| Photos (see all 22 | slideshow) | Videos |
| Jason Statham | ... | Jake | |
| Ray Liotta | ... | Macha | |
| Vincent Pastore | ... | Zach | |
| André Benjamin | ... | Avi | |
| Terence Maynard | ... | French Paul | |
| Andrew Howard | ... | Billy | |
| Mark Strong | ... | Sorter | |
| Francesca Annis | ... | Lily Walker | |
| Anjela Lauren Smith | ... | Doreen | |
| Elana Binysh | ... | Rachel | |
| Faruk Pruti | ... | Ivan (Billy's Bodyguard) | |
| Shend | ... | Teddy (Billy's Bodyguard) | |
| Bill Moody | ... | Al | |
| Stephen Walters | ... | Joe | |
| Vincent Riotta | ... | Benny | |
| Tom Wu | ... | Lord John | |
| Ian Puleston-Davies | ... | Eddie A | |
| Jimmy Flint | ... | Eddie B | |
| Brian Hibbard | ... | Eddie C | |
| Bruce Wang | ... | Fat Dan | |
| Tony Tang | ... | Wong | |
| George Sweeney | ... | Lou | |
| Martin Herdman | ... | Slim Biggins | |
| Tony Denham | ... | Patrick | |
| Serge Soric | ... | Rade | |
| Trevor Stuart | ... | Mr. Horowitz | |
| Togo Igawa | ... | Fred | |
| Gary Tang | ... | Tim | |
| Louis Dempsey | ... | Macha's Pit Boss Slick | |
| Ricky Grover | ... | Hamish | |
| Benjamin Feitelson | ... | Doug Finny | |
| Abbi Bashir | ... | North African Man | |
| Evie Garratt | ... | Old Lady | |
| Mem Ferda | ... | Macha's Goon | |
| Mario Woszcycki | ... | Macha's Elevator Man | |
| Eddy Lemare | ... | Macha's Doorman (as Eddy Lemar) | |
| Kamay Lau | ... | Waitress | |
| Jeffrey Zade Rudom | ... | Fat Man (as Jeffrey Rudom) | |
| Mercedes Grower | ... | Billy's Wife | |
| Hon Ping Tang | ... | Lord John's Man | |
| Brendon Burns | ... | Electrician | |
| Joerg Stadler | ... | Prisoner | |
| rest of cast listed alphabetically: | |||
| Cassia Gladys Peman-Cadan | ... | Billy's Daughter | |
| Jeff Rudom | ... | Fat Man | |
| Michael Thompson | ... | Ste prisoner | |
| Sacha Bennett | ... | Architect (uncredited) | |
| Warren Clark | ... | Macha's Goon (uncredited) | |
| Jasmine Lennard | ... | (uncredited) | |
| Derek Mak | ... | Lord John Security Man (uncredited) | |
| Woon Young Park | ... | Bodyguard (uncredited) | |
| Peter Rnic | ... | Convict (uncredited) | |
| Andy Skinner | ... | Chef (uncredited) | |
Directed by | |||
| Guy Ritchie | |||
Writing credits(in alphabetical order) | ||
| Luc Besson | adaptation | |
| Guy Ritchie | written by | |
Produced by | |||
| Luc Besson | .... | co-producer | |
| Steve Christian | .... | executive producer | |
| Steve Clark-Hall | .... | line producer | |
| Mehdi Sayah | .... | assistant producer | |
| Virginie Silla | .... | producer | |
| Pierre Spengler | .... | co-producer | |
Original Music by | |||
| Nathaniel Mechaly | |||
Cinematography by | |||
| Tim Maurice-Jones | |||
Film Editing by | |||
| Romesh Aluwihare | |||
| Ian Differ | |||
| James Herbert | |||
Casting by | |||
| Mindy Marin | |||
| Gail Stevens | |||
Production Design by | |||
| Eve Stewart | |||
Art Direction by | |||
| Sam Stokes | |||
| Ed Walsh | |||
Set Decoration by | |||
| Anna Lynch-Robinson | |||
Costume Design by | |||
| Verity Hawkes | |||
Makeup Department | |||
| Kirstin Chalmers | .... | hair designer | |
| Kirstin Chalmers | .... | makeup designer | |
| Katy Fray | .... | additional makeup artist | |
| Kristyan Mallett | .... | silicone technician | |
| Waldo Mason | .... | prosthetics supervisor | |
| Donald McInnes | .... | additional makeup artist | |
| Donald McInnes | .... | hair stylist | |
| Laura McIntosh | .... | makeup artist | |
| Leela Menon | .... | hair trainee | |
| Leela Menon | .... | makeup trainee | |
| Sharon O'Brien | .... | hair stylist | |
| Sharon O'Brien | .... | makeup artist | |
