Ônibus 174 (2002)

Directors:

José Padilha
Felipe Lacerda (co-director)

Writer:

José Padilha (writer)

Release Date:

30 August 2003 (Netherlands)

Genre:

Documentary | Crime

Plot:

Documentary depicts what happened in Rio de Janeiro on June 12th 2000, when bus 174 was taken by an armed young man...

Plot Keywords:

Prison | Poverty | Racial Tension | Witness | Rio De Janeiro Brazil

Awards:

10 wins & 5 nominations

Cast

Yvonne Bezerra de Mello	...	Herself
Sandro do Nascimento	...	Himself (archive footage)
Rodrigo Pimentel	...	Himself
Luiz Eduardo Soares	...	Himself

Directed by
José Padilha
Felipe Lacerda		(co-director)

Writing credits (in alphabetical order)
José Padilha		writer

Produced by
José Padilha	....	producer
Rodrigo Pimentel	....	associate producer
Marcos Prado	....	producer

Original Music by
Sacha Amback
João Nabuco

Cinematography by
Marcelo 'Guru' Duarte
Cezar Moraes

Film Editing by
Felipe Lacerda

Sound Department
Denilson Campos	....	sound
Aloisio Compasso	....	sound
Yan Saldanha	....	sound
Armando Torres Jr.	....	sound

Visual Effects by
Luis Ignacio Barrague	....	conforming editor

Camera and Electrical Department
Marcela Bourseau	....	camera operator

Editorial Department
Moema Pombo	....	assistant editor

Other crew
Winston Emano	....	publicist
David Magdael	....	publicist

Production Companies

• Zazen Produções

Distributors

• Accent Film Entertainment (2004) (Australia) (DVD)
• Hart Sharp Video (2004) (USA) (DVD)
• Hart Sharp Video (2004) (USA) (VHS)
• LK-TEL Vídeo (2005) (Brazil) (DVD)
• LK-TEL Vídeo (2005) (Brazil) (VHS)
• New Yorker Films (2003) (USA) (theatrical)
• THINKFilm (2003) (USA) (theatrical) (subtitled)
• Zazen Produções

Also Known As:

Bus 174 (International: English title)

MPAA:

Rated R for language, violent images and some drug material.

Runtime:

150 min | Japan:119 min | Canada:120 min (Toronto International Film Festival) | USA:122 min

Country:

Brazil

Language:

Portuguese

Color:

Black and White | Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby SR

Certification:

UK:15 | New Zealand:R13 | Australia:MA | Brazil:14 | Canada:14A | Japan:PG-12 | Philippines:PG-13 | Singapore:NC-16 | USA:R

Filming Locations:

Rio de Janeiro, Rio de Janeiro, Brazil

Company:

Zazen Produções

Movie Connections:

Referenced in Grbavica (2006)

High-impact documentary will have you examine your thoughts on urban violence

Rio de Janeiro, June 12th 2000: it's Valentine's day in Brazil. In Rio's only favela-free middle-class neighborhood (Jardim Botânico), a young black man, drugged and armed, hijacks bus 174 with a dozen passengers in one of Rio's busiest avenues in mid-afternoon. What would have been just one more event in Rio's violence statistics turns out to be a nationwide live-TV horror show. The traffic stops, the elite police surround the area, the bandit threatens to shoot the passengers and then kill himself. The "negotiation" lasts four hours, involves even the governor of Rio de Janeiro state, in what became one of the highest rating events on Brazilian TV history and exposed one of the most stupid and catastrophic police strategies ever devised.

As the negotiation goes on, TV reporters find out that the young hijacker is in fact a survivor of one of Rio's most horrendous crimes: as a young street kid he had escaped being murdered by policemen in the infamous Candelária child mass murder in the early 90s and, instead of being protected by the government, he was sent to a reform unit under appalling conditions (the facilities of the reform unit are some of the most shocking scenes in "Bus 174"). He had also, as a young child, witnessed bandits stab his mother being to death by bandits in front of him.

This powerful documentary includes live TV scenes of the actual hijack and its tragic denouement -- the shooting of one the victims and the bandit's arrest and subsequent assassination by the police, reported then as suicide and eventually proved in court to be manslaughter. It also contains interviews with social workers and sociologists (some of them insightful, others the usual B.S.), shocking interviews with bandits and street kids who knew him, and the testimony of some of the passengers and policemen who were part of the action. If this were a work of fiction, it would be hard to believe, but it's all true.

The opening sequence is especially powerful and revealing: it's one uninterrupted aerial shot of Rio's beautiful shoreline, leading to the imposing mansions of the wealthy, then up to the forest on top of Vidigal hill -- and suddenly the camera tilts downwards and, like a punch in the jaw, we see the immense favela of Rocinha, the largest in Latin America, with some 200,000 inhabitants -- all of that part of the same neighborhood, high-profile wealth and destitute poverty co-existing side by side, sharing the same few square miles.

This is a film that poses a series of difficult questions on violence, public education, social welfare, child abuse, imprisonment policies, juvenile crime, police training and strategy, police abuse, drug addiction, TV ethics and responsibility, the role of social work and rehab, poverty and injustice. No easy answers or solutions here, but very important and disturbing questions all the same.

Do not watch this if you're in search of light entertainment! On the other hand, if you want to know a little bit about what it's like to live in a big city in the Third World -- where the rich and the poor are simultaneously so close (geographically) and far apart (in human and social rights) at the same time -- don't miss it!! If you live in a rich country, prepare to be shocked.