| Photos (see all 28 | slideshow) | Videos (see all 6 NEW) |
| Javier Bardem | ... | Ramón Sampedro | |
| Belén Rueda | ... | Julia | |
| Lola Dueñas | ... | Rosa | |
| Mabel Rivera | ... | Manuela | |
| Celso Bugallo | ... | José | |
| Clara Segura | ... | Gené | |
| Joan Dalmau | ... | Joaquín | |
| Alberto Jiménez | ... | Germán | |
| Tamar Novas | ... | Javi | |
| Francesc Garrido | ... | Marc | |
| Josep Maria Pou | ... | Padre Francisco (as José María Pou) | |
| Alberto Amarilla | ... | Hermano Andrés | |
| Andrea Occhipinti | ... | Santiago | |
| Federico Pérez Rey | ... | Conductor | |
| Nicolás Fernández Luna | ... | Cristian | |
| Raúl Lavisier | ... | Samuel | |
| Xosé Manuel Olveira 'Pico' | ... | Juez 1 | |
| César Cambeiro | ... | Juez 2 | |
| Xosé Manuel Esperante | ... | Periodista 1 | |
| Yolanda Muiños | ... | Periodista 2 | |
| Adolfo Obregón | ... | Ejecutivo | |
| José Luis Rodríguez | ... | Presentador | |
| Julio Jordán | ... | Encuadernador | |
| Juan Manuel Vidal | ... | Amigo Ramón | |
| Marta Larralde | ... | Muchacha Playa | |
| rest of cast listed alphabetically: | |||
| Jordi Ballester | |||
Directed by | |||
| Alejandro Amenábar | |||
Writing credits | ||
| Alejandro Amenábar | (screenplay) and | |
| Mateo Gil | (screenplay) | |
Produced by | |||
| Alejandro Amenábar | .... | producer | |
| Fernando Bovaira | .... | producer | |
| Emiliano Otegui | .... | line producer | |
Original Music by | |||
| Alejandro Amenábar | |||
Cinematography by | |||
| Javier Aguirresarobe | (director of photography) | ||
Film Editing by | |||
| Alejandro Amenábar | |||
Casting by | |||
| Luis San Narciso | (casting director) | ||
Production Design by | |||
| Benjamín Fernández | |||
Art Direction by | |||
| Benjamín Fernández | |||
Set Decoration by | |||
| Emilio Ardura | |||
Costume Design by | |||
| Sonia Grande | |||
Makeup Department | |||
| James Allen | .... | special makeup assistant | |
| Jo Allen | .... | special makeup designer | |
| Mara Collazo | .... | hair stylist | |
| Chris Fitzgerald | .... | sculptor | |
| Manolo García | .... | hair stylist | |
| Ana López Puigcerver | .... | makeup artist | |
| David Martí | .... | special makeup effects artist | |
| Ana Urosa | .... | makeup artist | |
Production Management | |||
| José Antonio García Tapia | .... | production manager | |
| Emiliano Otegui | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Larisa Balinge | .... | assistant director | |
| José Ramón Otegui | .... | second assistant director (as Joserra Otegui) | |
| Walter Prieto | .... | assistant director | |
Art Department | |||
| Gonzalo Anso | .... | props | |
| Alberto Báez | .... | carpenter | |
| Leo Báez | .... | construction coordinator | |
| Pedro Calderón | .... | painter | |
| Paco Calonge | .... | props (as Francisco Calonge) | |
| Manuel Casla | .... | carpenter | |
| Carlos Chamorro | .... | laborer | |
| Manuel Chamorro | .... | carpenter | |
| Salvador Comes | .... | painter | |
| Blas Díaz | .... | carpenter | |
| Francisco Díaz | .... | carpenter | |
| Alejandro Fernández | .... | assistant art director | |
| Francisco Fernández | .... | carpenter | |
| Antonio Lopez | .... | carpenter | |
| Natalia Montes | .... | storyboard artist | |
| Rubén Rivas | .... | graphic designer | |
| Tino Torrescusa | .... | property master | |
| Ana Viana | .... | apprentice art director | |
| Juan Ignacio Viñuales | .... | props | |
Sound Department | |||
| Susana Benito | .... | assistant sound mixer | |
| Ricard Camprodón | .... | sound consultant: SDDS | |
| Manuel Cora | .... | sound consultant: DTS | |
| Juan Ferro | .... | sound editor | |
| Alfonso Raposo | .... | sound mixer | |
| Guillermo Solana | .... | boom operator | |
| María Steinberg | .... | sound editor | |
| María Steinberg | .... | sound effects editor | |
| Ricardo Steinberg | .... | sound | |
| Ricardo Viñas | .... | stereo sound consultant: Dolby | |
Special Effects by | |||
| David Campos | .... | special effects | |
| Pau Costa | .... | special effects supervisor | |
