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Abel Ferrara (writer)
20 June 2008 (Italy) more
A screwball comedy centered on a Manhattan go-go dancing club, where a financial struggle between the owner, his accountant and his silent partner brother threatens the business's future. | add synopsis
1 nomination more
Abel Ferrara gives new faces to Jekyll And Hyde
(From Fangoria. 28 April 2009, 12:05 PM, PDT)
Discuss: Your Favorite Big-Screen Strippers
(From Cinematical. 19 December 2008, 9:02 AM, PST)
More fun to talk about? more (7 total)
| Willem Dafoe | ... | Ray Ruby | |
| Bob Hoskins | ... | The Baron | |
| Matthew Modine | ... | Johnie Ruby | |
| Asia Argento | ... | Monroe | |
| Riccardo Scamarcio | ... | Doctor Steven | |
| Sylvia Miles | ... | Lilian Murray | |
| Roy Dotrice | ... | Jay | |
| Joseph Cortese | ... | Danny Cash (as Joe Cortese) | |
| Burt Young | ... | Murray | |
| Stefania Rocca | ... | Debby | |
| Bianca Balti | ... | Adrian | |
| Shanyn Leigh | ... | Dolle | |
| Lou Doillon | ... | Lola | |
| Frankie Cee | ... | Luigi | |
| Pras | ... | Sandman (as Pras Michel) | |
| Sammy Pasha | ... | Sam | |
| Nicky Dee | ... | Bobby B. (as Nicholas De Cegli) | |
| Johnny Skreli | ... | Junior | |
| Anita Pallenberg | ... | Sin | |
| Alberto Mangiante | ... | Big Don | |
| Romina Power | ... | Yolanda Vega | |
| Anton Rodgers | ... | Barfly | |
| Justine Mattera | ... | Sugar | |
| Manuela Zero | ... | Sophie | |
| Sabina Began | ... | Elektra | |
| Selena Khoo | ... | Leila | |
| Chiara Picchi | ... | Ally | |
| Julie McNiven | ... | Madison | |
| Xhilda Lapardhaja | ... | Salome | |
| María Jurado | ... | Goldie | |
| Yuliya Mayarchuk | ... | Tania | |
| Aurora Giuliani | ... | Kelly | |
| Mara Adriani | ... | Mara | |
| Leila Virzì | ... | Bonnie | |
| Ray Schnitzer | ... | Upstairs Barman | |
| Elena Vaganova | ... | Murray's Girl | |
| Irina Vaganova | ... | Murray's Girl | |
| Andy Luotto | ... | Stanley | |
| Danny Quinn | ... | Clark | |
| Lal Nirmal | ... | Asim | |
| Singh Gurcharnjit | ... | Zoom | |
| Dominot | ... | Mrs. Mime | |
| Frank DeCurtis | ... | DJ | |
| Chen Jin Hang | ... | Ling | |
| Un Cho Sung | ... | Mr. Yamamoto | |
| Shi Yang | ... | Medical Student | |
| Jacopo Lo Faro | ... | The Crab | |
| Francis Pardeilhan | ... | Wall Street broker | |
| Jay Natelle | ... | Wall street broker (as Jay Edward Natelle) | |
| Francesco Serina | ... | Wall street broker | |
| Donato Antonio Lemmo | ... | Wall street broker | |
| Emanuele Carucci Viterbi | ... | Wall street broker | |
| Daniele De Martino | ... | Wall street broker | |
| Leslie Csuth | ... | Wall Street Broker | |
| Adrian McCourt | ... | Wall Street broker | |
| Alessandro Demcenko | ... | Wall street broker | |
| Daniel Baldock | ... | Wall street broker | |
| Marcus J. Cotterell | ... | Wall street broker | |
| Joseph Murray | ... | Wall Street Broker | |
| Neri Fiuzzi | ... | Wall street broker |
Directed by | |||
| Abel Ferrara | |||
Writing credits(in alphabetical order) | ||
| Abel Ferrara | writer | |
Original Music by | |||
| Francis Kuipers | |||
Cinematography by | |||
| Fabio Cianchetti | |||
Film Editing by | |||
| Fabio Nunziata | |||
Casting by | |||
| Gillian Hawser | |||
Production Design by | |||
| Frank DeCurtis | |||
Art Direction by | |||
| Alessandro Troso | (art direction) | ||
Set Decoration by | |||
| Corinna Ughi | |||
Costume Design by | |||
| Gemma Mascagni | |||
Makeup Department | |||
| Giancarlo Del Brocco | .... | makeup artist | |
| Giammarco Gaeta | .... | hair stylist | |
| Marco Perna | .... | hair stylist | |
| Aldo Signoretti | .... | hair designer | |
Production Management | |||
| John Cesaroni | .... | post-production supervisor (original version) | |
| Costanza Coldagelli | .... | production executive | |
| Alessandro Manni | .... | unit manager | |
| Enrico Pini | .... | unit production manager | |
Art Department | |||
| Gabriele Ridolfi | .... | property master | |
Sound Department | |||
| Paolo Amici | .... | sound effects editor | |
| Maurizio Argentieri | .... | sound mixer | |
| Antonio Barba | .... | boom operator | |
| Roberto Cappannelli | .... | assistant re-recording mixer | |
| Chris David | .... | sound re-recording mixer | |
| Silvia Moraes | .... | sound editor | |
| Vincenzo Nardi | .... | boom operator | |
| David Quadroli | .... | sound effects editor | |
| Fabrizio Quadroli | .... | sound effects editor | |
Special Effects by | |||
| Maurizio Corridori | .... | special effects technician | |
Visual Effects by | |||
| Bruno Albi Marini | .... | visual effects supervisor | |
| Stefano Camberini | .... | digital intermediate editor | |
Camera and Electrical Department | |||
| Luigi Andrei | .... | Steadicam operator | |
| Luigi Andrei | .... | camera operator | |
| Alessio Bastianelli | .... | first assistant camera: "a" camera | |
| Giancarlo Checchi | .... | electrician | |
| Paolo Frasson | .... | dolly grip | |
| Claudio Frollano | .... | gaffer | |
| Gian Claudio Giacomini | .... | first assistant camera: "b" camera | |
