| Photos (see all 388 | slideshow) | Videos (see all 49) |
Directed by | |||
| Quentin Tarantino | |||
Writing credits(in alphabetical order) | ||
| Quentin Tarantino | written by | |
Produced by | |||
| Lawrence Bender | .... | producer | |
| William Paul Clark | .... | associate producer | |
| Christoph Fisser | .... | co-producer | |
| Henning Molfenter | .... | co-producer | |
| Bruce Moriarty | .... | associate producer | |
| Lloyd Phillips | .... | executive producer | |
| Pilar Savone | .... | associate producer | |
| Erica Steinberg | .... | executive producer | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
| Charlie Woebcken | .... | co-producer (as Carl L. Woebcken) | |
Cinematography by | |||
| Robert Richardson | (director of photography) | ||
Film Editing by | |||
| Sally Menke | |||
Casting by | |||
| Simone Bär | |||
| Olivier Carbone | |||
| Jenny Jue | |||
| Johanna Ray | |||
Production Design by | |||
| David Wasco | |||
Art Direction by | |||
| Marco Bittner Rosser | |||
| Stephan O. Gessler | |||
| Sebastian T. Krawinkel | (supervising art director) | ||
| Andreas Olshausen | |||
| David Scheunemann | |||
| Steve Summersgill | |||
| Bettina von den Steinen | |||
Set Decoration by | |||
| Sandy Reynolds-Wasco | |||
Costume Design by | |||
| Anna B. Sheppard | |||
Makeup Department | |||
| Tamar Aviv | .... | special makeup effects assistant: KNB EFX Group Inc. | |
| Howard Berger | .... | special makeup effects coordinator | |
| Jake Garber | .... | key on-set makeup effects artist | |
| Pamela Grujic | .... | hair stylist | |
| Pamela Grujic | .... | key makeup artist | |
| Grady Holder | .... | special makeup effects artist: K.N.B. EFX Group | |
| Susanne Kasper | .... | makeup artist | |
| Emanuel Millar | .... | hair department head | |
| Gregory Nicotero | .... | key special makeup effects supervisor | |
| Valeska Schitthelm | .... | additional hair stylist | |
| Valeska Schitthelm | .... | additional makeup artist | |
| Jörn Seifert | .... | special makeup effects assistant: KNB EFX Group Inc. | |
| Heba Thorisdottir | .... | makeup department head | |
| Estelle Tolstoukine | .... | additional hair stylist | |
| Khanh Trance | .... | hair special effects: KNB EFX Group | |
| Camille Calvet | .... | special makeup effects artist for Mike Myers (uncredited) | |
Second Unit Director or Assistant Director | |||
| Tobias Asam | .... | second assistant director: splinter unit | |
| Delphine Bertrand | .... | assistant director: France | |
| Jerome Borenstein | .... | first assistant director: France | |
| William Paul Clark | .... | first assistant director | |
| Carlos Fidel | .... | second assistant director | |
| Mara Fiedler | .... | trainee assistant director | |
| Scott Kirby | .... | first assistant director: splinter unit | |
| Ariane Lacan | .... | second assistant director: France | |
| Guilhem Malgoire | .... | third assistant director | |
| Jill Moriarty | .... | second second assistant director | |
| Miguel Angelo Pate | .... | third assistant director | |
| Julien Petit | .... | assistant director: France | |
| Gabriel Roth | .... | additional director (segment "Nation's Pride") | |
Art Department | |||
| Friederike Beckert | .... | store manager | |
| Robert Blasi | .... | art department coordinator | |
| Simon-Julien Boucherie | .... | property master | |
| Stéphane Cressend | .... | assistant art director | |
| Birka Czassny | .... | construction secretary | |
| Emmanuel Delis | .... | set decorator: France | |
| Axel Eichhorst | .... | concept artist | |
| Sabine Engelberg | .... | set designer | |
| Enzo Enzel | .... | stand-by painter | |
| David R. Evans | .... | graphic designer | |
| Michael Fissneider | .... | set designer | |
| Alex Friedrich | .... | prop maker | |
| Hélène Gourdin Doherty | .... | set decoration assistant | |
| Dierk Grahlow | .... | construction manager | |
