| Photos (see all 9 | slideshow) | Videos (see all 16) |
| Konstantin Khabenskiy | ... | Anton Gorodetsky | |
| Vladimir Menshov | ... | Geser | |
| Valeriy Zolotukhin | ... | Kostya's Father | |
| Mariya Poroshina | ... | Svetlana | |
| Galina Tyunina | ... | Olga, the sorceress | |
| Yuriy Kutsenko | ... | Ignat (as Gosha Kutsenko) | |
| Aleksey Chadov | ... | Kostya (Anton's young vampire neighbor) | |
| Zhanna Friske | ... | Alice Donnikova | |
| Ilya Lagutenko | ... | Andrei | |
| Viktor Verzhbitskiy | ... | Zavulon | |
| Rimma Markova | ... | Darya Schultz, the witch | |
| Mariya Mironova | ... | Irina, Yegor's mother | |
| Aleksey Maklakov | ... | Simeon | |
| Aleksandr Samoylenko | ... | Ilya (Bear), mage-transformer | |
| Dmitriy Martynov | ... | Yegor (as Dmitri Martynov) | |
| Anna Slyusareva | ... | Lena (Tiger Cub), mage-transformer (as Anna Slyu) | |
| Anna Dubrovskaya | ... | Larisa | |
| Sergey Prikhodko | ... | Peter | |
| Igor Savochkin | ... | Maxim Ivanovich | |
| Georgiy Dronov | ... | Tolik (as Yegor Dronov) | |
| Nikolay Olyalin | ... | The Inquistor | |
| Dmitriy Klokov | |||
| Dmitriy Osetrov | |||
| Konstantin Murzenko | ... | Man in Metro | |
| Anatoliy Gorin | |||
| Lyudmila Yaronova | |||
| Aleksandr Shchurok | |||
| Nikolay Kiselev | |||
| Marina Ivanova | |||
| Viktor Ivanov | (as Vitya Ivanov) | ||
| Polina Shchurok | |||
| Tatyana Shchankina | ... | Woman on Plane | |
| Aleksandr Kozlov | |||
| Igor Pismenniy | |||
| Viktoriya Smirnova | |||
| Sergey Kalashnikov | |||
| Ekaterina Malikova | |||
| Vladislav Anufriev | (as Vladik Anufriyev) | ||
| Yuri Yakovlev | ... | Boy (as Yura Yakovlev) | |
| Ivan Popov | (as Vanya Popov) | ||
| Aleksey Kurochkin | (as Lyosha Kurochkin) | ||
| Yaroslav Romashenko | (as Yarik Romashenko) | ||
| rest of cast listed alphabetically: | |||
| Yuri Lowenthal | ... | Kostya (voice: English version) | |
| Darian Weiss | ... | Yegor (voice: English version) | |
| Blestyashchie | ... | Alisa's Girl Group (uncredited) | |
| Nikolay Drozdov | ... | Animal World's host (voice) (archive footage) (uncredited) | |
| Sarah Michelle Gellar | ... | Buffy Summers (archive footage) (uncredited) | |
| Yuliya Kovalchuk | ... | Singer in Alisa's Girl Group (uncredited) | |
| Rudolf Martin | ... | Dracula (archive footage) (uncredited) | |
| Kseniya Novikova | ... | Singer in Alisa's Girl Group (uncredited) | |
| Anna Semenovich | ... | Singer in Alisa's Girl Group (uncredited) | |
| Georgiy Vitsin | ... | Kuzjka (voice) (archive footage) (uncredited) | |
Directed by | |||
| Timur Bekmambetov | |||
Writing credits(WGA) | ||
| Timur Bekmambetov | (screenplay) and | |
| Laeta Kalogridis | (screenplay) | |
| Sergei Lukyanenko | (novel) | |
Produced by | |||
| Varvara Avdyushko | .... | executive producer (as Varvara Avdiushko) | |
| Igor Bondarenko | .... | executive producer | |
| Konstantin Ernst | .... | producer | |
| Arthur Gorson | .... | executive producer: post-production | |
| Aleksei Kublitsky | .... | executive producer | |
| Aleksei Kulibin | .... | supervising producer | |
| Anatoly Maximov | .... | producer | |
Original Music by | |||
| Yuriy Poteenko | |||
Cinematography by | |||
| Sergey Trofimov | |||
Film Editing by | |||
| Dmitriy Kiselev | |||
Casting by | |||
| Tamara Odintsova | |||
Production Design by | |||
| Mukhtar Mirzakeyev | |||
| Valeri Viktorov | |||
Art Direction by | |||
| Valeri Viktorov | (as Valera Viktorov) | ||
Costume Design by | |||
| Varvara Avdyushko | (as Varvara Avdiushko) | ||
Production Management | |||
| Larry Ewing | .... | post-production supervisor | |
Sound Department | |||
| Bob Bowman | .... | assistant sound editor | |
