| Photos (see all 50 | slideshow) | Videos (see all 9) |
| Chris Ambrose | ... | Superman | |
| Joey Krajcar | ... | Batman | |
| Josh Hutcherson | ... | Robin | |
| Cameron Carter | ... | Green Lantern | |
| Daniel Tay | ... | Young Harvey | |
| Mary Faktor | ... | Housewife | |
| Paul Giamatti | ... | Harvey Pekar | |
| Harvey Pekar | ... | Real Harvey | |
| Shari Springer Berman | ... | Interviewer (voice) | |
| Larry John Meyers | ... | Throat Doctor (as Larry John Myers) | |
| Vivienne Benesch | ... | Lana | |
| Barbara Brown | ... | Nurse | |
| Earl Billings | ... | Mr. Boats | |
| Danny Hoch | ... | Marty | |
| James Urbaniak | ... | Robert Crumb | |
| Eli Ganias | ... | Pahls | |
| Sylvia Kauders | ... | Old Jewish Lady | |
| Rebecca Borger | ... | Cashier | |
| Nick Baxter | ... | Mattress Guy #1 | |
| Allen Branstein | ... | Mattress Guy #2 | |
| Dick Prochaska | ... | WW II Patient | |
| Charles Eduardos | ... | Doctor | |
| Judah Friedlander | ... | Toby Radloff | |
| Robert Pulcini | ... | Bob The Director | |
| Toby Radloff | ... | Real Toby | |
| Bianca Santos | ... | Counter Girl | |
| Maggie Moore | ... | Alice Quinn | |
| Hope Davis | ... | Joyce Brabner | |
| Mike Rad | ... | Rand | |
| Amy K. Harmon | ... | Cheery Waitress | |
| Joyce Brabner | ... | Real Joyce | |
| Donal Logue | ... | Stage Actor Harvey | |
| Molly Shannon | ... | Stage Actor Joyce | |
| Eytan Mirsky | ... | Guitarist | |
| Rob Grader | ... | Stage Manager | |
| Terrence Sullivan | ... | Letterman Regular | |
| Ebon Moss-Bachrach | ... | MTV Director | |
| Patrick Lafferty | ... | Yuppie | |
| Jesse Perez | ... | Miguel | |
| Jeff Peters | ... | Talk Show Host | |
| Ola Creston | ... | PA #1 | |
| Robert J. Williams | ... | Cancer Doctor | |
| James McCaffrey | ... | Fred | |
| Madylin Sweeten | ... | Danielle | |
| Danielle Batone | ... | Real Danielle | |
| Jason Stevens | ... | Letterman Regular Voice (voice) | |
| Todd Cummings | ... | Talk Show Host Voice (voice) | |
| rest of cast listed alphabetically: | |||
| Marcus Wynnycky | ... | Comic Book Fan (uncredited) | |
Directed by | |||
| Shari Springer Berman | |||
| Robert Pulcini | |||
Writing credits(WGA) | ||
| Harvey Pekar | comic book series American Splendor and | |
| Joyce Brabner | comic book series Our Cancer Year | |
| Shari Springer Berman | (written by) & | |
| Robert Pulcini | (written by) | |
Produced by | |||
| Declan Baldwin | .... | line producer: New York | |
| Ted Hope | .... | producer | |
| Julia King | .... | associate producer | |
| Christine K. Walker | .... | line producer (as Christine Kunewa Walker) | |
Original Music by | |||
| Mark Suozzo | |||
Cinematography by | |||
| Terry Stacey | (director of photography) | ||
Film Editing by | |||
| Robert Pulcini | |||
Casting by | |||
| Ann Goulder | |||
Production Design by | |||
| Thérèse DePrez | (as Thérèse Deprez) | ||
Set Decoration by | |||
| Robert DeSue | (as Robert Desue) | ||
Costume Design by | |||
| Michael Wilkinson | |||
Makeup Department | |||
| Luisa Abel | .... | makeup department head | |
| Deanna | .... | hair department head (as R. Deanna) | |
| Deborah Lilly | .... | hair swing (as Deborah R. Lilly) | |
| Deborah Lilly | .... | makeup swing (as Deborah R. Lilly) | |
| Kathy Madison | .... | additional hair | |
| Kathy Madison | .... | additional makeup | |
Production Management | |||
| Janet Fries Eckholm | .... | post-production supervisor: Los Angeles (as Janet Eckholm) | |
| Chip Signore | .... | unit production manager: New York | |
| Andy Wheeler | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Eric Richard Lasko | .... | second second assistant director (as Eric Lasko) | |
| Matt G. Sheets | .... | additional second assistant director | |
| Chip Signore | .... | first assistant director | |
| Meryl Stavitz | .... | second assistant director | |
Art Department | |||
| Doug Allen | .... | original artwork | |
| Greg Budgett | .... | original artwork | |
| John Alan Champion | .... | swing gang (as John Champion) | |
| Robert Crumb | .... | original artwork (as R. Crumb) | |
| Gary Dumm | .... | original artwork | |
