Deepwater (2005) Poster

(2005)

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6/10
Interesting choices and okay story
info-511115 October 2006
I will confess that the choices that director Marfield has made concerning cast and crew make me somewhat more sympathetic towards "Deepwater" than I otherwise might have been. Lucas Black is an underrated actor who deserves bigger roles and Charlie Clouser's NiN-like music suits the mood of the film very well. But I think the film has merits of its own. Compared to fellow indie/festival flick "Down in the Valley", which has some interesting similarities, "Deepwater" feels much more genuine to me.

A young man just out of ... well, some sort institution winds up in a small town working for a strange fellow (Peter Coyote) and lusting for his wife (Maestro). What initially seems like U- turn revisited turns out to be a quite different film in the end. The acting (mainly from washed-out but cool actors apart from Black) and the mood keep you fairly interested and the fairly down-to-earth tone that the film finally adopts work fine if you ask me. Worth watching, although not a masterpiece by any standard.
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6/10
Deep something
wrlang30 July 2006
Nat (Black) is a stand up kid from his point of view. Which is about the only point of view during the entire movie. He is traveling to California to start over and build a life when he meets Finch (Coyote) and his very young wife Iris (Maestro) who run a hotel called Deepwater, among other side jobs, in rural America. Finch convinces Nat to stay and help fix up the place. Nat gets all sorts of ideas about the other characters. But in the end, everything is not as it appears for Nat. The psychological plot of the film is kept at bay while the seasoned acting keeps your attention over the length of the film. Some action aficionados would find it boring. I would classify it more as a drama than a thriller.
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5/10
Fight Club without the Club
kyyle731126 October 2006
I honestly fell for the trap that this movie sets up throughout the plot and the surprise ending. The problem I had with this surprise ending compared to other surprise endings is that when you see a surprise ending, it's supposed to make you think, "Well, that makes sense." This one does the exact opposite and the movie does a poor job in my opinion of setting up the surprise ending. This is unfortunate considering the acting was superior in every area. I couldn't help but think of "Fight Club" as they are running down the surprise ending. Parallel to what we were shown in the movie is a view of what "actually" happened. And as good as I think Lucas Black is as an actor, he doesn't even compare to Brad Pitt or Edward Norton at least not at this point in his career. Overall, a strange and diluted plot that does not fill two hours until you see what happens at the end at which point I was left a little wanting.
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4/10
Rather disappointing
jolgeir15 July 2018
Deepwater 2005 suffers from a lack of plot. The scenes are not well connected. I think the main flaws are in the storyline and the director does not know where he is going with this film. It is pretty amateurish despite good efforts from main actors.
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7/10
Don't believe all Anglophiles
bernie-12219 July 2006
I wonder if the reviewer I'm thinking of even watched the film. Like, for instance, not realizing that Nat got the car keys from the guy who was beating the crap out of him in the bar. And set in Louisiana? Sheep farm? Sheesh.

OK, it was a bit disjointed in places, but not so much that anybody paying attention couldn't follow the action. The main thing, for this type of movie, is to keep you guessing. This it did, right up to the end. Peter Coyote was brilliant, and Lucas Black got it pretty spot on as well. All the supporting cast were top notch.

