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Mar adentro (2004/I)
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Overview
Plot:
The real-life story of Spaniard Ramon Sampedro, who fought a 30 year campaign in favor of euthanasia and his own right to die. full summary | add synopsisAwards:
Won Oscar. Another 58 wins & 30 nominations moreUser Comments:
The core moral question moreCast
(Cast overview, first billed only)| Javier Bardem | ... | Ramón Sampedro | |
| Belén Rueda | ... | Julia | |
| Lola Dueñas | ... | Rosa | |
| Mabel Rivera | ... | Manuela (as Mabel Ribera) | |
| Celso Bugallo | ... | José | |
| Clara Segura | ... | Gené | |
| Joan Dalmau | ... | Joaquín | |
| Alberto Jiménez | ... | Germán | |
| Tamar Novas | ... | Javi | |
| Francesc Garrido | ... | Marc | |
| José María Pou | ... | Padre Francisco | |
| Alberto Amarilla | ... | Hermano Andrés | |
| Andrea Occhipinti | ... | Santiago | |
| Federico Pérez Rey | ... | Conductor | |
| Nicolás Fernández Luna | ... | Cristian |
Additional Details
Also Known As:
The Sea Inside (International: English title) (USA)The Sea Within (Europe: English title) (USA)
Mare dentro (Italy)
more
MPAA:
Rated PG-13 for intense depiction of mature thematic material.Parents Guide:
Add content advisory for parentsRuntime:
125 minColor:
ColorAspect Ratio:
2.35 : 1 moreCertification:
Sweden:7 | Taiwan:PG-12 | Iceland:12 | Portugal:M/16 | Switzerland:14 (canton of Zurich) | South Korea:15 | Argentina:16 | Australia:M | Brazil:12 | Chile:14 | Czech Republic:15 | Finland:K-11 | Germany:12 | Hong Kong:IIB | Ireland:12A | Japan:PG-12 | Netherlands:MG6 | Singapore:NC-16 | Spain:13 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | UK:PG | USA:PG-13 | Norway:11MOVIEmeter: 
Fun Stuff
Trivia:
When Belén Rueda was phoned to be informed about she had just been chosen to play a role in an Amenábar film she hung up. She thought they were kidding her. moreSoundtrack:
Cosmic moreFAQ
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Many more eloquent reviews than this have described the quite spectacular acting, casting and styling of this film. It appears that the only negative reviews focus on a perceived imbalance in the film's handling of the core moral question (euthanasia).
This film is, bar the final scenes, meticulous in stressing Ramon's belief that he's not making some grand point but merely that, for him, a life devoid of dignity is a life not worth living. We, as viewers, see an enormous amount of dignity in his life - we see family and friends and culture and, but for its physical limitations, a life fully lived. Central to the tragedy of this film is that there is really only one person who thinks that Ramon's life is not worth living - and that is him.
To watch this film and say that the only counter argument comes from the visit of a bumbling priest is a nonsense. The priest's visit is pure farce, a direct assault on the simplicity of the Spanish Catholic Church's response to the issue of euthanasia. However, the sister's parting words to the priest momentarily expose the powerful 'pro-life' sentiments quietly underpinning the entire film. We are constantly encouraged to see the hope and the beauty of a life lived with love. As the film progresses, we may gradually be encouraged to understand Ramon's reasoning but we are never reconciled to his decision.
I do not remember a film which moved me and provoked me as much as this.