Ônibus 174 (2002)

User Rating:

7.9/10   

Directors:

José Padilha
Felipe Lacerda (co-director)

Writer:

José Padilha (writer)

Release Date:

30 August 2003 (Netherlands)

Genre:

Documentary | Crime

Plot:

Documentary depicts what happened in Rio de Janeiro on June 12th 2000, when bus 174 was taken by an armed young man...

Plot Keywords:

Passenger | Bus | 2000s | Killing | Interview

Awards:

10 wins & 5 nominations

Cast

Anonymous	...	Himself - Rio SWAT Team Officer
Maria Aparecida	...	Herself - Damiana's Daughter
Captain Batista	...	Himself - Rio SWAT Team Negotiator
Luanna Belmon	...	Herself - Undergraduate Student
Claudete Beltrana	...	Herself - Former Street Kid
Luciana Carvalho	...	Herself - Secretary
Coelho	...	Himself - Former Street Kid
Damiana	...	Herself
Yvonne Bezerra de Mello	...	Herself - Social Worker
Julieta do Nacimento	...	Herself - Sandro's Maternal Aunt
Sandro do Nascimento	...	Himself (archive footage)
Dona Elza	...	Herself
Geísa Firmo Gonçalves	...	Herself (archive footage)
José Henrique	...	Himself - TV Cameraman
Cláudia Macumbinha	...	Herself - Former Street Kid
Mendonça	...	Himself - Jail Keeper
Williams Moura	...	Himself - Undergraduate Student
Janaina Neves	...	Herself - Undergraduate Student
Rodrigo Pimentel	...	Himself - Former Rio SWAT Instructor
Rogerinho	...	Himself - Former Street Kid
Fábio Seixo	...	Himself - Newspaper Photographer
Luiz Eduardo Soares	...	Himself - Sociologist
Gil Velho	...	Himself - Capoeira Teacher
António Werneck	...	Himself - Newspaper Reporter

Directed by
José Padilha
Felipe Lacerda		(co-director)

Writing credits (in alphabetical order)
José Padilha		writer

Produced by
José Padilha	....	producer
Rodrigo Pimentel	....	associate producer
Marcos Prado	....	producer

Original Music by
Sacha Amback
João Nabuco

Cinematography by
Marcelo 'Guru' Duarte
Cezar Moraes

Film Editing by
Felipe Lacerda

Sound Department
Maria Byington	....	foley production
Denilson Campos	....	sound editor
Denilson Campos	....	sound mixer
Aloisio Compasso	....	sound
Aurélio Dias	....	foley artist
Aurélio Dias	....	sound effects
Andre Pozzano	....	foley artist (as André Ponzano)
Andre Pozzano	....	sound effects (as André Ponzano)
Numo Saldanha	....	additional sound (as Nuno Saldanha)
Yan Saldanha	....	sound
Armando Torres Jr.	....	sound

Camera and Electrical Department
Marcela Bourseau	....	additional cinematographer

Editorial Department
Helena Barreto	....	post-production coordinator
Maria Clara	....	post-production coordinator
Moema Pombo	....	assistant editor

Music Department
Sacha Amback	....	musician: keyboards
Mariana Carneiro da Cunha	....	musician: cello
Jovi	....	musician: percussion
João Nabuco	....	musician: keyboards
Fernando Vidal	....	musician: guitar

Other crew
Jorge Alves	....	researcher
Fernanda Cardosa	....	researcher
Eduardo Chalita	....	assistant to producers
Winston Emano	....	publicist
Daniela Fortes	....	assistant to producers
Daniela Fortes	....	transcriptionist
Afonso Mello Franco	....	translator
Alexandre Lima	....	assistant to director
David Magdael	....	publicist
Mari Martins	....	assistant to producers
Andréia Pereira	....	lip reader
Moema Pombo	....	transcriptionist
Mauro Ribeiro	....	lip reader
Camila Sinamore	....	lip reader
Elton Takh	....	transcriptionist

Production Companies

• Zazen Produções

Distributors

• Accent Film Entertainment (2004) (Australia) (DVD)
• Hart Sharp Video (2004) (USA) (DVD)
• Hart Sharp Video (2004) (USA) (VHS)
• LK-TEL Vídeo (2005) (Brazil) (DVD)
• LK-TEL Vídeo (2005) (Brazil) (VHS)
• New Yorker Films (2003) (USA) (theatrical)
• THINKFilm (2003) (USA) (theatrical) (subtitled)
• Zazen Produções

Also Known As:

Bus 174 (International: English title)

MPAA:

Rated R for language, violent images and some drug material.

Runtime:

150 min | Canada:120 min (Toronto International Film Festival) | USA:122 min | Japan:119 min

Country:

Brazil

Language:

Portuguese

Color:

Black and White | Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby SR

Certification:

New Zealand:R13 | UK:15 | Australia:MA | Brazil:14 | Canada:14A | Japan:PG-12 | Philippines:PG-13 | Singapore:NC-16 | USA:R

Filming Locations:

Rio de Janeiro, Rio de Janeiro, Brazil

Company:

Zazen Produções

Movie Connections:

Features Metal Slug 3 (2000) (VG)

Devastating

One of those moments when you realise that you know nothing about the roots of another culture or society. And when you start learning, the pits of your stomach heave and your heart collapses at the deplorable and impossibly harsh reality of other people's lives.

Onibus 174 is the piecing together of an event that took place in 2000 in Rio de Janeiro, where a gunman took a busload of passengers hostage. The whole event was televised live to the nation, and this documentary film uses this footage, along with interviews with survivors, friends and relatives of the gunman, to document the implications of a society that treats its poor with a disdain not even reserved for deformed animals.

I can honestly say I have never sat through a film that was as difficult to watch as this. Throughout most of it my stomach clenched with anxiety, pity, misery and sadness. I cried at the plight of the street kids. I cried at the description of the child seeing his mother being stabbed 3 times and crawling about with a kitchen knife sticking out of her shoulder until she died in front of him. I cried at the last moments of the hijacking. And I cried at the reaction of the baying, blood-thirsty crowd of on-lookers at the end. And all this from live images. As it happened. The crude, devastating vicissitudes of a society wracked with poverty and hardship.

I have no idea why this film affected me so profoundly, but there's no doubt that is was largely to do with witnessing the real effects of social meltdown. The street kids are merely trying to gather together the semblance of an existence. Suddenly the thefts and muggings became understandable; I could be swayed to be not just sympathetic towards, but defensive of their crime, such is the extent of their horrendous degradation. And this is the result of rendering them invisible.

A film that's devastating, enlightening and enfuriating in equal parts. It has to be watched, but beware that it'll make you all too aware of your own impotence.