Anything Else (2003)

User Rating:

6.3/10   

Director:

Woody Allen

Writer (WGA):

Woody Allen (written by)

Release Date:

19 September 2003 (USA)

Genre:

Comedy | Romance

Tagline:

In any relationship, one person always does the heavy lifting

Plot:

A contemporary romantic comedy set in New York city about the relationship between an older guy and his younger protege. The older guy guides the younger through a messy and hilarious love story.

Plot Keywords:

Writer | New York City | Sex | Love At First Sight | Teacher

Cast

Woody Allen	...	David Dobel
Jason Biggs	...	Jerry Falk
Fisher Stevens	...	Manager
Anthony Arkin	...	Pip's Comic
Danny DeVito	...	Harvey Wexler
Christina Ricci	...	Amanda Chase
KaDee Strickland	...	Brooke
Jimmy Fallon	...	Bob
Diana Krall	...	Herself
William Hill	...	Psychiatrist
Stockard Channing	...	Paula Chase
Maurice Sonnenberg	...	Movie Theater Patron
Kenneth Edelson	...	Hotel Desk Clerk
David Conrad	...	Dr. Phil Reed
Joseph Lyle Taylor	...	Bill

Also Known As:

Anything else, la vie et tout le reste (France)
La vie et tout le reste (France)
Woody Allen Spring Project 2002 (USA) (working title)

MPAA:

Rated R for a scene of drug use and some sexual references.

Runtime:

108 min

Country:

USA | France | UK

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS (Mono) | Dolby Digital (Mono) | SDDS (Mono)

Certification:

South Korea:15 | Argentina:13 | Brazil:14 | Finland:K-7 | Germany:o.Al. | Ireland:15 | Netherlands:12 | Norway:11 | Peru:14 | Singapore:NC-16 | Spain:7 | Sweden:15 | UK:15 | USA:R | Australia:MA | Iceland:12 | France:U | Canada:PG (Ontario)

Filming Locations:

Astoria, Long Island City, Queens, New York City, New York, USA

Company:

Canal+

Trivia:

This is only Woody Allen's second film to use the anamorphic widescreen process (scope 2:35:1) (the first being Manhattan (1979)).

Goofs:

Continuity: When Falk types on his laptop computer, the number of (enlarged) typed lines alternates between at least five or six in close-up and just two or three at a distance.

Quotes:

Psychiatrist: Tell me about your dream. The Cleveland Indians all got jobs at Toys R Us?
Jerry Falk: Yeah. So what can it possibly mean? Look, I can't keep wasting my hour here describing lunatic dreams. I have a date with Amanda. I can't keep running around town on the sly and live like this. Amanda can handle it, but I need help. What do I do? I have to extricate myself from Brooke. It'll break her heart. She wants to marry me.
Psychiatrist: What comes to mind about the Cleveland Indians?

Movie Connections:

Referenced in "The Knights of Prosperity: Operation: Ralph (#1.5)" (2007)

Soundtrack:

There'll Be Another Spring

Woody lets the young stars take over--to charming effect

Woody Allen steps back from himself in ANYTHING ELSE and turns center stage over to a couple of young protagonists who are allowed to thrash around and make their own mistakes, with only a little kibitzing from the side by Woody. In the process, the film tackles all of the larger issues of life, love, ethics and the loneliness of man in the universe that Woody has grappled with, in varying degrees of clarity, in so many of his earlier films, but does it in a way that charms and tickles the audience and, ultimately, reassures them. While Woody's character has a dark, paranoid streak to him, the film is nowhere near as bitter and acidic (nor as profound) as DECONSTRUCTING HARRY (1997), the last film of Allen's to address these issues head-on.

Woody plays a sage/mentor to a young comedy writer who's trying to write a dark, existential novel. The writer, Jerry Falk (played by Jason Biggs of AMERICAN PIE fame), is saddled with a clinging manager (Danny DeVito), who keeps using inappropriate (but amusing) Garment Center metaphors, and is mired in a hopeless relationship with Amanda, a whirlwind of a young woman who sucks people into her life and then treats them badly. Played to perfection by Christina Ricci, Amanda is smart, seductive, and clearly exciting to be around, but is a bundle of deadly neuroses that will take a lifetime to untangle. We see her future self reflected in her narcissistic, childlike mother (Stockard Channing in a wonderful comic supporting performance), who comes to stay with the couple early in the film.

It's all about Jerry coming to grips with who he is, what he wants to do, and what it will take for him to get there. And it's Woody, playing a schoolteacher near retirement age who wants to tackle a comedy writing career late in life for himself, who serves as the catalyst for Jerry. Thus, the movie encapsulates, in, perhaps, an overly tidy fashion, the broad advice Woody wants to dispense to the younger members of his audience. While it's occasionally cartoonish and sometimes veers narrowly toward the heavy-handed, it also gives us a more confident and lively Woody, one who is freed from the self-imposed demands of being the romantic lead. Overall, it's a delightful, charming, funny and genuinely touching film which not only makes very good use of its young stars, but also of its writer-director-co-star-turned elder statesman.