| Anne Gramlich | .... | art department runner | |
| Sebastian Hanusch | .... | assistant stand-by props | |
| Ingeborg Heinemann | .... | assistant set decorator | |
| Leif Heanzo Hendel | .... | props concept artist | |
| Andreas Horstmann | .... | additional set decoration buyer | |
| Jan Hülpüsch | .... | graphic artist: Schein Berlin | |
| Alexis Imbert | .... | props | |
| Jan Jericho | .... | graphic artist | |
| Robert Krüger | .... | hod painter | |
| Oliver Kuhlmann | .... | stand-by props chargehand | |
| Liliana Lambriev | .... | graphic artist: Schein Berlin | |
| Robert Makolies | .... | plaster sculptor | |
| Stefan Mentz | .... | stand-by props production assistant | |
| Johanna Muench | .... | modelmaker | |
| Benjamin Palmer | .... | supervising model maker | |
| Daniel Porsdorf | .... | photographer: Schein Berlin | |
| Stephanie Rass | .... | set designer | |
| Melanie Reichert | .... | construction buyer | |
| Melanie Reichert | .... | construction secretary | |
| Michelle Rose | .... | props coordinator | |
| Sascha Strutz | .... | prop buyer | |
| Steve Summersgill | .... | set designer | |
| Otu Tetteh | .... | props | |
| Alwara Thaler | .... | set decoration shopper | |
| Jacob von Dohnanyi | .... | propmaker | |
| Joey Weber | .... | set decoration buyer | |
| Simon Weisse | .... | model maker | |
| Oliver Wolter | .... | art department assistant | |
Sound Department | |||
| Robert Althoff | .... | mix technician | |
| Paul Aulicino | .... | sound editor | |
| Gregg Baxter | .... | supervising adr editor | |
| Harry Cohen | .... | sound designer | |
| Benjamin Dunker | .... | utility sound technician | |
| Martin Gleitze | .... | sound utility | |
| Tom Hartig | .... | boom operator | |
| Michael Keller | .... | sound effects editor | |
| Tony Lamberti | .... | sound re-recording mixer | |
| Michael Minkler | .... | sound re-recording mixer | |
| James Moriana | .... | foley artist | |
| Nancy Nugent | .... | dialogue editor | |
| Margit Pfeiffer | .... | dialogue supervisor | |
| Carsten Richter | .... | foley artist: nation's pride | |
| Steve Schatz | .... | sound mixing recordist | |
| Ann Scibelli | .... | sound designer | |
| Wylie Stateman | .... | supervising sound editor | |
| Mark Ulano | .... | production sound mixer | |
| Brett Voss | .... | foley mixer | |
| Hanse Warns | .... | foley mixer: nation's pride | |
| Jeffrey Wilhoit | .... | foley artist | |
| David Young | .... | post sound engineer | |
| Toby Cohen | .... | additional sound (uncredited) | |
Visual Effects by | |||
| Elika Burns | .... | roto/paint supervisor: CIS Hollywo | |
| Patrick Clancey | .... | digital opticals | |
| Scott Crafford | .... | paint and rotoscope artist: CIS Hollywood | |
| Michael Dillon | .... | digital intermediate assistant producer | |
| Christopher Dusendschon | .... | digital imaging supervisor: iO FILM | |
| John Dykstra | .... | visual effects designer | |
| Kelly Fischer | .... | compositor: CIS Hollywood | |
| Mathias Frodin | .... | compositor: CIS Hollywood | |
| Mathias Frodin | .... | digital compositor | |
| Alex Gitler | .... | compositor: CIS Hollywood | |
| Alex Gitler | .... | digital compositor | |
| Alex Gitler | .... | visual effects: CIS Hollywood | |
| Brian Hanable | .... | digital effects compositor: Pacific Title | |
| Joe Henke | .... | digital effects supervisor: CIS Hollywood | |
| Heather Elisa Hill | .... | visual effects project manager: CIS Hollywood | |
| Mark Justison | .... | junior compositor: CIS Hollywood | |
| Gregory D. Liegey | .... | visual effects supervisor: CIS Hollywood | |
| Gregory D. Liegey | .... | visual effects supervisor: CIS Visual Effects Group | |
| Rodney Montague | .... | visual effects producer | |
| Viktor Muller | .... | visual effects supervisor | |
| James P. Noon | .... | tracking | |
| Caleb Owens | .... | cg artist: CIS Hollywood | |