| Sara Riesel | .... | hair stylist | |
| Sara Riesel | .... | makeup artist | |
Production Management | |||
| Charlotte Ashby | .... | production manager | |
| Eddie Booth | .... | unit manager: IOM | |
| Joanna Manderson | .... | unit manager: London | |
| Clara Vincienne | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Matthew Baker | .... | second assistant director | |
| Paul Bennett | .... | third assistant director | |
| Adam Coop | .... | additional third assistant director | |
| Susan Jasso | .... | second second assistant director | |
| Max Keene | .... | first assistant director | |
Art Department | |||
| Peter Agbaba | .... | painter | |
| Nurey Al-Kahzrajie | .... | art runner: IOM (as Nuray Al Kahzrajie) | |
| Grant Armstrong | .... | stand-by art director | |
| Robert Armstrong | .... | stand-by rigger | |
| David Ball | .... | carpenter | |
| Lee Biggs | .... | chargehand carpenter | |
| Alex Boswell | .... | stand-by props | |
| Mark Brady | .... | carpenter | |
| Alan Briant | .... | storeman | |
| Leigh Bryant | .... | storeman | |
| Graham Chalk | .... | props assistant: FT2 trainee | |
| David Cheesman | .... | dressing props (as Dave Cheesman) | |
| David Chettleborough | .... | carpenter (as Dave Chettleborough) | |
| Graham Cole | .... | carpenter | |
| Jamie Davies-Evans | .... | painter | |
| Gary Davies | .... | carpenter | |
| Jose del Pino | .... | metal worker | |
| Jason Lee Etienne | .... | art runner: London (as Jason Etienne) | |
| Gary Evans | .... | stagehand | |
| Jools Faiers | .... | graphic designer | |
| David Fitzjohn | .... | chargehand painter | |
| Andrew Forrest | .... | stand-by props | |
| Ben Fry | .... | work experience | |
| Mary Gibbs | .... | art department assistant | |
| Andrew Grant | .... | art director prep | |
| Darren Hayward | .... | supervising carpenter | |
| Mike Houseman | .... | construction manager | |
| Frank Howe | .... | drapesman | |
| Jose Jimenez Cortes | .... | metal worker | |
| Matt Langley | .... | stand-by carpenter | |
| William Lawlor | .... | model maker | |
| Anna Lynch-Robinson | .... | set decorator buyer | |
| Choi Ho Man | .... | draughtsman | |
| Simon Marjoram | .... | carpenter (as Simon Marjorah) | |
| Angel Martinez Martinez | .... | metal worker | |
| Leon McCarthy | .... | stand-by carpenter | |
| David McHenry | .... | draughtsman | |
| Richard Mills | .... | prop master | |
| Desmond O'Boy | .... | stand-by stagehand (as Des O'Boy) | |
| Martin O'Connor | .... | stagehand | |
| Martin O'Connor | .... | stand-by stagehand | |
| Eddie O'Neill | .... | stagehand | |
| Mark Overall | .... | carpenter | |
| Neil 'Dulux' Palfreman | .... | carpenter (as Neil Palfreman) | |
| Robert Park | .... | carpenter (as Rob Park) | |
| Kevin Plumb | .... | sculptor | |
| David Price | .... | stand-by rigger (as Dave Price) | |
| Jacqueline Roche | .... | set craft apprentice: FT2 | |
| Guy Rutter | .... | supervising painter | |
| Don Santos | .... | dressing props | |
| Nick Sargent | .... | carpenter | |
| Russell Sargent | .... | carpenter (as Russ Sargent) | |
| Stuart Sinclair | .... | stand-by painter | |
| Paul Stewart | .... | carpenter | |
| Rob Sutton | .... | carpenter (as Robert Sutton) | |
| Sarah Whittle | .... | art department assistant | |
| Mark Williamson | .... | carpenter | |
| Barry Wilson | .... | drapesman | |
| Dennis Wilson | .... | carpenter (as Denis Wilson) | |
| Ian Wilson | .... | metal worker | |
| Robert R. Wonson | .... | set dresser | |
| Bradley Woodbridge | .... | painter | |
| Leslie Wylie | .... | carpenter (as Les Wylie) | |
