Nochnoy dozor (2004)

Director:

Timur Bekmambetov

Writers (WGA):

Timur Bekmambetov (screenplay) and
Laeta Kalogridis (screenplay) ...

Release Date:

8 July 2004 (Belarus)

Genre:

Action | Fantasy | Horror

Tagline:

All That Stands Between Light And Darkness Is The Night Watch.

Plot:

A fantasy-thriller set in present-day Moscow where the respective forces that control daytime and nighttime do battle.

Plot Keywords:

Battle | Vampire | Supernatural Power | Truce | Bridge

Awards:

2 wins & 2 nominations

Cast

Konstantin Khabenskiy	...	Anton Gorodetsky
Vladimir Menshov	...	Geser
Valeriy Zolotukhin	...	Kostya's Father
Mariya Poroshina	...	Svetlana
Galina Tyunina	...	Olga, the sorceress
Yuriy Kutsenko	...	Ignat (as Gosha Kutsenko)
Aleksey Chadov	...	Kostya (Anton's young vampire neighbor)
Zhanna Friske	...	Alice Donnikova
Ilya Lagutenko	...	Andrei
Viktor Verzhbitskiy	...	Zavulon
Rimma Markova	...	Darya Schultz, the witch
Mariya Mironova	...	Irina, Yegor's mother
Aleksey Maklakov	...	Simeon
Aleksandr Samoylenko	...	Ilya (Bear), mage-transformer
Dmitriy Martynov	...	Yegor (as Dmitri Martynov)

Also Known As:

Night Watch: Nochnoi Dozor (International: English title) (UK)
Ночной дозор (Russia)

MPAA:

Rated R for strong violence, disturbing images and language.

Runtime:

114 min

Country:

Russia

Language:

Russian | English

Color:

Color

Aspect Ratio:

1.66 : 1

Sound Mix:

Dolby Digital

Certification:

Netherlands:16 | Spain:18 | Germany:16 | Switzerland:16 (canton of Vaud) | Switzerland:16 (canton of Geneva) | Australia:MA | Argentina:16 | Brazil:16 | Sweden:15 | Iceland:16 | Malaysia:18SG | Malaysia:U (cut) | Portugal:M/16 | New Zealand:R16 | South Korea:18 | Peru:14 | Japan:PG-12 | Canada:14A | Ireland:18 | Norway:15 | UK:15 | USA:R | Czech Republic:15 | Singapore:NC-16 | Finland:K-15

Filming Locations:

Moscow, Russia

Company:

Bazelevs Production

Trivia:

In Anton's apartment, a reproduction of Rembrandt's painting "Nightwatch" can be briefly seen reflected in a window.

Goofs:

Revealing mistakes: In the international cut, when Anton reads his profile, he learns that Yegor is his son. But, just before, the profile reads in Russian (although Anton doesn't spell it): "Children: a son", and Anton doesn't seem to notice (this is due to the fact that in the original cut he already knew it).

Quotes:

Vampiress Larisa, initiate: I want to live.
Anton Gorodetsky: So live. Live. Who's stopping you?
Vampiress Larisa, initiate: I want to be human again.
Anton Gorodetsky: You want to be human? Then act like a human.

Movie Connections:

Version of Nochnoy bazar (2005)

Soundtrack:

Zlost

Night Watch is better watched at night

I was reluctant to see this film for so long.

It was mainly in defiance towards that frantic promotion campaign positioning it as the first ever "unrivalled Russian blockbuster" and "a groundbreaking achievement of the decade".

The soundtrack is annoyingly offered for the cell phones: you saw the movie - now set your ringtone to the Night Watch terrific score!

Now it is allegedly considered as the most possible nominee for the Academy Award, while American either remake or sequel is underway.

A real misfortune of the contemporary Russian cinema is that hardly concealed inferiority complex. Some filmmakers no longer shoot movies just to entertain the moviegoers. They strive with their last bit of strength in pursuit of the ultimate goal: TO MAKE AN EXCEPTIONAL FILM THAT WOULD BLOW UP THE Hollywood.

I don't really much incline to the idea that we are somehow aesthetically and culturally above the rest of the world and that we should obligatory go our own way.

But I'm afraid that the efforts to prove, at any cost, that WE ALSO CAN DO A COOL STUFF with bells and whistles, (at least not worse than the "big guys") may be not exactly the right path to the top.

Well, it's a way better than the arms race, but a work of art falls into somewhat self-sufficient category and shouldn't be an object of that sort of competition.

I believe a film doesn't have to bear a specific nationality. Once it is considered irrespective of the country of origin, and could be valued purely as is, just for it's inner virtues, it may look much more appealing.

To be honest, all that my reasoning, however, refers to the hysteria around the Night Watch, rather than to the film itself.

Unexpectedly to myself, I've bought an occasional (licensed) DivX with the Night Watch just to test MPEG4 capabilities of a DVD player.

And I have to admit I was pleasantly surprised. I found it rather atmospheric, gripping and engaging as well as neatly produced. I may say I liked it.

The cast was great, acting - almost impeccable and not over the top (what frequently degrades modern Russian fantasy, sci-fi or action movies). Some dialogues, nevertheless, could have been a bit more articulate.

The cinematography was equally nice - I liked that fancy shooting angles and professional camera-work. Effects were descent and balanced.

The closing titles background song was pretty cool. Frankly I'm not so much enthusiastic about that sort of tiresome music. What is really awesome about the song is its humorous lyrics embracing the entire movie plot.

The idea of the film/book is quite interesting (though not brand new). Numerous dark forces lurk somewhere in a parallel world unseen to unsophisticated humans. Until the time when some of their most villainous representatives would be eager to play with their unsuspecting victims. It is, however, contrary to a certain pact between the good and the evil specifying that both good and evil doings should be controlled and approved by both parties that have established for that reason the respective teams of guardians, the Night Watch and the Day Watch.

Entirely new for the movies with such kind of a pleasant premise is that none has ever got killed, except for a handful of malefactors (like that stoned bloodsucker). Just some pinpoint accurate destructions here and there, minor violence and mild torture. A close-up shot of the finger pinned for a blood sample was the only scene that made my temporal vein twitch of disgust. Menshov's healer-like manipulations with Khabensky's entrails were impressively staged.

A serious drawback of the film is the lack of explanation on some principle points. It's not that the philosophy was too complex for my convolutions. But the coherency of the storytelling was impaired at times. Like certain chunks of the film have been lost among leftovers on the cutting room's floor.

My son, familiar with the Lukyanenko's novel, was giving brief tips in the course of the action, which were conducive to the overall comprehensibility.

Final verdict: not for all tastes, but refreshing and worth watching, at least once.

P.S. Amazingly, the majority of the IMDb positive reviews comes from overseas audience, while the Russian reviewers lash the Night Watch with a scathing sarcasm.