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Lunes al sol, Los (2002)

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34 comments in total

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27 out of 27 people found the following comment useful :-
Poignant and Realistic, 9 November 2004

Author: Nick Dets from US

No film has ever captured the depression and delight of the ordinary working man as realistically as "Mondays in the Sun". Watching it brought me back to the gray days of growing up when I would see my father's tired face and wonder what joy he can possibly be getting that pulls him through the pressure filled, cold and seemingly endless cycle of working hard day in, day out.

Javier Bardem plays the not-ever-to-be-defeated Santa, a strong-willed, but down on his luck guy who just got laid off from a comfortable job at a shipyard. He takes refuge in a buddy's bar with all his friends/co-workers who share the same misfortune. On top of all the problems anchoring him down, Santa must pay a hefty fine for destroying a light by the shipyard. For one week, he tries to run from these injustices and bothers, and he sojourns with his dreams.

What director Fernando Leon de Aranoa understands is that no matter how much joy we can have in a given amount of time, there is always the weight of work and responsibility to come back to. In the dreary life of the working man, things gets so routine that the magic of being young and having dreams is lost and gone forever. Aranoa's characters are all faced with the joy and bad luck of being unemployed. In this short time of pressure and paradise, they find escape and salvation in what seems like a limbo of meaninglessness. One of the film's best characters is a surreal, random friend of someone in the group who claims he was once an astronaut. By looking into his starry eyes, it is easy for the viewer to understand that this group of people have all found release in dreaming about getting to leave the earth as well.

It may not amount to the world, but I loved "Mondays in the Sun" because it knows the ordinary joys and pains of those struggling in the lower or middle class. What is truly beautiful about this film is how all of the characters seem at their most desperate, but somehow there is the assurance that maybe the light is not out forever.

(3 out of 4)

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23 out of 28 people found the following comment useful :-
an impressive movie..., 6 March 2004
Author: mimds from Adana, Turkey

I watch 'Mondays in the sun' last night and it impressed me really... Sorry guys but I usually prefer European-especially Mediterranean ones- movies much more than Hollywood productions... Like some of the others, there is a simple story there but very sincere and sensitive, that makes you feel deep inside...After watching any movie, I would like to feel the taste for some days...Sometimes you can easily forget what you have watched in several hours, but those kind of movies makes me feel something warm deep inside even it's dramatic athmosphere... Also the soundtrack is wonderful... For me it is a five-star production... Thanks so much for all who made it... (A+)

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11 out of 11 people found the following comment useful :-
A sensitive and compelling movie, wonderfully acted and pictured, 6 June 2005

Author: Danherb from Germany

It is really a pity that such a wonderful, compelling and important film, isn't able to get through to a bigger audience. But however.

"Los lunes al sol" is very calm and slow but all the more empathetic, touching and above all compelling.

The film shows the dull everyday life of a group of jobless deckhands, who try to get their lives back under control. One of them gets goes to job interviews almost every day, but gets refusal after refusal, because is too old. Another one has familial troubles because of his dismissal and another one drowns his frustration in regular boozing.

Despite the obvious socio-critical message of it, the film doesn't get polarizing or hostile to capitalism at any time, thanks to the terrific performances of all actors (above all Javier Bardem), and the sensitive script that particularly emphasizes the character's conflicts and their dealing with their situations. The note of the film is not a very political or even cynical one, it is very tranquil and melancholic. The actual brilliance of the film consists in the awesomely empathetic portrayal of the feelings of the jobless persons, that have to get used to the situation, that they are the scum of society from now on.

The beautiful soundtrack and the excellent editing and cinematography add to the sad but at times also hopeful atmosphere.

It's actually a great pity that no other film before has dealt with such an important issue that affects almost everybody's everyday life today.

Michael Moore could learn a lesson from Fernando León de Aranoa of how to combine social criticism and the affected person's fates. I wish there could be more films like this, that let you leave the theater with a comfortable feeling, but that give a thought provoking impulse at the same time.

