | |
| Marie Sorribas | .... | first assistant camera | |
| James Swanson | .... | aerial camera operator (as Jim Swanson) | |
Casting Department | |||
| Anne Fremiot | .... | extras casting: South France | |
Editorial Department | |||
| Sophie Delecourt | .... | assistant editor | |
| Christophe Legendre | .... | color timer | |
Music Department | |||
| Guadalupe Cassius | .... | music editor | |
| Edouard Dubois | .... | music consultant | |
| Tia Linke | .... | artistic director: music | |
Other crew | |||
| Vincent Casiro | .... | documentalist | |
| Christian Chalençon | .... | caterer | |
| Antoine Chuzeville | .... | making-of team | |
| Laurence Couturier | .... | script supervisor | |
| Geoffroy de Boissezon | .... | production assistant | |
| Cristina De Diego | .... | production assistant | |
| Jean-Baptiste Jay | .... | flight head operator | |
| Marc Leroyer | .... | armorer | |
| Christophe Maratier | .... | chief armorer | |
| Daisy Sadler | .... | production assistant | |
| Alexandra Schamis | .... | press attache | |
| Sophie Timbal | .... | chief production accountant | |
| Vincent Vesco | .... | location manager | |
| Rodolphe Zagoury | .... | making-of team | |
Thanks | |||
| Nicolas Peufaillit | .... | special thanks | |
France:90 min
2.35 : 1 more
Singapore:PG | Germany:12 | Hungary:14 | Finland:K-11 | South Korea:12 | Australia:MA | France:U
Visa d'exploitation en France # 110360. more
Continuity: On the TGV when they meet and he comes back with tea and a tray, she folds the paper and it looks like it will unfold. Following shot, the paper is on the other side. more
Remade as The Tourist (2011) more
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There are some movies you watch to learn something, and some you watch to be entertained, and some you watch for both purposes.
This is a pure entertainment movie, and I liked it a lot. The most important things in a movie like this are to have a plot that twists and turns but remains at least semi-plausible, to have a reasonably attractive hero, a super-sexy femme fatale and appropriately menacing villains, and above all to keep up the pace no matter what. Anthony Zimmer does all of these things rather well. Throw in the bonus of lots of the high life -- the mountain-top super-house, the suite at the Carlton in Nice and all the rest -- and the extra bonus of a happy ending (I don't think that's a spoiler) and you make a very enjoyable evening out.
Don't bother trying to work out later how all the bits fitted together. Some of them don't fit all that well, but then they never do in films like this, and it's not the point. They fit together well enough while you're watching it.
I saw this at the annual festival of French films put on by the Alliance Française in Melbourne, Australia. It opened the Festival, and later was shown again at a multiplex. The later showing was originally supposed to be in one 250-seat cinema, but demand was so great that it eventually was shown in three 250-seaters simultaneously, all of which were completely full. We all went home happy.