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Mouth to Mouth (2005) More at IMDbPro »

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53 out of 57 people found the following review useful:
Portrait of a Cult, 28 January 2008

Author: MovieBuff1414 from United States

When I first saw the preview for this film, it looked like a trippy indie film with a great soundtrack. I decided to give it a chance and bought it. It just came in today and I have to say, it is not what I expected, but better.

This film is not about some rebel girl who runs away from home and has insane adventures. This is a movie about a girl who is desperately trying to become a part of something and the mother who follows her into a dangerous cult. It has so much more depth than I expected. The movie's hero is clearly Bat from beginning to end. However, other characters who the viewer does not expect become heroes as well. The movie shows a very scary and a very real descent into the lifestyle of a cult. The characters are unique and are uniquely duped into this life.

The acting in it is phenomenal. Ellen Page, who we now know as Juno, shows another side of herself as the resilient Bat. The character shows real strength in the face of confusion.

This movie entices and rattles the viewer. It dares to ask the question, What is a perfect world?

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28 out of 35 people found the following review useful:
I finally received the movie!, 19 February 2008

Author: TheGOLDENWALRUS from United States

After two years of trying to find the movie, I finally purchased it for 18.99 on ebay. Right when I received the package, I put it in my DVD player. It was worth the wait.

First to note, the movie is low budget and you can tell from the poor lighting. But, it kind of added to this film. The film was very dark and gritty as it portrayed a cult that started as a party and ended as manipulation. I did notice quite a few plot holes such as how did Sherry's mother find Sherry when Sherry was over a thousand miles away. But other than that I applaud Alison Murray's efforts in this film as we laughed and cried with the lead character played by the always fantastic, Ellen Page.

It was after Ellen's performance in Hard Candy that made me want to follow her and it is quite obvious that she'll have a fantastic career ahead of her.

There is so much to say about this film. I loved the score and thought it was perfect for the film. It was very well placed and enjoyable. I loved how the actors would kind of dance to strange situations such as Sherry's mom would try to get Sherry in her car and Sherry wanted to get away from her. It was almost liked they did a tango. It was beautiful to me. What I also enjoyed about the movie was it was very unpredictable. Early in a movie you see a kid get nonchalantly thrown into a dumpster to get some food and he ends up hitting his head against a sharp object. There was no music to narrate the situation for you so it kept me off guard. I don't know what it is about indy films but they always appeal to me. I love the experimentation of the film.

So all in all, you'll probably not be able to find this movie for rent and will most likely have to take the chance and purchase the film. It was very hard to find and ebay or Amazon is the only way you'll be able to find it. This movie reminded me a little of Firecracker, House of Sand and Fog, and 11:14. Mouth to Mouth is bizarre and is really "out there" so you need to watch it with an open mind.

P.S: Congraduations to Ms. Page for her Oscar nomination and I'm sure she won't let the instant fame get to her head and she'll continue to pick original and great scripts.

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2 out of 4 people found the following review useful:
Good performance from Page in a so-so film, 19 April 2008

Author: Alain English from London, England

*** This review may contain spoilers ***

Directly preceding "Hard Candy", the film that made her name, "Mouth to Mouth" is Ellen Page's break-out movie and it's easy to see why. Her performance as Sherry, a lost young girl in Eastern Europe finding sanctuary with a group of sub-hippies, is a standout in it's bravery and sheer physicality.

Sherry (Page) is a runaway from Canada loose in Germany who takes up with a group called SPARK (Street People Armed with Radical Knowledge), a group of similarly adrift young people taken under the wing of Harry (Eric Thal), an older man with high ideals. Other notable people in the group include fun-loving Nancy (Beatrice Brown) and friendly, zany Mad Ax (Maxwell McCabe-Lokos). Sherry shares a conflicted relationship with her mother (Natasha Wightman) who joins the group in an effort to reclaim her, but the two of them come under strain when it's clear that Harry is less interested in high ideals and more interested in controlling the group by any means necessary...

The central of themes of how ideals are subverted in the name of power, even with this group of so-called radicals, are realised in the latter part of the film where Harry sets his group to work on a vineyard where his true motivations become clear. While this is very interesting to watch, I still thought more could have been done with it. As good a character as Harry is as written, Eric Thal does not seem to have the range to make his transformation truly register emotionally. Consequently a good part of the film falls down.

