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Directed by | |||
| Christopher Smith | |||
Writing credits | ||
| Christopher Smith | (written by) | |
| Franka Potente | ... | Kate | |
| Vas Blackwood | ... | George | |
| Ken Campbell | ... | Arthur | |
| Jeremy Sheffield | ... | Guy | |
| Paul Rattray | ... | Jimmy | |
| Kelly Scott | ... | Mandy | |
| Sean Harris | ... | Craig | |
| Kathryn Gilfeather | ... | Girl | |
| Grant Ibbs | ... | Man | |
| Joe Anderson | ... | Male Model | |
| Sean De Vrind | ... | Friend | |
| Ian Duncan | ... | Friend | |
| Debora Weston | ... | Mya | |
| Emily Gilchrist | ... | Karen | |
| Craig Fackrell | ... | Homeless Guy | |
| Elizabeth McKechnie | ... | Woman | |
| Strapper | ... | Ray the dog | |
| Jonathan Taylor | ... | Dead Driver #1 | |
| Morgan Jones | ... | Night Watchman | |
| Daniel Joseph Scott | ... | Dead Driver #2 | |
| rest of cast listed alphabetically: | |||
| Spencer Hawken | ... | Man On Train Platform (uncredited) | |
Produced by | |||
| Julie Baines | .... | producer | |
| Alexandra Ferguson | .... | line producer | |
| Martin Hagemann | .... | co-producer | |
| Barry Hanson | .... | co-producer | |
| Robert Jones | .... | executive producer | |
| Kai Kuennemann | .... | co-producer | |
| Jason Newmark | .... | producer | |
Original Music by | |||
| The Insects | |||
Cinematography by | |||
| Danny Cohen | |||
Film Editing by | |||
| Kate Evans | |||
Casting by | |||
| Emma Style | |||
Production Design by | |||
| John Frankish | |||
Art Direction by | |||
| Matthew Gray | |||
| Ellen Latz | |||
| Ashley Winter | |||
Set Decoration by | |||
| Emma Field-Rayner | |||
Costume Design by | |||
| Phoebe De Gaye | |||
Makeup Department | |||
| Uli de la Lama | .... | hair stylist: Franka Potente | |
| Nicola Frost | .... | makeup artist | |
| Jan Sewell | .... | hair designer | |
| Jan Sewell | .... | makeup designer | |
Production Management | |||
| Marc Grewe | .... | production manager | |
| Richard Lloyd | .... | post-production supervisor | |
| Tim Wellspring | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Matthew Baker | .... | additional first assistant director | |
| Matthew Baker | .... | key second assistant director | |
| Simon Clegg | .... | third assistant director | |
| Barry Derbyshire | .... | additional assistant director | |
| Alexandra Ferguson | .... | additional assistant director | |
| Max Keene | .... | first assistant director | |
| Andrew McEwan | .... | second assistant director: re-shoots | |
| Elke Sasserath | .... | assistant director: second unit | |
Art Department | |||
| Gordon Fitzgerald | .... | property master | |
| Ulrike Gojowczyk | .... | props | |
| Lee Hedges | .... | dressing prop daily | |
| Mark Hedges | .... | dressing propman | |
| Dan Maslen | .... | storyboard artist | |
| Jim McCallum | .... | stand-by props | |
| Thorsten Sabel | .... | set dresser: Germany | |
| Keith Stevenson | .... | set dresser | |
| Nic Stubbings | .... | stand-by props | |
Sound Department | |||
| Julie Ankerson | .... | foley artist | |
| Nick Baldock | .... | sound editor | |
| Peter Baldock | .... | supervising sound editor | |
| Michael A. Carter | .... | adr mixer | |
| Michael A. Carter | .... | sound re-recording mixer | |
| Gary Dodkin | .... | boom operator | |
| Rick Dunford | .... | adr editor | |
| Rick Dunford | .... | dialogue editor | |
| Thomas Paisley | .... | second sound re-recording mixer | |
| Michael Spencer | .... | sound recordist | |
Special Effects by | |||
| Mike H.G. Bates | .... | prosthetic makeup artist: Hybrid Enterprises | |
| Mike H.G. Bates | .... | special makeup effects supervisor: Hybrid Enterprises | |
| Suzanne Bates | .... | prosthetic makeup artist: Hybrid Enterprises | |
| Nicola Pandel | .... | prosthetic makeup artist | |
| Mike Stringer | .... | prosthetic makeup artist: Hybrid Enterprises | |
