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Directed by | |||
| Jean-Paul Rappeneau | |||
Writing credits | ||
| Jean-Paul Rappeneau | (scenario) and | |
| Patrick Modiano | (scenario) | |
| Jérôme Tonnerre | (adaptation) and | |
| Jean-Paul Rappeneau | (adaptation) and | |
| Gilles Marchand | (adaptation) and | |
| Julien Rappeneau | (adaptation) | |
Produced by | |||
| Laurent Pétin | .... | producer | |
| Michèle Pétin | .... | producer | |
Original Music by | |||
| Gabriel Yared | |||
Cinematography by | |||
| Thierry Arbogast | |||
Film Editing by | |||
| Maryline Monthieux | |||
Casting by | |||
| Frédérique Moidon | |||
Production Design by | |||
| Jacques Rouxel | |||
Costume Design by | |||
| Catherine Leterrier | |||
Makeup Department | |||
| Ginette Arbogast | .... | makeup artist | |
| Laurence Azouvy | .... | key makeup artist | |
| Claude Belot | .... | hair stylist | |
| Cédric Chami | .... | key hair stylist | |
| Anne-Marie Demeur | .... | makeup artist | |
| Turid Follvick | .... | makeup artist: Mr. Depardieu (as Turid Follvik) | |
| Anthony Gaillard | .... | special makeup effects artist | |
| Catherine George | .... | makeup artist | |
| Christophe Giraud | .... | makeup artist | |
| Stéphanie Guillon | .... | additional makeup artist | |
| Marie-Pierre Hattabi | .... | hair stylist | |
| Nathalie Louichon | .... | makeup artist | |
| Bettina Miquaix | .... | hair stylist | |
| Jacques-Olivier Molon | .... | special makeup effects artist | |
| Stéphane Robert | .... | makeup artist | |
| Tony Rocchetti | .... | hair stylist | |
Production Management | |||
| Dimitri Billecocq | .... | unit manager | |
| Patrick Bordier | .... | production manager | |
| Fabien Cimetière | .... | assistant unit manager | |
| Guy Courtecuisse | .... | post-production manager | |
| Christelle Didier | .... | post-production supervisor | |
| Fabrice Gay | .... | unit manager | |
| Marc Guidetti | .... | unit manager | |
| Vincent Lecerf | .... | assistant unit manager | |
| Pascaline Renaudineau | .... | assistant unit production manager | |
| Laurent Rizzon | .... | unit manager | |
| Bruno Salinas | .... | unit manager | |
| Philippe Tricard | .... | assistant unit manager | |
Second Unit Director or Assistant Director | |||
| Martin Bourboulon | .... | second assistant director | |
| Mathilde Cavillan | .... | trainee assistant director | |
| Roger Delattre | .... | second assistant director | |
| Stéphane Gluck | .... | first assistant director | |
| Jérôme Raffaelli | .... | trainee assistant director | |
Art Department | |||
| Stéphanie Bertrand | .... | second assistant decorator | |
| Philippe Boulenouar | .... | construction manager | |
| Séverine Brunner | .... | tapestry | |
| Bruno Coucoureux | .... | head carpenter | |
| Benoît Dupuis | .... | painter | |
| Maamar Ech-Cheikh | .... | first assistant decorator | |
| Benoît Flamand | .... | second assistant decorator | |
| Olivier Garand | .... | painter | |
| Bertrand Guinnebault | .... | head painter | |
| Bernard Husquin | .... | head carpenter | |
| Frédéric Jourdan | .... | carpenter | |
| Jean-François Juvanon | .... | painter | |
| Jacques Leguillon | .... | props | |
| Sylvain Malheraux | .... | tapestry | |
| Daniel Mauvignier | .... | head painter | |
| Henri Moisan | .... | props | |
| Agnes Morel | .... | second assistant decorator | |
| Céline Naud | .... | assistant props | |
| Chantal Pernecker | .... | artistic collaborator | |
| Frédéric Pesquer | .... | tapestry | |
| Gilbert Pignol | .... | head painter | |
| Thierry Rouxel | .... | set dresser | |
| Franck Savary | .... | painter | |
| Caroline Sina | .... | tapestry | |
| Michel Vialla | .... | props | |
| Stephane Vuigner | .... | metal worker | |
| Albert Wiss | .... | painter | |
| Serge Borgel | .... | ripper (uncredited) | |
Sound Department | |||
| Nicolas Becker | .... | foley artist | |
| Damien Bera | .... | assistant sound recordist | |
| Yannick Boulot | .... | assistant sound recordist | |
| Vincent Breau | .... | assistant boom operator | |
| Bernard Chaumeil | .... | boom operator | |
| Gurwal Coïc-Gallas | .... | assistant sound editor | |
| Assia Dnednia | .... | assistant foley artist (as Assia Zipper) | |
| Isabelle Filippi | .... | assistant post-synchronization | |
| Michel Filippi | .... | adr supervisor | |
| Pierre Gamet | .... | sound | |
| Jean Goudier | .... | sound editor | |
| Dominique Hennequin | .... | sound mixer | |
