| Photos (see all 29 | slideshow) | Videos (see all 9) |
| Jude Law | ... | Alfie | |
| Renée Taylor | ... | Lu Schnitman (as Renee Taylor) | |
| Jane Krakowski | ... | Dorie | |
| Jeff Harding | ... | Phil | |
| Marisa Tomei | ... | Julie | |
| Kevin Rahm | ... | Terry | |
| Max Morris | ... | Max | |
| Omar Epps | ... | Marlon | |
| Nia Long | ... | Lonette | |
| Gedde Watanabe | ... | Wing | |
| Jo Yang | ... | Mrs. Wing | |
| Tara Summers | ... | Carol | |
| Sam Vincenti | ... | Felix | |
| Katherine LaNasa | ... | Uta | |
| Claudette Mink | ... | Bitter Girl | |
| Anouska De Georgiou | ... | Tonya | |
| Anastasia Griffith | ... | Chyna | |
| Jefferson Mays | ... | Dr. Miranda Kulp | |
| Deborah Lynn-Shyer | ... | Pretty Teacher | |
| Veronica Clifford | ... | Waiting Room Nurse | |
| Sondra James | ... | Mrs. Liberman | |
| Dick Latessa | ... | Joe | |
| Susan Sarandon | ... | Liz | |
| Graydon Carter | ... | Wes | |
| Steve Morphew | ... | Waldorf Doorman (as Steven Morphew) | |
| Sienna Miller | ... | Nikki | |
| Finlay Robertson | ... | Bright Young Thing | |
| Edward Hogg | ... | Bright Young Thing | |
| Martha Cope | ... | Bright Young Thing | |
| Ben Jackson | ... | Bright Young Thing | |
| Charlotte Moore | ... | New Year's Eve Singer | |
| Cosima Shaw | ... | New Year's Eve Stunner | |
| Marjan Neshat | ... | Traffic Cop | |
| Gilbert S. Williams | ... | Elvis - the Doorman (as Gil Williams) | |
| Saidah Arrika Ekulona | ... | Gilda - the Receptionist | |
| Stephen Gaghan | ... | Adam | |
| Paul Brooke | ... | Flower Shop Proprietor | |
| rest of cast listed alphabetically: | |||
| Amber Cather | ... | Girl (uncredited) | |
| Dominick Cicco | ... | Hotel Guest (uncredited) | |
| Angela Frye | ... | Madison Avenue Shopper (uncredited) | |
| Cynthia Granville | ... | Hooker (uncredited) | |
| Steve Hamm | ... | Janitor (uncredited) | |
| Daniel Solazzo | ... | Pallbearer (uncredited) | |
| Gunna Wilson | ... | Flight Attendant (uncredited) | |
| Liam Young | ... | Funeral Boy (uncredited) | |
Directed by | |||
| Charles Shyer | |||
Writing credits(WGA) | ||
| Bill Naughton | (play "Alfie") | |
| Bill Naughton | (earlier screenplay) | |
| Elaine Pope | (screenplay) & | |
| Charles Shyer | (screenplay) | |
Produced by | |||
| Sean Daniel | .... | executive producer | |
| Diana Phillips | .... | executive producer | |
| Elaine Pope | .... | producer | |
| Charles Shyer | .... | producer | |
Original Music by | |||
| Mick Jagger | |||
| John Powell | |||
| David A. Stewart | |||
Cinematography by | |||
| Ashley Rowe | (director of photography) | ||
Film Editing by | |||
| Padraic McKinley | (as Padraic Mckinley) | ||
Casting by | |||
| Mindy Marin | |||
Production Design by | |||
| Sophie Becher | |||
Art Direction by | |||
| Ricky Eyres | (supervising art director) | ||
| Joanna Foley | |||
| Alan Gilmore | |||
| Marc Homes | |||
Set Decoration by | |||
| Penny Crawford | |||
Costume Design by | |||
| Beatrix Aruna Pasztor | |||
Makeup Department | |||
| Fríða Aradóttir | .... | key hair stylist (as Frida Aradottir) | |
| Marilyn Carbone | .... | makeup artist: Ms. Sarandon | |
| Sallie Jaye | .... | hair stylist: Mr. Law | |
| Sallie Jaye | .... | makeup artist: Mr. Law | |
| Jo Jenkins | .... | assistant hair stylist (as Joanna Jenkins) | |
| Eileen Kastner-Delago | .... | makeup department head | |
| Kate Lee | .... | makeup artist: Ms. Tomei | |
| Kelly Marazzi | .... | assistant makeup artist | |
| Johnnie Sapong | .... | hair style designer: Mr. Law | |
| Paul Boyce | .... | crowd makeup artist (uncredited) | |
| Rose Chatterton | .... | key hair stylist: New York (uncredited) | |
| Jo Houtmeyers | .... | makeup artist: crowd dailies (uncredited) | |
Production Management | |||
