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| William H. Macy | ... | Bernie Lootz | |
| Alec Baldwin | ... | Shelly Kaplow | |
| Maria Bello | ... | Natalie Belisario | |
| Shawn Hatosy | ... | Mikey | |
| Ron Livingston | ... | Larry Sokolov | |
| Paul Sorvino | ... | Buddy Stafford | |
| Estella Warren | ... | Charlene | |
| Arthur J. Nascarella | ... | Nicky Fingers Bonnatto | |
| Joey Fatone | ... | Johnny Cappella | |
| M.C. Gainey | ... | Highway Officer (as MC Gainey) | |
| Ellen Greene | ... | Doris | |
| Don Scribner | ... | Lou | |
| Tony Longo | ... | Tony | |
| Richard Israel | ... | Marty Goldfarb | |
| Timothy Landfield | ... | The Player | |
| T.J. Gioia | ... | Bulldog | |
| Jewel Shepard | ... | Hooker | |
| Gordon Michaels | ... | Mr. Pinkerton | |
| Doc Watson | ... | Morrie | |
| Dan Lemieux | ... | Suburbanite | |
| Larry Elliott | ... | Floor Manager | |
| Joe Conti | ... | Pit Boss | |
| Chris Platt | ... | Dealer | |
| Norbert Ganska | ... | Stickman #1 | |
| Mitch Samboceti | ... | Player | |
| Andrew Simbeck | ... | Stickman #2 | |
| Danny Grossen | ... | Stickman #3 | |
| Jeff Hill | ... | Stickman #4 | |
| Monet Beaman | ... | Stickman #5 | |
| Charlie Carr | ... | Boxman | |
| Kanie Kastroll | ... | Croupier | |
| Bryon Baker | ... | Stickman #6 | |
| John Kozeluh | ... | Man (as John T. Kozeluh) | |
| Cherilyn Hayres | ... | Woman | |
| James McCarthy | ... | Televangelist | |
| Frank Hannah | ... | Dealer #2 | |
| Monica White | ... | Johnny Capella's Girl | |
| Heather McHenry | ... | Johnny Capella's Girl | |
| rest of cast listed alphabetically: | |||
| Portia Dawson | ... | Waitress (uncredited) | |
| Stephen Halbert | ... | Carnie (uncredited) | |
| Michelle Lopez | ... | Lady Craps Player 'Cooled' by Bernie (uncredited) | |
| Herb Santos Jr. | ... | ER Doctor (uncredited) | |
Directed by | |||
| Wayne Kramer | |||
Writing credits(WGA) | ||
| Frank Hannah | (written by) & | |
| Wayne Kramer | (written by) | |
Produced by | |||
| Andrew Busey | .... | associate producer | |
| Alessandro Camon | .... | executive producer | |
| Bryan Furst | .... | co-producer | |
| Sean Furst | .... | producer | |
| Robert Gryphon | .... | executive producer | |
| Joe Madden | .... | executive producer | |
| Chris Miller | .... | post-production producer: VisionWorks | |
| Brett Morrison | .... | executive producer | |
| Michael A. Pierce | .... | producer (as Michael Pierce) | |
| Edward R. Pressman | .... | executive producer | |
| Elliot Lewis Rosenblatt | .... | co-producer | |
| John Schmidt | .... | executive producer (as John R. Schmidt) | |
| Mark Williams | .... | producer (uncredited) | |
Original Music by | |||
| Mark Isham | |||
Cinematography by | |||
| Jim Whitaker | (director of photography) (as James Whitaker) | ||
Film Editing by | |||
| Arthur Coburn | |||
Casting by | |||
| Sig De Miguel | |||
| Amanda Mackey Johnson | |||
| Cathy Sandrich | (as Cathy Sandrich Gelfond) | ||
| Wendy Weidman | |||
Production Design by | |||
| Toby Corbett | |||
Set Decoration by | |||
| Alice Baker | |||
Costume Design by | |||
| Kristin M. Burke | |||
Makeup Department | |||
| Heather Cummings | .... | assistant makeup artist | |
| Daniel Curet | .... | key hair stylist | |
| Andy Harmon | .... | assistant makeup artist | |
| Jason Rail | .... | co-key hair stylist | |
| Carol Strong | .... | key makeup artist | |
Production Management | |||
| Shauna Miller | .... | unit production manager (as Shauna Miller Schain) | |
| Tony Murphy | .... | post-production manager: Visionbox Media Group | |
| Diana Tauder | .... | post-production supervisor: VisionWorks | |
Second Unit Director or Assistant Director | |||
| Richard L. Fox | .... | first assistant director | |
| Heather Grierson | .... | second assistant director | |
| Casey Mako | .... | second second assistant director | |
Art Department | |||
| Michael Clements | .... | set dresser | |
| E.C. Duffy | .... | carpenter | |
| Kahele Dunn | .... | props assistant | |
| Will Durham | .... | assistant art director | |
| Erin Fite | .... | set dresser | |
| Terry Hargis | .... | leadperson | |
| Wayne Kramer | .... | storyboard artist | |
| Jamie Maheu | .... | property master | |
| Bryan Matulay | .... | assistant property master (as Bryan Daniel Matulay) | |
| David Richards | .... | carpenter | |
| Steven J. Vana | .... | on-set dresser (as Steve J. Vana) | |
| Travis Zariwny | .... | set dresser (as Travis Zariwany) | |
| Lynn Pollard | .... | lead painter (uncredited) | |