| Giacomo Iovino | .... | mold maker | |
| Javier Jal | .... | special effects technician | |
| Javier H. Moneo | .... | special effects technician | |
| Julio Navarro | .... | special effects technician | |
| Raúl Romanillos | .... | special effects supervisor | |
| Juan Serrano | .... | special effects technician: DDT SFX | |
| Stuart Sewell | .... | mold maker | |
Visual Effects by | |||
| Sara Alavés | .... | visual effects producer | |
| Nike Alonso | .... | visual effects producer | |
| Helmuth Barnert | .... | digital compositor | |
| Manuel Barrero | .... | digital restoration: Fotofilm Madrid | |
| Félix Bergés | .... | visual effects supervisor | |
| Montse Capdevila | .... | digital compositor | |
| María Carretero | .... | graphic effects artist | |
| Gonzalo Carrión | .... | 3D infography | |
| Eduardo Díaz | .... | digital compositor | |
| Juancho Fernández | .... | digital compositor | |
| Segundo Fernández | .... | digital compositor | |
| Vincent Gilot | .... | motion control operator | |
| Tim Mendler | .... | motion control operator | |
| Matías Nieto | .... | time lapse photography | |
| Guillermo Orbe | .... | digital compositor | |
| Thorsten Rienth | .... | digital compositor | |
| Rubén Sanz | .... | visual effects producer | |
| Rafa Solorzano | .... | visual effects supervisor (as Rafael Solorzano) | |
| Carlos Trijueque | .... | digital compositor | |
| El Khadir Palomo Yusef | .... | 3D operator | |
Stunts | |||
| Guiomar Alonso | .... | stunts | |
| Eugenio Jiménez | .... | stunts | |
| Miguel Pedregosa | .... | stunt coordinator | |
| Álvaro Quiroga | .... | stunts | |
Camera and Electrical Department | |||
| Miguel Balanzategui | .... | combo operator | |
| Ion Barco | .... | apprentice camera (as Jon Barco ) | |
| Miguel Cano | .... | electrician | |
| Gustavo de la Fuente | .... | assistant camera | |
| Rafael García Martos | .... | gaffer | |
| Raúl García | .... | assistant camera | |
| Yosu Inchaustegui | .... | Steadicam operator (as Josu Inchaustegui) | |
| Yosu Inchaustegui | .... | second assistant camera (as Josu Inchaustegui) | |
| Teresa Isasi | .... | still photographer | |
| Carlos Miguel | .... | key grip | |
| Juan Ramos | .... | Steadicam operator: second unit | |
| Juan Matías Ramos | .... | Steadicam operator: second unit | |
| Alberto Sánchez Beltrán | .... | electrician (as Alberto Sánchez) | |
| Marcelino San Eugenio | .... | electrician | |
| James Swanson | .... | aerial director of photography | |
Costume and Wardrobe Department | |||
| Cristina Martínez | .... | costume assistant | |
| Cristina Ureña | .... | costume assistant | |
Editorial Department | |||
| Carlos Agulló | .... | assistant editor | |
| Paolo Balestrazzi | .... | assistant editor | |
| Yolanda Cáceres | .... | color timer | |
| Felisa Catalinas | .... | negative cutter | |
| Manuela Díaz | .... | post-production: Sogecine | |
| Enrique Domínguez | .... | assistant editor | |
| Eladio Fernández | .... | post-production: Sogecine | |
| Miguel P. Gilaberte | .... | digital intermediate colorist | |
Music Department | |||
| Chris Barrett | .... | assistant music engineer | |
| Xavier Capellas | .... | orchestrator | |
| Nicholas Cervonaro | .... | assistant music engineer (as Nick Cervonaro) | |
| José Luis Crespo | .... | music mixer | |
| Álvaro Cruz | .... | assistant music engineer | |
| Lucio Godoy | .... | music producer | |
| Claudio Ianni | .... | orchestrator | |
| Brian Masterson | .... | music recording engineer | |
| Carlos Núñez | .... | soundtrack collaborator | |
| Rubén Suárez | .... | assistant music engineer | |
| Gavyn Wright | .... | orchestra leader | |
Thanks | |||
| Ramona Maneiro | .... | thanks | |
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| Le scaphandre et le papillon | Across the Universe | Son of Rambow | La historia oficial | La meglio gioventù |
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If you go to the cinema to be entertained, amused, so as to fill up your time, do not go out of your way to watch this film.