| Donna Grey | .... | production supervisor | |
| Richard Hewitt | .... | production manager | |
| Cecilia Kate Roque | .... | unit production manager: New York | |
Second Unit Director or Assistant Director | |||
| Joseph Aspromonti | .... | second second assistant director: New York | |
| Gianna DeGiulio | .... | dga trainee: New York (as Gianna Degiulio) | |
| Ben Lanning | .... | third assistant director | |
| Cliff Lanning | .... | first assistant director | |
| Matthew Sharp | .... | second assistant director | |
| Jennifer Truelove | .... | second assistant director: New York | |
| Rob Burgess | .... | second assistant director: crowd (uncredited) | |
| Henry Forsyth | .... | third assistant director: re-shoots (uncredited) | |
| Jude Gorjanc | .... | first assistant director: New York second unit (uncredited) | |
| Eric Richard Lasko | .... | additional second assistant director: New York (uncredited) | |
| Olivia Lloyd | .... | second assistant director: additional photography (uncredited) | |
| Dan Winch | .... | second second assistant director (uncredited) | |
Art Department | |||
| Adam Aitken | .... | supervising plasterer | |
| Adrian Aitken | .... | supervising plasterer | |
| Martin Bernstein | .... | construction coordinator: New York | |
| John Botton | .... | dressing props | |
| Mark Lambert Bristol | .... | storyboard artist (as Mark Bristol) | |
| Ian Burrows | .... | chargehand plasterer | |
| Robert W. Carpenter | .... | set dresser: New York | |
| Julia Castle | .... | construction buyer | |
| Alan Chesters | .... | construction manager | |
| Ellen Christiansen | .... | set decorator: New York | |
| Ciaran Donnelly | .... | supervising carpenter | |
| Martin Duffy | .... | on-set carpenter | |
| Harvey Goldberg | .... | chief set dresser: New York | |
| Roman Greller | .... | set dresser: New York | |
| Michael Gunner | .... | supervising painter | |
| Les Hall | .... | chargehand carpenter (as Leslie Hall) | |
| Roy Hansford | .... | chargehand carpenter | |
| Patrick Honan | .... | on-set stagehand | |
| Danny Hunter | .... | property master | |
| Michael Jortner | .... | assistant property master: New York | |
| Henry Kaplan | .... | set dresser: New York | |
| Karen Kates | .... | assistant property master: New York | |
| Malcolm Keen | .... | scenic painter (as Malcolm Keane) | |
| David Ned Kelly | .... | supervising carpenter (as David 'Ned' Kelly) | |
| Michael Kelm | .... | assistant art director | |
| Mark Kimber | .... | chargehand dresser | |
| Constance Kozelek | .... | scenic foreperson: New York | |
| Danny Lane | .... | sculpture: "The Parting of the Waves" | |
| Suttirat Anne Larlarb | .... | art director: New York | |
| Martin Lasowitz | .... | property master: New York | |
| Charles Leatherland | .... | draughtsperson | |
| Timothy Main | .... | construction foreperson: New York (as Tim Main) | |
| David Mears | .... | chargehand painter | |
| Timothy Metzger | .... | lead person: New York | |
| John Moore | .... | props | |
| Brian Neighbour | .... | chargehand carpenter | |
| Jennifer Alex Nickason | .... | production buyer: New York (as Jenny Alex Nickason) | |
| Ian Pape | .... | on-set rigger | |
| Alan Payne | .... | graphic designer | |
| Dave Pearce | .... | chargehand carpenter | |
| Eva Radke | .... | art department coordinator: New York | |
| Ray Roffe | .... | chargehand plasterer | |
| Alija Sehapovic | .... | set dresser: New York | |
| Adam Stockhausen | .... | assistant art director: New York | |
| Greg Sullivan | .... | charge scenic: New York | |
| Micky Swift | .... | chargehand props | |
| Phil Sykes | .... | assistant art director | |
| Joe Taglairino | .... | on-set dresser: New York | |
| Jim Taylor | .... | supervising plasterer | |