Sound Department | |||
| Tom Burns | .... | sound re-recordist | |
| Steve Copley | .... | foley recordist | |
| Stephen Halbert | .... | sound mixer | |
| Scott Hecker | .... | supervising sound editor | |
| Jairo Hernandez | .... | boom operator (as Jairo Hernandez Jr.) | |
| Javier M. Hernández | .... | boom operator (as Javier M. Hernandez) | |
| Tateum Kohut | .... | sound re-recording mixer | |
| Howard London | .... | adr mixer | |
| Anna Malkin | .... | foley assistant | |
| Eric A. Norris | .... | sound effects supervisor (as Eric Norris) | |
| Brad North | .... | foley editor (as Bradley North) | |
| John Sievert | .... | foley artist | |
| Jon Taylor | .... | sound re-recording mixer | |
| David Weisberg | .... | adr mixer | |
| Byron Wilson | .... | supervising sound editor | |
Visual Effects by | |||
| Michael Adkisson | .... | visual effects supervisor: Title House Digital (as Mike 'Mookie' Adkisson) | |
| Jose Avitia | .... | optical effects producer: Title House Digital (as Jose 'Spike' Avitia) | |
| Blake Busby | .... | title designer: Title House Digital | |
| Derry Frost | .... | head of production: Amalgamated Pixels | |
| Julie Landholt | .... | title designer: Title House Digital (as J. Kathryn Landholt) | |
| David Fred Masselink | .... | I/O coordinator: Title House Digital (as Fred Masselink) | |
| Kevin McVey | .... | I/O manager: Title House Digital | |
| Andrew Midgley | .... | visual effects producer: Title House Digital | |
| Gary Miller | .... | animation camera: Title House Digital | |
| Michael Morreale | .... | executive producer: Amalgamated Pixels | |
| Merysa Nicholas | .... | lead composite artist: Title House Digital (as Merysa Nichols) | |
| Vincent Nuñez | .... | digital artist: Title House Digital | |
| Jeremy Oddo | .... | senior animator: Amalgamated Pixels | |
| Phillip Palousek | .... | visual effects coordinator: Amalgamated Pixels | |
| Dave Piedra | .... | digital artist: Title House Digital | |
| Adam Stern | .... | digital artist: Title House Digital | |
Stunts | |||
| Robin Lynn Bonaccorsi | .... | utility stunts (as Robin Bonaccorsi) | |
| Casey Easlick | .... | utility stunts | |
| Dan Lemieux | .... | utility stunts (as Dan Le Mieux) | |
| Noon Orsatti | .... | stunt coordinator | |
| Robin Lynn Bonaccorsi | .... | stunt double: Maria Bello (uncredited) | |
Costume and Wardrobe Department | |||
| Anita Louise Brown | .... | set costumer | |
| Molly Grundman | .... | key costumer | |
| Heidi Higginbotham | .... | costume supervisor | |
Editorial Department | |||
| David Bilow | .... | apprentice editor | |
| Stephen R. Sheridan | .... | color timer (as Steve Sheridan) | |
| Derek Vaughn | .... | assistant editor | |
| Jonathan Miller | .... | post-production services (uncredited) | |
Music Department | |||
| Pepper Adams | .... | musician: baritone saxophone solo | |
| Thomas A. Carlson | .... | music consultant (as Tom Carlson) | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Peter Erskine | .... | musician: drum solo | |
| Billy Gottlieb | .... | music supervisor | |
| Mark Isham | .... | musician: trumpet solo | |
| Jettared | .... | performers: "As I Walk" | |
| Stephen Krause | .... | music recordist | |
| Jason La Rocca | .... | assistant music recordist (as Jason LaRocca) | |
| John Leftwich | .... | musician: bass solo | |
| Flo Mo-Tee | .... | musician: fender rhodes solo (as Flo Mo-T) | |
| Sid Page | .... | musician: violin solo (as Sid Paige) | |
| Rich Ruttenberg | .... | musician: piano solo | |
| Bob Sheppard | .... | musician: alto saxophone solo | |
| Bob Sheppard | .... | musician: soprano saxophone solo | |
| Florian Tessloff | .... | music preparation | |
| Tracy McKnight | .... | executive soundtrack producer (uncredited) | |
| Florian Tessloff | .... | assistant music editor (uncredited) | |
| Florian Tessloff | .... | music assistant: additional arrangements (uncredited) | |
Transportation Department | |||
| Brent Baccambuso | .... | driver | |
| John Bowen | .... | driver | |
| Scott Doleto | .... | driver | |
| James R. Guillory | .... | driver (as James Guillory) | |
| David Lee | .... | driver | |
| Larry Lynch | .... | transportation captain | |
| Ronald Owens | .... | driver | |
| David Perelle | .... | driver | |
| Lloyd Stinson | .... | driver (as Lloyd Stinsen) | |
| Richard Webb | .... | driver (as Rick Webb) | |
Other crew | |||
| Nick Agorastos | .... | set medic | |
| Kirk Baily | .... | adr loop group | |
