| Photos (see all 39 | slideshow) | Videos (see all 3) |
| Blanchard Ryan | ... | Susan | |
| Daniel Travis | ... | Daniel | |
| Saul Stein | ... | Seth | |
| Michael E. Williamson | ... | Davis (as Michael Williamson) | |
| Cristina Zenarro | ... | Linda (as Cristina Zenaro) | |
| John Charles | ... | Junior (as Jon Charles) | |
| rest of cast listed alphabetically: | |||
| Estelle Lau | ... | Estelle (uncredited) | |
| Steve Lemme | ... | Scuba Diver (uncredited) | |
Directed by | |||
| Chris Kentis | |||
Writing credits | ||
| Chris Kentis | (written by) | |
Produced by | |||
| Estelle Lau | .... | associate producer | |
| Laura Lau | .... | producer | |
| Gary Lorenzo | .... | executive producer (uncredited) | |
Original Music by | |||
| Graeme Revell | |||
Cinematography by | |||
| Chris Kentis | (shot by) | ||
| Laura Lau | (shot by) | ||
Film Editing by | |||
| Chris Kentis | |||
Sound Department | |||
| Mark DeSimone | .... | adr mixer: New York | |
| Marc Fishman | .... | sound re-recording mixer | |
| Tony Lamberti | .... | sound re-recording mixer | |
| Jon Mete | .... | sound effects editor | |
| Glenn T. Morgan | .... | supervising sound editor | |
| Todd Orr | .... | sound re-recording mixer | |
| Tom Ozanich | .... | sound designer | |
| Ben Wilkins | .... | sound editor | |
| David Barbee | .... | sound editor (uncredited) | |
| John Bires | .... | audio engineer (uncredited) | |
| Matt Colleran | .... | sound re-recordist (uncredited) | |
| Victor Ray Ennis | .... | first assistant sound editor (uncredited) | |
| Paul Flinchbaugh | .... | digital assistant (uncredited) | |
| Nerses Gezalyan | .... | foley mixer (uncredited) | |
| Jeff Glueck | .... | audio engineer (uncredited) | |
| Kenneth L. Johnson | .... | foley editor (uncredited) | |
| Diane Marshall | .... | foley artist (uncredited) | |
| Stefanie Melchor | .... | additional sound (uncredited) | |
| James Moriana | .... | foley artist (uncredited) | |
| Lucy Sustar | .... | foley artist (uncredited) | |
| Jeffrey Wilhoit | .... | foley artist (uncredited) | |
| David Young | .... | audio engineer (uncredited) | |
Visual Effects by | |||
| Haven Cousins | .... | compositor | |
Editorial Department | |||
| Haven Cousins | .... | lead colorist | |
| Thomas Edmon | .... | digital intermediate supervisor (as Tom Edmon) | |
| Jim Finn | .... | negative cutter | |
| Matt Woo | .... | digital intermediate technician | |
| Richard Haylock | .... | on-line editor (uncredited) | |
| Corey Lincoln | .... | post-production assistant (uncredited) | |
Music Department | |||
| Nathan Barr | .... | composer: additional music | |
| Mark Curry | .... | score mixer | |
| Joel C. High | .... | music executive | |
| Ashley Revell | .... | music editor | |
Other crew | |||
| Stuart Cove | .... | shark wrangler | |
| Robert Luttrell | .... | digital film timer | |
| Pascual Romero | .... | publicity and promotions | |
| David E. Russo | .... | programmer | |
Thanks | |||
| Oreet Rees | .... | special thanks | |
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| Open Water 2: Adrift | Titanic | Into the Wild | The Basketball Diaries | Pacific Heights |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
| Add this title to MyMovies |
It really doesn't surprise me that some people don't like this film. After all to truly enjoy Open Water one must open their mind and think. In this day and age that hardly ever happens anymore. Most filmmakers just decide to blow things up and hope that it's enough to entertain their audiences. Society in general has become numb what with the plots just laid out in front of us never questioning or asking us to use our imaginations. Open Water is a film that asks its viewers to place themselves at the heart of the movie; to feel the desperation, the hopelessness and the absolute terrifying ordeal. And for a change the movie is shot in a way that allows the viewer to feel as if truly there. Is it Jaws? No and its not meant to be. Maybe that's where the confusion lays. Open Water is a suspenseful film, excellent at that. If you're someone who actually enjoys figuring out the movie for yourself instead of being told in the first five minutes this is the film for you. Score: A.