| Dave Thompson | .... | chargehand painter (as David Thompson) | |
| Jessie Walker | .... | on-set scenic: New York | |
| John Watts | .... | chargehand painter | |
| Brian Webb | .... | supervising stagehand | |
| Michael Webb | .... | supervising stagehand | |
| Terry Wells | .... | chargehand dresser | |
| Rosanna Westwood | .... | art department coordinator | |
| Kevin Wheeler | .... | supervising props | |
| Steve Williamson | .... | supervising painter | |
| Debbie Wilson | .... | production buyer | |
| Ashley Winter | .... | draughtsperson | |
| Eddie Wolstencroft | .... | on-set painter (as Eddie Wolstonencroft) | |
| Ian Zawadzki | .... | scenic painter | |
| Ann Marie Auricchio | .... | scenic artist (uncredited) | |
| Tony Chance | .... | storyboard artist (uncredited) | |
| Paul Inglis | .... | art director: reshoots (uncredited) | |
| Derrick Kardos | .... | additional graphic designer: props (uncredited) | |
| Lisa Kent | .... | buyer (uncredited) | |
| Kimberley Pope | .... | art department assistant (uncredited) | |
| Jeffrey Rollins | .... | set dresser (uncredited) | |
| Dylan Sheridan | .... | additional props (uncredited) | |
| Rodney Sterbenz | .... | set dresser (uncredited) | |
| Anthony Szuch | .... | drapesman (uncredited) | |
| Lloyd Vincent | .... | stand-by prop (uncredited) | |
| Catherine Whiting | .... | art department assistant (uncredited) | |
Sound Department | |||
| Christopher Ackland | .... | supervising sound effects editor | |
| Ben Barker | .... | sound effects editor | |
| Harry Barnes | .... | foley editor | |
| Peter Burgess | .... | foley artist | |
| John Casali | .... | sound maintenance | |
| Ed Colyer | .... | foley mixer (as Edward Colyer) | |
| David Crozier | .... | production sound mixer | |
| Andie Derrick | .... | foley artist | |
| Susan French | .... | adr editor | |
| Mark Goodermote | .... | boom operator: New York (as Mark Alan Goodermote) | |
| Matthew Gough | .... | sound re-recording mixer | |
| Max Hoskins | .... | supervising dialogue editor | |
| Drew Kunin | .... | sound mixer: New York | |
| Sam Okell | .... | assistant sound engineer | |
| Mike Prestwood Smith | .... | sound re-recording mixer | |
| Alexandra Raveane | .... | assistant sound editor | |
| Steve F.B. Smith | .... | consultant: Dolby Sound | |
| Mirek Stiles | .... | assistant sound engineer | |
| Andy Thompson | .... | adr mixer | |
| David Tyler | .... | assistant foley recordist | |
| Michael Wabro | .... | sound editor | |
| Karl Wasserman | .... | sound utility: New York (as Karl G.E. Wasserman) | |
| Mark Appleby | .... | assistant adr mixer (uncredited) | |
| John Casali | .... | boom operator (uncredited) | |
| Tony Currie | .... | sound editor (uncredited) | |
| Colette Dahanne | .... | temp dub mixer (uncredited) | |
| Mark DeSimone | .... | adr mixer: New York (uncredited) | |
| Rik Elliott | .... | adr assistant (uncredited) | |
| Phillip Mark Freudenfeld | .... | sound technician (uncredited) | |
| Jamie Gambell | .... | additional boom operator (uncredited) | |
| Ben Greaves | .... | additional second boom operator (uncredited) | |
| Steve Hancock | .... | sound studio technician (uncredited) | |
| Simon Hayter | .... | additional sound recordist (uncredited) | |
| Jerome McCann | .... | playback operator (uncredited) | |
| Doug Sinclair | .... | sound editor (uncredited) | |
| Chris Sturmer | .... | consultant: Dolby film sound (uncredited) | |
Special Effects by | |||
| J.C. Brotherhood | .... | special effects coordinator: New York (as JC Brotherhood) | |
| Ricky Farns | .... | special effects supervisor | |
| Chris Jordan | .... | special effects foreperson: New York | |
| Mervyn Loynes | .... | senior special effects technician | |
