| Photos (see all 105 | slideshow) | Videos (see all 10) |
| Sun. July 5 | 9:00 PM | NBC |
Directed by | |||
| Paul Greengrass | |||
Writing credits(WGA) | ||
| Robert Ludlum | (novel) | |
| Tony Gilroy | (screenplay) | |
Produced by | |||
| Patrick Crowley | .... | producer | |
| Doug Liman | .... | executive producer | |
| Frank Marshall | .... | producer | |
| Henning Molfenter | .... | associate producer | |
| Henry Morrison | .... | executive producer | |
| Colin J. O'Hara | .... | associate producer (as Colin O'Hara) | |
| Thierry Potok | .... | associate producer | |
| Paul Sandberg | .... | producer (as Paul L. Sandberg) | |
| Andrew R. Tennenbaum | .... | co-producer | |
| Jeffrey M. Weiner | .... | executive producer | |
Original Music by | |||
| John Powell | |||
Cinematography by | |||
| Oliver Wood | (director of photography) | ||
Film Editing by | |||
| Richard Pearson | |||
| Christopher Rouse | |||
Casting by | |||
| Daniel Hubbard | |||
| John Hubbard | |||
| Joseph Middleton | |||
Production Design by | |||
| Dominic Watkins | |||
Art Direction by | |||
| Philip Elton | (as Philip A. Elton) | ||
| Sarah Horton | |||
| Sebastian T. Krawinkel | (as Sebastian Krawinkel) | ||
| Peter Wenham | (supervising art director) | ||
Set Decoration by | |||
| Bernhard Henrich | |||
Costume Design by | |||
| Dinah Collin | |||
Makeup Department | |||
| Christine Beveridge | .... | chief makeup artist (as Chrissie Beveridge) | |
| Christine Beveridge | .... | makeup artist: Mr. Damon (as Chrissie Beveridge) | |
| Yuliya Denisova | .... | makeup artist: Moscow (as Julia Denisova) | |
| Kay Georgiou | .... | chief hair stylist | |
| Kay Georgiou | .... | hair stylist: Mr. Damon | |
| Pascal Herr | .... | makeup artist: Germany | |
| Petra Schaumann | .... | hair stylist | |
| Valeska Schitthelm | .... | makeup artist | |
Production Management | |||
| Chris Bromley | .... | unit production manager: second unit | |
| Nupu Chaudhuri | .... | production supervisor: India (as Nupu Press) | |
| Patrick Crowley | .... | unit production manager | |
| Mitchell E. Dauterive | .... | production supervisor (as Mitchell Dauterive) | |
| Sonja Döring | .... | unit manager: second unit | |
| Miki Emmrich | .... | unit production manager: second unit | |
| Sergei Gurevich | .... | production manager: Moscow | |
| Jeremy Johns | .... | production manager: underwater unit | |
| Marcus Loges | .... | production manager: Germany | |
| Riccardo Neri | .... | unit production manager: Naples | |
| Gianluca Passone | .... | unit manager: Naples | |
| Eva-Maria Pilling | .... | assistant production manager: second unit | |
| Sean T. Stratton | .... | post-production supervisor | |
| Leonid Vereschtchaguine | .... | production supervisor: Moscow (as Leonid Vereschagin) | |
Visual Effects by | |||
| Jayni Borgaro | .... | paint and roto artist: CIS Hollywood | |
| Kim Boyle | .... | visual effects producer: CIS Hollywood | |
| Mark Casey | .... | associate visual effects supervisor: ILM | |
| Patrick Clancey | .... | digital opticals | |
| Caitlin Content | .... | Sabre artist: ILM | |
| Laura Denicke | .... | production coordinator: ILM | |
| Linda Drake | .... | visual effects editor | |
| Nika Dunne | .... | plate restoration: ILM | |
| Michael Eaves | .... | digital color timer | |
| Jesse Fernley | .... | compositor: CIS Hollywood | |
| Amy Garback | .... | CG artist: CIS Hollywood | |
| Julia Gaudette | .... | visual effects coordinator: CIS Hollywood | |
| Larry Gaynor | .... | senior paint/roto artist | |
| David Geoghegan | .... | digital optical compositor | |
| Greg Gilmore | .... | Sabre artist: ILM | |
| Monique Gougeon | .... | visual effects production coordinator: ILM (as Monique Gougeon-di Como) | |
| Orin Green | .... | Sabre artist: ILM | |
| Kip Hansen | .... | color timing supervisor: ILM | |
| Pablo Helman | .... | visual effects supervisor | |
| Darren Jones | .... | digital imaging engineer | |
| Brad Kalinoski | .... | digital compositor: pacific title and arts studio | |
| Patrick Kavanaugh | .... | compositor: CIS Hollywood | |
| Patrick Keenan | .... | digital compositor: Pacific Title Digital | |
| Gregory D. Liegey | .... | digital effects supervisor: CIS Hollywood (as Greg Liegey) | |
| Kevin Lin | .... | quality control Combustion paint artist, digital intermediate: Efilm/Panavision | |
| Kevin Lin | .... | quality control coordinator, digital intermediate: Efilm/Panavision | |
| Heather MacDonald | .... | visual effects producer: ILM | |
| Jennifer MacKenzie | .... | paint/roto artist: ILM | |
| Heather MacPhee | .... | paint and rotoscope artist: CIS Hollywood | |
| Kevin May | .... | Sabre artist: ILM | |
| Scott McGinley | .... | previsualization artist | |