| Jack Gardener | .... | swing gang (as Jack Gardner) | |
| Jason Gerstein | .... | original artwork | |
| Mindy Harris | .... | property master | |
| Dean Haspiel | .... | original artwork | |
| Matt Hausmann | .... | art department intern | |
| Todd Heckeler | .... | art department intern | |
| Kenneth J. Kellers | .... | leadman (as Kenneth Kellers) | |
| Lynn Kramer | .... | props assistant | |
| Donald Leigl | .... | swing gang (as Donald J. Liegl) | |
| Tema Levine | .... | assistant to production designer | |
| Dustin Lucien | .... | art department intern | |
| Dean Macur | .... | props assistant | |
| Shaina Malkin | .... | art department intern | |
| Deborah Marsh | .... | art department coordinator | |
| David W. Mooney | .... | swing gang | |
| Beth O'Brien | .... | art department intern | |
| Mike O'Neill | .... | art department intern | |
| Erika Rice | .... | swing gang | |
| Joe Sacco | .... | original artwork | |
| Gerry Shamray | .... | original artwork | |
| Frank Stack | .... | original artwork | |
| Diana Stoughton | .... | on-set dresser | |
| Matthew T. | .... | art department production assistant | |
| James E. Todd | .... | swing gang | |
| Joe Zabel | .... | original artwork | |
| Mark Zingarelli | .... | original artwork: "Our Movie Year" | |
Sound Department | |||
| Ron Bochar | .... | re-recording mixer | |
| Mick Davies | .... | boom operator (as Michael B. Davies) | |
| Chris Fielder | .... | transfer assistant | |
| Albert Gasser | .... | dialogue editor | |
| Ruth Hernandez | .... | first sound assistant | |
| George A. Lara | .... | foley supervisor | |
| Whit Norris | .... | sound mixer | |
| Jay Peck | .... | foley artist | |
| Anne Pope | .... | dialogue editor | |
| Nicholas Renbeck | .... | supervising sound editor | |
| Jeffrey Stern | .... | adr editor (as Jeff Stern) | |
| Allan Zaleski | .... | sound effects editor | |
| Alexa Zimmerman | .... | first sound assistant | |
| Rick Ash | .... | sound re-recording mixer (uncredited) | |
| Jamie Baker | .... | adr recordist (uncredited) | |
| Glenn Marullo | .... | sound mixer (uncredited) | |
| Unsun Song | .... | sound recordist (uncredited) | |
Visual Effects by | |||
| John Kuramoto | .... | animator: Twinkle | |
| John Kuramoto | .... | compositor: Twinkle | |
| Gary Leib | .... | animator: Twinkle | |
| Gary Leib | .... | designer: Twinkle | |
| Patrick Clancey | .... | digital opticals (uncredited) | |
| John R. Ellis | .... | digital cleanup artist (uncredited) | |
| Steven J. Scott | .... | digital intermediate colorist: EFilm (uncredited) | |
| Michael J. Williams | .... | digital opticals: Heavy Light Digital (uncredited) | |
Casting Department | |||
| Elizabeth Baird | .... | principals casting assistant (as Liz Baird) | |
| Sarah Katherine Christie | .... | casting assistant | |
| Kendall Embrescia | .... | extras casting assistant | |
| Marcy Ronen | .... | extras casting: Cleveland | |
Costume and Wardrobe Department | |||
| Kimberly Andrews | .... | costume assistant | |
| Robin Fields | .... | key costumer (as Robin K. Fields) | |
| Murshel Lewis | .... | costume supervisor (as Murshel C. Lewis) | |
| Sarah Silver | .... | wardrobe intern | |
| Adrienne Brown | .... | wardrobe production assistant (uncredited) | |
Editorial Department | |||
| Alfredo Frasson | .... | color timer | |
| Mitchell Gutman | .... | post-production intern | |
| Linus Hume | .... | post-production coordinator | |
| Julia King | .... | post-production supervisor | |
| Catherine Rankin | .... | negative cutter | |
| Tim Streeto | .... | additional editor | |
| Mila Patriki | .... | colorist: dailies (uncredited) | |
| Andrew Seklir | .... | assistant editor (uncredited) | |
Music Department | |||
| Sanford Allen | .... | featured musician: violin solo/concertmaster | |
| John Beal | .... | featured musician: bass | |
| Linda Cohen | .... | music supervisor | |
| Dave Douglas | .... | featured musician: trumpet | |
| Butch Jones | .... | additional music recordist: Back Pocket Recording Studios | |
| Evyen Klean | .... | music consultant | |