| Jonathan Bullock | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| John Benn | .... | scanning and recording: Cinesite | |
| Dani Cohen | .... | 2D compositor: Cinesite | |
| Aimee Dadswell-Davies | .... | visual effects producer: Cinesite (as Aimée Dadswell) | |
| Keith Devlin | .... | sequence supervisor: Cinesite | |
| Kevin Horsewood | .... | digital colorist: One Post | |
| Lorraine Johnson | .... | scanning and recording: Cinesite | |
| Simon Johnson | .... | scanning and recording: Cinesite | |
| Kirsty Lawlor | .... | 2D compositor: Cinesite | |
| Sue Rowe | .... | visual effects supervisor: Cinesite | |
| Christoph Schinko | .... | 3D animator: Cinesite | |
| Ben Turner | .... | 2D compositor: Cinesite | |
| Courtney Vanderslice | .... | production executive: Cinesite (as Courtney Vanderslice-Law) | |
| Kathy Wise | .... | digital I/O: Cinesite | |
| Christopher Womack | .... | assistant visual effects editor (as Chris Womack) | |
| Lee Chidwick | .... | digital I/O (uncredited) | |
| Tiffany Cullum | .... | 3D manager: Cinesite (uncredited) | |
| Ben Flatter | .... | bidding coordinator (uncredited) | |
| Dan Harrod | .... | digital artist (uncredited) | |
| Bruno Lesieur | .... | lighting technical director (uncredited) | |
| Jan Meade | .... | projectionist: Cinesite (uncredited) | |
| Danielle Nadal | .... | digital I/O (uncredited) | |
| Clare Norman | .... | visual effects producer (uncredited) | |
| Venetia Penna | .... | scanning and recording: Cinesite (uncredited) | |
| Jason Snyman | .... | visual effects (uncredited) | |
| Clare Tinsley | .... | scanning coordinator (uncredited) | |
Stunts | |||
| G.A. Aguilar | .... | stunt coordinator (as George Aguilar) | |
| Jared Burke | .... | stunts | |
| Nicole Callender | .... | stunts | |
| Chris Cenatiempo | .... | stunts | |
| Bob Colletti | .... | stunts | |
| Blaise Corrigan | .... | stunts | |
| William Cote | .... | stunts (as William Kruschwitz) | |
| Douglas Crosby | .... | stunts | |
| Jeffrey Lee Gibson | .... | stunts (as Jeffrey L. Gibson) | |
| Janet Paparazzo | .... | stunts | |
| Jodi Michelle Pynn | .... | stunts | |
| Terry Serpico | .... | stunts | |
| Jay Spadaro | .... | stunts | |
| Peter Epstein | .... | stunts (uncredited) | |
| Steve Griffin | .... | stunt coordinator (uncredited) | |
| Mark Norby | .... | stunt double: Jude Law (uncredited) | |
Camera and Electrical Department | |||
| David Appleby | .... | still photographer | |
| Terrence C. Burke | .... | grip: New York (as Terrence Burke) | |
| Tony Burns | .... | electrician (as Tony Burnes) | |
| Rod Calarco | .... | second assistant photographer: New York | |
| Andrew Casey | .... | Steadicam operator: "b" camera, New York | |
| Andrew Casey | .... | camera operator: "b" camera, New York | |
| Ian Clark | .... | first assistant photographer | |
| Divine Cox | .... | grip: New York (as Devine Cox) | |
| Tony Cox | .... | grip: New York (as Anthony J. Cox) | |
| Lamont Crawford | .... | grip: New York | |
| Bryan Dolan | .... | electrician: New York (as Brian Dolan) | |
| Thomas Dolan | .... | assistant chief lighting technician: New York (as Tom Dolan) | |
| John Evans | .... | second assistant camera | |
| Gregory Farrell | .... | assistant chief rigging electrician: New York | |
| Stanley Fernandez Jr. | .... | first assistant camera: "b" camera, New York (as Stanley Fernandez) | |
| John Flanagan | .... | rigging electrician: New York (as John Flanagen) | |
| Jay Fortune | .... | chief lighting technician: New York | |
| Robert Fowle | .... | second company grip | |
| Dave Fox | .... | rigging grip | |
| Brad Goss | .... | dolly grip operator: New York | |
| Lukasz Jogalla | .... | camera operator: New York | |