| Todd Mitchell | .... | digital imaging operator: ILM | |
| Marc Nanjo | .... | compositor: CIS Hollywood | |
| Ben O'Brien | .... | Sabre artist: ILM | |
| Gregory Oehler | .... | compositing supervisor: CIS Hollywood | |
| Thaddeus Parkinson | .... | techincal assistant: ILM | |
| Anthony Randolph | .... | CG resource assistant: ILM | |
| Raymond Ribaric | .... | assistant technical director | |
| Sam Robinson | .... | digital intermediate assistant producer | |
| Sam Robinson | .... | visual effects production assistant | |
| Thomas J. Smith | .... | visual effects supervisor: CIS Hollywood | |
| Chad Taylor | .... | Sabre artist: ILM | |
| Jon Terada | .... | digital compositor | |
| Michael Van Eps | .... | paint/roto artist: ILM (as Mike Van Eps) | |
| Paul Vega | .... | visual effects editor | |
| Bob Wiatr | .... | digital compositor | |
| Christopher Wright | .... | production assistant: ILM | |
| Kristopher Wright | .... | visual effects production assistant: ILM | |
| Rita E. Zimmerman | .... | Sabre artist: ILM (as Rita Zimmerman) | |
| Chris Allen | .... | research & development supervisor: CIS Hollywood (uncredited) | |
| Chris Anderson | .... | jr. paint and rotoscope artist: CIS Hollywood (uncredited) | |
| Matt Ashton | .... | senior systems: CIS Hollywood (uncredited) | |
| Donald Fly | .... | general manager: CIS Hollywood (uncredited) | |
| Corey Garnett | .... | systems: CIS Hollywood (uncredited) | |
| Maryjane Layani | .... | production accountant: CIS Hollywood (uncredited) | |
| Thomas Mathai | .... | data operator (uncredited) | |
| Kyle Yamamoto | .... | research and development programmer: CIS Hollywood (uncredited) | |
Animation Department | |||
| Gary Hebert | .... | animator | |
Casting Department | |||
| Annette Borgmann | .... | casting: Germany | |
| Chris Bustard | .... | extras casting: Los Angeles | |
| Marcel Dykiert | .... | extras casting | |
| Lauren Grey | .... | casting assistant | |
| Sarah Hanna | .... | casting assistant: UK | |
| Kelly Valentine Hendry | .... | casting assistant: UK | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting | |
| Meghan McLaughlin | .... | casting assistant | |
| Brendan McNamara | .... | casting assistant | |
| Ali Merhi | .... | extras casting assistant | |
| Iris Müller | .... | extras casting | |
| Tamara Notcutt | .... | casting assistant | |
| Kathleen Tomasik | .... | casting associate | |
Costume and Wardrobe Department | |||
| Himani Dehlvi | .... | costume supervisor | |
| Sabine Groh | .... | key costumer | |
| Sparka Lee Hall | .... | costume assistant | |
| Sunny Rowley | .... | crowd wardrobe mistress | |
| Barnaby Smith | .... | costumer: Mr. Damon (as Barnaby Smith Jr.) | |
| Petra Wellenstein | .... | costume supervisor | |
Editorial Department | |||
| Marlene Assmann | .... | post-production assistant | |
| Etienne Boussac | .... | second assistant film editor | |
| Brett Carroll | .... | first assistant editor | |
| Coral D'Alessandro | .... | post-production assistant | |
| Michael Eaves | .... | digital color timer | |
| Steven T. Ellis | .... | post-production coordinator | |
| Mark Fitzgerald | .... | first assistant editor | |
| Nathan R. Fitzgerald | .... | digital intermediate editor | |
| Thomas M. Harrigan | .... | assistant editor | |
| Jack Lewars | .... | assistant color timer: Efilm | |
| Angie Luckey | .... | assistant editor | |
| Tom Scully | .... | assistant editor | |
| Sandeep Sheth | .... | third assistant editor | |
| Danita Slaughter | .... | assistant digital intermediate editor | |
| Sean Thompson | .... | first assistant editor | |
| Lee Wimer | .... | film timer | |
Music Department | |||
| Pete Anthony | .... | conductor | |
| Julian Bratolyubov | .... | music preparation | |
| Thomas A. Carlson | .... | supervising music editor (as Tom Carlson) | |
| David Channing | .... | consultant: electronic score | |
| Bryan Clements | .... | scoring crew | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Mark Eshelman | .... | scoring crew | |
| Elizabeth Finch | .... | orchestrator | |
| Bruce Fowler | .... | orchestrator | |
| Walt Fowler | .... | orchestrator | |
| Germaine Franco | .... | score production coordinator | |
| Rick Giovinazzo | .... | orchestrator | |
| Zigmund Gron | .... | music editor: temp music (as Zig Gron) | |
| Steve Kempster | .... | additional scoring mixer | |
| Daniel Lerner | .... | synth recordist (as Dan Lerner) | |
| T.J. Lindgren | .... | additional music arranger | |
| T.J. Lindgren | .... | additional music programmer | |
| Greg Loskorn | .... | scoring technician | |
| Adam Michalak | .... | score recordist | |
| Yvonne S. Moriarty | .... | orchestrator (as Suzette Moriarty) | |
