| Photos (see all 15 | slideshow) |
| Brendan Mackey | ... | Joe Simpson | |
| Nicholas Aaron | ... | Simon Yates | |
| Richard Hawking | ... | Himself | |
| Joe Simpson | ... | Himself | |
| Simon Yates | ... | Himself | |
| Ollie Ryall | ... | Richard Hawking |
Directed by | |||
| Kevin Macdonald | |||
Writing credits(in alphabetical order) | ||
| Joe Simpson | book | |
Produced by | |||
| Charles Furneaux | .... | executive producer | |
| Robin Gutch | .... | executive producer | |
| Gina Marsh | .... | line producer | |
| John Smithson | .... | producer | |
| Paul Sowerbutts | .... | associate producer | |
| Sue Summers | .... | co-producer | |
| Paul Trijbits | .... | executive producer | |
| Paul Webster | .... | chief executive procuder: FilmFour | |
Original Music by | |||
| Alex Heffes | |||
Cinematography by | |||
| Mike Eley | |||
| Keith Partridge | |||
Film Editing by | |||
| Justine Wright | |||
Casting by | |||
| Susie Figgis | |||
Production Design by | |||
| Patrick Bill | |||
Art Direction by | |||
| Patrick Bill | |||
Costume Design by | |||
| Patrick Bill | |||
Makeup Department | |||
| Sarita Allison | .... | makeup designer | |
Production Management | |||
| Emma Clarke | .... | executive in charge of production: film council | |
| Peter McAleese | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Nick Laws | .... | first assistant director | |
Art Department | |||
| Giles Asbury | .... | storyboard artist | |
Sound Department | |||
| Tim Alban | .... | sound re-recording mixer | |
| Robert Brazier | .... | foley editor | |
| Felicity Cottrell | .... | foley artist | |
| Richard Davey | .... | assistant sound re-recording mixer | |
| Mick Duffield | .... | sound recordist | |
| Anthony Faust | .... | adr foley mixer | |
| Anthony Faust | .... | foley supervisor | |
| Joakim Sundström | .... | supervising sound editor | |
| Mark Kenna | .... | consultant: Dolby film sound (uncredited) | |
Special Effects by | |||
| Martin Neill | .... | special effects | |
Visual Effects by | |||
| Matthias Albrecht | .... | digital film editor | |
| Simon Burley | .... | software and technical | |
| Ben Haworth | .... | digital effects artist | |
Stunts | |||
| David Cuthbertson | .... | climbing stunt double | |
| Rory Gregory | .... | climbing stunt double | |
Camera and Electrical Department | |||
| Oliver Driscoll | .... | second assistant camera | |
| Olly Driscoll | .... | clapper loader | |
| Christian Klehr | .... | grip | |
| Ralph Kulike | .... | gaffer | |
| Dan Shoring | .... | additional photographer | |
| Dan Shoring | .... | first assistant camera | |
| Jeremy Sutton-Hibbert | .... | unit photographer: Alps | |
| Chris Thornton | .... | film recorder operator | |
| Simon Wagen | .... | additional climbing photographer (as Simon Hagen) | |
Casting Department | |||
| Indira Ashton | .... | casting assistant | |
Editorial Department | |||
| Stephen Barker | .... | post-production consultant | |
| Simon Brook | .... | on-line editor | |
| Ben Lester | .... | assistant editor | |
| Vincent Narduzzo | .... | colorist | |
| Kevin Phelan | .... | head of post-production: Lip Sync Post | |
| Jon Thompson | .... | post-production consultant | |
Music Department | |||
| Abi Leland | .... | music supervisor | |
| Andy Richards | .... | score mixer | |
| Bevan Smith | .... | composer: electronic music | |
Other crew | |||
| Olly Allen | .... | climbing support: Alps | |
| Kim Ballard | .... | production financing | |
| Christine Barnes | .... | climbing support: Alps | |
| Christine Baxter-Jones | .... | production team | |
| Hattie Bowering | .... | final delivery and release supervisor | |
| Lesley Brown | .... | production team | |
| Eduardo Shuán Caldúa | .... | climbing support: Peru | |
| Melorie Chilton | .... | legal services for darlow smithson productions | |
| Hugo Milla Chinchay | .... | climbing support: Peru | |
| David Cuthbertson | .... | key mountain guide | |
| David Cuthbertson | .... | safety team | |
| Lucy Daniels | .... | production team | |
| Regine Dura | .... | production team | |
| John Falkiner | .... | key mountain guide | |
| John Falkiner | .... | safety team | |
| Michael Fleisher | .... | business affairs: Channel 4 International | |
| Néstor Morales Flores | .... | trekking leader: Peru | |
| Laura Franses | .... | physical production coordinator: FilmFour | |
| Paul Gardner | .... | archive researcher | |
| Rory Gregory | .... | key mountain guide | |
| Rory Gregory | .... | safety team | |
| Paul Grindey | .... | business affairs: FilmFour | |
| Brian Hall | .... | head mountain guide | |
| Nion Hazell | .... | production coordinator | |
| Andrew Hildebrand | .... | business affairs: FilmFour | |
| Vinnie Holden | .... | head of production finance: film council | |
| Marcelino Milla Huarac | .... | climbing support: Peru | |
| Vicky Jones | .... | business affairs: Channel 4 | |
| Jim Kerr | .... | climbing support: Alps | |
| François Marsigny | .... | climbing support: Alps | |