| Bob Malach | .... | featured musician: tenor sax | |
| Josh Rosenblum | .... | additional conductor | |
| Derek Smith | .... | featured musician: piano, organ, celeste | |
| Ted Spencer | .... | music recordist-mixer | |
| Dale Stuckenbruck | .... | featured musician: musical saw | |
| Mark Suozzo | .... | conductor | |
| Mark Suozzo | .... | music producer | |
| Mark Suozzo | .... | orchestrator | |
| Ronnie Zito | .... | featured musician: drums | |
| Jamie Baker | .... | music recordist (uncredited) | |
Transportation Department | |||
| Wayne Conway | .... | transportation captain | |
| Cheryl Dennis | .... | driver | |
| Tom McCue | .... | transportation coordinator (as Thomas Titus McCue) | |
| Russ A. Minerd | .... | driver | |
| Larry Spencer | .... | additional driver | |
| Roman Wlaszyn | .... | picture car wrangler (as Roman A. Wlaszyn) | |
| Andy Bethke | .... | driver (uncredited) | |
Other crew | |||
| Jeremy Bailey | .... | assistant location manager | |
| William Ball | .... | additional craft assistant | |
| Andy Bethke | .... | set production assistant | |
| Chad Bronson | .... | set production assistant | |
| Brian Cantaldi | .... | bookkeeper | |
| Alison S. Cohen | .... | production counsel: Epstein, Levinsohn, Bodine, Hurwitz & Weinstein (as Alison Cohen) | |
| Paula D. Collins | .... | craft service assistant | |
| Joseph Cortese | .... | location production assistant (as Joe Cortese) | |
| Rob Fegen | .... | production administrative supervisor (as Robert Fegen) | |
| Janell Fletcher | .... | facility manager: Avid | |
| Jennifer Zolten Freed | .... | post-production accountant (as Jennifer Freed) | |
| Jason Gerstein | .... | office production assistant | |
| Elisabeth Giglio | .... | office manager: C 5 | |
| Lamia Guellati | .... | assistant: Ted Hope | |
| Jason Cooper Hall | .... | assistant: Christine Walker | |
| Virginia M. Herdman | .... | craft service | |
| Derrick Kardos | .... | clearance assistant | |
| Billy Lalor | .... | clearance assistant | |
| Robert Langhorst | .... | assistant chef: Premiere Caterers | |
| David Lemoyne | .... | additional set production assistant (as David Lemoyne Jones) | |
| Sara Lieberth | .... | craft service | |
| Eric Muss-Barnes | .... | production assistant: cast | |
| Jen O'Neal | .... | additional production secretary | |
| Chris Petro II | .... | production assistant: cast | |
| Ryan Polack | .... | set production assistant | |
| Amanda L. Preputnik | .... | additional set production assistant | |
| Michael Rochford | .... | location manager (as Michael M. Rochford) | |
| Elizabeth Rohrbaugh | .... | set production assistant | |
| Michael Santeramo | .... | chef: Premiere Caterers | |
| Michael Taylor | .... | script supervisor | |
| Melinka Thompson-Godoy | .... | production executive: Good Machine | |
| Lesley Ward | .... | production secretary (as Lesley Ward-Zickefoose) | |
| Becky Woodward | .... | additional location production assistant | |
| Devon Zeigler | .... | set production assistant | |
| Brian Dickson | .... | production assistant (uncredited) | |
| Jason Cooper Hall | .... | assistant to cast (uncredited) | |
| Kelly Lofstrom | .... | contract administrator (uncredited) | |
| Charles Moore | .... | production assistant (uncredited) | |
| Rebecca Thornell | .... | clearance (uncredited) | |
| Daniel Villagomez | .... | credits administrator (uncredited) | |
| Andy Wheeler | .... | production accountant (uncredited) | |
Thanks | |||
| Norman Barr | .... | special thanks: The Detroit Theatre | |
| Jude Brennan | .... | special thanks | |
| Paul Brennan | .... | special thanks (as Paul Brennan Esq.) | |
| Bernt Amadeus Capra | .... | the producers would like to thank (as Bernt Capra) | |
| Chris Carmody | .... | special thanks | |
| Debra Greico | .... | special thanks | |
| Wayne A. Harold | .... | special thanks (as Wayne Harold) | |
| Robert Katz | .... | special thanks | |
| Walt Kelly | .... | acknowledgment: the filmmakers acknowledge the creative work of | |
| Anne Kuenzel | .... | special thanks: Lakewood Hospital | |
| Matt Loeb | .... | special thanks | |