| Jean-Paul Hurier | .... | sound re-recording mixer | |
| Jean-Louis Lebras | .... | boom operator | |
| Pedro Marques | .... | synchronization sound engineer | |
| Gilles Missir | .... | foley recordist | |
| Julie Perez | .... | assistant sound recordist | |
Visual Effects by | |||
| Christophe Belena | .... | scan and conforming: Duboicolor | |
| Mélodie Boileau | .... | visual effects coordinator | |
| Andre Brizard | .... | digital compositor | |
| Alain Carsoux | .... | visual effects supervisor | |
| Thierry Delobel | .... | digital artist | |
| Séverine De Wever | .... | production coordinator | |
| François Dupuy | .... | I/O supervisor | |
| Xavier Fourmond | .... | digital compositor | |
| Xavier Fourmond | .... | digital effects artist | |
| Abdel Ali Kassou | .... | scanning and printing | |
| Didier le Fouest | .... | digital colorist | |
| Bruno Le Provost | .... | senior digital artist | |
| Jeremie Leroux | .... | digital artist | |
| Tina Lin | .... | scan and conforming technician: Duboicolor | |
| Nicolas Pelle | .... | scan and conforming technician: Duboicolor | |
| Bruno Sommier | .... | shooting supervisor | |
| Georges Tornero | .... | digital compositor | |
| Daniel Trujillo | .... | digital compositor | |
| Edouard Valton | .... | visual effects producer | |
| Veronique Zylberfain | .... | matte painting artist | |
Stunts | |||
| Francis Auguy | .... | stunts | |
| Alain Barbier | .... | stunts | |
| Jean-Marc Bellu | .... | stunts | |
| William Cagnard | .... | stunts | |
| Gilles Cappelletto | .... | stunts | |
| Michel Carliez | .... | stunt coordinator | |
| Gaëlle Cohen | .... | stunts | |
| Gilles Conseil | .... | stunts | |
| David Genty | .... | stunts | |
| Albert Goldberg | .... | stunts | |
| Michel Julienne | .... | stunt driver | |
| Patrick Médioni | .... | stunts | |
| Josy Venon | .... | stunts | |
| Olivier Vitrant | .... | stunts | |
Camera and Electrical Department | |||
| Jean-Paul Agostini | .... | first assistant camera | |
| Yves Agostini | .... | camera operator | |
| David Campbell | .... | crane operator: Technocrane | |
| Mathieu Caudroy | .... | Steadicam operator | |
| Dominique Delguste | .... | additional camera operator | |
| Olivier Dury | .... | assistant camera | |
| Olivier Dury | .... | first assistant camera: second team | |
| Jean-Pierre Gesbert | .... | grip | |
| Claude Hirsch | .... | chief electrician | |
| Maud Lemaistre | .... | assistant camera | |
| Laurent Malek | .... | electrician | |
| Laurent Martin | .... | grip | |
| Philippe Pantanella | .... | electrician | |
| Jérôme Prébois | .... | still photographer | |
| Xavier Renaudot | .... | electrician | |
| Vincent Richard | .... | second assistant camera | |
| Benoît Theunissen | .... | key grip | |
| Stéphane Thiry | .... | grip | |
Casting Department | |||
| Pascale Béraud | .... | extras casting | |
| Anne Lafosse | .... | casting assistant | |
| Alexandra Métaireau | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Thierry Delettre | .... | key costumer | |
| Janet Latimer | .... | wardrobe | |
| Jacques Mazuel | .... | costumer | |
| Michèle Pezzin | .... | assistant costume designer | |
Editorial Department | |||
| Virginie Bruant | .... | assistant editor | |
| Karen Cerutti | .... | editor trainee | |
| Yvan Lucas | .... | color timer | |
| Bruno Patin | .... | color timer | |
| Lucile Sautarel | .... | conforming editor | |
Music Department | |||
| John Anderson | .... | musician: oboe | |
| John Bell | .... | orchestrator | |
| Sue Bohling | .... | musician: cor anglais | |
| Simon Chamberlain | .... | musician: piano | |
| Peter Cobbin | .... | music editor | |
| Isobel Griffiths | .... | musicians contractor | |
| Richard Lancaster | .... | assistant music editor | |
| Sam Okell | .... | assistant scoring engineer | |
| Harry Rabinowitz | .... | conductor | |
| Rolf Wilson | .... | musician: first violin | |
| Gabriel Yared | .... | orchestrator | |
Other crew | |||
| Tahar Boualam | .... | groupman | |
| Ian Burley | .... | subtitler (US/UK release) | |
| Guy Courtecuisse | .... | post-production manager | |
| Pierre de Domingo | .... | assistant: Isabelle Adjani | |
| Corinne Devaux | .... | choreographer | |
| Cathy Dutheil | .... | production secretary | |
| Claire Galloy | .... | location scout | |
| Jean-Marc Haddad | .... | infography | |
| Jean-Claude Lecoq | .... | armorer | |
| Philippe Letode | .... | location scout | |
| Sophie Musset | .... | location manager | |