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11 out of 13 people found the following comment useful :-
Masterfully masculine, 19 November 2003

Author: George Parker from Orange County, CA USA

"Mondays in the Sun" speaks boldly, loudly, and honestly albeit narrowly about the plaintive existence of a group jobless Spanish shipyard workers. What this study of working class men lacks in depth of story it makes up for in depth of character as it moves methodically through bitter, sweet, poignant, and humorous moments with sincerity, honesty, and drenched in masculinity. With high marks from public and critical corners alike, "Mondays in the Sun" will be time well spent for most. (B+)

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12 out of 15 people found the following comment useful :-
A Bitter and Sad Worldwide Contemporary Story, With Magnificent Performances, 2 November 2005

Author: Claudio Carvalho from Rio de Janeiro, Brazil

In an industrial city in Spain, five unemployed middle-aged friends daily meet in a bar, whose owner was also a former employee of the local shipyard, for drinking and small talk. Santa (Javier Barden) is their rebel leader, who dreams to move to Australia, and is being sued by the owner of the shipyard for breaking a 8,000 pesetas light. The insecure José (Luis Tosar) feels inferiority complex of his wife Ana (Nieve the Medina), who is supporting their home with a temporary work in a tuna can factory. Paulino (José Ángel Egido) is permanently trying to find a job through unsuccessful applications. The Russian Serguei (Serge Riaboukine) studied in Soviet Union to be an astronaut and seems to accept his life status. The depressed Amador (Celso Bugallo) misses his wife, who left him some time ago. For all of them, each jobless idle day looks like a Sunday.

"Los Lunes al Sol" is a bitter and sad worldwide contemporary story, with magnificent performances. I am marine engineer and Rio de Janeiro is the greatest Brazilian pole of naval construction. In the 80's and 90's, I saw many people of this sector, including friends and colleagues, losing their jobs and many of them changing their professions with the crisis in this sector. This type of situation happened in many other economical sectors, and Brazil has presently about a ten percent unemployment rate. I feel very sorrow for those who lost their jobs, and the large number of street vendors and slums in my hometown, associated to very low wages, reflect our present situation. The universe of Santa and his friends may be extended too to many other countries and sectors of the economy, therefore it is very easy to sympathize and understand the drama of the characters. This impressive film is also very well directed and watching it is a worthwhile experience, mainly for the younger generations. My vote is eight.

Title (Brazil): "Segunda-Feira ao Sol" ("Monday in the Sun")

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6 out of 6 people found the following comment useful :-
Mondays in the Sun, 28 November 2005

Author: zolaaar from Berlin, GER

The Spanish ensemble film Los lunes al sol / Mondays in the Sun deals with a group of former workers who lost their jobs after the factory had to close. Every day they meet in a pub, worrying about future, money and problems in the family.

The film has great actors and the director does a terrific job in leading their performances in the most effective way. De Aranoa seems to have a perfect sense for timing, manifested in an inconspicuous but efficient cut. The well pointed, rough and bare dialogues come along as a subtle social criticism. De Aranoa surely can rely on his affectionate, wonderful figuration of the truly believable characters, and the shining, utterly charismatic Javier Bardem proves in here again that he is the doubtlessly best Spanish actor today.

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4 out of 4 people found the following comment useful :-
the essence of so many sad lives, 28 November 2005

Author: dominik96 from Essen

How do you imagine the life of an unemployed without family, possession or future? Dull is certainly one of the answers, but this movie does the utmost of this basic story! It's a great achievement to tell something so boring without becoming itself dull and boring. At some points it is even funny and every minute is well done. Really intelligent script with great actors. Especially the actor of Santos! By far the best way to get a glimpse of a life nobody wants to have. It isn't a movie for everybody, because it isn't an easy popcorn movie. The presence of your mind is required but you will be certainly rewarded with an insight that you'll hopefully never experience.

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3 out of 3 people found the following comment useful :-
Excellent, 31 May 2007

Author: netjack from Brunico, Italy

Two movies, one topic. I have watched "The pursuit of happiness" first and "Los lunes al sol" (http://www.IMDb.com/title/tt0319769/) a couple of days later. Both movies have the same rating on IMDb.com and this is frankly not the case. "The pursuit of happiness" is a remix of the "one in a million" idea: one guy against all odds, facing the worst situation, makes it. I know this is a true story, but the story of *just one* who "makes it" (which can be compared to a lottery win - because how *many* people are out there trying?) may lead to the illusion that - as long as you "want" - you *can* make it. Sort of "hang on" movie. "Los lunes al sol" instead shows you what happens to the rest - to the non - Chris Gardeners of this world and is much more realistic. The fact that "The pursuit of happiness" was nominated for an Oscar confirms that we are encouraged to watch movies which consider the fate of one, not of manys. Absurd. "Los lunes al sol" is a must see.