| Peter Myles | .... | music editor | |
| Kathy Nelson | .... | executive in charge of music | |
| John Powell | .... | conductor | |
| John Rodd | .... | score recordist | |
| Tim Rodier | .... | music preparation | |
| Dennis S. Sands | .... | music mixer (as Dennis Sands) | |
| Dennis S. Sands | .... | music recordist (as Dennis Sands) | |
| Erik Swanson | .... | consultant: electronic score | |
| John Ashton Thomas | .... | additional music arranger | |
| John Ashton Thomas | .... | additional music programmer | |
| Eric Zobler | .... | additional scoring mixer | |
Transportation Department | |||
| Markus Bendler | .... | additional picture vehicles coordinator | |
| Florian Dieckmann | .... | production driver | |
| Ravi Dube | .... | transportation coordinator: Goa/Moscow | |
| Jens Enderling | .... | transportation captain: second unit | |
| Michael Fechner | .... | picture vehicles coordinator | |
| Florian Haeger | .... | production driver | |
| Axel Hübner | .... | personal driver: Mary Radford | |
| Daniel Huhn | .... | production driver | |
| Graham Kelly | .... | picture vehicle coordinator: second unit car chase | |
| Oliver Kueper | .... | transportation office trainee: Germany | |
| Jan Luo | .... | driver: cast | |
| Paolo Maggio | .... | driver: costume department | |
| Inga Meissner | .... | transportation captain | |
| Grit Menzzer | .... | driver: Karl Urban/Franka Potente, Germany | |
| Klaus Mielich | .... | transportation coordinator: re-shoot | |
| Peti Misaila | .... | additional production driver: Germany (as Petra Misaila) | |
| Alexander Müller-Lenhartz | .... | driver captain: second unit | |
| Alexander Müller-Lenhartz | .... | production driver | |
| Sebastian Neitsch | .... | transportation coordinator | |
| Boris Olomi | .... | picture vehicle technician | |
| Roland Schütz | .... | additional production driver: Germany | |
| Gerry Turner | .... | transportation coordinator | |
| Nina Ruhkala | .... | assistant action vehicle coordinator (uncredited) | |
|
|
|
|
|
| The Bourne Identity | Live Free or Die Hard | The Godfather | The Bourne Ultimatum | Casino Royale |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
| Add this title to MyMovies |
The Bourne Identity was one of those films that some people will love for being different to the average action film, but others will hate for it daring to be 'too' different. Unlike the majority of action movies before it, the first Bourne film, despite having stunts and explosions never put it's emphasis on them, as the focus was always on the central characters and their use of brains, rather than brawn to accomplish their goals. The sequel is basically more of the same, but it's a welcome return in my opinion, as cinema needs films that are different to the majority. It's also a good thing as I'm a big fan of Matt Damon. It's unfair that he should continue to get lumped in with Ben Afleck due to their friendship as he has a lot of talent and I think that the fact he's gone for more art orientated films as opposed to the dumb blockbusters his friend was drawn to like a moth to the light shows that he has a genuine respect for cinema. He stars as the title character; Jason Bourne, who, like the film itself is hardly your average action fare. He doesn't utter one liners shortly before or after blowing someone away, nor does he spend most of the movie trying to look cool; espionage is the order of the day and it works very well in the context of the film.
Because it's plot heavy, The Bourne Supremacy requires the viewer to watch, and the large amount of talking goes some way to distancing this from most other action movies. However, this could also be seen as a bad point as it can, at times, hinder the movie in the excitement stakes and make it difficult viewing for those that do like their action. The movie spans across Europe to a number of different countries including Germany, Britain, France and Russia and this keeps it exciting as it allows the landscape of the movie to change constantly and the film doesn't dwell in the same area. In fact, the film is very efficient on the whole and it never overindulges in anything, which compensates for the amount of talking and allows it to be exciting. Despite it being more stealthy than most, time is still found for a number of high-octane sequences including fist-fights, explosions and a great car chase that looks as if it could have been lifted straight out of Grand Theft Auto.
Overall, I would say that this is a slightly lesser film than the original, but there is still much to like about it and fans of Bourne will no doubt enjoy themselves. It's also recommended if you're sure that every action movie since 1988 is a Die Hard clone...