| Dorrie Young | .... | art department assistant: FT2 trainee | |
Sound Department | |||
| Vincent Arnardi | .... | sound re-recording mixer | |
| Thomas Bernard | .... | foley editor | |
| Thomas Bernard | .... | sound recordist | |
| Christophe Bourreau | .... | foley artist | |
| Lohengrin Braconnier | .... | assistant sound recordist | |
| Graham Day | .... | sound assistant | |
| Jérôme Devoise | .... | sound recordist | |
| Frederic Dubois | .... | supervising sound designer (as Fred Dubois) | |
| Rik Elliott | .... | adr mixer | |
| François Fayard | .... | sound designer | |
| Arthur Fenn | .... | boom operator | |
| Simon Hayes | .... | production sound mixer | |
| Nikolas Javelle | .... | assistant sound editor (as Nicolas Javelle) | |
| Richard Jay | .... | sound recordist: epk | |
| Robin Johnson | .... | sound recordist: second unit | |
| Khama Matiti | .... | adr mixer | |
| Bridget O'Driscoll | .... | supervising dialogue editor | |
| Jamie Roden | .... | adr mixer | |
| Fabrice Sauré | .... | assistant sound re-recording mixer | |
| Yannick Vergne | .... | assistant sound re-recording mixer | |
Special Effects by | |||
| Tony Auger | .... | special effects coordinator | |
| Jonathan Bullock | .... | special effects technician | |
| Dean Ford | .... | special effects trainee | |
| Graham Hills | .... | special effects senior technician | |
| Garth Inns | .... | pyrotechnician | |
| Anne Marie Walters | .... | senior pyrotechnic technician | |
Visual Effects by | |||
| Aurelia Abate | .... | visual effects producer: BUF | |
| Catherine Athon | .... | visual effects post-production supervisor: Eclair Numerique | |
| Anita Lech Bedez | .... | digital artist: Eclair Numerique | |
| Nicolas Bernard | .... | digital artist: BUF | |
| Stephanie Boutinaud | .... | visual effects coordinator: Eclair Numerique | |
| Olivier Cauwet | .... | sequence supervisor: BUF | |
| Olivier Chiavassa | .... | visual effects production supervisor: Eclair Numerique | |
| Didier Dekeyser | .... | visual effects production supervisor: Eclair Numerique | |
| Jacques Delzescaux | .... | digital artist: Eclair Numerique | |
| Émilie Feret | .... | visual effects coordinator | |
| Beatrice Fraschini | .... | visual effects post-production coordinator: Eclair Numerique (as Beatrice Fraschini-Ray) | |
| Delphine Garrelis | .... | digital artist: Eclair Numerique | |
| Sophie Gateau | .... | digital artist: BUF | |
| Mikael Genachte-Lebail | .... | digital artist: BUF | |
| Frederique Gyuran | .... | digital artist: BUF | |
| Noel Hocquet | .... | digital artist: BUF | |
| Élodie Ichter | .... | Lustre assistant | |
| Fabrice Lagayette | .... | digital artist: BUF | |
| David Lebrun | .... | digital artist: BUF | |
| David Lebrun | .... | sequence supervisor: BUF | |
| Sebastien Le Neve | .... | digital artist: BUF | |
| Anthony Liant | .... | digital artist: BUF | |
| Anthony Liant | .... | sequence supervisor: BUF (as Anthony Lyant) | |
| Rahel Makonnen | .... | visual effects coordinator: BUF | |
| Malika Mazauric | .... | digital artist: Eclair Numerique | |
| Joyce Menger | .... | visual effects supervisor: Eclair Numerique | |
| Stéphane Moralli | .... | digital artist: Eclair Numerique (as Stephane Morali) | |
| Stephane Naze | .... | visual effect supervisor: BUF | |
| Loris Paillier | .... | digital artist: BUF | |
| Loris Paillier | .... | sequence supervisor: BUF | |
| Alexis Peraste | .... | digital artist: BUF | |
| Ugo Pierantoni | .... | digital artist: Eclair Numerique | |
| Olivier Prigent | .... | digital artist: BUF | |
| Philippe Reinaudo | .... | technical supervisor: Eclair Numerique | |
