| Photos (see all 11 | slideshow) | Videos (see all 2 videos ) |
| Hayden Christensen | ... | Stephen Glass | |
| Peter Sarsgaard | ... | Charles 'Chuck' Lane | |
| Chloë Sevigny | ... | Caitlin Avey | |
| Rosario Dawson | ... | Andy Fox | |
| Melanie Lynskey | ... | Amy Brand | |
| Hank Azaria | ... | Michael Kelly | |
| Steve Zahn | ... | Adam Penenberg | |
| Mark Blum | ... | Lewis Estridge | |
| Simone-Elise Girard | ... | Catarina Bannier | |
| Chad Donella | ... | David Bach | |
| Jamie Elman | ... | Aaron Bluth | |
| Luke Kirby | ... | Rob Gruen | |
| Cas Anvar | ... | Kambiz Foroohar | |
| Linda Smith | ... | Gloria (as Linda E. Smith) | |
| Ted Kotcheff | ... | Marty Peretz | |
| Owen Rotharmel | ... | Ian Restil | |
| Bill Rowat | ... | George Sims | |
| Michele Scarabelli | ... | Ian's Mother | |
| Terry Simpson | ... | Joe Hiert | |
| Howard Rosenstein | ... | Suit #1 | |
| Louis Philippe Dandenault | ... | Michael (as Louis-Philippe Dandenault) | |
| Morgan Kelly | ... | Joe | |
| Christian Tessier | ... | Cade | |
| James Berlingieri | ... | Jason | |
| Brett Watson | ... | Seth | |
| Andrew Airlie | ... | Alec Shumpert | |
| Russell Yuen | ... | Emmit Rich | |
| Pierre LeBlanc | ... | Monica Merchant #1 (as Pierre Leblanc) | |
| Pauline Little | ... | Monica Merchant #2 | |
| Kim Taschereau | ... | Stout Woman | |
| Phillip Cole | ... | Security Guard | |
| Mark Camacho | ... | Glass' Lawyer (as Mark Camocho) | |
| Ian Blouin | ... | Chuck's Son | |
| Lynne Adams | ... | Kelly's Colleague | |
| Caroline Goodall | ... | Mrs. Duke | |
| Brittany Drisdelle | ... | Megan (as Brittany Drisdell) | |
| rest of cast listed alphabetically: | |||
| Isabelle Champeau | ... | Journalist (uncredited) | |
| Jeffrey Ford | ... | Security Guard (voice) (uncredited) | |
Directed by | |||
| Billy Ray | |||
Writing credits(WGA) | ||
| Buzz Bissinger | (article) (as H.G. Bissinger) | |
| Billy Ray | (written by) | |
Produced by | |||
| Craig Baumgarten | .... | producer | |
| Tove Christensen | .... | producer | |
| Tom Cruise | .... | executive producer | |
| Gaye Hirsch | .... | producer | |
| Adam Merims | .... | producer | |
| Tom Ortenberg | .... | executive producer | |
| Michael Paseornek | .... | executive producer | |
| Paula Wagner | .... | executive producer | |
| Marc Butan | .... | producer (uncredited) | |
Original Music by | |||
| Mychael Danna | |||
Cinematography by | |||
| Mandy Walker | (director of photography) | ||
Film Editing by | |||
| Jeffrey Ford | |||
Casting by | |||
| Cassandra Kulukundis | |||
Production Design by | |||
| François Séguin | |||
Art Direction by | |||
| Pierre Perrault | |||
Costume Design by | |||
| Renée April | |||
Makeup Department | |||
| Annock Bolvin | .... | key makeup artist: additional photography | |
| Francine Gagnon | .... | key makeup artist | |
| Corald Giroux | .... | key hair stylist | |
| Catherine Lahaye | .... | makeup artist | |
| Gaétan Landry | .... | key hairdresser: additional photography (as Gaetan Landry) | |
| Manon Paquet | .... | hairdresser: additional photography | |
| Gérard Royer | .... | hair stylist (as Gerard Royer) | |
| Fanny Vachon | .... | makeup artist: additional photography | |
Production Management | |||
| Maurice Forget | .... | unit manager | |
| Stéphane Fréchette | .... | unit production manager: additional photography (as Stephane Frechette) | |
| Isabelle Godin | .... | assistant unit manager | |
| Jacky Lavoie | .... | production manager | |
| Carl Pedregal | .... | post-production supervisor: Los Angeles | |
| Philip Stilman | .... | post-production supervisor: Toronto (as Phil Stilman) | |
Art Department | |||
| Donald Beaulieu | .... | scenic technician | |
| Robert Bourdeau | .... | head painter | |
| Cecile Braemer | .... | art department coordinator (as Cécile Braemer) | |
| Michel Brochu | .... | head carpenter | |
| Real Capuano | .... | scenic technician (as Réal Capuano) | |
| Martin Dupré | .... | assistant property master | |
| Anne Galéa | .... | key set director (as Anne Galea) | |
| Odette Gauvreau | .... | head painter | |
| Sébastien Gervais | .... | scenic technician | |
| François Gosselin | .... | scenic technician | |
| Jean-Pierre Gosselin | .... | scenic technician | |
| Erik Guay | .... | assistant craft person | |
| Martin Handfield | .... | set property master | |
