Paris, je t'aime (2006)

Directors:

Olivier Assayas
Frédéric Auburtin

Writers:

Tristan Carné (idea)
Emmanuel Benbihy (feature film concept and transitions)

Release Date:

21 June 2006 (France)

Genre:

Romance

Tagline:

Stories of Love. From the City of Love.

Plot:

Through the neighborhoods of Paris, love is veiled, revealed, imitated, sucked dry, reinvented and awakened.

Plot Keywords:

Chinese | Actress | Tourist | Blind | Indian

Awards:

1 nomination

Cast

Florence Muller	...	Young Woman (segment "Montmartre")
Hervé Pierre	...	Doctor (segment "Montmartre")
Bruno Podalydès	...	Driver (segment 'Montmartre')
Leïla Bekhti	...	Zarka (segment 'Quais de Seine')
Julien Beramis	...	Arnaud (segment "Quais de Seine")
Cyril Descours	...	François (segment 'Quais de Seine')
Thomas Dumerchez	...	Manu (segment "Quais de Seine")
Daniely Francisque	...	Black Girl #1 (segment "Quais de Seine")
Audrey Fricot	...	Black Girl #2 (segment "Quais de Seine")
Salah Teskouk	...	Zarka's Grandfather (segment "Quais de Seine")
Christian Bramsen	...	Printer (segment "Le Marais")
Marianne Faithfull	...	Marianne (segment 'Le Marais')
Elias McConnell	...	Elie (segment 'Le Marais')
Gaspard Ulliel	...	Gaspard (segment 'Le Marais')
Julie Bataille	...	Julie (segment 'Tuileries')

Also Known As:

Paris, I Love You (Hong Kong: English title)

MPAA:

Rated R for language and brief drug use.

Runtime:

120 min | Canada:116 min (Toronto International Film Festival)

Country:

France | Liechtenstein | Switzerland

Language:

English | French | Spanish | Arabic | Mandarin

Color:

Black and White | Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

Germany:6 | Brazil:16 | Hong Kong:IIA | Portugal:M/12 | Australia:MA | Netherlands:12 | Malaysia:U | South Korea:15 | Sweden:11 | Argentina:13 | Finland:K-11 | Ireland:15A | Switzerland:10 (canton of Geneva) | UK:15 | Singapore:NC-16 | Switzerland:10 (canton of Vaud) | USA:R

Filming Locations:

Grave of Oscar Wilde, Père Lachaise - 65 Boulevard de Ménilmontant, Paris 20, Paris, France

Company:

Victoires International

Trivia:

The segment "Parc Monceau" directed by Alfonso Cuarón was shot in a single continuous shot.

Quotes:

Fanny Forestier: [in French] Kiss me on impulse! Surprise me!
Bob Leander: Me, me, me, me! You always want your feelings understood! But mine are childish! Sex isn't disgusting unless you make it disgusting! There can be beauty in this place too!
Fanny Forestier: [in French] Not what I call beauty!
Bob Leander: I need a little help! You don't know what it's like for a man when it's all gone! I can't feel anything anymore!
Fanny Forestier: [slaps him] Do you feel *that*?
Bob Leander: [turning to the stripper] What do you charge to watch an argument?

Movie Connections:

References Jules et Jim (1962)

Soundtrack:

We're All in the Dance

Love, Paris Style

Greetings again from the darkness. 18 directors of 18 seemingly unrelated vignettes about love in the city of lights. A very unusual format that takes a couple of segments to adjust to as a viewer. We are so accustomed to character development over a 2 hour movie, it is a bit disarming for that to occur in an 8 minute segment.

The idea is 18 love/relationship stories in 18 different neighborhoods of this magnificent city. Of course, some stand up better than others and some go for comedy, while others focus on dramatic emotion. Some very known directors are involved, including: The Coen Brothers, Wes Craven, Alfonso Cuaron, Alexander Payne, Gus Van Sant and Gurinda Chadha. Many familiar faces make appearances as well: Steve Buscemi, Barbet Schroeder, Catalina Sandino Moreno, Ben Gazzara, Gena Rowlands, Gerard Depardieu, Juliette Binoche, Willem Dafoe, Nick Nolte, Maggie Gyllenhaal and Bob Hoskins.

One of the best segments involves a mime, and then another mime and the nerdy, yet happy young son of the two mimes. Also playing key roles are a red trench coat, cancer, divorce, sexual fantasy, the death of a child and many other topics. Don't miss Alexander Payne (director of "Sideways") as Oscar Wilde.

The diversity of the segments make this interesting to watch, but as a film, it cannot be termed great. Still it is very watchable and a nice change of pace for the frequent movie goer.