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Directed by | |||
| Wai-keung Lau | (as Andrew Lau) | ||
| Siu Fai Mak | (as Alan Mak) | ||
Writing credits | ||
| Siu Fai Mak | (written by) (as Alan Mak) & | |
| Felix Chong | (written by) | |
Produced by | |||
| Ellen Chang | .... | line producer | |
| Lorraine Ho | .... | line producer | |
| Wai-keung Lau | .... | producer (as Andrew Lau) | |
Original Music by | |||
| Kwong Wing Chan | (as Chan Kwong Wing) | ||
Cinematography by | |||
| Yiu-Fai Lai | (director of photography) (as Lai Yiu Fai) | ||
| Wai-keung Lau | (director of photography) (as Andrew Lau) | ||
Film Editing by | |||
| Curran Pang | (as Pang Ching Hei) | ||
| Danny Pang | |||
Art Direction by | |||
| Wong Ching Ching | |||
| Sung Pong Choo | (as Choo Sung Pong) | ||
Costume Design by | |||
| Pik Kwan Lee | (as Lee Pik Kwan) | ||
Makeup Department | |||
| Yu Lai Cheng | .... | makeup artist (as Cheng Yu Lai) | |
| James Lau | .... | hair stylist | |
Production Management | |||
| Tang Wai But | .... | post-production supervisor (as Tang Wai But) | |
| Wendy Chan | .... | assistant production manager | |
| Lai Yin Chow | .... | unit manager (as Chow Lai Yin) | |
| Bonnie Shum | .... | assistant production manager | |
| Ronald Wong | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Wai Hung Chan | .... | first assistant director (as Chan Wai Hung) | |
| Dickson Leung | .... | second assistant director | |
Art Department | |||
| Hung Chin Lau | .... | assistant art director (as Lau Hung Chin) | |
| Wai Ming Wong | .... | property master (as Wong Wai Ming) | |
Sound Department | |||
| Wing Lai Chin | .... | sound mixer (as Chin Wing Lai) | |
| Wai Hung Kwong | .... | foley artist (as Kwong Wai Hung) | |
| Felix Chung Sze Ming | .... | sound effects editor | |
| Tin Sung Ng | .... | boom operator (as Ng Tin Sung) | |
| Burnard To | .... | foley recordist (as To Burnard) | |
| Kinson Tsang | .... | sound designer | |
| Kinson Tsang | .... | sound re-recording mixer | |
| Tse Kin Wong | .... | dialogue recordist (as Wong Tsz Kin) | |
| Chun Hin Yiu | .... | dialogue recordist (as Yiu Chun Hin) | |
| George Lee Yiu-Keung | .... | dialogue editor (as George Lee Yiu Keung) | |
| George Lee Yiu-Keung | .... | sound re-recording mixer (as George Lee Yiu Keung) | |
| Ting Yip Yuen | .... | dialogue recordist (as Yuen Tin Yip) | |
| Mark Kenna | .... | consultant: Dolby film sound (uncredited) | |
Special Effects by | |||
| Kam Tong Fok | .... | pyrotechnician (as Fok Kam Tong) | |
Visual Effects by | |||
| Chris Chan | .... | animator | |
| Eddie Cheng | .... | project supervisor | |
| Francis Fung | .... | visual effects editor | |
| Hin Pu Ho | .... | animator (as Ho Hin Pun) | |
| Jesse Ho | .... | animator | |
| Keith Leung | .... | digital compositor | |
| Cons Li | .... | visual effects coordinator | |
| Eddy Wong | .... | visual effects supervisor | |
| Peggy Wong | .... | visual effects coordinator | |
| Victor Wong | .... | visual effects supervisor | |
| Ray Wu | .... | visual effects editor | |
Stunts | |||
| Dion Lam | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Man Keung Cho | .... | focus puller (as Cho Man Keung) | |
| Kin Kwong Ho | .... | focus puller (as Ho Kin Kwong) | |
| Wing Cheung Kwan | .... | focus puller (as Kwan Wing Cheung) | |
| Raymond Lam | .... | steadicam operator | |
| Tat-wah Tam | .... | still photographer (as Tam Tat Wah) | |
| Chi Ming Wong | .... | gaffer (as Wong Chi Ming) | |
| Hung Fei Wong | .... | still photographer (as Wong Hung Fei) | |
Costume and Wardrobe Department | |||
| Rosa Chow | .... | assistant costume designer | |
| Yun Mei Man | .... | wardrobe (as Man Yun Mei) | |
Editorial Department | |||
| Royce Smith | .... | film color timer (uncredited) | |
Music Department | |||
| Clement Fung | .... | orchestral arrangements | |
| Fiona Fung | .... | soloist | |
| Po Shek Tam | .... | musician: bamboo flageolet | |
Other crew | |||
| John Chong | .... | presenter | |
| Christopher Doyle | .... | visual consultant | |
| Dion Lam | .... | action choreographer | |
| Henry Lau | .... | continuity | |
| Calmen Lui | .... | laboratory consultant | |
| Sam Lung | .... | production assistant | |
| Nansun Shi | .... | presenter | |
| Leo Sze | .... | production accountant | |
| Yung Lin Yeung | .... | tea lady (as Yeung Yung Lin) | |
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| The Departed | The Corruptor | Mou gaan dou II | Ying hung boon sik II | Rush Hour 2 |
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Most western viewers will only know the Asian crime scene from the bleak and lyrical canvas of Takeshi Kitano's work. Here we get something that at first seems far more westernized and very close to the work of one Michael Mann. Okay, enough allusions: yes "Heat" comes heavily to mind at first. but this is no simple "Heat" in Hong Kong. This a splicing of everything Asians do best in a moody, stylish tension-based thriller. From the beautiful cinematography(reminiscent of Wong Kar-Way's films)- step forward visual consultant Christopher Doyle! - and music to the graceful ying-yang undertones (mirror-images are a key theme), the film's most heroic achievement lies in its leads and in the bold ending.
Hearing that this is being considered for a remake stateside comes as no big surprise, but how Matt Damon and Leonardo DiCaprio could possibly compete against Andy Lau and Tony Leung evokes cynicism at best. Both leads are perfect. Lau's cold calculating intellect against Leung's anguished and tormented heart, complimentary opposites. There aren't enough words to commend this fresh, invigorating film with...