| Kathleen Becker | .... | catering | |
| Suzanne Bingham | .... | script supervisor: second unit | |
| Greg Bosler | .... | arranger: "Luck Be a Lady" | |
| Ryan Cooke | .... | production coordinator | |
| Linda O. Cook | .... | adr loop group (as Linda Overlin Cook) | |
| Wendy Cutler | .... | adr loop group (as Wendy E. Cutler) | |
| Philip Eichner | .... | hotel liaison | |
| Jeff Fuller | .... | key set production assistant (as Jeff 'Bones' Fuller) | |
| Mike A. Gayten | .... | craft service assistant | |
| Jackie Gonneau | .... | adr loop group | |
| Hayley Green | .... | assistant: Mr. Manulis, Visionbox Media Group | |
| Lauren Grey | .... | assistant: Mr. Pressman | |
| Malcolm Groome | .... | adr loop group | |
| Matthew Hill | .... | set medic | |
| Alexander Kukulus | .... | set medic | |
| Ivy K. Lukas | .... | assistant: Mr. Baldwin | |
| John Bard Manulis | .... | chief executive officer: Visionbox Media Group (as John Manulis) | |
| Henry Marx | .... | producer: "Luck Be a Lady" | |
| Micah May | .... | production assistant (as Micah M. May) | |
| Jim McCarthy | .... | post-production accountant (as James McCarthy) | |
| Jim McCarthy | .... | production accountant (as James McCarthy) | |
| Mike Miner | .... | production assistant (as Michael Miner) | |
| Randall Montgomery | .... | adr loop group | |
| Tina Panella | .... | adr loop group | |
| Udo Pfeiffer | .... | assistant to director | |
| Shauna Phelan | .... | assistant: Mr. Furst | |
| Rebecca Poulos | .... | script supervisor | |
| Kristina Santoro | .... | production assistant | |
| Dean Scofield | .... | adr loop group | |
| Richard Sloane | .... | production assistant | |
| Robin Adair Sparks | .... | set medic | |
| Rick S. Sulier | .... | assistant accountant (as Rick Sulier) | |
| John A. Suzio | .... | craft service | |
| Jayce Templeton | .... | animal wrangler | |
| Jeff Turner | .... | assistant production coordinator | |
| Georgia Vestakis | .... | assistant: Mr. Pierce | |
| Douglas Walls | .... | production assistant | |
| Tim Wilson | .... | location manager | |
| Cathy Yermilov-Miller | .... | post-production caterer | |
| Lulu Zezza | .... | managing producer: Visionbox Media Group | |
| Greg Bernstein | .... | legal services (uncredited) | |
| Frank Hannah | .... | advisor: gambling (uncredited) | |
| Brendan MacDevette | .... | production assistant (uncredited) | |
| Tom Schaus | .... | helicopter pilot (uncredited) | |
Thanks | |||
| Harry Abrams | .... | special thanks | |
| Levy Antal | .... | special thanks | |
| Greg Bernstein | .... | special thanks | |
| Richard Branca | .... | special thanks | |
| Jim Carter | .... | special thanks | |
| Jim Cashman | .... | special thanks | |
| Larry Collins | .... | special thanks | |
| Leanne Coronel | .... | special thanks | |
| Warren Dewey | .... | special thanks | |
| Timothy Dougall | .... | special thanks | |
| Jerome Duboz | .... | special thanks | |
| Craig Furst | .... | special thanks | |
| Howard Furst | .... | special thanks | |
| Portia Furst | .... | special thanks | |
| Suzanne Furst | .... | special thanks | |
| Janine Giaime | .... | special thanks | |
| Kenny Goodman | .... | special thanks | |
| Larry Goodman | .... | special thanks | |
| Shailly Guleri | .... | special thanks | |
| Tim Guleri | .... | special thanks | |
| Kevin Hearst | .... | special thanks | |
| Bob Hoffman | .... | special thanks | |
| Jon Huddle | .... | special thanks | |
| Chris Jenkins | .... | special thanks | |
| Leah Antonio Ketchum | .... | special thanks (as Leah Antonio Ketcham) | |
| Lori Killam | .... | special thanks (as Lori Killiam) | |
| Ethan Kramer | .... | special thanks | |
| Jodi Kramer | .... | special thanks | |
| Mary Loughan | .... | special thanks | |
| Rob Loughan | .... | special thanks | |
| John Lynch | .... | special thanks | |
| Kelly Lynch | .... | special thanks (as Kellie Lynch) | |
| Kira Makagon | .... | special thanks | |
| Heather Parker | .... | special thanks | |
| Randy Paul | .... | special thanks | |
| Nick Pollack | .... | special thanks: Sony Pictures wardrobe | |
| Shaun Redick | .... | special thanks | |
| Michael Roban | .... | special thanks | |
| Richard Roll | .... | special thanks (as Rich Roll) | |
| Rena Ronson | .... | special thanks | |
| Jim Roudebush | .... | special thanks (as Jim Roudabush) | |
| Cindy Ryder | .... | special thanks | |
| Chris Schmidt | .... | special thanks | |
| Karen Sebok | .... | special thanks | |
| Ann Setty-Rosevear | .... | special thanks | |