| Eddy Richard | .... | digital artist: BUF | |
| Eddy Richard | .... | sequence supervisor: BUF | |
| Ekkarat Rodthong | .... | digital artist: BUF | |
| Laetitia Roure | .... | visual effects post-production coordinator: Eclair Numerique | |
| Fred Roz | .... | digital artist: Eclair Numerique (as Fred Roze) | |
| Melodie Stevens | .... | digital artist: Eclair Numerique | |
| Aurélie Villard | .... | digital artist: Eclair Numerique | |
| Andrew Walton | .... | visual effects editor | |
Stunts | |||
| Gary Arthurs | .... | stunt double | |
| Stuart Clark | .... | stunt double: Jake | |
| George Cottle | .... | stunt double | |
| Kelly Dent | .... | stunt double | |
| David Garrick | .... | stunt double | |
| Paul Herbert | .... | stunt coordinator | |
| Peter Miles | .... | stunt double | |
| Jeff Schwan | .... | stunt double (uncredited) | |
Camera and Electrical Department | |||
| Wes Ahl | .... | grip | |
| Lawrence Bewsher | .... | camera operator: Photosonic camera | |
| Danny Espey | .... | electrician | |
| Tash Gamper | .... | camera trainee | |
| John Hadfield | .... | camera operator: Photosonic camera | |
| Guy Hazel | .... | focus puller | |
| Paul Holley | .... | Genny operator | |
| Steve Kitchen | .... | best boy | |
| Joe McGee | .... | practical electrician | |
| Malcolm McGilchrist | .... | assistant grip | |
| Liam McGill | .... | spark | |
| Jamie Mills | .... | electrician | |
| Christopher Raphael | .... | additional still photographer | |
| Roy Rowland | .... | spark | |
| Daniel Smith | .... | still photographer | |
| Pat Sweeney | .... | gaffer | |
| John Webb | .... | focus puller | |
| Garie Wetherill | .... | video assist | |
| Peter Wignall | .... | Steadicam operator | |
| Peter Wignall | .... | camera operator | |
| Terry Williams | .... | grip | |
| Joe Wright | .... | clapper loader | |
Animation Department | |||
| Abraham Meneu Oset | .... | character animator | |
Casting Department | |||
| William Davies | .... | casting associate | |
| Cathy Weiner | .... | casting associate | |
| David Wheal | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Paul Colford | .... | stand-by costume: London | |
| Philip Goldsworthy | .... | costume assistant | |
| Marcus Love-McGuirk | .... | assistant costume designer (as Marcus Love) | |
| Marcus Love-McGuirk | .... | costume supervisor (as Marcus Love) | |
| Harriet Lyons | .... | costume assistant | |
| Marie Meyer | .... | wardrobe trainee | |
| Faith Thomas | .... | wardrobe mistress | |
| Kendra Torgan | .... | costume trainee | |
| Angela Egan | .... | costume assistant (uncredited) | |
Editorial Department | |||
| Basile Belkhiri | .... | additional assistant editor | |
| Christophe Boutigny | .... | lustre editor | |
| Nicolas Criqui | .... | digital conformation | |
| Mickael Dumontier | .... | additional assistant editor | |
| Isabelle Julien | .... | digital film grader | |
| Frederic Jupin | .... | lustre editor | |
| Fabien Pascal | .... | digital film grader | |
| Ross Porter-Ward | .... | first assistant editor | |
| Philippe Reinaudo | .... | digital intermediate technical director | |
| Andrew Walton | .... | second assistant editor | |
| Clement Zveguintzoff | .... | digital conformation | |
Music Department | |||
| John Bell | .... | music transcription | |
| Lohengrin Braconnier | .... | assistant music mixer | |
| Gisèle Gérard-Tolini | .... | conductor | |
| James Hyman | .... | music supervisor | |
| Jean-Pierre Janiaud | .... | score recordist | |
| Jérôme Lateur | .... | music executive producer | |
| Jérôme Lateur | .... | music supervisor | |