| Mike Stringer | .... | prosthetic makeup design: Hybrid Enterprises | |
Visual Effects by | |||
| Phil Attfield | .... | visual effects supervisor | |
| Robin Beard | .... | digital effects artist | |
| Kimberley Broughton | .... | effects artist: Hybrid Enterprises | |
| Lee Clappison | .... | online film editor | |
| William Foxwell | .... | scanning and recording operator: Lip Sync Post | |
| Simon Frame | .... | visual effects supervisor | |
| Scott Goulding | .... | scanning & recording | |
| Tom Hocking | .... | digital compositor | |
| Katja Hollmann | .... | digital lab supervisor: Lipsync Post | |
| Mark Kilburn | .... | effects artist: Hybrid Enterprises | |
| Katy Lemon | .... | scanning and recording operator: Lip Sync Post | |
| Alasdair MacCuish | .... | senior producer: Lipsync Post | |
| Victoria McDowell | .... | visual effects line producer | |
| Peter Minister | .... | effects artist: Hybrid Enterprises | |
| Gruff Owen | .... | digital compositor | |
| John Parnham | .... | effects artist: Hybrid Enterprises | |
| Jenny Rose-Barber | .... | effects artist: Hybrid Enterprises | |
| Dawn Whitehead-Binns | .... | effects artist: Hybrid Enterprises | |
Stunts | |||
| Katja Bernet | .... | stunt double: Franka Potente (as Katja Jerabek) | |
| Nrinder Dhudwar | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Lewis Buchan | .... | camera operator | |
| Mark Clayton | .... | gaffer | |
| Kenneth Cornils | .... | key grip: Germany | |
| Simon De Glanville | .... | camera trainee | |
| John Evans | .... | second assistant camera | |
| Dean Foard | .... | best boy | |
| Paul Hymns | .... | key grip | |
| Nathan Mann | .... | focus puller | |
| Jem Morton | .... | additional grip | |
| Georg Nonnenmacher | .... | gaffer | |
| Kim Seber | .... | focus puller | |
| Roger Tooley | .... | Steadicam operator | |
| David Cozens | .... | first assistant camera (uncredited) | |
Casting Department | |||
| Vanessa Baker | .... | adr voice casting | |
| Brendan Donnison | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Shane Kingdon | .... | costume assistant | |
| Rachel Vallance | .... | costume assistant | |
| Elena Wegner | .... | wardrobe | |
Editorial Department | |||
| Stuart Fyvie | .... | digital colorist | |
| Matt Gauci | .... | avid technical support | |
| Andrew Melhuish | .... | first assistant editor | |
| Kevin Phelan | .... | head of post-production: LipSync Post (uncredited) | |
Music Department | |||
| John Baggott | .... | additional musician: piano | |
| Matt Biffa | .... | music clearance | |
| Matt Biffa | .... | music consultant | |
| Peter Brandt | .... | additional musician: double bass (as Pete Brandt) | |
| Stuart Gordon | .... | additional musician: violin | |
| Juliette McCarthy | .... | additional musician: cello | |
| Richard Todman | .... | music editor | |
| Alison Wright | .... | music supervisor | |
Other crew | |||
| Ritchie Beacham-Paterson | .... | producer: Lipsync Post | |
| Pauline Burt | .... | risk manager | |
| Tina Falcone | .... | assistant accountant | |
| Hollie Foster | .... | assistant coordinator | |
| Matthew Hobbs | .... | production coordinator | |
| Mark Lo | .... | misc crew | |
| Ben Luxford | .... | floor runner | |
| Richard Morrison | .... | title designer | |
| Keeley Naylor | .... | unit publicist | |
| William Prouty | .... | assistant to producer | |
| Algernon Sloane | .... | location manager | |
| Maxine Stanley | .... | post-production accountant | |
| Trevor Stanley | .... | production accountant | |
| Jonathan Taylor | .... | assistant: Julie Baines | |
| Niall Trask | .... | runner | |
| Elizabeth Tremblay | .... | script supervisor | |
| Katie Kubert | .... | production intern (uncredited) | |
Thanks | |||
| Erol Arguden | .... | thanks | |
| Michael Schmid-Ospach | .... | thanks (as Michael Schmidt-Ospach) | |
| Company credits | Box office and business | Technical specifications |
| Main details |