| Manon Lemay | .... | assistant decorator | |
| Carl Lessard | .... | graphics | |
| Ann Lockell | .... | craft person | |
| Denys Marois | .... | assistant props: additional photography | |
| Julie-Agnès Morin | .... | property buyer | |
| Christian Pierre | .... | scenic technician | |
| Guy Pigeon | .... | draftsman | |
| Claude Rainville | .... | prop master: additional photography | |
| Julie Raymond | .... | assistant decorator | |
| Marcel Robidoux | .... | assistant craft person: additional photography | |
| François Senecal | .... | decorator | |
| Larry Taman | .... | art department runner | |
| Mike Vaudrin | .... | craft person: additional photography | |
Sound Department | |||
| David Bach | .... | supervising sound editor | |
| Catherine Bellazzi | .... | boom operator: additional photography | |
| Pierre Blain | .... | production sound mixer | |
| Pierre Blain | .... | sound mixer: additional photography | |
| William Clément | .... | cable puller: additional photography (as William Clement) | |
| David Esparza | .... | supervising effects editor | |
| Marshall Garlington | .... | sound re-recording mixer | |
| Aaron Johl | .... | sound trainee | |
| Clarissa Keller | .... | mix facility coordinator | |
| Shawn Kennelly | .... | foley mixer | |
| Laura Macias | .... | foley artist (as Lara Macias) | |
| Michael A. Morongell | .... | mixing engineer (as Michael Morongell) | |
| Chris Navarro | .... | adr recordist | |
| Paul Rodriguez | .... | mix facility coordinator | |
| Sean Rowe | .... | foley artist | |
| Martin Schloemer | .... | mixing recordist | |
| Dan Scolnik | .... | foley editor | |
| Eric Thompson | .... | adr mixer | |
| Elliot Tyson | .... | sound re-recording mixer | |
| David Yonson | .... | adr recordist (uncredited) | |
Visual Effects by | |||
| Shaina Holmes | .... | digital compositor | |
Stunts | |||
| Jere Gillis | .... | stunt double: Stephen Glass | |
| Yves Langlois | .... | stunt double: Charles Lane | |
| David McKeown | .... | stunt coordinator | |
Casting Department | |||
| Julie Breton | .... | extras casting | |
| Robin D. Cook | .... | casting: Toronto | |
| Johnny Gidcomb | .... | voice casting (as John Gidcomb) | |
| Lucie Robitaille | .... | casting: Montreal | |
| John Barba | .... | casting associate (uncredited) | |
| Nicole Hilliard-Forde | .... | casting associate: Toronto (uncredited) | |
Costume and Wardrobe Department | |||
| Fabienne April | .... | wardrobe coordinator | |
| Sophie Beasse | .... | key dresser (as Sophie Béasse) | |
| Marie-Etienne Bessette | .... | wardrobe mistress: extras (as Marie-Étienne Bessette) | |
| Sylvie Dagenais | .... | assistant key dresser | |
| Louise Eusanio | .... | key dresser: extras | |
| Martine Gagnon | .... | assistant costume designer | |
| Liane Garneau | .... | seamstress | |
| Maory Gastelo | .... | assistant wardrobe | |
| Manon Paquet | .... | assistant dresser: additional photography | |
| Emilie Perrault | .... | key dresser: additional photography | |
| Jean Théberge | .... | wardrobe runner | |
Editorial Department | |||
| Jennifer Hwang | .... | post-production coordinator | |
| Michel Proulx | .... | cutter | |
| Matvey Shatz | .... | color timer | |
| Craig Tanner | .... | associate editor | |
| Valerie Laurie | .... | post-production facility coordinator (uncredited) | |
Music Department | |||
| Nicholas Dodd | .... | conductor | |
| Nicholas Dodd | .... | music arranger | |
| Joel C. High | .... | music supervisor | |
| Paul Intson | .... | music editor | |
| Paul Intson | .... | musician: bass | |
| Dan Parr | .... | copyist | |
| Lenny Solomon | .... | orchestra contractor: Toronto Canada Recording Orchestra | |
| Stephanie Lynn Urcheck | .... | music coordinator | |
| Brent Brooks | .... | music editor: temp music (uncredited) | |
| Ron Searles | .... | music score recording engineer (uncredited) | |
Transportation Department | |||
| Réjean Bouchard | .... | driver captain | |
| Owen Coughlan | .... | driver | |
| Stephane Desharnais | .... | driver: additional photography | |
| Walter Diaz | .... | driver | |
| Luc Poirier | .... | vehicle coordinator | |
| Charles Prud'homme | .... | driver: additional photography | |
| Nicolas Richard | .... | transportation production assistant: additional photography | |
| Andrée Roy | .... | driver | |
| Patrick St-Pierre | .... | driver: additional photography (as Patrick St. Pierre) | |