The trouble with any film that relies on a surprise ending is that it rarely invites repeat viewings. Alas, such is the case here. Otherwise, I would've given it one or two more stars. But it gave me a good ride, and that's all I expected. I'll be looking for more from this director.
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1/10
Stylized nonsense ......
merklekranz20 January 2012
Well there goes another hour and a half of my life that was totally wasted on a film that has ZERO substance, and a whole lot of nonsense. Characters appear out of nowhere with no development, not that you will care, because the entire purpose of this film seems to be setting up a ridiculous ending. All the characters are highly annoying and unlikable. I only watched this because of Michael Ironside, but the script is so disjointed, and his character so forgettable, he essentially has nothing to work with. Beware, this movie is a total waste of time, and not nearly as hip as it makes itself out to be. - MERK
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7/10
Twisted Mind
claudio_carvalho15 June 2009
After recovering from a twisted ankle, the drifter Nat Banyon (Lucas Black) hitchhikes on the road, trying to reach Wyoming, where he dreams on having an ostrich farm. However he has an incident in a bar and he steals a car from the guy that was beating him. He heads to Wyoming, but he sees a car accident and he saves the driver Herman Finch (Peter Coyote), who owns the Deepwater Hotel. While spending the night in the hotel, Nat is arrested by the police, but Finch releases him from jail and proposes Nat to paint his hotel. In return, he gives an old blue Chrysler Newport to Nat, and lodges and feeds him in the hotel. While painting the hotel, Nat becomes obsessed on Finch's wife Iris (Mia Maestro) and discovers that Finch is a loan shark and corrupt. Further, he has a scheme with the car dealer Walnut (Michael Ironside) and his partner and with the Indian Joe Littlefeet (John Boncore) in the local casino and is protected by the corrupt police of Deepwater. After the mysterious death of a local and a policeman that had issues with Finch, Nat decides to leave Deepwater; but Iris seduces him and convinces Nat to travel after a box match promoted by Finch and stealing a large amount from the safe. On the day of the fight, Nat discovers the hidden secret in Deepwater.

"Deepwater" is a surprisingly great thriller that uses elements of film- noir and a twist that slightly recalls "Identity". The plot is supported by an excellent screenplay; great debut in the direction of the unknown David S. Marfield; top-notch performances of Lucas Black and Peter Coyote, supported by the veterans Michael Ironside and Lesley Ann Warren and the sexy and gorgeous Mia Maestro. The totally unexpected twist is a huge surprise that explains the flaws I believed there were in the story. My vote is seven.

Title (Brazil): "Deepwater, A Cidade do Medo" ("Deepwater, The City of the Fear")
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5/10
A Good Samiritan is more than indebted.
michaelRokeefe8 April 2007
Warning: Spoilers
With lack of funds and just released from hospital care, Nat Banyon(Lucas Black), leaves a bar fight via stolen car. Nat is heading to a job on an ostrich farm in Wyoming. He saves the life of Herman Finch(Peter Coyote), who owns a rundown motel in the tiny town of Deepwater. Finch actually seems to have the whole town cowing in fear of him. Finch offers to buy Nat a car in return for painting his motel. The young man is willing and even more so distracted by Finch's young wife Iris(Mia Maestro). The more time he spends in Deepwater, Nat realizes things may be shadier than they seem. What no one knows is the young drifter has a dangerous dark side. The cast also features: Michael Ironside, Lesley Ann Warren and Kirsten Bell. If the bartender looks familiar...he is Dee Snider of the hard rock band Twisted Sister.
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7/10
Like that of a disturbed and crippled mind "Deepwater" holds many dark and terrifying secrets
sol121826 July 2006
Warning: Spoilers
**SPOILER ALERT** After a stay at the hospital recovering from an ankle injury Nat Banyon, Lucas Back,goes on the road hitch-hiking to Wyoming to open up an ostrich farm. At some truckers rest stop bar Nat gets beaten up when he grabs a patron's hand who may have mistakenly thought that he was trying to proposition him. In the confusion Nat get a hold of the patron's car keys, that he accidentally dropped, and takes off with his sports car.

Driving throughout the night Nat, struggling to say awake, spots an overturned car and saves the driver Herman Finch, Peter Coyote, just before his car was totaled by an oncoming truck. Finch very appreciative of what Nat did in saving his life gives the young man a job at his motel as an all-around handy-man. Later Finch get's Nat a car that he's to pay him back by the work he does at his place.

Nothing really seems to be right with the movie as we get a number of sub-plots that makes an attempt to explain just what Finch is involved with. Finch comes across at first as a good natured and friendly person who's more then grateful at what Nat did for him but. At the same time we, and Nat, get this very disturbing insight about Finch that he's a local mobster who's involved in a number of unsolved murders that he uses surrogates to do his dirty and criminal work. Later we get to see some of Finch's friends a used car dealer Walnut, Michael Ironside, and Native American Joe Littlefield, John Boncore, who's being groomed by Finch to take over the management of a casino that he runs. there's also Finch's very young and attractive wife Iris, Mia Maestro, who works at her husbands motel as a cleaning woman.