| Chris Ryan | .... | cg supervisor: CIS Hollywood | |
| Aaron Schultz | .... | cg artist: CIS Hollywood | |
| Rasha Shalaby | .... | compositor: CIS Hollywood | |
| Ilona Vovchyk | .... | model painter | |
| Xye | .... | tracking | |
| Nina Yoon | .... | paint & roto artist | |
| Nina Yoon | .... | paint & rotoscoping artist: CIS Hollywood | |
| Matt Ashton | .... | senior systems: CIS Hollywood (uncredited) | |
| Donald Fly | .... | general manager: CIS Group (uncredited) | |
| Amy Garback | .... | effects liaison: CIS Hollywood (uncredited) | |
| Brian Holmes | .... | systems engineer: CIS Hollywood (uncredited) | |
| Katie Miller | .... | coordinator assistant: CIS Hollywood (uncredited) | |
| Robert Minsk | .... | systems: CIS Hollywood (uncredited) | |
Camera and Electrical Department | |||
| Dieter Bähr | .... | key grip | |
| Martin Bartels | .... | video assist operator: splinter unit, assistant video operator: main unit | |
| Mithat Baskan | .... | electrician | |
| Jean-François Drigeard | .... | gaffer: Paris | |
| François Duhamel | .... | still photographer | |
| Lester Dunton | .... | vfx director of photography | |
| Vanessa Guez | .... | additional second assistant camera | |
| Oliver Haas | .... | best boy lighting | |
| Eddie Handschak | .... | video operator: main unit | |
| Rafael Jeneral | .... | second assistant camera: splinter unit | |
| Daniel Jopp | .... | lighting technician | |
| Sebastian Meuschel | .... | steadicam operator | |
| Matthias Pilz | .... | central loader | |
| Helmut Prein | .... | gaffer | |
| Christian Scheibe | .... | dolly grip: "b" camera | |
| Axel Scholz | .... | electrician | |
| Leah Striker | .... | camera operator: splinter unit | |
| Gregor Tavenner | .... | key first assistant camera | |
| Christian Wehrle | .... | key video assist | |
| Jörg Widmer | .... | director of photography: splinter unit | |
Casting Department | |||
| Aurélie Avram | .... | extras casting | |
| Simone Bär | .... | casting: Germany | |
| Salvadore Brandt | .... | first extras casting assistant | |
| Olivier Carbone | .... | casting: France | |
| Johanna Ragwitz | .... | extras casting | |
| Mathilde Snodgrass | .... | casting assistant | |
| Patrick Winkler | .... | extras casting assistant | |
Costume and Wardrobe Department | |||
| Daniela Backes | .... | principal set costumer | |
| Daryl Bristow | .... | costume supervisor | |
| Brigitte Friedländer-Rodriguez | .... | wardrobe supervisor (as Brigitte Rodriguez) | |
| Brita Hofmann | .... | costume textile artist | |
| Tina-Jane Krohn | .... | costumer | |
| Gary Lane | .... | military costumes supervisor | |
| Anna Isabell Logen | .... | personal dresser: Brad Pitt | |
| Peter Paul | .... | wardrobe master | |
| Sonia Inés Rocha | .... | assistant textile artist | |
| John Rowe | .... | military costumer | |
| Meike Schlegel | .... | assistant costume designer | |
| Anja Vesterling | .... | costume textile artist | |
| Michelle Wickland | .... | stunt & principal costumer | |
| Jeanette Apel | .... | dress pattern maker (uncredited) | |
Editorial Department | |||
| Toska Baltruschat | .... | first assistant editor | |
| Sheryl Benko | .... | post-production coordinator | |
| Alexander Boldt | .... | second assistant editor | |
| Etienne Boussac | .... | first assistant editor | |
| Gary Burritt | .... | negative cutter | |
| Joe D'Augustine | .... | additional editor | |
| Julia Dupuis | .... | second assistant editor | |
| Julie Garces | .... | assistant editor: Avid | |
| Evan Henke | .... | first assistant editor | |
| Erin Michelle Hopkins | .... | assistant editor | |
| Stephanie Johnson | .... | first assistant editor | |
| Kai Lamberton | .... | third assistant editor | |
| Yvan Lucas | .... | colorist: Efilm | |
| Traudl Nicholson | .... | color timer | |
| Jim Passon | .... | color timer (Deluxe) | |
