| Photos (see all 17 | slideshow) | Videos (see all 3) |
| Stephanie Leonidas | ... | Helena / Anti-Helena | |
| Jason Barry | ... | Valentine | |
| Rob Brydon | ... | Morris Campbell / Prime Minister | |
| Gina McKee | ... | Joanne Campbell / Queen of Light / Queen of Shadows | |
| Dora Bryan | ... | Aunt Nan | |
| Stephen Fry | ... | Librarian | |
| Andy Hamilton | ... | Small Hairy | |
| Simon Harvey | ... | Sphinx | |
| Lenny Henry | ... | Cops 1-4 | |
| Robert Llewellyn | ... | Gryphon | |
| Eryl Maynard | ... | Mrs. Bagwell | |
| Eve Pearce | ... | Future Fruit Lady | |
| Nik Robson | ... | Pingo / Bing (as Nik Robinson) | |
| Victoria Williams | ... | Nurse | |
| Rick Allen | ... | Man In a Box | |
| Gina D'Angelo | ... | Heir of Insanity Woman | |
| Simon Schofield | ... | Heir of Insanity Man | |
| Silvia Fratelli | ... | Mimbre | |
| Lina Johansson | ... | Mimbre | |
| Emma Noris | ... | Mimbre (as Emma Norin) | |
| Peachi Pangea | ... | Pyrotechnic Artist | |
| Mark Tate | ... | Stilt Walker | |
| Richard Thompson | ... | Tat - The Strongman / Gorilla | |
| Robin Thompson | ... | Magician | |
| Iain Ballamy | ... | Circus band - band leader and soprano sax | |
| Chris Batchelor | ... | Circus band - trumpet | |
| Stian Carstensen | ... | Circus band - button accordian | |
| Martin France | ... | Circus band - drum kit | |
| Stuart Hall | ... | Circus band - violin and banjo | |
| Dave Powell | ... | Circus band - sousaphone | |
| Trifon Trifanov | ... | Circus band - alto sax | |
| Peter Borroughs | ... | Red Troll | |
| Rusty Goffe | ... | Yellow Gnome | |
| Kerry Jay | ... | Music Box Dancer | |
| Fiona Reynard | ... | Receptionist | |
| Nick Dainton | ... | Politician / Monkeybirds | |
| Nick Jackson | ... | Male Giant / Mr. Shoe-Thing / Monkeybirds | |
| Mark Perry | ... | Politician / Monkeybirds | |
| Kate Robbins | ... | Female Giant / Mrs. Shoe-Thing / Chicken | |
| rest of cast listed alphabetically: | |||
| Stuart St. Paul | ... | Ticket Buyer (uncredited) | |
Directed by | |||
| Dave McKean | |||
Writing credits(WGA) | ||
| Neil Gaiman | (story) & | |
| Dave McKean | (story) | |
| Neil Gaiman | (teleplay) | |
Produced by | |||
| Martin G. Baker | .... | executive producer | |
| Lisa Henson | .... | executive producer | |
| Simon Moorhead | .... | producer | |
| Michael Polis | .... | executive producer | |
Original Music by | |||
| Iain Ballamy | |||
Cinematography by | |||
| Tony Shearn | (as Antony Shearn) | ||
Film Editing by | |||
| Nicolas Gaster | |||
Casting by | |||
| Louis Hammond | |||
Production Design by | |||
| Dave McKean | |||
Art Direction by | |||
| Zöe Trodden | (supervising art director) | ||
Costume Design by | |||
| Robert Lever | |||
Makeup Department | |||
| Michelle Davison-Bell | .... | hair designer | |
| Michelle Davison-Bell | .... | makeup designer | |
| Sam Smart | .... | hair stylist | |
| Sam Smart | .... | makeup artist | |
Production Management | |||
| Tessa Beazley | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Janine Bevan | .... | third assistant director | |
| Oli Blanc | .... | second assistant director | |
| Jo Lea | .... | first assistant director | |
Art Department | |||
| Guy Bernard | .... | construction manager | |
| Paul Frost | .... | production buyer | |
| Justin Hayzelden | .... | stand-by props | |
| Greg Mason | .... | painter | |
| Ashley Murray-Fowler | .... | carpenter | |
| Gwen Murray | .... | art department trainee: FT2 | |
| Gary Nutkins | .... | trainee carpenter | |
| Stuart Walpole | .... | stand-by props | |
| Kate Wicks | .... | production buyer | |
| Jason Wood | .... | property master | |
| James Wright | .... | carpenter | |
Sound Department | |||
| John Crossland | .... | boom operator | |
| Pete Freshney | .... | boom operator | |
| Dan Green | .... | adr recordist | |
| David Hunt | .... | sound effects editor | |
| Hugh Johnson | .... | sound designer | |
| Hugh Johnson | .... | sound re-recording mixer | |
| Melissa Lake | .... | foley artist | |
| Gareth Llewellyn | .... | assistant sound re-recording mixer | |
| Paul Miller | .... | boom operator | |
| Stefan Mørk | .... | dialogue editor | |
| James Perry | .... | adr recordist | |
| Ian Sands | .... | production sound mixer | |
| Larry Sider | .... | supervising sound editor | |