| Joseph 'Tino' Viscusi | .... | transportation coordinator (as Tino Viscusi) | |
| Jerome Wheeler | .... | driver | |
Other crew | |||
| Cassandra Barbour | .... | rights and clearances: Entertainment Clearances | |
| Olivier Barzic | .... | set production assistant | |
| Claude Boissonneault | .... | production assistant: additional photography (as Claude Boissonnauilt) | |
| Holly Brace-Lavoie | .... | receptionist | |
| Rosana Bruni | .... | payroll clerk | |
| Jennifer Bydwell | .... | clearance coordinator | |
| Roch Chalifour | .... | assistant location manager | |
| Trish Kelly Chornyj | .... | production secretary | |
| Etienne Desrosiers | .... | location scout | |
| Elizabeth Dixon | .... | business & legal affairs coordinator: Lions Gate Entertainment | |
| Yvan Francoeur | .... | office runner | |
| Hugues Gaudreault | .... | production assistant | |
| Paule Girardin | .... | production coordinator | |
| Bob Harris | .... | set medic: additional photography | |
| David Hutkin | .... | vice president: The Lewis Horwitz Organization | |
| Richard Jordan | .... | executive vice president of physical operations: Lions Gate Entertainment | |
| Justin Kelly | .... | assistant accountant | |
| Brian Kingman | .... | insurance: AON/Ruben Winkler Entertainment Insurance Brokers | |
| Marianne Knai | .... | assistant clearance coordinator | |
| Rosemary Lara | .... | assistant: Mr. Paseornek | |
| Nicolas Lemieux | .... | unit runner | |
| Wayne Levin | .... | executive vice president of business affairs: Lions Gate Entertainment | |
| Daniel MacArthur | .... | production coordinator: Lions Gate Entertainment | |
| Caroline Maynard | .... | set production assistant: additional photography | |
| Stacey McKay | .... | production accountant (as Stacy McKay) | |
| Robert M. Melnik | .... | senior vice president business affairs: Lions Gate Entertainment (as Robert Melnik) | |
| Curtis A. Miller | .... | manager of production: Lions Gate Entertainment | |
| Martin Monette | .... | truck production assistant | |
| Anjalika Mathur Nigam | .... | assistant: Mr. Merims (as Anjalika Nigam) | |
| Nathalie Picard | .... | script supervisor: additional photography | |
| Emily Rice | .... | post-production accountant | |
| Bernard Rodrigue | .... | location manager | |
| Frédéric Rousseau | .... | assistant: Mr. Ray | |
| Tiffany Ryan | .... | assistant: Mr. High | |
| Darin Selden | .... | attorney for business and legal affairs: Lions Gate Entertainment | |
| Laura Sevier | .... | rights and clearances: Entertainment Clearances | |
| Joey Shanley | .... | assistant: Ms. Hirsch | |
| Donna Sloan | .... | senior vice president of production: Lions Gate Entertainment | |
| Caileen Uznis | .... | business & legal affairs coordinator: Lions Gate Entertainment | |
| Catherine Veaux-Logeat | .... | script supervisor | |
| Charlyn Ware | .... | director of business and legal affairs: Lions Gate Entertainment | |
| Keri Winters | .... | insurance: AON/Ruben Winkler Entertainment Insurance Brokers | |
| Pamela B. Green | .... | producer: main titles (uncredited) | |
| Michael J. Harker | .... | completion bond company representative (uncredited) | |
| Stephanie Lovell | .... | set production assistant: Washington, DC (uncredited) | |
| Adriana Poblano | .... | travel coordinator (uncredited) | |
Thanks | |||
| Chris Box | .... | acknowledged assistance | |
| Danny Bramson | .... | acknowledged assistance | |
| Allison Butler | .... | acknowledged assistance | |
| David Butow | .... | acknowledged assistance: Corbis SABA | |
| Jason Cinkus | .... | acknowledged assistance | |
| Anthony Cooper | .... | acknowledged assistance: Ecosene/Corbis | |
| David Daniel | .... | acknowledged assistance | |
| Mary Evans | .... | acknowledged assistance: Esselte Canada | |
| Niki Gascon | .... | acknowledged assistance | |
| George Hall | .... | acknowledged assistance: Corbis | |
| Hillary Kahn | .... | acknowledged assistance | |
| Bruce Kaufman | .... | acknowledged assistance | |
| Michael Kelly | .... | dedicatee | |
| Pat Kingsley | .... | acknowledged assistance | |
| Elliott Kleinberg | .... | acknowledged assistance | |
| Joanna Lee | .... | acknowledged assistance | |
| Josh Lieberman | .... | acknowledged assistance | |
| John McLaughlin | .... | special thanks | |