Very early in the movie we, and Nat, saw Finch get into a violent argument with Sal, Jason Cerboe, who later after being kicked out of a card game, between Finch Walnut and Littlefeet, disappears from sight and is found days later in the lake murdered. The same thing happens to local cop Newell, Brett Watson,who seemed to be on to Finch's sleazy activities and tried to warn Nat about him and his under the table dealings. Officer Newell is later found in the woods dead and decomposing with murder being the only reason for his sudden and untimely demise.

Finch himself is about as weird as can be in his relations with Nat by moronically trying to get Nat in tip top shape for a boxing match with him? Nat with rippling muscles and his boxing skills razor sharpen by the hard and rigorous training routine, that he was put under by Finch himself, as well as being some 30 to 40 years younger then the out of shape and cigar chomping Finch would kill the crazy old nut in the ring with one hand tied behind his back! Had Finch already lost his mind and now want's to lose his marbles with a solid left hook to the temple as well?

while were left in the dark to what exactly Finch is planning***MAJOR SPOILER*** we overlook what was the reason for Nat's interment in a medical facility and even more important is he fully recovered from the the illness or injury that he was there for?

The movie sets you up for a real shock that, in many ways, it leaves clues to get you ready for it. The big fight between Nat and Finch is done in all seriousness with Nat completely falling for Finch's line but what Finch is totally unaware of is that Nat is a bit, that may be understated, abnormal and also has some kind of weird attachment to him. This makes you wonder about the strange bar scene early in the film, that's slowly driving Nat off the deep end and into the deep dark and dangerous waters of his subconscious and unbalanced mind.
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8/10
Very good film noir.
myfavoriteartform10 June 2005
Warning: Spoilers
I saw the world premier of Deepwater at the Seattle International Film Festival. It's the director's first film, shot on a limited budget, and an excellent film.

In the first scene, Nat, the main character, gets out of a hospital and tells the nurse he wants to go to Wyoming to take up ostrich farming. On his way, he stops at a car accident and picks up Herman Finch (Peter Coyote), and ends up going to a small town called Deepwater.

Finch is involved with the local casino, apparently run by the mob. He offers Nat a job restoring his dilapidated motel, where the maid is his beautiful, and much younger, wife Iris (Mia Maestro, who attended the premiere).

As Nat begins to work on the restoration, he starts getting to know the characters of this Twin Peaks-ish small town. Michael Ironside, who is creepy on a good day, is great in a supporting role as a local used-car dealer and Finch's poker buddy.

That lays out the basic elements of the film noir, I don't want to say much about the plot for fear of spoiling the film for a viewer.

The film is well edited and visually very nice. Other than the lack of marquee names, it does not appear to be a low budget film. Directing and acting are excellent, the movie is well-paced, and I would recommend it to anyone.
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6/10
Neo-noir or sci-fi?
lastliberal15 July 2007
Warning: Spoilers
I cannot quite get a handle on this film. It was interesting enough to keep me interested, but I am still not sure what I saw.

Lucas Black (The Fast and the Furious: Tokyo Drift, Sling Blade) is ostensibly released from a mental institution - or was he? He meets Peter Coyote, who is a really strange guy with his hand in everything.

He also has a hot wife in Mía Maestro (The Motorcycle Diaries, Frida) who has an affair with Black - or does she? People start dropping dead and it is difficult to figure out just who is doing the killing. Is it Black or is it Coyote or is it imagined? I just wish I knew what I have just seen.
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7/10
Various bizarre characters and yet a bad ending
bellino-angelo201424 March 2024
Warning: Spoilers
I heard about DEEPWATER since very long because it has the same title of a 2016 thriller set on a submarine but this DEEPWATER has a different setting. Last summer I finally saw it and despite the downer of a ending I kinda liked it.