| Barnaby Smyth | .... | foley supervisor (as Barnaby Smith) | |
| Barnaby Smyth | .... | sound designer (as Barnaby Smith) | |
| Joakim Sundström | .... | supervising sound editor | |
| Jason Swanscott | .... | foley artist | |
| David Turner | .... | sound technical coordinator | |
Special Effects by | |||
| Jamie Niman | .... | character animator | |
Visual Effects by | |||
| Kevin Baguley | .... | digital coordinator | |
| Dave Barnard | .... | post production technical supervisor | |
| Pete Coogan | .... | managing director: Jim Henson's Creature Shop | |
| Jocelyn Deborne | .... | systems administrator | |
| Daniel Gerhardt | .... | animator | |
| Daniel Gerhardt | .... | digital effects artist | |
| Pawel Grochola | .... | animator | |
| Pawel Grochola | .... | digital effects artist | |
| Arjun Gupte | .... | animator | |
| Arjun Gupte | .... | digital effects artist | |
| Peter Guyan | .... | systems engineer: Jim Henson's Creature Shop | |
| Alexis Hall | .... | lead animator | |
| Alexis Hall | .... | lead digital effects artist | |
| Trevor Harvey | .... | animator | |
| Trevor Harvey | .... | digital effects artist | |
| Richard Hince | .... | head of motion capture: Artem Digital | |
| Sean Hince | .... | motion capture supervisor | |
| Eliot Hobdell | .... | render wrangler | |
| Katja Hollmann | .... | digital lab supervisor: Lipsync Post | |
| Christian Jelen | .... | animator | |
| Christian Jelen | .... | digital effects artist | |
| Jordan Kirk | .... | animator | |
| Jordan Kirk | .... | digital effects artist | |
| Ellie Koorlander | .... | animator | |
| Ellie Koorlander | .... | digital effects artist | |
| Sian Lawson | .... | biomechanist | |
| Paul Lee | .... | animator | |
| Paul Lee | .... | digital effects artist | |
| Katy Lemon | .... | scanning and recording: Lip Sync Post | |
| Dave McKean | .... | compositor | |
| Dave McKean | .... | texture artist | |
| Max McMullin | .... | CGI producer | |
| Max McMullin | .... | CGI supervisor | |
| Matt Middleton | .... | digital effects artist | |
| Matt Middleton | .... | lead animator (as Matthew Middleton) | |
| Matt Middleton | .... | lead digital effects artist (as Matthew Middleton) | |
| Jamie Niman | .... | animator | |
| Jamie Niman | .... | digital effects artist | |
| Mike J. Nixon | .... | lead animator (as Michael Nixon) | |
| Mike J. Nixon | .... | lead digital effects artist (as Michael Nixon) | |
| Evelina Persson | .... | animator | |
| Evelina Persson | .... | digital effects artist | |
| Mark J.G. Smith | .... | render wrangler | |
| Martin Stacey | .... | animator | |
| Martin Stacey | .... | digital effects artist | |
| Ross Stansfield | .... | animator | |
| Ross Stansfield | .... | digital effects artist | |
| Toby Taplin | .... | lead animator | |
| Toby Taplin | .... | lead digital effects artist | |
| Dave Walker | .... | animator | |
| Dave Walker | .... | digital effects artist | |
| Keith Mottram | .... | digital compositor (uncredited) | |
| Kevin Phelan | .... | head of post production: Lip Sync Post (uncredited) | |
Stunts | |||
| Stuart St. Paul | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Andy Bell | .... | electrician | |
| Steve Blythe | .... | electrician | |
| Steve Blythe | .... | generator operator | |
| Roy Elson | .... | rigger | |
| Avelino Fernandez | .... | electrician (as Avalino Fernandez) | |
| Kate Filby | .... | second assistant camera: re-shoots | |
| Mike Gianotti | .... | electrician | |
| Colin Ginger | .... | crane operator | |
| Michael Green | .... | first assistant camera | |
| Gwilym Hoosen-Owen | .... | electrician (as Gwilyn Hoosen-Owen) | |
| Vanessa Kellas | .... | still photographer | |
| Jody Knight | .... | grip | |
| Nathan Mann | .... | first assistant camera | |
| Jem Morton | .... | key grip | |
| Pete Murray | .... | Steadicam operator | |
| Mark Nutkins | .... | second second assistant camera | |
| Sigge Rosen Rawlings | .... | video assistant operator (as Siggi Rosen-Rawlings) | |
| Mark Spencer | .... | still photographer | |
| Bill Vanderkris | .... | grip | |
| Aaron Walters | .... | best boy | |
| Gavin Walters | .... | gaffer | |
| Colleen Webley | .... | second assistant camera | |
| Dave Wells | .... | daily grip trainee | |
| Tony Shearn | .... | camera operator (uncredited) | |