| David Hausen | .... | director of photography: second unit | |
| Simone Lucchetti | .... | electrician | |
| Marcostavros Maggi | .... | assistant camera: "a" camera | |
| Paolo Marchetti | .... | second assistant camera: "b" camera | |
| Flaviano Ricci | .... | key grip | |
| Marco Sticchi | .... | electrician | |
| Giacomo Zampieri | .... | additional video assist operator | |
Editorial Department | |||
| Natalie Cristiani | .... | first assistant editor | |
| Simone Fontana | .... | digital intermediate editor | |
| Christian Gazzi | .... | digital color grading | |
| Emily Greene | .... | assistant editor | |
| Irma Misantoni | .... | post-production coordinator | |
Music Department | |||
| Fabio Colucci | .... | musician | |
| Marco Saitta | .... | music editor | |
Other crew | |||
| Eleonora Baldwin | .... | script supervisor | |
| Daniele Esposito | .... | production secretary | |
| Jacopo Lo Faro | .... | assistant: Mr. Ferrara | |
| Daniela Macrillo | .... | payroll clerk | |
| Fabrice Mansouri | .... | actors director | |
| Aurelio Marino | .... | cashier | |
| Pacetti Priscilla | .... | production coordinator | |
USA:96 min
Gary Oldman and then Robert Carlyle were originally set to star in the project. more
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Here is a movie that Ferrara calls his "first intentional comedy." Its protagonist, Ray Ruby (Willem Dafoe), runs a joint where girls with other ambitions strip and dance around on a stage and lap-dance for a sparse crowd of men. He has a couple manager-bouncers, including Bob Hoskins. The shrill, dirty-mouthed landlady (Sylvia Miles) comes and sits at the bar blaspheming and demanding four months back rent and threatening to bring the marshals. The girls are constantly demanding to be paid. One of them is Asia Argento. Another one comes and declares that she's pregnant and Ray tries to talk her into continuing to perform. There's an Irish bookkeeper who has a file showing where all Ray's lotto tickets are stashed. He and Ray watch the drawing for an $18 million prize and they've got the winneronly they can't locate it. Then Ray's brother Johnny (Matthew Modine), a highly successful hairdresser, who bankrolls the joint, appears and announces he's going to pull the plug. Some young doctors come in who saved one of the guys with the Heimlich Maneuver, and they enjoy the girlstill one of them discovers his wife on the stage dirty dancing, and there's quite a fracas.
That's about it, really. This sounds like a stage play. It nearly all takes place indoors either in the club or Ray's office. However, it's not a play because it was shot at Cinecitta in Rome, where they built the set. a club with its own lighting that, as Abel Ferrara tells it, never had to close. And the shooting, which in part is a homage to Cassavetes' Killing of a Chinese Bookie, was done with a couple of DV cameraswith their capacity to go on and on and on shooting a sceneas well as some surveillance cameras to add in the occasional Super 8 effectand with a very clear-cut screenplay but a great deal of leeway for improvisation. The cameramen were not at all neglectful of the nearly naked girls, whose work is constantly in evidence whenever the cameras are rolling in the club. All of which is unlike any play you're likely to see. The movement, the level of improvisation, the complexity of the set, are movie stuff. And the cast too is a movie cast, even if these actors all have good stage experience, notably Dafoe, who was present every day of the shoot and managed that as his character manages the club.
These are chaotic and grim and desperate circumstances, but they're handled with a sense of the absurd throughout: hence the "intentional comedy." Modine comes in with a pod of swept-forward, bleached hair and carrying a little dog. There's also a cabaret sequence when some of the girls perform their "art": one plays classical on an electric piano, a guy does a totally garbled recitation of Antony's funeral oration from Julius Caesar; another does a peculiar "magic" show; and so on. And Sylvia Miles' over-the-top shrillness sets a tone of ridiculous excess. Some of Dafoe's improvisations have an amusing sense of grasping desperation about themespecially when he confronts the suddenly pregnant dancer and even when he defends his club as if it were as important as life itself. Melodrama is replaced by intentional bathos.
Still, as was plain at the New York Film Festival press screening when Ferrara, Dafoe, Miles, and several others talked to FSLC director Richard Pena and answered questions from the audience, this is a movie that's probably more fun to talk about than to watch. Not in a New York Film Festival since King of New York, which started a great row at the time, Ferrara is a character whose biography is best read in his films and his explanations together. For Go Go Tales, his parents are John Cassavetes and Robert Altman, but there's something uniquely disreputable and hilarious about his version of their styles.