| Photos (see all 3 | slideshow) | Videos |
| Norman Reedus | ... | Polizist Schmitz | |
| Christian von Aster | ... | Polizist Wagner | |
| André Hennicke | ... | Gabriel Engel | |
| Waltraud Witte | ... | Frau Hering | |
| Konstantin Graudus | ... | Wosniak | |
| Heinz Hoenig | ... | Seiler | |
| Wotan Wilke Möhring | ... | Michael Martens | |
| Ulrike Krumbiegel | ... | Rosa Martens | |
| Hauke Diekamp | ... | Christan Martens | |
| Jürgen Schornagel | ... | Sucharzewski | |
| Gudrun Ritter | ... | Frau Sucharzewski | |
| Laura Alberta Szalski | ... | Sarah Martens | |
| Klaus Zmorek | ... | Bosowski | |
| Domenico D'Ambrosio | ... | Techniker (Technician) | |
| Holger Franke | ... | Karl Prebisch | |
| Jockel Tschiersch | ... | Gabhart | |
| Hans Diehl | ... | Pfarrer (Priest) | |
| Bruno Grass | ... | Frank Flieder | |
| Natascha Paulick | ... | Maria Flieder | |
| Frank Kusche | ... | Wärter Schmidtzen | |
| Elisa Schrey | ... | Anna (Crying Girl) | |
| Edie Samland | ... | Esther Gabhart | |
| Stefanie Fuchs | ... | Moni | |
| Isabel Bongard | ... | Lucia Flieder | |
| Marie Lindner | ... | Tamara Gabhart | |
| Dietmar Horst Hedram | ... | Junkie | |
| Laila Mohmand | ... | Prostituierte | |
| Martin Umbach | ... | Psychiater | |
| Holger Reibiger | ... | Wärter | |
| Nina Proll | ... | Lucy | |
| Nadeshda Brennicke | ... | Nachtclub Sängerin | |
| Coco Brown | ... | Michelle | |
| Lydia Kavungu | ... | Joy | |
| Rainer Laupichler | ... | Kneiff | |
| Milton Welsh | ... | Fricke | |
| Leonardo Nigro | ... | Schnorres | |
| Maria Schuster | ... | Meiser | |
| Thomas Klees | ... | Verlagsmanager |
Directed by | |||
| Christian Alvart | |||
Writing credits(in alphabetical order) | ||
| Christian Alvart | writer | |
Produced by | |||
| Christian Alvart | .... | co-producer | |
| Theo Baltz | .... | producer | |
| Rainer Kölmel | .... | co-producer | |
| Susanne Kusche | .... | line producer | |
| Boris Schönfelder | .... | producer | |
Original Music by | |||
| Michl Britsch | |||
Cinematography by | |||
| Hagen Bogdanski | |||
Film Editing by | |||
| Philipp Stahl | |||
Casting by | |||
| Sabine Frielinghaus | |||
Production Design by | |||
| Christian M. Goldbeck | |||
Art Direction by | |||
| Eva Stiebler | |||
Costume Design by | |||
| Silke Sommer | |||
Makeup Department | |||
| Tamar Aviv | .... | special makeup effects artist | |
| Barney Nikolic | .... | special makeup effects artist (as Branimir Nikolic) | |
| Dennis Penkov | .... | special makeup effects artist | |
| Annett Schulze | .... | makeup department head | |
Production Management | |||
| Susanne Kusche | .... | production manager | |
| Tolke Palm | .... | assistant production manager | |
| Holger Reibiger | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Stefanie Fuchs | .... | trainee assistant director | |
| Bruno Grass | .... | assistant director | |
Art Department | |||
| Tom Bewermeier | .... | assistant property master | |
| Lars Dicht | .... | construction manager | |
| Johannes Pfaller | .... | property master | |
| Jan Saße | .... | storyboard artist | |
| Monica Suarez | .... | assistant production designer | |
| Monica Suarez | .... | graphic designer | |
| Otu Tetteh | .... | painter | |
Sound Department | |||
| Jerome Burkhard | .... | sound | |
| Jürgen Funk | .... | sound designer | |
| Michael Hinreiner | .... | sound re-recording mixer | |
Special Effects by | |||
| Volker Lorig | .... | special effects technician | |
| Christoph von Lengerke | .... | pyrotechnician | |
| Christoph von Lengerke | .... | special effects | |
Visual Effects by | |||
| David Laubsch | .... | digital compositor | |
| Lutz Lemke | .... | title sequence design/animation | |
| Udo Schlörmann | .... | digital compositor | |
| Sheldon Stopsack | .... | digital effects artist | |
Stunts | |||
| Jason Oettle | .... | key stunt rigger | |
| Rene Schobes | .... | stunt double: Andre Hennicke | |
| Rainer Werner | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Markus Görgens | .... | assistant electrician | |
| Nicolay Gutscher | .... | assistant camera | |
| Robert Patzelt | .... | Steadicam operator | |
| Robert Patzelt | .... | director of photography: second unit | |
| Simon Rainer | .... | additional electrician | |
| Teja Schwede | .... | second assistant camera | |
Editorial Department | |||
| Volker Langholz | .... | editor trainee | |
Transportation Department | |||
| Miklas Wittmann | .... | cast & production driver | |
Other crew | |||
| Frank Kusche | .... | set manager | |
| Thomas Stuber | .... | script supervisor | |
Thanks | |||
| Nadeshda Brennicke | .... | thanks | |
| Christine Neubauer | .... | thanks | |
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| La coda dello scorpione | Lo strano vizio della Signora Wardh | A History of Violence | I corpi presentano tracce di violenza carnale | Freeway |
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The opening moments of this movie are extremely well done, and the moment of grace at the ending was surprisingly well- earned . Surprising because what comes in the middle is at once unformed, lumpy, and all too obvious- albeit with some very fine acting. It was said elsewhere by some commentators that fine performances were given by the actors who played the serial killer and the senior detective who takes a liking to the rural cop because he sees the good in him: this is true. The emotional bond between the senior detective and the younger country cop he called 'Farmer" was well portrayed, indeed.
Unfortunately, the fine beginning and ending and the fine performances- oh, and also the scenes set in the small village, which were atmospheric- bookended a story that was sloppily told. The payoff at the end comes in spite of, and not because of the bulk of the film. But that payoff was, for me, affecting. I was on the edge of my seat, hoping for all the "right" (this is after all a film which commits itself to a belief in right and wrong) things to happen. Definitely a movie worth watching, and dare I hope that it can be improved upon (probably not, OK) when it is remade...