| Marcello Sozio | .... | special thanks | |
| Peter Sternlicht | .... | special thanks | |
| Anthony Teneriello | .... | special thanks | |
| Bret Tyler | .... | special thanks | |
| Steve Van Anda | .... | special thanks | |
| Ally Visram | .... | special thanks | |
| Amin Visram | .... | special thanks | |
| Mark Williams | .... | special thanks | |
| Beverly Wood | .... | special thanks | |
| Tracy Zahoryin | .... | special thanks | |
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Bernie Lootz is a 'cooler' a man whose very presence on a casino floor turns peoples' luck to cr*p and stops any winning streak dead in its tracks.
As such he is a very valuable asset to casino boss Shelly Kaplow, himself having enough problems of his own trying to stop his old school casino being revamped to the point of losing it's sense of class. However, with Bernie looking to leave, Shelly is eager to make him stay not helped by waitress Natalie falling in love with Bernie and turning his jinx into universal good fortune. With the casino dropping a million plus in one day, Shelly takes action to protect what is his.
As with many viewers I suspect, I was attracted to this film by the cast and the fact that it received a few nods from the Oscars (despite being showy enough to win). The plot is based on the old casino idea of coolers being those who bring bad luck to the tables but it very much needs you to buy into the idea of luck to really enjoy this fable of lady luck unless you get into it, it'll feel rather forced and silly at times. However the film helped me to overcome this by being very lowkey and downbeat very much like Bernie himself the film is dog eared and lovable, not a great thing but one that is easy to get into. The film uses Las Vegas really well and it is the Las Vegas I believe in downbeat, cruel and plastic, it is much better than the fun, breezy and slick Vegas that we are sold in CSI or in Oceans 11. The mix of romance, comedy and violence works very well at points it was very touching, at others quite funny and then others unrelentingly brutal and downbeat. It isn't perfect of course and the writing is where the problems lie; the story did rely on the audience buying into it and at times the dialogue comes very close to corn (but just misses). The only time I felt really let down by it was the ending, which, although fitting with the spirit of the film, missed a great chance to be dark, depressing and beautiful all at the same time.
Despite the odd weakness in the material, these are almost totally covered by a superb collection of performances. Macy may be aware of typecasting but so what if he keeps getting roles like this, probably one of his best performances since Fargo. He is typically the little man who we cannot help but root for and Macy does well never to let Bernie become pathetic to the point that he loses the audience. Bello also does pretty well and even convincingly falls for Bernie even though the film offers her very little opportunity to show a real development of love there. She is pretty but not to the point where she is an unconvincing waitress and her dashed hopes are well worn by her. However the one performance that dominated the film was Baldwin who does very well in delivering a role that could easily have become caricature. At turns he is amusing, brutal, friendly and tragic and Baldwin does almost all of these with minor touches at one point I was impressed by how well he controlled his face (eyes in particular) to convince me that here was a man who was totally lost. A great performance and one that definitely deserved his Oscar nod. Support is just as good from several well known faces; Sorvino is given little more than a cameo but the one scene he shares with Baldwin is fantastic and, unlike some of his other roles, I never saw Paulie once his Buddy was too tragic for that ghost to linger here. Hatosy is OK even if his part of the story is not as good as the others and Nascarella will be a well known face to many due to many roles in films for Spike Lee, Martin Scorsese and a few other big films.
Overall this is not a perfect film and it needs you to really buy into its fantasy world to really enjoy it but it works well and turned out to be an enjoyable, low key and atmospheric little love story that was never brilliant at any one thing but managed to be touching, brutal, funny and, ultimately, quite satisfying even if my darker side wanted an ending with more punch.