It is Page, of course, that saves the movie although even she is not quite at her best here. Her performance does not have the wit of her "X-Men" and "Juno" appearances, nor the edge she would acquire doing "Hard Candy". Nevertheless there is a strong and truthful physicality in her presence that registers best in unspoken moments, especially the roadside exchanges between her and Wightman, and later McCabe-Lokos. These two scenes are like a dance, yet seem perfectly natural and it's difficult to imagine another actor doing them this well.

"Mouth to Mouth" is Region 1 and hard to find in this country, but it is worth looking up anyway for it's interesting themes and Page's central performance.

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1 out of 4 people found the following review useful:
Hippie style after school special, 12 June 2008

Author: Steven helton from United States

*** This review may contain spoilers ***

My two favorite topics of all time are cults and homeless teen runaways. I've written several stories combining the two. Other than Jimmy and Judy (2006), which sells its characters more as fugitives than homeless, I have never seen these two subjects merged on screen before. Mouth to Mouth should be my favorite movie.

The problem is that throughout the film I couldn't shake the feeling that writer/director Alison Murray was my hippie guidance counselor who had written this film after listening to a Henry Rollins spoken word album.

Murray does a good enough job of depicting the allure of cults for troubled youths. Mind you, this is not the kind of cult that I would like to join and their objectives are rather contrived and obvious, but the parties look fun all the same. And the film does look great. There are dazzling shots with fire and dual movement. But the fire and the actors (who, for the most part are all very good) are meant to remind viewers of Burning Man.

Relationships become overly sentimental while the film refuses to accept that it is anything but subtle. This turns out to be a real problem because the characters display intense and irrational behavior but, because they are not allowed to at any point explain their actions or emotions, they become unrealistic.

The film moves from presenting us with clever solutions for homeless teens to preaching to us about the dangers of cults too quickly. We are never given the opportunity to rationalize or justify Harry's (Eric Thal) actions. The switch is flipped from fun family (that is clearly a cult) to evil controlling cult. This again denies the film subtlety and realism.

This is both a coming of age movie in a fun setting and a sort of hip after school special. Audiences are told to use their imagination to find redemption in the ending and Ellen Page is back where she started after learning some 'valuable life lessons'.

But what are we left with for having watched this? If you don't like overblown coming-of-age flicks that promise more thrills than they deliver and you already know not to be seduced by a cult, then not a whole lot.

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7 out of 22 people found the following review useful:
The wrong film in the wrong hands, 19 June 2008

Author: Lucy Lou from United Kingdom

This film is based on an interesting idea which in the right hands could have been a wonderful film. Its an indie film, of course it is, but I have seen a good few indie films and this really hits rock with the director. I mean Alison Murray, I'm sure she knows a lot about being a teenage dropout but she doesn't know much about making a gripping film.

Its got some pretty good casting, about six of the people cast were okay actors and that includes Ellen Page, it didn't really push her the way a film and a good director should, as as we have all seen - she can do a lot better! The film was shot as though Murray read about every effect you can do with a camera and thought - I'm gonna use them all! It went light for no reason, it didn't accentuate a feeling or to show an emotion, it wasn't intimate or innocent it just was and in my experience, ever shot should be justified, from the first to the very last.

The sound track was good, I'll give you that. And some of it was quite hard hitting, but I find it difficult to believe that I just watched a film where people died in the course of an anarchist group trying to find freedom and I don't care about them. It wasn't believable, no grief, no despair, no anguish. I wasn't reeled in, I didn't feel their pain and so I didn't believe in its reality.

It is that typical film made by someone who wants to tell their 'incredible story' and just got out of art school. It tries to fit too much in to the plot when a good film can focus on both plot and the dimension of the characters. The ending was excruciating and I cant believe I just spent £15 on this film.

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12 out of 37 people found the following review useful:
Instantly forgettable, 4 June 2008

Author: dragonmaster0303 from UK

What can I say about this? Nothing about it is inherently bad (well okay, most of the acting is, but aside from that very obvious fact); it's mostly just a very plodding even boring film of often silly, predictable nothingness. You have your standard stereotypes everywhere, but none of the characters are in any way likable, which in itself doesn't necessarily cause me a problem and maybe this is just the type of film where no one needs to be liked, but either way. It even fails to explore the nature of a cult more deeply (or even at all), which was a wasted opportunity.

One last thing, I've seen a few mentions of this being realistic. My a**e is it realistic! People seem to think that if a film's made on a low budget with no special effects and bad acting that it's realistic. Please stop mistaking hard to watch with realism.

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