| Vincent Lebegue | .... | music legal coordinator | |
| Didier Lozahic | .... | music recordist: strings | |
| Elise Luguern | .... | music production supervisor | |
| Nathaniel Mechaly | .... | music transcription | |
| Nathaniel Mechaly | .... | score producer | |
| Ian Neil | .... | music supervisor | |
| Fabrice Sauré | .... | music scoring mixer | |
| Mehdi Sayah | .... | assistant music supervisor | |
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| The Godfather | Dawn of the Dead | Pulp Fiction | Eastern Promises | Wild at Heart |
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OK... this movie so far has been slated by critics and board-posters alike (although playing devil's advocate you could suggest that critics are often people who didn't make it for themselves as film-makers, and board posters are often people who didn't make it for themselves as critics) so I wanted to sit in Guy's corner with the magic sponge to perhaps reach maybe a couple of the people who've decided not to see the film based on how everybody seems to be looking down their collective nose of approval at it.
The film's biggest flaw in earning wide support is how unexpectedly complex it is. This has been described many times as as making the film "inaccessible" to the viewer. The film's chronology is relatively non-linear and the characters are used as not only a means of storytelling but as a device for showing us the subtle (or not so subtle) hints of bias we give things as we commit them to memory, IE. Ray Liotta's character brandishing a gun saying the words "fear me" is portrayed as both tragically pathetic (from Statham's POV) or interrogating and bold (from Liotta's POV). This is but one example of Ritchie's far more mature approach he has taken to film-making with Revolver, we have a storyline which is pretty archetypal (the strong but silent gritty anti-hero gets released from jail with a score to settle but gets drawn inadvertently into a world of corruption... I mean it's paint by numbers film noir here guys, all the way down to the vague poetic choice of diction and the gritty voice-overs) but then Guy has taken this framework to make a number of extremely philosophical and complex points.
Take the scene where Jason Statham's character runs afoul of a car. This throwaway sequence could have been emitted from the film and made no difference to the story whatsoever... but Ritchie is making point about how such little chance happenings such as receiving a phone call can make the difference between life and death.
So the final act of the movie is pretty mind boggling, I'd be taking the p*ss if I said I didn't spend the last 20 minutes or so of the film turning to my date going "uh... wtf?"... but that is the shoddiest reason to disregard a piece of art. It is far too easy to dislike something because you find it hard to understand. And even easier to say "well nobody else seemed to understand it so it must be a real turd of a film!". In my humble opinion, Revolver is a stylish, complex and mature piece of modern art which should be greeted with the same manner we would give the work of the Saatchi Brothers. If we choose this opportunity to collectively say "Ah sh*t, I wanted a film about a load of bleeding' cockney gangsters in-nit loll... Guy Ritchie is a tit!" then the day will come when film-makers are allowed only to make that which is expected of them by shallow, crappy people. Just because Guy made a name for himself with funny, cheeky cockney romps, doesn't mean he can't be deep without being "pretentious". Funny people can be thoughtful too.