Dear Frankie (2004)

User Rating:

7.8/10   

Director:

Shona Auerbach

Writer:

Andrea Gibb (screenplay)

Release Date:

16 March 2005 (France)

Genre:

Drama

Plot:

After having responded to her son's numerous letters in the guise of his father, a woman hires a stranger to pose as his dad when meeting him.

Plot Keywords:

Stranger | Letter | Sailor | Deaf Boy | Ship

Awards:

8 wins & 5 nominations

Cast

Emily Mortimer	...	Lizzie
Jack McElhone	...	Frankie
Mary Riggans	...	Nell
Sharon Small	...	Marie
Sophie Main	...	Serious Girl
Katy Murphy	...	Miss MacKenzie
Sean Brown	...	Ricky Monroe
Jayd Johnson	...	Catriona
Anna Hepburn	...	Headmistress
Rony Bridges	...	Post Office Clerk
Douglas Stewart Wallace	...	Stamp Shop Keeper
Elaine M. Ellis	...	Librarian (as Elaine Mackenzie Ellis)
Carolyn Calder	...	Barmaid
John Kazek	...	Ally
Gerard Butler	...	The Stranger

Also Known As:

Natural History (UK) (working title)

MPAA:

Rated PG-13 for language.

Runtime:

105 min

Country:

UK

Language:

English | British Sign Language

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

UK:12 (video rating) (2005) | UK:12A (edited for re-rating) | UK:15 (original rating) | Malaysia:U | Finland:K-7 | Iceland:LH | Iceland:LH (video rating) | Portugal:M/12 | South Korea:12 | Argentina:13 | Australia:M | Canada:PG (Ontario) | Hong Kong:I | Netherlands:AL | USA:PG-13 | Brazil:10 | Spain:13 | Singapore:PG

Filming Locations:

Buchanan Street Stamps, Glasgow, Strathclyde, Scotland, UK

Company:

Pathé Pictures International

Trivia:

The song that plays while Lizzie (Emily Mortimer) is sitting on a bench crying after a fruitless attempt to find a "daddy" for Frankie, is written by one of the most famous contemporary Estonian composer -- Arvo Pärt.

Goofs:

Continuity: When Lizzie is climbing up the hill to the overlook, her knees are wet before she kneels on the grass.

Quotes:

Frankie: [to the Stranger] You... coming... back?

Soundtrack:

Spiegel im Spiegel

A real charmer

Like all the best stories, this one is simple and affecting.

There's not a lot in Lizzie and Frankie's lives to aspire to, constantly on the move and clearly in fear of something. All Lizzie wants is to give Frankie the life he deserves, and in the process she sacrifices her own comforts and happiness. The letters Frankie receives from his 'Dad' (written by Lizzie) afford him the comfort and release of imagining far-away adventures and his replies speak to Lizzie in a clear voice which Frankie's deafness denies him in real life.

The prospect of meeting his father, when his ship comes to town, is Frankie's dream - at last the chance to meet the exotic and mysterious man who loves him so much - and Lizzie's completely unexpected nightmare. How they deal with it, more together than they realise at first, is the heart of the film.

Having painted the slightly depressing picture of a mother and son caught in a life which they wouldn't have chosen for themselves, the film runs the risk of mawkish sentimentality to achieve a satisfying conclusion. This, of course, would only appeal to the most sweet-toothed romantics in the audience. But the film's skill in involving the viewer makes for a rewarding experience and the danger of tears being shed by even the most hard-hearted who see it.