| Tom Reiser | .... | colorist assist: Efilm | |
| Denise Sadighi | .... | German subtitle assistant/translator | |
| Matthew Sakata | .... | post-production assistant | |
| Boris Schaarschmidt | .... | German subtitle assistant/translator | |
| Adam M. Weber | .... | apprentice editor | |
| Lisa Tutunjian | .... | digital intermediate editor (uncredited) | |
Music Department | |||
| Mary Ramos | .... | music supervisor | |
| Jim Schultz | .... | music editor | |
Transportation Department | |||
| Jalal Aqdim | .... | picture car assistant coordinator: paris unit | |
| Maxime Couteret | .... | transportation captain | |
| Tom Ehrhardt | .... | picture car coordinator | |
| Dennis Erdmann | .... | production driver | |
| Marco Fischer | .... | truck wrangler | |
| Florian Haeger | .... | driver: cast | |
| Charles Heidet | .... | picture car coordinator: Paris Unit | |
| Daniel Huhn | .... | driver: cast | |
| Steffen Knabe | .... | production driver | |
| Andreas Korpel | .... | additional truck driver: Paris | |
| Erich Kraus | .... | driver: cast | |
| Oliver Kueper | .... | transportation coordinator | |
| Matthias Langwich | .... | driver | |
| Jérôme Servant | .... | transportation coordinator: France | |
| Olivier Suffert | .... | driver: Paris | |
| Silke Werner | .... | driver: cast | |
| Alexandre Thiery | .... | driver: Paris (uncredited) | |
Other crew | |||
| Markus Albrecht | .... | military consultant | |
| Melissa Altman | .... | assistant: Erica Steinberg | |
| Robyn Altman | .... | assistant: Lloyd Phillips | |
| Segolene Amice | .... | production coordinator: France | |
| Markus Bensch | .... | production executive | |
| Penelope Bischoff | .... | production secretary: France | |
| Alex Boden | .... | researcher | |
| Mathias Braun | .... | assistant location manager: Ottendorf | |
| Gero Brugmann | .... | legal counsel (as Dr. Gero Brugmann) | |
| Nina Büttner | .... | payroll accountant | |
| Will Casey | .... | unit publicist | |
| Simon Daniel | .... | location assistant | |
| Julia Dege | .... | production assistant | |
| Sabrina Donati | .... | production associate: Casting | |
| Guido Fischer | .... | assistant location manager | |
| Anne C. Ford | .... | production controller | |
| Frédéric Greene | .... | production accountant: france | |
| Klaus Große Darrelmann | .... | location manager | |
| Paloma Guridi | .... | utility stand-in: female | |
| Frederic Heidorn | .... | stand in/double | |
| RoJeanne Herbel | .... | assistant post-production accountant | |
| Robert Hoehn | .... | production assistant | |
| Leah Holmes | .... | post production accountant | |
| Kenneth Hunter | .... | architectural research photographer: Los Angeles | |
| Yann Jouannic | .... | location assistant: Paris | |
| Michael Justice | .... | intern | |
| Arnaud Kaiser | .... | location manager | |
| Ellie Kemps | .... | travel coordinator | |
| Mun Ju Kim | .... | cashier | |
| Andreas Kispert | .... | set manager | |
| Ayuko Koresawa | .... | script: splinter unit | |
| Linda Ky | .... | shipping coordinator | |
| Thomas Lauterkorn | .... | location scout | |
| Ronald J. Levin | .... | production legal | |
| Silvia Lindner | .... | production coordinator | |
| Bianca Makarewicz | .... | publicist | |
| Gabriel Mamruth | .... | payroll accountant | |
| Jan R. Martin | .... | assistant production coordinator | |
| Paul Melzow | .... | production assistant | |
| Peti Misaila | .... | housing coordinator | |
| Tim Monich | .... | dialect coach | |
| Matthias Nerlich | .... | crowd marshall | |
| Antonia Olivares | .... | set production assistant | |
| David Pieper | .... | location assistant | |
| Jan Proppe | .... | set production assistant | |
| Justine Raczkiewicz | .... | assistant to production executive | |
| Loredana Rehekampff | (production assistant | ||
| Eli Roth | .... | director: "Nation's Pride" | |
