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Los lunes al sol (2002)
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Overview
User Rating:
Release Date:
27 September 2002 (Spain) moreTagline:
This film is not based on a real story. It is based on thousands.Plot:
This is the story of those who live in a constant Sunday, those who spend mondays under the Sun. The story of people who worked in a dockyard but now are unemployed. full summary | add synopsisAwards:
38 wins & 18 nominations moreNewsDesk:
Distribs to Push Foreign Films Snubbed by Their Own Countries(From Studio Briefing - Film News. 7 January 2003)
User Comments:
Mondays in the Sun moreCast
(Cast overview, first billed only)| Javier Bardem | ... | Santa | |
| Luis Tosar | ... | José | |
| José Ángel Egido | ... | Lino | |
| Nieve de Medina | ... | Ana | |
| Enrique Villén | ... | Reina | |
| Celso Bugallo | ... | Amador | |
| Joaquín Climent | ... | Rico | |
| Aida Folch | ... | Nata | |
| Serge Riaboukine | ... | Serguei | |
| Laura Domínguez | ... | Ángela | |
| Pepo Oliva | ... | Samuel | |
| Fernando Tejero | ... | Lázaro | |
| Andrés Lima | ... | Abogado | |
| Antonio Mourelos | ... | Juez | |
| César Cambeiro | ... | Fiscal (as Cesar Cambeiro) |
Additional Details
Also Known As:
I lunedì al sole (Italy)Les lundis au soleil (France)
Mondays in the Sun (International: English title)
more
MPAA:
Rated R for language.Parents Guide:
Add content advisory for parentsRuntime:
113 minLanguage:
SpanishColor:
ColorAspect Ratio:
1.85 : 1 moreSound Mix:
Dolby DigitalCertification:
Australia:M | Singapore:NC-16 | Argentina:13 | Brazil:14 | Chile:14 | Finland:K-11 | Germany:6 | Ireland:15A | Norway:11 | Spain:13 | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | Switzerland:14 (canton of Zurich) | UK:15 | USA:RFun Stuff
Soundtrack:
Concierto para violín y orquesta, Op. 61, Rondo Allegro moreFAQ
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The Spanish ensemble film Los lunes al sol / Mondays in the Sun deals with a group of former workers who lost their jobs after the factory had to close. Every day they meet in a pub, worrying about future, money and problems in the family.
The film has great actors and the director does a terrific job in leading their performances in the most effective way. De Aranoa seems to have a perfect sense for timing, manifested in an inconspicuous but efficient cut. The well pointed, rough and bare dialogues come along as a subtle social criticism. De Aranoa surely can rely on his affectionate, wonderful figuration of the truly believable characters, and the shining, utterly charismatic Javier Bardem proves in here again that he is the doubtlessly best Spanish actor today.