| Joanne Lee | .... | second assistant camera: "b" camera | |
| Stephen Lee | .... | video assist | |
| Andy Long | .... | chief lighting technician | |
| Dennis Malone | .... | rigging electrician: New York | |
| James Malone | .... | chief rigging electrician: New York (as James 'Mugsy' Malone) | |
| Dave McAllister | .... | second company grip: New York (as David McAllister) | |
| Brian McClean | .... | electrician: New York (as Brian Mclean) | |
| Vince McGahon | .... | Steadicam operator | |
| Vince McGahon | .... | camera operator: "b" camera | |
| Brian Mcgivern | .... | generator operator (as Brian McGivern) | |
| James McMillan | .... | first company grip: New York | |
| Jim McMillan Jr. | .... | grip: New York (as James McMillan Jr.) | |
| Mark Melendez | .... | rigging electrician: New York | |
| Joe Morrone | .... | film loader: New York | |
| George Motz | .... | additional photographer: New York | |
| John Pitt | .... | chief rigging grip | |
| Christopher Raymond | .... | second assistant camera: "b" camera, New York (as Chris Raymond) | |
| John Robinson | .... | first company grip | |
| Roy Rowland | .... | electrician (as Roy Rowlands) | |
| Daniel Salk | .... | video assist: New York (as Daniel R. Salk) | |
| Norbert Schoerner | .... | photographer: Nikki's montage (as Norbert Shoerner) | |
| Ross Slater | .... | rigging grip | |
| Iain Struthers | .... | first assistant camera: "b" camera | |
| William Tracey | .... | assistant chief lighting technician (as Bill Tracey) | |
| Christopher Vaccaro | .... | grip: New York (as Chris Vaccaro) | |
| Craig Vaccaro | .... | first company rigging grip: New York | |
| Nicky 'Nuckles' Vaccaro | .... | second company rigging grip: New York (as Nicholas Vaccaro) | |
| David Wall | .... | electrician | |
| James C. Walsh | .... | rigging electrician: New York | |
| Martyn Welland | .... | electrician | |
| Dave Brennan | .... | rigging electrician (uncredited) | |
| Barnaby Crocker | .... | clapper loader (uncredited) | |
| Kate Filby | .... | clapper loader: additional photography (uncredited) | |
| Wick Finch | .... | gaffer: second unit (uncredited) | |
| Will Finch | .... | electrician (uncredited) | |
| Rory Fry | .... | assistant video operator (uncredited) | |
| Alan Grayley | .... | rigging electrician (uncredited) | |
| Steve Hideg | .... | crane technician (uncredited) | |
| Paul Jarvis | .... | electrician (uncredited) | |
| Wayne King | .... | electrician (uncredited) | |
| Steve Lawes | .... | focus puller: second unit (uncredited) | |
| Campbell McIntosh | .... | gaffer: additional photography (uncredited) | |
| George Motz | .... | camera operator (uncredited) | |
| Andy Mountain | .... | light console operator (uncredited) | |
| John Romeo | .... | assistant camera (uncredited) | |
| Andy Thomson | .... | crane technician (uncredited) | |
| Mark Tillie | .... | special still photographer (uncredited) | |
Casting Department | |||
| Rosalie Clayton | .... | casting assistant: UK | |
| Nina Gold | .... | casting: UK | |
| Cathy Weiner | .... | casting associate | |
| Tamara Gillon | .... | casting associate (uncredited) | |
| Sasha Robertson | .... | additional casting (uncredited) | |
Costume and Wardrobe Department | |||
| Joaquin Ballabriga | .... | assistant costume designer | |
| Joseph Cigliano | .... | costumer | |
| Joseph Cigliano | .... | wardrobe: New York (as Joseph A. Cigliano) | |
| Lynne Maureen Curtis | .... | wardrobe supervisor: New York | |
| Philip Goldsworthy | .... | costumer (as Phil Goldsworthy) | |
| Dan Grace | .... | dresser: Mr. Law | |
| Josie Martin | .... | costumer | |
| Shirley Nevin | .... | wardrobe supervisor | |
| Janna Notick | .... | wardrobe supervisor: New York | |