| Andy D'Addario | .... | sound re-recording mixer | |
| Pavel Doreuli | .... | sound effects | |
| Marc Fishman | .... | additional sound re-recording mixer | |
| Tony Lamberti | .... | additional sound re-recording mixer | |
| Aaron Levy | .... | sound recordist | |
| Jon Mete | .... | supervising sound editor | |
| Jon Title | .... | sound editor | |
| Karen Vassar | .... | sound editor | |
Special Effects by | |||
| Ilya Churinov | .... | pyrotechnician | |
| Peter Gorshenin | .... | special effects | |
| Angela Petrosyan | .... | special effects producer | |
Stunts | |||
| Sergei Vorobyov | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Yelena Ivanova | .... | director of photography: second unit | |
| Nikolai Litvinov | .... | Steadicam operator | |
Editorial Department | |||
| Dan Aguilar | .... | digital intermediate editor | |
| Tuija Kotamäki | .... | negative cutter | |
| Jonathan Slater | .... | on-line editor | |
Music Department | |||
| Norik Basegian | .... | musician: duduk | |
| Nadezhda Chibisova | .... | musician: piano solo | |
| Alexei Rudnevsky | .... | chorus director | |
| Jim Schultz | .... | music editor | |
| Aleksandr Vedernikov | .... | conductor | |
Other crew | |||
| Severi Glanville | .... | 2K data recordist (uncredited) | |
| Mika Kongas | .... | 2k data recordist (uncredited) | |
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| Dnevnoy dozor | Stardust | The Lord of the Rings: The Return of the King | Hot Fuzz | Beowulf |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Russia section |
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"Night Watch" is far more entertaining than many of its American counterparts in the "secret underground world of vampires and good vs. evil" genre. Unlike "Underworld" and "Constantine" it kept my attention throughout, but still this Russian smash is severely flawed.
First, let's applaud the good parts. "Night Watch" is distinctly Russian. Moscow is presented as a vibrant mix of modern metropolis and Gothic-style throwback to the middle ages. The plot, heavily steeped in its own fabricated mythology from a series of popular books, also serves on some level as an allegory for the fall of Communism and the rise of Capitalism. In my mind, the forces of "dark" forced underground are the Communists, while the forces of "light" (whose HQ is fronted by the City Electric Company) are the Capitalists, who often get caught up in their own bureaucracy in their vain attempts to keep the peace and not violate the truce. Some of the special effects and modern riffs on vampirism are highly imaginative and disarming (I loved "The Gloom" aspect). The American distributors also deserve some credit for their creative use of subtitles which often become part of the scene without ever distracting from the visuals.
Unfortunately, the director is clearly a veteran of music videos, and he makes the action sequences hyper kinetic and often incoherent. When he does manage to create an alluring visual, he quick-cuts, and you wish he would've had the patience to hold some of the shots longer. This hectic visual style is evident in the plotting as well, which clearly is setting up for sequels with the introduction of many characters, though some of the subplots (especially involving the cursed virgin woman and her evil vortex) seemed unnecessary. Likewise, the rushed finale seemed oddly anti-climatic and didn't pack the wallop I feel the filmmakers intended.
Despite the flaws, I will eagerly await the American distribution of the sequels, and I suppose that is the greatest compliment a film like this can receive.