| Deborah McLaughlan | .... | production team | |
| Jesús Montero | .... | production team | |
| Paul Moores | .... | key mountain guide | |
| Paul Moores | .... | safety team | |
| Pelayo Milla Morales | .... | climbing support: Peru | |
| Fiona Morham | .... | head of physical production: film council | |
| Eloy Salazar Obregón | .... | climbing support: Peru | |
| Rodolfo Reyes Oropeza | .... | climbing support: Peru | |
| Emma Parsons | .... | production team | |
| James Reekie | .... | production accountant | |
| Dr. Martin Rhodes | .... | unit doctor | |
| Tim Rhodes | .... | climbing support: Alps | |
| Faye Richardson | .... | production team | |
| Ollie Ryall | .... | climbing support: Alps | |
| Juan Sánchez | .... | climbing support: Peru | |
| Joe Simpson | .... | additional reconstruction | |
| Joe Simpson | .... | consultant | |
| Gillian Strachan | .... | production team | |
| Ulla Streib | .... | head of production: Darlow Smithson Productions | |
| Gareth Tansey | .... | title designer | |
| Harry Taylor | .... | key mountain guide | |
| Harry Taylor | .... | safety team | |
| Jorge Clemente Vargas | .... | climbing support: Peru | |
| Howard Watkins | .... | title designer | |
| John N. Whittle | .... | key mountain guide (as John Whittle) | |
| John N. Whittle | .... | safety team (as John Whittle) | |
| Marc Wolff | .... | aerial coordinator | |
| Simon Yates | .... | additional reconstruction | |
| Michael J. Harker | .... | completion bond company representative (uncredited) | |
Thanks | |||
| Richard Hawking | .... | thanks | |
| Adrian Warren | .... | thanks | |
| Paul Webster | .... | thanks | |
| Marc Wolff | .... | thanks | |
| Simon Yates | .... | thanks | |
| Marc Ziegler | .... | thanks | |
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Based on the best-selling book of the same name, Kevin Macdonald's docu-drama Touching the Void recreates the 1985 experience of Joe Simpson and Simon Yates, two British mountaineers attempting to climb the Siula Grande Mountains of Peru, a mountain range no one had ever succeeded in scaling before. The film tells the story of how Simpson, alone at 21,000 feet -- with a broken leg, dehydrated, and a step away from death, pushed his broken body beyond the limits of what he knew to be possible in order to survive. Oscar-winning director of One Day in September, Macdonald uses actors Brendan Mackay (Simpson) and Nicholas Aaron (Yates) to recreate the adventure while the real climbers provide a running commentary.
After ascending the west face of the mountain in 3 1/2 days using the "purest" style of climbing (sleeping in ice caves rather than setting up base camps along the way), the descent is treacherous as Simpson misses a step and his lower leg is driven into his kneecap. Tied together by a rope, Yates begins lowering his partner downward in the darkness, 300 feet at a time while Simpson is in excruciating pain. Progress is halted when Simpson is lowered into a crevasse and left dangling in mid-air, unable to signal his companion. Yates believes him to be dead and makes a crucial and controversial decision to cut the rope, leaving his partner alone and without support. Simpson has never blamed Yates for his decision and has gone to great lengths in his book and in interviews to defend Simon whose character has been continually under attack since that fateful day.
The film was shot in authentic locations in the Andes and the Alps, and the result is a sense of being there, experiencing the pitiless forces of nature. Though the outcome is preordained, how the two friends managed to survive their ordeal provides more than enough heart-pounding suspense. The film shows Simpson trying to knot a rope with frozen fingers and guzzling the first muddy water he finds to counter the effects of severe dehydration. One of the most intriguing sequences shows the climber in a semi-delirious state listening in his mind to the sound of Boney M's Brown Girl in the Ring.
While there is little in the way of spiritual epiphany (Simpson candidly discusses his atheism), there is an unmistakable feeling that both men have been strengthened by their shared ordeal. Simpson touches the void within him, an emptiness that compels him to keep going only because he "wanted to be with someone when I died". Reaching base camp in the middle of the night, he calls out but no one answers, `When no one answered the call", he says, "I lost something. I lost me.' Then, when Simon and Richard rescue him, the thing he remembers most is the feeling of being held. Though he did not experience a higher power guiding him, he does sense a freedom from the world's clutter that makes him feel more alive. Touching the Void is a tale of remarkable courage and determination that touches the place within ourselves that tells us that miracles can occur in our life if we are able to go beyond what we thought was possible and act as if our life depends on the result.