Nat Banyon (Lucas Black) is a hitch-hiker that has the dream of opening a ostrich farm in Wyoming and when the movie begins Nat gets involved in a bar fight and manages to steal the keys of one guy and steal his car, only to find Herman Finch (Peter Coyote) under his overturned car, save him just before a truck passes and destroys the car. As a token of gratitude Finch employs Nat as his motel's handyman. What follows are a series of misadventures caused by Nat's smittening with Finch's wife Iris, a fight that was a joke and the final showdown with Finch where Nat loses and is then caught by the police since everyone who opposes with Finch is believed lost and then found dead, so Nat must have been lucky.

Soon we find out that Nat is probably mentally ill suffering of some personality disorder, and we are left to wander if his affection for Iris was one of his many delusions (in fact when he is taken to the mental hospital he often mumbles about the baby ostriches he'll never have).

Up until the last 30 minutes I liked most of the characters and the wicked humour, but in the last half-hour I felt sorry that Nat was taken to a mental hospital because I would have loved to see him achieve his dream of open a ostrich farm and maybe go away with Iris. The cast (Black, Coyote, Xander Berkeley, Kristen Bell and Michael Ironside) did a fine job with the material given but as I said, if it wasn't for the ending I would have given a higher score (and I was about to give it a 8).

Overall, not a bad movie but considering the ending I would have loved a re-write or an alternative ending.
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6/10
Hush, Puppy.
rmax30482319 February 2016
Lucas Black is a naive young man who is more or less forced by circumstances to repair and repaint a dilapidated rural motel owned by Peter Coyote. I doubt you've ever seen Coyote in a role like this -- totally weird, his voice lowered to a metallic rasp, his get-up -- the voice, the cigar, the hat, the white windbreaker with the rolled-back sleeves -- ripped off from Robert Mitchum's psychopathic heavy in the original "Cape Fear."

Here's what I mean by "weird." Black and Coyote near the beginning are sitting in a café over breakfast, discussing the arrangement. Coyote conspicuously picks up the salt and the pepper shakers and gives each a quick wipe with his handkerchief. Black later tires to shake some salt on his meal, the top falls from the shaker, the meal is ruined. He makes an elliptical allusion to there being "still room for another body in that lake." Coyote laughs in the most unbuttoned way. "You and I are gonna get along fine!" They are?

It reminded me of a ride I caught while hitch-hiking one night outside Las Vegas. The car was warm and comfortable, the family utterly bourgeois, a man, his wife, and a baby asleep in the back seat, until the driver turned to his wife and asked in dead earnest, "Where should we ditch this hot car, Honey?" It called for an immediate redefinition of the situation. Coyote makes frequent remarks that are as unnerving as that.

There is quite a focus on cars, on what they look like, on the year and the make, and on how fast they go. The whole film carried with it a kind of rural Southern sensibility. The accent is Southern and so is the landscape. So is the dialog: "While you were out there pumpin' that car, your man here was carvin' on me like a big tom turkey." Mia Maestro as Iris, the maid who upkeeps the motel, is not Southern. She transcends regionality. Anything that so closely approaches a Platonic ideal can't carry with it any regional attributes. The role of course is beneath her but then everything is beneath her, a gilded Athena in a mossy Parthenon. Her voice is silky and sensual with Argentine overtones. Bezos a vos! You must see her in Carlos Saura's "Tango."

The director has done his best and it's not bad. Some of the shots are conspicuously arty. He's avoided the modern tendency to wobble the camera and focus on irrelevant artifacts during a conversation. And when Lucas Black and Mia Maestro make love, he's also avoided the cliché of the strange hand and fingers caressing an unidentified but sinuous body part. However, there's only so much you can do to signal copulation without actually showing it, so we get two hands gripping a partner's hair. The scene proves that Black himself is no saint, since Maestro is Coyote's dissatisfied wife. Only towards the climax, when Black is training for a boxing match with Coyote -- the prize being Maestro -- is the stage of ejaculatory inevitability reached and we're handed a tasteless explosion of editorial razzle-dazzle.

