Das Leben der Anderen (2006)

User Rating:

8.5/10   

Director:

Florian Henckel von Donnersmarck

Writer:

Florian Henckel von Donnersmarck (written by)

Release Date:

23 March 2006 (Germany)

Genre:

Drama | Thriller

Tagline:

Before the Fall of the Berlin Wall, East Germany's Secret Police Listened to Your Secrets

Plot:

In 1984 East Berlin, an agent of the secret police, conducting surveillance on a writer and his lover, finds himself becoming increasingly absorbed by their lives.

Plot Keywords:

Secret Police | Writer | East Germany | Surveillance | Police

Awards:

Won Oscar. Another 59 wins & 21 nominations

Cast

Martina Gedeck	...	Christa-Maria Sieland
Ulrich Mühe	...	Hauptmann Gerd Wiesler
Sebastian Koch	...	Georg Dreyman
Ulrich Tukur	...	Oberstleutnant Anton Grubitz
Thomas Thieme	...	Minister Bruno Hempf
Hans-Uwe Bauer	...	Paul Hauser
Volkmar Kleinert	...	Albert Jerska
Matthias Brenner	...	Karl Wallner
Charly Hübner	...	Udo
Herbert Knaup	...	Gregor Hessenstein
Bastian Trost	...	Häftling 227
Marie Gruber	...	Frau Meineke
Volker Michalowski	...	Schriftexperte (as Zack Volker Michalowski)
Werner Daehn	...	Einsatzleiter in Uniform
Martin Brambach	...	Einsatzleiter Meyer

Also Known As:

The Lives of Others (UK) (USA)
Das Leben der Anderen - Die Sonate vom guten Menschen (Germany) (working title)

MPAA:

Rated R for some sexuality/nudity.

Runtime:

137 min

Country:

Germany

Language:

German

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital

Certification:

Germany:12 | Czech Republic:12 | USA:R | Argentina:13 | Finland:K-11 | Sweden:7 | UK:15 | Ireland:15A | Singapore:M18 | Hong Kong:IIB | France:Unrated | Australia:MA | Netherlands:12 | Portugal:M/16 | Canada:14A (Ontario) | Switzerland:10 (canton of Vaud) | Switzerland:10 (canton of Geneva) | Italy:T | South Korea:15 | Malaysia:U | Spain:7 | Brazil:12 | New Zealand:M | India:A | Norway:11

Filming Locations:

Altes Stadthaus, Klosterstraße, Berlin, Germany

Company:

Arte

Trivia:

Ranked 2nd best film of 2007 by Empire magazine, narrowly missing the top spot to The Bourne Ultimatum (2007).

Goofs:

Continuity: When Wiesler and Grubitz are having lunch with some Stasi-members, there isn't anything on their plates.

Quotes:

[last lines]
Buchverkäufer: 29.80. Would you like it gift wrapped?
Hauptmann Gerd Wiesler: No. It's for me.

Movie Connections:

Featured in The 64th Annual Golden Globe Awards (2007) (TV)

Brilliant and terrifying!

After several light features (like the highly successful "Good-bye Lenin"), who evoked a popular nostalgia, it was about time that the dark past of the DDR is finally the topic of a movie. Not that I condemn light entertainment. There surely were plenty of happy times for the people in the DDR as well as in every other society. But, just like in the Biedermeier time at the beginning of the 19th century in middle Europe, the DDR was controlled by an omnipresent secret service, the Stasi, which forced people to be quiet about their true feelings. Considering this, the cry for the good old' times is simply inappropriate.

The movie tells the story of Stasi agent Wiesler (brilliant Ulrich Mühe), who follows his guidelines with chilling accuracy. His newest assignment is to wiretapping famed author Georg Dreyman (Sebastian Koch) and his companion, actress Christa-Maria Sieland (Martina Gedeck). Listening to their conversations, he gets more and more caught in their lives.

Wiesler, as he is played here by Ulrich Mühe, is not an individual, but a symbol for the whole system, where people did everything they were told to do. Clad only in gray and brown, filmed in stark and cold light, he's at first not capable of feelings. On the other hand Dreymann and Sieland represent the anti-Establishment, the intellectuals, who were severely hunted, arrested and killed by the government.

The most frightening aspect here is the banality of it all. The offices are bleak, the people talk about bugging operations etc. with a frighting causality. These men in grey look, talk and behave like boring civil servants, and their approach, the "normality" of their job makes it terribly chilling.

Director Florian Henckel-Donnersmarck is also able to recreate a feeling of constant observance and spying. In a disturbing scene a harmless joke becomes the center of suspicion and fear. We can glimpse how it must have been for citizens of the DDR, to live with constant suppression of their free will and opinion.

As important it is, not to forget the good things and memories people might have of their past, it's also important not to forget or to reduce the impact and fear that this regime put on their people for 40 years.