| Steve Sauthoff | .... | set production assistant | |
| Carole Schmidlin | .... | set production assistant | |
| Lena Schmigalla | .... | assistant accountant | |
| Johannes Schwerdt | .... | assistant accountant | |
| Oneil Sharma | .... | key production assistant | |
| Tommy Simpson | .... | production assistant | |
| Tina Steffan | .... | assistant: Quentin Tarantino | |
| Christina Syring | .... | production secretary | |
| Mathieu Turi | .... | set production assistant | |
| Clemens von Tubeuf | .... | stand in/double | |
| Constanze Waechter | .... | utility stand-in: female | |
| Nicolas Walier | .... | stand in/double | |
| Nicolas Walier | .... | stand-in | |
| Anne Wilson | .... | key assistant production accountant | |
| Mario Wittmann | .... | key set production assistant | |
| Eike Wolf | .... | production publicist | |
| Katrin Wöller | .... | craft service person | |
| Gerold Wunstel | .... | adr artist | |
| Anja Wüstefeld | .... | location coordinator | |
| Ugur Yildirim | .... | mac support | |
| Sonja B. Zimmer | .... | production executive | |
| Wassili Zygouris | .... | projectionist supervisor | |
| Michael Herbert | .... | intern (uncredited) | |
| Justine Raczkiewicz | .... | assistant: production executive (uncredited) | |
Thanks | |||
| Enzo G. Castellari | .... | thanks | |
| John Milius | .... | thanks | |
| Barry Primus | .... | very special thanks | |
| Bill Roth | .... | special thanks | |
| Tom Tykwer | .... | acknowledgment: German Translation quality assurance | |
|
|
|
|
|
| Miracle at St. Anna | Once Upon a Time in Mexico | Valkyrie | The Departed | The Devil's Rejects |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Drama section |
| IMDb USA section | Add this title to MyMovies |
I must admit when I saw the preview for "Inglorious Basterds" I gave myself big expectations. THIS FILM DID NOT Disappoint.
Rarely when I watch a movie with such high-expectations do I have those expectations met or exceeded; this film did that and more. Even more rarely do I clap at the end of a movie, this I and everyone else in the theater did.
I have to say I am a little biased towards Quentin, I grew up with "Pulp Fiction." I watched it when I was 12 and it is still my favorite and most influential film.
However, since then Quentin has not really lived up to his billing. His style was getting a little predictable instead of familiar, the quality honestly wasn't there (I never watched Jackie Brown, and then there's Grindhouse). That is until "Inglorious Basterds." What Quentin did was exactly what was needed for the war genre, a spaghetti western feel that could only be done by Tarantino or Sergio Leone, but seeing how Leone is dead, Tarantino's the self appointed guy on this masterpiece.
So let's look at the movie which I won't give away. The writing was spot on, a beautiful transition between using not one but four different languages in this movie. Not to mention this movie was set up in the classic Tarantino mold, great scenes of rich meaningful dialog and sudden shocking action.
The acting was superb!! Christopher Waltz deserves an Oscar, seriously. I don't say that often, but honestly the man should get one for this movie, he spoke every language in this movie, and delivered with such amazing touch and poise. He stole the show in a movie that everybody was amazingly impressive.
I have no problem building this movie up, because this movie is the best film I've seen all year, and probably all of next year. Quite frankly the more I think about it, this movie may crack my top films of all time, and is Quentin's best movie since "Pulp Fiction." Take it from me, watch this film. I loved it doesn't do this movie enough justice.
I watched it yesterday and I'm still blown away. Thank you Quentin from the bottom of my heart for you making this movie. You're back on top again buddy. I can't say enough for "Inglorious Basterds!"