Costume and Wardrobe Department | |||
| Rebecca Brown | .... | costume assistant | |
| Yvonne Duckett | .... | costume assistant | |
| Debbie O'Brien | .... | costume assistant (as Debbie O'Brian) | |
| Nathalie Pateman | .... | costume assistant | |
| Jane Spicer | .... | costume supervisor | |
Editorial Department | |||
| Ruth Coulson | .... | first assistant editor | |
| Keith Mottram | .... | post-production conforming editor: HDTV | |
Music Department | |||
| Iain Ballamy | .... | music arranger | |
| Iain Ballamy | .... | music mixer | |
| Iain Ballamy | .... | music producer | |
| Igor Outkine | .... | musician | |
| Ashley Slater | .... | music mixer | |
| Ashley Slater | .... | music producer | |
| Ashley Slater | .... | music programmer | |
| Ashley Slater | .... | music recordist | |
Transportation Department | |||
| Mickey Atkins | .... | driver: minibus | |
| John Hogben | .... | location driver | |
| Bill Lilburn | .... | location driver | |
| Fred Russell | .... | location driver | |
| Micky Webb | .... | location driver (as Mickey Webb) | |
Other crew | |||
| Tim Adnitt | .... | copyist | |
| Jane Ballamy | .... | coordinator: circus performers | |
| Brittan Brown | .... | post-production accounting services | |
| Valentina Coccia | .... | production coordinator | |
| Victor Gallucci | .... | stand-in | |
| Nicole Goldman | .... | unit publicist | |
| Louise Green | .... | assistant accountant | |
| Kathy Hughes | .... | script supervisor | |
| Kevin Kelly | .... | assistant: Lisa Henson | |
| Nikki Lucas | .... | juggling double: Stephanie Leonidas | |
| Anton Mackman | .... | juggling double: Rob Brydon | |
| Andy Matthews | .... | stand-in | |
| John O'Quigley | .... | operator: filmstream s-2 storage | |
| Bill Riddlaw | .... | unit nurse | |
| John Sargent | .... | financial controller | |
| Lara Sargent | .... | first assistant accountant | |
| Michael Scanlon | .... | floor runner | |
| Heather Taylor | .... | script supervisor | |
| Martin Vance | .... | unit nurse | |
| Martin Warnes | .... | unit nurse | |
| Mark Williams | .... | copyist | |
| Daniel Grant | .... | production assistant (uncredited) | |
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| The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | Labyrinth | Something Wicked This Way Comes | The Incredibles | Harry Potter and the Sorcerer's Stone |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb UK section |
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I'm another of those who saw this at Sundance, and all the things I enjoy about Gaiman and McKean's graphic novels were on display: the quiet humor, the intelligence, the delightful weirdness, the astounding visual vocabulary. Except that in this case, the words are spoken by good actors, and all those visuals get up off their feet and move.
It's hard to describe the impact of watching a McKean painting move and talk. There might be those who quibble about the movie looking too animated, but of course that's exactly the point: to create a world and make it dance. The end result, visually at least, is like nothing you've ever seen before, and absolutely worth seeing for that reason alone.
Some of the people I talked to after the screening also loved the visuals but felt the story was a bit dull, that they had seen it all before. Well, it's true that the story does wear its influences on its sleeve--a little "Alice in Wonderland" here, a little "Time Bandits" there, a lot of "Wizard of Oz" over here, not to mention a resemblance to Gaiman's own "Coraline." But I'm just as familiar with those stories as anyone else, and the resemblances never interrupted my enjoyment of "MirrorrMask"--after all, it's what you do with a story that determines its success. And from moment to moment, there was enough innovation and cleverness, enough delight and wonder, to make the movie a positive delight.
I can imagine kids sitting in the audience with their eyes agog; and I can imagine their parents sitting next to them, just as agog for a whole different set of reasons. "MirrorMask" may or may not be too wild to be a full-out commercial success; but I predict it's going to have a long, long shelf life. I know I'll be buying the DVD as soon as it's available, so that I can show it to people and say "Wait till you see this."