The Aviator (2004)

Director:

Martin Scorsese

Writer (WGA):

John Logan (written by)

Release Date:

25 December 2004 (USA)

Genre:

Biography | Drama

Tagline:

For some men, the sky was the limit. For him, it was just the beginning.

Plot:

A biopic depicting the early years of legendary director and aviator Howard Hughes' career, from the late 1920s to the mid-1940s.

Plot Keywords:

Hollywood | WWII | 1920s | Aviation | Film Producer

Awards:

Won 5 Oscars. Another 45 wins & 64 nominations

Cast

Leonardo DiCaprio	...	Howard Hughes
Cate Blanchett	...	Katharine Hepburn
Kate Beckinsale	...	Ava Gardner
John C. Reilly	...	Noah Dietrich
Alec Baldwin	...	Juan Trippe
Alan Alda	...	Senator Ralph Owen Brewster
Ian Holm	...	Professor Fitz
Danny Huston	...	Jack Frye
Gwen Stefani	...	Jean Harlow
Jude Law	...	Errol Flynn
Adam Scott	...	Johnny Meyer
Matt Ross	...	Glenn Odekirk
Kelli Garner	...	Faith Domergue
Frances Conroy	...	Mrs. Hepburn
Brent Spiner	...	Robert Gross

Also Known As:

Aviator (Germany)

MPAA:

Rated PG-13 for thematic elements, sexual content, nudity, language and a crash sequence.

Runtime:

170 min

Country:

USA | Germany

Language:

English

Color:

Black and White | Color

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

Taiwan:PG-12 | Portugal:M/12 | Malaysia:U | Canada:14A (Ontario) | Canada:PG (Alberta/British Columbia/Manitoba) | France:U | New Zealand:M | Argentina:13 | Australia:M | Brazil:12 | Canada:G (Quebec) | Chile:TE | Czech Republic:15 | Finland:K-11 | Germany:12 | Hong Kong:IIA | Iceland:12 | Ireland:12 (video rating) | Ireland:15 (original rating) | Netherlands:12 | Norway:11 | Philippines:PG-13 | Singapore:PG | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | Switzerland:14 (canton of Zurich) | UK:12A (original rating) | UK:12 (video rating) (2005) | USA:PG-13 (certificate #41156) | Indonesia:Dewasa | Sweden:11 | South Korea:15 | Denmark:11

Filming Locations:

Los Angeles, California, USA

Company:

Forward Pass

Trivia:

The film's prints are coming from a digital intermediate. This digital master has been digitally grain reduced from start to finish. As a result many moving textures (especially human skin) look smeared and very unnatural, like bad quality video watched on a slow LCD monitor.

Goofs:

Continuity: As Howard enters the tent at the end of the film, he raises his arms to clasp Noah and Odie on their backs. But in the next shot, his arms are down.

Quotes:

[first lines]
Allene Hughes: Q-u-a-r-a-n-t-i-n-e.
Young Howard Hughes: Quarantine. Q-u-a-r-a-n-t-i-n-e. Quarantine.

Movie Connections:

References Bringing Up Baby (1938)

Soundtrack:

Blue Skies

Falling Short of Greatness...Again

Scorsese has such an encyclopedic knowledge and understanding of cinema that every shot, however inventive and daring, is effortlessly composed. The direction, editing and cinematography are all the first-rate work by individuals who are clearly masters of their profession and the production design, costumes and makeup are the best you'll see all year. Their efforts combine to create a world of rich and lavish color, of excitement and glamour. Who wouldn't want to visit THIS Cotton Club in 1935? It's hard to imagine who could trump the technical team for Oscars this year.

With such a perfectly realized world in which to perform, the actors universally do an outstanding job. Despite the criticism of the hardcore DiCaprio-haters, the unprejudiced will observe an excellent performance that takes genuine risks and convincingly conveys the passing of more than twenty years. Importantly, DiCaprio more than holds his own when paired with Cate Blanchett and especially Alan Alda, who both give equally note worthy performances. Blanchett's interpretation of Katherine Hepburn seems spot on, and anyone familiar with the late actresses mannerisms will appreciate the hard work that clearly went into the recreation. Alda, one of the most consistently underrated actors around, delivers another masterclass in restrained character building as he oozes ambition and political dishonesty from every pore.

And yet, despite the obvious talent of all those involved and Scorsese's ability to effortlessly fill three hours, something about The Aviator fails to completely satisfy. Without wanting to sound like a film student, movies should, ultimately, be ABOUT something; love, honor, courage, redemption, the BIG ideas and themes that are the fuel of the plot. What was the drive of The Aviator? A rich guy recklessly spends lots of money to indulge his personal obsessions and gets away with it. We're never told how his experiences change him, and without change there's no journey. Considering the screenplay was written by John Logan, who usually displays a keen interest in showing the emotional evolution of his characters, the oversight is inexplicable. Ultimately then, much like Gangs of New York, The Aviator is simply the sum of it's parts, and however brilliantly those parts are realized, there doesn't seem to be a bigger theme to underpin and drive them.

The Aviator is a perfectly realized recreation of the era and one well worth experiencing. But the lack of a real emotional journey suggests 'all gloss and no substance', and ultimately prevents the movie from being truly great.