| Alexis Scott | .... | assistant costume designer: New York | |
| Faith Thomas | .... | chief costumer | |
| Camille Loftus | .... | costume design production assistant (uncredited) | |
| Estella Marie | .... | seamstress (uncredited) | |
| Julia Patkos | .... | costume design assistant (uncredited) | |
Editorial Department | |||
| Matt Adams | .... | digital intermediate producer: One Post | |
| Rob Gordon | .... | digital online assembler: One Post | |
| Mark Lane | .... | assistant editor | |
| Lisa Mantoux | .... | editorial production assistant | |
| Jonathan Taylor | .... | assistant editor: avid | |
| Jason Wheeler | .... | negative cutter | |
| Christopher Womack | .... | assistant film editor (as Chris Womack) | |
Music Department | |||
| Justine Angus | .... | assistant music editor | |
| Peter Clarke | .... | music editor | |
| Peter Cobbin | .... | music recordist | |
| Ned Douglas | .... | music programmer | |
| Felix Erskine | .... | music producer assistant | |
| Isobel Griffiths | .... | orchestra contractor | |
| Nick Ingman | .... | orchestrator | |
| Mick Jagger | .... | executive music producer | |
| Mick Jagger | .... | performer: original songs | |
| Daniel Lerner | .... | additional music programmer | |
| Daniel Lerner | .... | additional music recordist | |
| Cliff Masterson | .... | orchestrator | |
| Stephen McLaughlin | .... | music mixer (as Steve McLaughlin) | |
| James Shearman | .... | orchestrator | |
| Tony Stanton | .... | music preparation | |
| David A. Stewart | .... | executive music producer | |
| David A. Stewart | .... | performer: original songs | |
| David Tickle | .... | music recordist | |
| Gavyn Wright | .... | orchestra leader | |
| Tom Chichester-Clark | .... | technical score advisor (uncredited) | |
| Roland Heap | .... | assistant scoring engineer (uncredited) | |
| Paul Kegg | .... | musician: cello (uncredited) | |
| Stephen McLaughlin | .... | music producer (uncredited) | |
| Stuart Morton | .... | assistant music editor (uncredited) | |
Transportation Department | |||
| Michael Fennimore | .... | transportation co-captain: New York (as Michael Fennimor) | |
| Kevin Keefe | .... | transportation captain: New York | |
| Kristopher Keefe | .... | transportation co-captain: New York (as Kristopher K. Keefe) | |
| Gerry Turner | .... | transportation manager | |
| Bobby Marsh | .... | driver (uncredited) | |
Thanks | |||
| Michelle Manning | .... | very special thanks | |
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Oh, what a powerful film the original Alfie was. What amazing creativity, themes, and structure it had! It was enjoyable to watch because Caine has this uncanny ability to bring you into his world. He is so calm and "everyday" that Alfie's words pull you into the screen and allow you to become involved with his life. I only wish this could have been true with this disastrous remake. Jude Law attempts at every angle possible to bring that pizazz that Caine brought to the screen, but ultimately fails in every attempt. While Caine, in the original, felt like he could have represented you or I, Law in this film, feels like he is ripped from the pages of Vogue or In Style magazine. You know that point in a magazine where you feel that the ads featuring models wearing clothes that you will never fully appreciate seem to clutter the pages instead of articles? Well, that is exactly what this remake felt to me. Instead of a powerful story being the central focus of the film, we were bombarded, nearly drowned, in model-esquire images of the people of NYC and how only the very beautiful are attracted to the very beautiful. Coupled with cinematography that feels like a super-budged GAP ad, I could only squint as my stomach hurled with disgust.
