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Kill Bill: Vol. 2 (2004)
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Overview
User Rating:
Release Date:
16 April 2004 (USA) moreTagline:
Revenge is a dish best served cold. morePlot:
The murderous Bride continues her vengeance quest against her ex-boss, Bill, and his two remaining associates; his younger brother Budd, and Bill's latest flame Elle. full summary | full synopsisAwards:
Nominated for 2 Golden Globes. Another 9 wins & 38 nominations moreNewsDesk:
(75 articles)
Uma Thurman Confirms Talks with Tarantino about Kill Bill 3 (From ReelzChannel. 16 October 2009, 3:48 AM, PDT)
Tarantino Prepares To Kill Bill Again
(From WENN. 4 October 2009, 7:21 AM, PDT)
User Comments:
Master and student should not reverse roles more (866 total)US TV Schedule:
| Fri. Nov. 13 | 10:00 PM | MTV | |||
| Sat. Nov. 14 | 1:00 AM | MTV |
Cast
(Cast overview, first billed only)| Uma Thurman | ... | Beatrix Kiddo - The Bride, 'Black Mamba' | |
| David Carradine | ... | Bill - 'Snake Charmer' | |
| Lucy Liu | ... | O-Ren Ishii (archive footage) | |
| Vivica A. Fox | ... | Vernita Green (archive footage) | |
| Chia Hui Liu | ... | Pai Mei (as Gordon Liu) | |
| Michael Madsen | ... | Budd - 'Sidewinder' | |
| Daryl Hannah | ... | Elle Driver | |
| Michael Parks | ... | Esteban Vihaio | |
| Bo Svenson | ... | Reverend Harmony | |
| Jeannie Epper | ... | Mrs. Harmony | |
| Stephanie L. Moore | ... | Joleen | |
| Shana Stein | ... | Erica | |
| Caitlin Keats | ... | Janeen | |
| Christopher Allen Nelson | ... | Tommy Plympton (as Chris Nelson) | |
| Samuel L. Jackson | ... | Rufus |
Additional Details
Also Known As:
Kill Bill (USA) (closing credits title)Kill Bill Part 2 (USA) (informal title)
Vol. 2 (USA)
more
MPAA:
Rated R for violence, language and brief drug use.Parents Guide:
View content advisory for parentsRuntime:
136 minCountry:
USAAspect Ratio:
1.33 : 1 moreCertification:
Canada:18A (Alberta/Manitoba/Ontario) | Taiwan:R-12 | Malaysia:18SG (re-rating) | Iceland:16 | Hungary:18 | USA:R (certificate #40699) | USA:NC-17 (Special Edition DVD) | Argentina:13 | Australia:MA | Brazil:16 | Canada:13+ (Québec) | Canada:14A (British Columbia) | Canada:18 (Nova Scotia) | Chile:14 | Denmark:15 | Finland:K-15 | France:-12 | Germany:16 | Hong Kong:IIB | Ireland:18 | Israel:16 | Italy:T | Japan:PG-12 | Netherlands:16 | New Zealand:R16 | Norway:15 | Peru:14 | Philippines:R-13 | Poland:15 | Portugal:M/16 | Singapore:M18 (re-rating) | South Africa:16 | South Korea:18 | Spain:18 | Sweden:15 | Switzerland:16 (canton of Zurich) | UK:18Fun Stuff
Trivia:
Elle says, "Now, you should listen to this, 'cause this concerns you." Samuel L. Jackson says the same line in Jackie Brown (1997). moreGoofs:
Boom mic visible: When Budd is confronted by his boss Larry, the boom mic is reflected in Larry's sunglasses. moreQuotes:
[first lines]Bill: Do you find me sadistic? You know, Kiddo, I'd like to believe that you're aware enough even now to know that there's nothing sadistic in my actions. At this moment, this is me at my most masochistic.
The Bride: Bill, it's your baby.
more
Soundtrack:
The Chase moreFAQ
What happened to Elle?Why is Budd angry at Bill?
What type of flute does Bill play?
more
more (866 total)
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Kill Bill I was a delightful surprise, living up to its hype as Tarantino's comic-tinged homage to Chinese and Japanese action-genre films. I could easily imagine all the old directors from Toei Studios having a blast watching Tarantino's final sword-fight scene, a loving imitation of all their samurai reincarnation or Shogun's Ninja films. Then Tarantino had to go and release this pap and spoil everything.
There are two principle problems with this film. First, Tarantino decided he didn't want to do genre any more. KBII is a "serious" film, about such weighty topics as guilt and redemption and love and death and all those other philosophical topics Woody Allen used to poke fun at before he decided to become a "serious" filmmaker, too.
Well, maybe Tarantino could have pulled that off - he didn't do so bad in Pulp Fiction - but he makes what for me is one of those mistakes a film fan can not forgive another film fan for making: he trivializes his predecessors.
Although this film has a large chunk at the beginning paying tribute to the old Shaw Bros. studio (which the first film promised but never got around to), the principle references in this reference-laden film are to the films of Sam Peckinpah and Sergio Leone. And unfortunately, in deciding to make a "serious" film, in order to deal with these references, Tarantino decides that Peckinpah and Leone made typical genre films (i.e., not "serious" films), and that therefore it was up to a better director (himself) to make a "serious" film from their raw materials.
Well, here's the news, Quentin. The Wild Bunch is the American version of Homer's Iliad, and all you've managed to come up with is a Hallmark greeting card that doesn't rhyme. Leone's Once Upon a Time in the West is the Cistine Chapel of a modern Michaelangelo, and all you've given us here is a color-by-numbers Norman Rockwell copy.
What in the name of heaven could Tarantino have been thinking of by trying to "out-serious" directors we know perfectly well he admires?What we get here are cartoon versions of moments from Bring Me the Head of Alfredo Garcia and Once Upon a Time in the West. And that stolen Ennio Morricone music! sure it worked in KBI, because that was homage to Asian genre films and Asian genre films did that sort of thing all the time; but if you're going to get serious, it's time to get original; and, for heaven's sake, Morricone is still alive, I'm sure he'd have been glad to write a new score.
Finally, I should mention an obvious influence on this film that Tarantino would probably not want mentioned - the films of the Coen Brothers. Although they started earlier than Tarantino, they are still technically of the same generation as he. I'm not talking plagiarism - the Coens have done their share of "homaging" with and without credit to the originals. But Tarantino can't afford to try to "out-serious' filmmakers still making films. Especially since the Coens know how to do an homage with respect.
What Tarantino ends up with here is a bunch of scenes that keep banging into each other like box-cars on a (slowly) derailing train. Better it wasn't made. Skip it.