| Lewis Payton | .... | special thanks | |
| Carla Raij | .... | special thanks | |
| Alicia Sams | .... | special thanks | |
| Adam Shulman | .... | special thanks | |
| Mary Jane Skalski | .... | special thanks | |
| Pam Smith | .... | special thanks | |
| Jim Stark | .... | the producers would like to thank | |
| Vince Waldron | .... | the producers would like to thank | |
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I'm sorry, but I just saw this movie this week on cable, and went out and bought the DVD immediately thereafter. I have since watched it about 15 times, so far. I'm not a comic book fan (at all), and I've never heard of Harvey Pekar (though perhaps vaguely remember his appearances on David Letterman, since seeing this film). Giamatti's performance alone is worth the time in watching this film. I don't think anything Brando, Pacino, or DeNiro has done, to name a few, compares to what Giamatti pulls off in this film. And with that said, perhaps I'm still too new and enthusiastic a viewer to be reviewing his performance. However, PG's every nuance, from his eyebrow twitches and raises, to the shrug of his shoulders, to his speech pattern, to the manner in which he says "OK, OK" early on to his doctor when he's getting his throat checked to his walk...EVERYTHING is just so wonderfully "channeled". He offers such a natural character, and whether or not he is Pekar spot on, I don't know. However, he created his own wonderful big little character. (The scene in which he is talking to Joyce (Hope Davis' character) on the phone, urging her to meet him in Cleveland, is quietly hysterical).
Hope Davis was also great, and it's amazing how much her natural voice and speech pattern resemble that of Pekar's wife. Full of laughs and pathos, in addition to wonderful jazz scores (I haven't checked if there's a soundtrack for the film...I hope that there is one)....this is a must-see film...absolutely brilliant! I don't even know if P. Giamatti was nominated for his performance, but he should have won every award that year, including the Oscar (or at least tie with Sean Penn). I know I have spent all this time commenting on just the two main characters, because they are both so breathtakingly brilliant in their interpretations. Therefore, I'll offer a note about the film overall as well.
First, the film is brilliantly executed. Combining both actors and original screenplay material along with some real-life footage of Harvey Pekar himself was very inventive. And, the use of this approach never bordered on being "cutesy" or clever, as Pekar's perspective and ongoing commentary truly validates the entire film. As I mentioned before, P. Giamatti seems to inhabit Pekar....and provides a very endearing portrait in the process. I have for so many years far preferred quieter, character-driven films, which happen to typically fall within the "indie" category. This film has simply solidified my love for character-driven stories. It is insightful, very droll, and full of pathos. I am now even contemplating subscribing to the comic book "American Splendor", and I am someone who ABSOLUTELY ABHORS all forms of animation. I particularly despise animated films, and only read "Cathy", "Dilbert", and "Doonesbury" from the strips. However, I might just start subscribing to "American Splendor". Because I missed this film when it first came out, I am not certain how large an audience it originally attracted, quite frankly. However, watching it has made me shun, just a little bit more, larger, Hollywood productions, including typical, cookie-cutter romantic comedies (as for another mass-produced Hollywood genre....action/adventure films...I've always hated them and never watch them). I won't turn into a snob and completely shun all Hollywood films, but there certainly is something to be said for quiet, thoughtful pieces that are accompanied by a refreshingly wonderful jazz soundtrack (too many films today appear to have been written around x number of popular songs...it can be quite annoying). As for this film, it's a treasure. Please rent it and ENJOY!