I suspect that the author of the novel, Matthew F. Jones, knows his way around manual labor because the film doesn't shy away from showing us Lucas Black scraping paint off the weathered boards of the motel. That willingness to show people at work is one of the things I admired about James Jones' novel, "From Here to Eternity." Val Lewton was careful to show us his principals at work too. And I admired the way that a truly sinister element creeps so gradually into the movie. We know Peter Coyote is weird, but it's only incrementally that we find out HOW weird. I'll end with the observation that one of the characters is a truly sick puppy but probably not the one you imagine.
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8/10
Quirky mystery holds genuine surprise.
FlownThruReeds13 June 2005
This was the only Seattle Film Festival film I went to, and I was pleased to find it better than many mainstream movies I've seen. It was an unnerving mystery that sucked me in and genuinely surprised me.

Peter Coyote's portrayal of a strange motel owner was my favorite part of the film. I've seen Coyote in a lot of movies, and this has got to be the most interesting role I've seen him play yet. You're never sure if you want to love him or fear him, and that ends up working perfectly for the plot.

Deepwater had a lot of creepy, stylish, music-video type moments. The camera work was beautiful, and once you get to the end of the movie, the style of these sequences makes even more sense. I didn't feel like these scenes took away from the dramatic moments which were the core of the movie.

The director answered questions afterwards, and I was surprised to hear him talking about how low the budget was. He described some of what he would have done with a bigger budget, but I found myself wondering if the small budget helped force them to really focus the story. It's too late this year, but after seeing Deepwater I'm going to make sure I see more films at next year's festival.
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8/10
Great mystery thriller ! The machinations of a twisted mind !
gsh9992 August 2007
A Southern boy (Lucas Black) gets a job working at a motel near an Indian reservation and casino. He discovers that the motel owner (Peter Coyote), a 1/8 Indian, is involved in a corrupt scheme with his Indian friends to get control of the casino. Some people are killed and the Southern boy believes the motel owner is responsible. The Southern boy has a fling with a waitress (Lesley Ann Warren), but becomes obsessed with the motel owner's wife (Mia Maestro). The boy hatches a plan to steal the husband's cash and run away with the wife. Before he does, he must engage in a challenge boxing match with the motel owner, an aging former pro boxer. The cast of characters in this movie are very interesting and the acting is really good. The atmosphere is eerie. This movie held my interest completely and I am easily bored. This movie deserves better than the 5.0 rating at this writing. I grade it an 8.
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9/10
Undiscovered gem
patkeith10 September 2006
Where was I when this movie came out? I don't' remember it EVER coming out. But I was at the DVD rental store and saw this movie, and since all I wanted was to lie down and vegetate, I rented it because the cast was interesting and I thought I'd give it a try. It seemed like a big mistake at first. The first 45 minutes had me reaching for a magazine to read at the same time, because I was sure I knew what was going on, and some of the characters seemed, well, stupid. And I hate stupid characters... but after seeing it in it's entirely, it has really stuck with me.

Rent it, hang in there, and you'll be in for a treat.
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10/10
Unusual and refreshingly suspenseful...
MarieGabrielle7 March 2009
Anyone who appreciated original film noir will appreciate this offering, a film which applies Nat Banyan's perceptions through the camera, at times we do not realize what we are seeing and visualizing, until we really begin to analyze its meaning, and possible interpretations.

Peter Coyote is excellent as the eccentric owner of the Deepwater Motel. Its environs remind one of Hitchcock's Bates Motel from "Psycho".

Lucas Black is believable as Nat Banyan, a drifter and handyman who works on the motel for a time. There are many twists and turns, and excellent cameos by Michael Ironside as a used car salesman, and Lesley Ann Warren as a down and out waitress.

Coyote was amazing in his characterization and earns the film ten stars. Highly recommended.
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