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3 out of 3 people found the following comment useful :-
Slice of life, 26 April 2003

Author: João Loff from Lisbon, Portugal

Social matters are always a juicy source for screenplays. And unemployment is a theme not new to the movies that deal with actual situations. Here, the hard spanish reality of men with no jobs is at hand, but instead of giving a rough depiction of people struggling for life, the director opts for a more soft approach, and wisely does so, since the movie would be too much of a punch in the stomach. Javier Bardem leads the ensemble cast, but don't let his notoriety fool you - although he is a commanding figure (and also a much needed source of comic relief) the other actors are also a must, and the film finds the best everyday men in these artists, who impersonate such a wide spectrum of people that you'll always find a reason to identify yourself with them. Always rough but tender, always touching but funny, always real but full of dreams, its message is clear - the facts that happen throughout this picture are only a small sample of an overwhelming reality. Thus, two thumbs up.

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5 out of 7 people found the following comment useful :-
A hard time we had of it, just the worst time, 23 December 2002

Author: Keith F. Hatcher from La Rioja, Spain

February, 2001 says the calendar inside the wharf-side bar; Rico splashes out the drinks and his precocious 15 year-old daughter Nata (Aïda Folch) looks on, absorbing the intensity of fiery language: her father's customers are unemployed boat-yard workers, drifters over forty, approaching fifty.

Fernando León de Aranoa, basing himself on the real lay-offs which happened in the boatyards of Gijón (Asturias) ten years earlier, and indeed using footage from newsreports, reconstructed his own story and transferred the proceedings to Vigo (Galicia) in the extreme north-west of Spain. The resulting `Los Lunes al Sol' is a social document portraiting a few men `on the dole' and their sombre outlook, however not lacking in sparkling humour and witty dialogues.

The year 2002 will be remembered as the year of `Hable con Ella' (qv) and `Los Lunes al Sol', a year in which mostly men take first place on the screen, moving the ladies to one side. Heroically, considering Spanish masculine mentality, there is no macho-building exercise in force in either of these two excellent films. The two films have competed head-on at the San Sebastián film festival, as well as in the Spanish Film Academy to be chosen to represent Spain for the Oscars, and so on, and have come out more or less level. If my personal preference is Almodóvar's superb dramatical piece, this in no way deflects from `Lunes al Sol', a magnificent sociological drama which even manages to creep in to certain foibles and other typicalisations without any cheapening effect which would have been detrimental to the telling of the story.

Javier Bardem is superb and magnificently backed up by Luis Tosar and José Angel Egido, and there are no superlatives for Celso Bugallo's lesser but extremely important part as Amador. Joaquín Climent as the bar-owner Rico is absolutely correct, and the Russian Serge Riaboukine is spot on. And the ladies ……….? Well, definitely in secondary roles, but Nieve de Medina as the suffering wife – Ana – working in the sea-food canning plant gives a resounding interpretation, and Laura Domínguez as Angela is fine. But all eyes are fascinated by fifteen year old Aïda Folch as the precocious daughter, who observes all and learns from it, and applies her own methods to reach her own goals. She gets a baby-sitting job, hires `Santa' to do the job for her, so that he pockets 3,000 pesetas (about $20), she keeps 2.000 pesetas as commissions, and hops off to seek out her boyfriend. In her other film, `El Embrujo de Shanghai' (qv), alongside Fernando Tielve, directed by Fernando Trueba, we see she has that natural coquettish way which is going to take her very very far in the world of cinematography. I only hope she stays in Spain to do so, she keeps her beautiful little head well and truly planted on her shoulders, and does not suddenly disappear over the other side of the Atlantic, as so often happens to our prodigies.

You come away from this film feeling that you have barely ever seen a team pull so hard together to make the result work: the film has a significant message to transmit and it had to do so through skillfully worked characteriology driven by dialogues that shift from the retrospective to the witty, through scenes that move from outright funny to downright sad. It works: the Spanish public identify with these `real' characters and natural language replete with non-dictionary spicey terms, as these men live out their empty, frustrating life of unemployment.

Excellent work here by the young director Fernando León de Aranoa: I shall be looking forward to seeing more of his films, and no doubt I shall acquire the video of `Los Lunes al Sol' as soon as it is in the shops.

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