"What's it all about, Alfie?" A simple question that is the central focus of the first film, while in this pathetic remake, it is never disclosed until the very end. Why did this film suffer? First of all, Jude Law is no Michael Caine. He doesn't have that "every man" sort of appeal that dragged me into the film. I never really felt like he was talking to me, but instead trying to maneuver his way into the mantra of the female audience. That was a huge problem for me as well, in the original, Caine talks to the men of the audience, while in the remake, Law attempts to gain sympathy from the females in the audience. Law just cannot seem to capture the ideals of Alfie. He is a womanizer, I know that, but there are more layers to this character than just that. Sadly, Law brought none of them out. Even at the end, I never felt as if there was a final moment of realization or symbolic referencing. "What was it all about?" The original, I could tell you, for this remake, it seemed a bit fuzzy and dislocated. I don't know what it was about except a man not committed to anything glides through life with a smile somehow still located on his face. Perhaps it wasn't just Law's work, but also the ladies that accompanied him. These are women that the average man will never meet, or ever encounter. So, how could we relate to the story? Marisa Tomei, Susan Sarandon, Nia Long, and even Sienna Miller seemed to give glamorized renditions of hurt women. The original was about Alfie, but several believe that the staples to the story were the women that surrounded him. I can honestly say that the staples to this film were not the women, because Jude Law hailed top billing. Did the director even see the original?
I would like to address the issue of whether this was a remake or just an "updated" version of the original Alfie. My answer is that it is a remake that crashes considerably when you place the two films together. My biggest issue with this remake was that it addressed nothing. In the original film, it was apparent from the first 30 minutes of the movie that Alfie was a troubled man who carried trouble on his back and deposited trouble to each one of his encounters. One might even say victims. Was it a sign of the times or something that is inherent in the female species that lead to the destruction of so many hopes and dreams? The 60's were a time of floundering economically and politically for most of the world. Did Alfie seize on the free-sex, free love atmosphere that became prevalent during that time or were his predatory skills developed much earlier in his life? Alfie wasn't strong enough a character to go into self-destruct alone. The weakness of his character insisted that he bring everyone down with him. Just as in the animal kingdom the predator preys on the victim that is unsuspecting, most vulnerable and most importantly the victim who cannot hurt him. He must always stay insulated from the outside world. Yet, in the remake, I saw nothing of the sort. I saw random chaos where Hollywood regained our sympathy by making our lead character this "can never be mad at Jude Law". Not living in NYC or in a place where models walk around on the streets, nor a frequent viewer of Vogue magazine, I didn't find the appeal of subtle themes of this film at all. Alfie goes through the motions as he does in the original, but there is considerable chunk of life missing.
Overall, this was a very disappointing remake. The music just didn't seem to carry that same charm that the original did, nor did the rest of the cast. This was not an art film, but instead a Hollywood creation that lacked the appeal of the original. It was created to boost some sex appeal for Jude Law instead of showing this radical vision of our world. Alfie is genuine in the original, and quite plastic in this remake, which ultimately hurt the overall impression of the film. Those that say that you cannot compare the original and this remake together because they are two separate films, I would completely disagree with. This Alfie was a remake and was poorly put together while the original was, "powerful, humorous, yet pointed story".
Grade: ** out of *****