| Wally McNamee | .... | acknowledged assistance: Corbis | |
| Andre Morgan | .... | acknowledged assistance | |
| Manny Nunez | .... | acknowledged assistance | |
| Martin Rogers | .... | acknowledged assistance: Corbis | |
| Susan Scott | .... | acknowledged assistance | |
| Joseph Sohm | .... | acknowledged assistance: Visions of America/Corbis | |
| Mirek Towski | .... | acknowledged assistance: DMI/TimePix | |
| Pat Woods | .... | acknowledged assistance | |
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The New Republic is one of many political comment magazines published out of Washington DC. The writing/editing staff is small and young and includes the humble and friendly Stephen Glass. His stories are often very interesting and outrageous and he starts to attract attention from other magazines for contributions. When writes about an on-line hacker who attacked the website of a large software company he attracts the attention of an internet-based journal and writer Adam Penenberg who gets attacked by his editor for missing the story. However, as Penenberg starts to look at the facts behind the story he starts to suspect that the story is one large fabrication.
I only vaguely remember the original breaking of this story and am not aware of the full facts behind the story but I was interested enough to go and see this film when it was released at the weekend. The film opens with Glass giving a talk to a class back at his old school where he learnt his trade, this is then used as a tool to give background on both him and the job he does. This works pretty well even if it is a little confusing as to when it is happening (a fact not understood until the end). The main thrust of the film is the gradual exposure of the lies that Glass has been perpetrated within his stories. In this regard it works pretty well as a drama with a good story made all the more interesting and engaging by being true. It never really ignites into being a thriller and it misses a few opportunities to really be gripping but it still performs well as a good solid film perhaps it was a decision not to stick in more shouting or acting fireworks, it was the right decision but I'm sure some audiences will expect shouting and fireworks.
The one moment I did feel that the film missed out was where Chuck picks several editions off the shelf and starts to realize the extent of the lies that they have been publishing: that scene wasn't dramatic and it wasn't convincing, that should have been a lot more dramatic but this is only one scene in the whole film. Like I said, some people will find this film a bit slow and lacking in pace but for me it was the story that drove the film as opposed to theatrical tricks. The cast help the film a great deal, even if many of them are barely more than cameos. Christensen's performance worried me at the start because it seemed to be a bit cheesy but after 15 minutes I realized that this was the point. His Glass is manipulative and deceitful to the point where it is an act that he delivers naturally it was a difficult character to do and, despite him not being showy, he gets it bang on and he delivers the same character throughout while just allowing the audience's perception of him to change. Sarsgaard actually turns out to have the lion's share of the film and he gets the showiest moments of shouting he is good and acts as our eyes. Sevingy is a real good actress and does well with her few scenes. The rest of the cast is well padded with famous faces who all deliver well with the little they have. Azaria is good and is given a good character (who died in real life covering the war in Iraq), Zahn manages to not be an annoying pr*ck a feat in itself, but Dawson's presence was a mystery to me. She has very little to do other that be pretty and show the pressure in her job, but he is barely more than a cameo.
Overall this film lacks fireworks and bases it's slow pace on the facts of the true story and not hammy acting or directing flourishes. In this regard the film is enjoyable if a little slow. It squanders a few changes to make more of an impact but generally it delivers a true story in a manner that is straight but well told. A great cast aren't all used well but are good where it matters while also adding depth. Not the film that Saturday night crowds will be hoping for but a good story well told nonetheless.