| Édith Pavageau | .... | assistant production administrator | |
| Marion Pin | .... | script supervisor | |
| Martine Quinternet | .... | assistant production administrator | |
| Jean-Michel Rudrauf | .... | infography | |
| Gaëlle-Anne Salin | .... | assistant production administrator (as Gaëlle-Anne Salin-Montagne) | |
| Philippe Tourret | .... | location manager | |
| Bernadette Zinck | .... | production administrator | |
Thanks | |||
| Anne Baquet | .... | thanks | |
| Colette Barber | .... | thanks: Abbey Road Studios | |
| Luc Besson | .... | thanks: from Michèle et Laurent Pétin | |
| Brigitte Brauner | .... | thanks: Bureau Parisien de Film (as Madame Brigitte Brauner) | |
| Jean-Claude Carrière | .... | thanks: from Michèle et Laurent Pétin | |
| Xavier Dreyfuss | .... | thanks: Studios NX | |
| Bertrand de Labbey | .... | thanks: from Michèle et Laurent Pétin | |
| Nathaniel Mechaly | .... | thanks: Studios NX | |
| Régine Silberg | .... | thanks: VMA | |
| Daniel Toscan du Plantier | .... | thanks: from Michèle et Laurent Pétin | |
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| 8½ | L'armée des ombres | Roma, città aperta | Laissez-passer | Au revoir les enfants |
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It's wartime drama - WWII, with French and Jews and Germans, but this one is somehow fun, earnestly so. Director Jean-Paul Rappeneau co-wrote the script to his well-received film "Bon Voyage" (2003). Unlike director Bertrand Tavernier's "Safe Conduct" aka "Laissez-passer" (2002), w-d Rolf Schubel's "Gloomy Sunday" (1999), or w-d Claude Berri's "Lucie Aubrac" (1997), "Bon Voyage" is as chipper as its title sounds - c'est la vie (whatever) - and we have the beautiful talented Isabelle Adjani to thank for. It is her delightful performance throughout as the center of attraction (and attention), the cause and effect of it all, that made the film so enjoyable as it is. Hell, what's another derailment of her plan and expectations - will worry about that another time. The backbone of the story does revolve around a pair of young enthusiasts: Grégori Derangère as Frédéric and Virginie Ledoyen (from Francois Ozon's "8 Women") as Camille. The incomparable Gérard Depardieu, the witty Yvan Attal (of "My Wife is An Actress") and versatile Peter Coyote (juggling French, English and German here) are some of the stellar cast involved.
There are many characters coming and going in this plot of a movie, and how it's all juggled is a skilful knack that requires no analysis - Rappeneau is simply a genius. The story just builds upon itself, one episode after another, or even with overlapping events, but never confusing - that's the delight of it all, somehow every detail turns out right on the screen and we just lap it all up like a tastily presented French dessert, literally so. There's thrills, trills, tender hesitant moments and taut ominous escapes, all playing out in front of our eyes.
From reading the Director's Note on the Sony Pictures Classics' Bon Voyage official site, Rappeneau indicated this is his most personal and successful work ever. Depicting Bordeaux 1940 from memories of his childhood years is very much close to his heart and he "had worked and reworked the script for almost 3 years." This film is a labor of love all round, the cast and crew complementing the director's passion and a formidable script by collaborative writers along with the director and his son Julien - adaptation efforts by Gilles Marchand, Patrick Modiano, and Jérôme Tonnerre.
Music by Gabriel Yared (varied in tone from his previous film scores like "The English Patient" or "Talented Mr. Ripley"), who provided a befitting theme that kept the pace and rhythm of the plot going - almost like a train going non-stop, reflecting Adjani's Viviane's vivacious energy (even when she's tired), keeping her going as she meets whatever comes, walking on with head held high and stylish attire always, no looking back, let alone time for regrets.
Ah, mustn't forget the wonderfully translated, skilful subtitles by Ian Burley, who also did subtitles for films in Italian: "Bread and Tulips" (2000) aka Pane e tulipani, "The Last Kiss" (2001) aka L'ultimo bacio, and Tom Tykwer's "Heaven" (2002).
If you find this much too light a wartime relationship drama, try w-d Mäx Fäberböck's "Aimée and Jaguar" (1999, in German, based on a true story) with brilliant performances from Juliane Köhler as Aimée and Maria Schrader as Jaguar.