Cinderella Man (2005)

Director:

Ron Howard

Writers (WGA):

Cliff Hollingsworth (story)
Cliff Hollingsworth (screenplay) ...

Release Date:

3 June 2005 (USA)

Genre:

Biography | Drama | Sport

Tagline:

One man's extraordinary fight to save the family he loved.

Plot:

The story of James Braddock, a supposedly washed up boxer who came back to become a champion and an inspiration in the 1930s.

Plot Keywords:

Boxing | Great Depression | Boxer | 1930s | Dock

Awards:

Nominated for 3 Oscars. Another 12 wins & 22 nominations

Cast

Russell Crowe	...	Jim Braddock
Renée Zellweger	...	Mae Braddock
Paul Giamatti	...	Joe Gould
Craig Bierko	...	Max Baer
Paddy Considine	...	Mike Wilson
Bruce McGill	...	Jimmy Johnston
David Huband	...	Ford Bond
Connor Price	...	Jay Braddock
Ariel Waller	...	Rosemarie Braddock
Patrick Louis	...	Howard Braddock
Rosemarie DeWitt	...	Sara Wilson
Linda Kash	...	Lucille Gould
Nicholas Campbell	...	Sporty Lewis
Gene Pyrz	...	Jake
Chuck Shamata	...	Father Rorick

MPAA:

Rated PG-13 for intense boxing violence and some language.

Runtime:

144 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

Netherlands:16 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | USA:PG-13 (certificate #41365) | Argentina:Atp | Peru:PT | Philippines:PG-13 | Brazil:14 | Taiwan:PG-12 | Sweden:11 | Hong Kong:IIA | Belgium:KT | Venezuela:PG-13 | Malaysia:18SG (uncut version) | Malaysia:U (cut version) | Hungary:14 | Iceland:14 | Iceland:16 (video rating) | South Korea:All | Ireland:15 | South Africa:10V | Denmark:11 | Canada:13+ (Quebec) | Canada:14A (Manitoba) | Canada:PG (Alberta/British Columbia/Nova Scotia/Ontario) | France:U | New Zealand:M | Australia:M | Ireland:15A | Norway:15 | Singapore:PG | UK:12A | Germany:12 | Finland:K-11

Filming Locations:

Distillery District, Toronto, Ontario, Canada

Company:

Universal Pictures

Trivia:

Professional boxers played Braddock's opponents. They were told to land their blows as close to Crowe's body as possible. Unfortunately, they sometimes couldn't pull back in time and ended up injuring Crowe.

Goofs:

Factual errors: Baer is shown wearing a robe with his name on the back. In reality, the robe that Baer wore to both of his title fits was a prop from the movie The Prizefighter and the Lady (1933). Baer played a character named "Steve Morgan", and that was the name on the back of the robe.

Quotes:

[first lines]
Joe Gould: Attaboy! Keep him busy!

Movie Connections:

Referenced in "Dancing with the Stars: Series 7 Grand Final (#7.10)" (2007)

Soundtrack:

Don't Be That Way

Russell Crowe K.O.

The dilemma: I hate boxing movies; I love Russell Crowe movies. I've already seen "Million Dollar Baby" and "Raging Bull" this year, and accidentally watched part of one of the "son of Rocky" serial movies on a Saturday afternoon. I feel like I am being punched, as Renee' Zellwegger's character Mae Braddock says, and I'm not as tough as these prize fighters.

But this one has Russell Crowe in it. And that makes all the difference.

It is not that Renee Zellwegger and Paul Giamatti, Paddy Considine, Bruce McGill and Craig Bierko, among others, give less than stellar performances: they all live up to their justifiably great reputations. You have to believe they are at the top of their game. But for all of Russell Crowe's reputation for being "difficult", it is hard to think of actors who can equal his personal force on the screen. He is brilliant.

Ron Howard has made of the real life of Depression-era prize-fighter James J. Braddock a work of art. The camera work is phenomenal. Without using violins or cliché' pull-back shots showing the numbers of people homeless and in soup lines, Howard makes the Depression a visceral reality with scenes of near-hopeless men at the docks, pleading for a day's work; a stolen salami; Crowe's giving his daughter his breakfast piece of bologna, telling her he dreamed he was full. The bleakness of the times is the graininess and the sepia/greyness of the camera shots; the images are stark but completely descriptive. Crowe as Braddock with hat in hand and tears in his eyes, begging for twenty dollars so he can get his children back into his home, is the personification of pride sacrificed to desperation. But when Braddock is later asked at a press conference why he is fighting at his age and after so many poor showings, all he has to say is "milk" to be supremely eloquent.

Doubtless many people know the history of James Braddock, and know the outcome of his fights, including the championship bout with Max Baer, who had already killed two men in the ring. If you don't know, DON'T look it up before you see the movie, and if you DO KNOW, DON'T TELL, but go. Analogous to watching Howard's film "Apollo 13", you may know the outcome, but there's wonderful suspense in the details. These were among the most exciting last twenty minutes I've seen on film. I didn't expect to be able to watch, but like Braddock's terrified wife Mae, I was unable to tear myself away.

The audience was like a prize fight audience, cheering, booing, gasping, groaning during the fights. We applauded Braddock's wins, suffered his defeats. It is a great movie, with authentic heart. Solid A.