If you go to the cinema to appreciate the depths of human-kind, the feelings of real people, to explore the characteriology of personalities, if you go to the cinema to absorb magnificent photography, be sure to put this film very high on your list, preferably in first place. The experience is profoundly rewarding, causing the intelligent viewer to make diverse reflexions over the meaning of life itself. With 'Mar Adentro' Alejandro Amenábar has surpassed the best he has done to date, and even redeemed certain deviations in his earlier films which smacked a little of being aimed at Hollywood. This is not the case with this visual poem put to music: Hollywood could never get anywhere near the effect of this tinglingly inspired human - and humane - story.
In no way should one interpret 'Mar Adentro' as an apologia for euthanasia; this story, based on the real life of the Galician fisherman Ramón Sampedro, is a cry from the bottom of the heart for life and love, a reaching out for human compassion, for understanding emotions. Sampedro was an articulate and intelligent man who after a diving accident off the rocks of the Galician coast as a young man was condemned to live the next 27 years in bed. 'Condenado a vivir' (2001) (TV) was the first version of this man's life on which I have already commented. However, Amenábar has succeeded remarkably at portraying this man, with his permanent enigmatic smile and witty sense of humour, in an equally articulate and intelligent way.
And Javier Bardem rose to the occasion, met the challenge head-on, complete with a Galician accent, producing an electrifying, compelling, enthralling performance, such that the actor and the fisherman become fused into being the same person on screen. Here, indeed, is an occasion to doff your cap, and softly mutter 'chapeau'. Bardem is driven on in his task by a magnificent cast, especially Belén Rueda, Lola Dueñas, Mabel Rivera, Celso Bugallo (Los Lunes al Sol) (qv) and Clara Segura, Galician and Catalan accents taking prominent part.
Amenábar produces wonderful dialogues as these six rotate among themselves one-on-one, or in groups, with excellent chemistry, thus demonstrating that this young Chilean-born Spanish director is an artist who knows what he is at and how to get his results; his global concept of the film includes his own music, interspersed with pieces by Beethoven and Puccini on Sampedro's record-player.
Whilst viewing 'Mar Adentro', I found myself a couple of times comparing him and this film with Stephen Daldry and his masterpiece 'The Hours' (qv). I refer to the way in which the dialogues work with tenseness and passion and that careful sense of timing in each scene.
Javier Aguirresarobe's photography is superb as usual. As I have mentioned elsewhere on IMDb, he does not simply film the events and scenes - he captures even the feelings and the atmosphere of the moment, deftly catches that look in the eyes, light and shadows, such that his work behind the camera is at once another player in the story. A superb artist.
'Mar Adentro' is another landmark in the history of Spanish cinematography, among the best five or six works of art produced here in the last 25 years. This film places itself alongside such cinematographic art as 'El Sur' (qv), 'Los Santos Inocentes' (qv), 'El Abuelo' (qv), 'La Lengua de las Mariposas' (qv), 'Las Ratas' (qv), 'A Los Que Aman' (qv), and I think I must add 'Te Doy Mis Ojos' (qv).
Superbly orchestrated story of a real man, and those who loved him around his bedside: not to be missed.