The King (2005)

Director:

James Marsh

Writers (WGA):

Milo Addica (written by) &
James Marsh (written by)

Release Date:

25 November 2005 (Italy)

Genre:

Drama

Tagline:

The devil made me do it.

Plot:

A troubled man, recently discharged from the Navy, goes to Corpus Christi, Texas, in search of the father he's never met.

Plot Keywords:

Pastor | Christian | Seduction | Corpus Christi Texas | Shower

Awards:

1 win & 1 nomination

Cast

Gael García Bernal	...	Elvis
Derek Alvarado	...	Scoot
E. Matthew Buckley	...	Deck Officer (as Matthew Buckley)
Monica Peña	...	Brothel Manager (as Monica Pena)
Veronica Bernal	...	Elvis's Girl
Billy Joe Martinez	...	Mexican Salesman
Mohammad Ahmed	...	Mr. Chopra
Pell James	...	Malerie
Sally Allen	...	PA
Paul Dano	...	Paul
Laura Harring	...	Twyla
William Hurt	...	David
Roger Kunshick	...	Young Man with Flower
Ike Reilly	...	Rum Jungle Singer
Milo Addica	...	Bruno

MPAA:

Rated R for strong sexuality involving a teen, some violence and language.

Runtime:

105 min

Country:

USA | UK

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital

Certification:

Ireland:18 | Philippines:R-18 | Australia:MA | UK:15 | USA:R | Portugal:M/16 | Hungary:16 | Japan:R-15 | Finland:K-15 | Singapore:R21 | Malaysia:(Banned) | South Korea:18 | New Zealand:R16

Filming Locations:

Austin, Texas, USA

Company:

ContentFilm

Trivia:

James Marsh did not know the real age of the actress Pell James, who was playing 17-year-old Malerie Sandow, was until the end of the shoot, when she gave him a Thank You card revealing her true age. Marsh said that it was better that he didn't know as it would have proved a distraction.

Goofs:

Continuity: According to the digital clock in the SUV, it takes Elvis and David 21 minutes to change radio stations twice.

Movie Connections:

References The Last House on the Left (1972)

Soundtrack:

My Arms Belong to Jesus

Yet another trite stab at White Christian Fundamentalism... yawn

I am an atheist with little love for certain aspects of Christian fundamentalism.

That said, this movie is reprehensible, vile and transparent. It only works on the level of the currently fashionable (and tired) hatred motif of white American Christian fundamentalism. Had this movie been made about a fundamentalist Jewish or Muslim family, or even a black Christian family, the outrage would have been palpable, and the movie would have been roundly panned in ALL circles. As it stands, though, it's "OK" and "artful" because white Christian fundamentalists remain one of the last "acceptable" targets for garbage such as this.

And garbage it truly is. If you want to see a quality film of a similar bent, find and watch or review "Badlands." Nothing good was done in "The King" that wasn't done better decades ago in that masterful film.

As other reviewers note, the characters are almost completely undeveloped in "The King," the lines are a snooze, the cinematography is lackluster. We've seen the tale of the sociopath done better 100 times. This movie doesn't cut it for thoughtful viewers.